F1 (also styled as F1: The Movie) blasts into IMAX screens and other venues on June 27th, marking Joseph Kosinski’s theatrical follow-up to Top Gun: Maverick. The exploration of the Formula One World Championship is headlined by Brad Pitt with costars including Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem.
Critics are mostly championing this an effective summer blockbuster with 84% on Rotten Tomatoes and a 67 Metacritic. There are some gripes about the screenplay and even quibbles with how the racing sequences are choreographed.
While Maverick was nominated in six categories at the 95th Academy Awards including Best Picture, F1‘s possibilities are more limited. Sound seems the most feasible with Cinematography, Editing, and Hans Zimmer’s Score having shots. BP is likely out of reach and same goes for the cast despite praise for Pitt and the relatively unknown (though not for long) Idris. My Oscar Prediction posts will continue…
Despite their effortless chemistry, George Clooney and Brad Pitt have yet to find their winning vehicle. I know many of you are now saying what about Ocean’s Eleven?!? Or Thirteen?… though probably not that Jan Brady of a franchise entry Twelve. I found the whole trio a little disappointing actually. The finest Clooney/Pitt collaboration is easily Burn After Reading from the Coen Brothers. However, the duo share mere seconds onscreen together. They are violently hilarious ones.
Wolfs is not funny or action packed enough. It encounters chop simply attempting to coast on the charms of its headliners. They play roles that might only exist in the movies – fixers. Well at least there’s a lot more of them on the silver screen like hitmen. Clooney is known only as Margaret’s Man in the credits. Margaret (Amy Ryan) is running for district attorney when she picks up a much younger man known as Kid (Austin Abrams) at a hotel. Their planned one night stand folds when Kid collapses and is presumed dead. VIPs like Margaret get a special phone number to clean up these messes and Clooney is dispatched to fix it.
So is Pitt and he’s known as Pam’s Man. Pam (voiced by Frances McDormand) runs the hotel and Pitt is their in-house problem solver. Two men whose survival hinges on working solo is disrupted when they both report for duty. Margaret goes back to campaigning as Ryan’s participation is a glorified cameo. Kid, it turns out, is not DOA as the trio must deal with bricks of heroin, Albanian gangsters, safari themed hotel rooms and back problems.
Written and directed by Jon Watts (whose become best known for the three Tom Holland Spider-Man flicks), Wolfs is not afraid to point out that its hunky leads are getting up in years. We’ve certainly seen the aging criminal story before and this struggles to find any new angles.
There’s limited pleasures. The Kid flirts with being a delightfully bizarre character here and there. I did appreciate how you’re not sure for awhile whether he’s smarter than he lets on or truly as dumb as Clooney and Pitt suspect. Or for that matter, if he’s mortal. No one makes faces of befuddled bemusement better than Pitt.
The leading men, though, still haven’t made their Butch Cassidy and the Sundance Kid or The Sting no matter how hard Ocean’s and Wolfs try. Finally, there’s the matter of cinematic “fixers”. My favorite is Harvey Keitel in Pulp Fiction. He basically showed up to tell Samuel L. Jackson and John Travolta to clean up the car after the latter had accidentally blown Marvin’s head off. There was no real fixing needed and Quentin Tarantino seemed in on the joke. Clooney and Pitt’s rapport doesn’t need a fix, but Wolfs is ripe for plenty of improvement.
George Clooney and Brad Pitt bring their considerable star power to Wolfs which premiered out of competition in Venice. The action comedy receives a limited theatrical release on September 20th before it streams on Apple TV the following weekend. Jon Watts, after helming the last three Spider-Man titles for the MCU, directs with Amy Ryan, Austin Abrams, and Poorna Jagannathan among the supporting players.
Several critics are essentially giving this a pass for coasting well enough on the charisma of its leads. Other reviews are less charitable and it currently sports a 73% Rotten Tomatoes score. Clooney is a four-time acting nominee with a Supporting Actor victory for 2005’s Syriana. As for Pitt? Well, he’s a four-time acting nominee with a Supporting Actor victory for 2019’s Once Upon a Time in Hollywood. They have other nominations for their directing (Clooney) and producing work (both).
It would seem Wolfs was not made for the Academy’s consideration. Apple should get plenty of viewers to bite. My Oscar Predictions will continue…
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
With James Mangold taking over directorial duties from Steven Spielberg and Harrison Ford now an octogenarian, Indiana Jones and the Dial of Destiny risks ending the 42-year-old franchise as almost an afterthought. Luckily it manages to capture the Indy spirit in fits and starts. This is not the travesty that some in the social media spiral of spin will claim it is. For that matter, neither was 2008’s derided predecessor Indiana Jones and the Kingdom of the Crystal Skull. That film, however, was a bit of a mess. Destiny is stronger though it does not match the quality of the deservedly storied trilogy from 1981-89.
To borrow a phrase from Brad Pitt in Inglourious Basterds, Indy’s gonna be doin’ one thing and one thing only… killin’ Nazis. At least that’s where we begin in a 1944 set prologue. Dr. Jones (de-aged by pretty effective visual effects) and colleague Basil Shaw (Toby Jones) are battling Hitler’s troops as they seek the Lance of Longinus (the weapon used to pierce Christ during the crucifixion). This turns out to be a fool’s errand. However, the archaeologists do come upon half of a dial invented by Archimedes that’s rumored to allow for time travel. Nazi physicist Jürgen Voller (Mads Mikkelsen) needs it to reverse his team losing the war. Yet the more youthful Indy manages to wrestle it away.
Flashing forward to 1969, the Professor is retiring from his teaching job. It seems the aging iconic action hero hung up the whip some time ago. His marriage to Marion (Karen Allen) is on the ropes and Jones seems destined for an uninspired last few years in a cramped NYC apartment. Enter Helena (Phoebe Waller-Bridge), his goddaughter to now deceased Basil. While Indy’s neighbors and the American people are preoccupied with the imminent moon landing, Helena wants her out of touch godfather dialed back into the dial business. She gets the reluctant retiree to don the fedora to find the other half. Her young sidekick Teddy (Ethann Isidore) is along for the ride. Voller, now living under an assumed named and working for NASA, hasn’t forgotten about it in the last quarter century as he and head henchman Klaber (Boyd Holbrook) attempt to forcefully retrieve it.
The globetrotting commences from NYC to Morocco and Greece and eventually some really unforeseen places. Just as Crystal Skull finally brought a Spielberg mainstay alien subplot to the Indy mix (to much derision, some warranted), Destiny gets the Marty/Doc Brown vibe happening. I won’t delve into the spoiler centric details, but I will say this. The ending portions may not work very well in execution, but it does continue this franchise’s tradition of giving us bonkers third acts. I’m just sayin’ you may need to do a series rewatch if you think Destiny‘s climax is too out there. This is not necessarily a bad thing.
As mentioned, there are frequent instances where this captures the mood of what we dug in the 1980s. I experienced it in a chase scene or two (one during a ticker tape parade is a highlight). I found Waller-Bridge to be a better partner in artifact retrieval than Shia LaBeouf’s Mutt from 15 years ago. Yes, the brief reappearance of Sallah from Raiders and Last Crusade (John Rhys-Davies) feels tacked on. The runtime can feel as exhausted as our title character these days. It is those old-timers that provide the most memorable parts whether it’s the John Williams score or Mr. Ford still nailing the gruff yet caring legend. Does the nostalgia feel forced at times? Sure. It’s still one small step up from when we last saw Indy.
The silent days and boisterous evenings of Hollywood in the 1920s and 30s are meticulously depicted in Babylon. From the gourd of Damien Chazelle, this is his version of Boogie Nights in many respects. It focuses on one version of Tinseltown technology fading out in favor of another. In Paul Thomas Anderson’s masterpiece from a quarter century ago, it was X rated material shot on film being transitioned to video. Here it’s the silent era making way for talkies. The adult entertainment is on ample display at the swank and sweaty bashes that feature cocaine and elephants as party favors.
We meet the main principals at an L.A. happening in 1926. Manny Torres (Diego Calva) is an immigrant doing menial work for Kinoscope Studios. At the company’s debauched soirée, aspiring star Nellie LaRoy (Margot Robbie) literally crashes into his consciousness and a years long infatuation is born. Jack Conrad (Brad Pitt) is the already established screen hero whose shooting schedules seem to last longer than his marriages. Jazz trumpeter Sidney Palmer (Jovan Adepo) provides the soundtrack to the sin while cabaret songstress Lady Fay Zhu (Li Jun Li) supplies sultry vocals. Columnist Elinor St. John (Jean Smart) is around to gossip about it.
The night serves as the intro point for Manny and Nellie to mount separate meteoric rises in a shifting industry. She becomes a silent film sensation just as sound (courtesy of The Jazz Singer) is around the corner. Manny’s connection with Conrad opens doors to big jobs as the movie headliner’s career begins a downward slide. Palmer, meanwhile, becomes a popular if exploited attraction in a series of musicals.
For three hours plus, Babylon celebrates and denigrates the excesses of the era. Nellie’s substance fueled rocket ride and downfall is given bulky screen time while others get the short shrift (Jun Li’s Zhu being one example). There is impressive production design to spare where odious actions occur within the walls. Tobey Maguire’s cameo as a whacked out criminal at an underground function displays scenarios that might make Robbie’s and her costars from The Wolf of Wall Street blush.
Chazelle’s message is pretty straightforward when there isn’t vomit and defecate being spewed. As ugly as Hollywood is, the end result can be beautiful. This is evident in a couple of terrific sequences that show the joy and pain of moviemaking. In one we witness Conrad’s war-torn romance catch the light at the perfect time. In another we suffer along with Nellie as she acclimates herself to the noise being introduced to celluloid.
I wish the gifted provider of Whiplash and La La Land could’ve reigned himself in. The aforementioned segments show how special this would have been with a tighter focus. Unfortunately it’s not only septa being deviated from. While Robbie and Pitt both have shining moments, Chazelle’s screenplay never makes Manny a compelling central figure. Calva doesn’t have much to work with considering his blank slate of a character. There are many known faces that pop up in the crowded script including Olivia Wilde and Katherine Waterston as fleeting wives to Conrad. Lukas Haas is the sad sack friend to the frequent divorcee whose character is similar to William H. Macy’s in Boogie Nights. That picture and Babylon take place in different eras of Hollywood shifts. One is brilliant. The other is occasionally inspired and often maddening.
Five days ahead of the Academy Awards nominations, our friends across the pond have revealed their picks. The BAFTAs (Great Britain’s Oscars equivalent) take place March 13th with Richard E. Grant hosting.
After the long lists of potential contenders were revealed, it was an impressive showing for Edward Berger’s WWI epic All Quiet on the Western Front. Today’s nods solidified its status as a favorite of this branch with a terrific 14 nominations. In short, it showed up everywhere it could’ve with the exception of Best Actor.
While Quiet made noise, it was the opposite for Women Talking and Glass Onion: A Knives Out Mystery. Both were blanked. In particular, each were expected to contend in Adapted Screenplay (Talking is seen as a potential winner at Oscar). The Fabelmans only managed one mention. I projected that though not in the race where it materialized.
I went 83/119 on my forecasts. Let’s walk through each category with some quick takes.
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár
How I Did: 4/5
No shockers here as Elvis got in over Triangle of Sadness. Given the performance by Quiet today, it may battle it out with Banshees (which did well this morning) and Everything for the grand prize.
Director
Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Gina Prince-Bythewood (The Woman King)
How I Did: 4/6
My runner-up Chan-wook making the cut was not a surprise. Prince-Bythewood getting in is. They’re in over Alice Diop (Saint Omer) who was my own surprise pick and Charlotte Wells (Aftersun). It’s worth noting that Aftersun had a rather subpar day. We already knew Steven Spielberg (The Fabelmans) was out since he didn’t make the long list. This might be Berger v. Daniels.
Actressk
Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Ana de Armas (Blonde), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 5/6
Deadwyler over Lesley Manville in Mrs. Harris Goes to Paris. As projected, this is another high profile omission for Michelle Williams in The Fabelmans. Her Oscar hopes are shakier by the minute.
Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Daryl McCormack (Good Luck to You, Leo Grande), Paul Mescal (Aftersun), Bill Nighy (Living)
How I Did: 5/6
McCormack unexpectedly pops up instead of Felix Kammerer – the one miss for All Quiet. Noteworthy that Tom Cruise couldn’t land here for Top Gun: Maverick (with a so-so haul of 4 tech nods).
Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly De Leon (Triangle of Sadness), Carey Mulligan (She Said)
How I Did: 4/6
The question here is whether Bassett keeps the victory streak alive or whether Condon, De Leon, or one of the others can disrupt a sweep. Curtis and Mulligan surface over my projected picks of Lashana Lynch (The Woman King) and Janelle Monáe (Glass Onion).
Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse), Albrecht Schuch (All Quiet on the Western Front), Micheal Ward (Empire of Light)
How I Did: 4/6
Another call for Redmayne. He and Schuch join this sextet instead of Woody Harrelson (Triangle of Sadness) and Brad Pitt (Babylon). Quan is the favorite.
Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
How I Did: 4/5
The sole nod for The Fabelmans is here and I thought Aftersun would be in the quintet instead. Will Banshees or Everything emerge?
Adapted Screenplay
All Quiet on the Western Front, Living, The Quiet Girl, She Said, The Whale
How I Did: 2/5
Ouch. As mentioned, no Glass Onion or Women Talking and I also had Guillermo del Toro’s Pinocchio listed. All Quiet, The Quiet Girl, and The Quiet Whale, errr just The Whale, were the trio I wasn’t counting on. Good luck selecting a winner here. I’m thinking Living at the moment.
Outstanding British Film
Aftersun, The Banshees of Inisherin, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Roald Dahl’s Matilda the Musical, See How They Run, The Swimmers, The Wonder
How I Did: 8/10
The only race with 10 contenders, one would think Banshees (as the only Best Film nominee) is out front. I had Blue Jean and Mrs. Harris Goes to Paris and not See How They Run or The Swimmers.
Outstanding Debut a British Writer, Director, or Producer
Aftersun, Blue Jean, Electric Malady, Good Luck to You, Leo Grande, Rebellion
How I Did: 3/5
Malady and Rebellion over Emily and Wayfinder. Before this morning, I would’ve thought Aftersun was a slam dunk. It likely still takes this, but Grande could threaten given its over performance.
Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Corsage, Decision to Leave, The Quiet Girl
How I Did: 4/5
Had EO and not Corsage. The only way All Quiet doesn’t take this in a blowout is if it wins Best Film and the voters want to choose something else. That probably won’t occur, but if so, Decision to Leave is viable considering the directing nod.
Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
How I Did: 4/4
I won’t pat myself too hard on the back since the only category with a quartet wasn’t much of a challenge. Picking a recipient isn’t either as Pinocchio should prevail.
Documentary
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, Moonage Daydream, Navalny
How I Did: 3/5
I admittedly went with a couple spoilers in Hallelujah: Leonard Cohen, a Journey, a Song and The Ghost of Richard Harris. Fire and Navalny are present instead for what could be a preview of the Oscar five (or at least 4/5).
Casting
Aftersun, All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Triangle of Sadness
How I Did: 3/5
Chose Banshees and Fabelmans and not All Quiet (get used to hearing that) or Elvis.
Cinematography
All Quiet on the Western Front, The Batman, Elvis, Empire of Light, Top Gun: Maverick
How I Did: 3/5
Had Athena and Tár as opposed to The Batman and Elvis.
Costume Design
All Quiet on the Western Front, Amsterdam, Babylon, Elvis, Mrs. Harris Goes to Paris
How I Did: 3/5
All Quiet and Amsterdam are suited for competition instead of Black Panther: Wakanda Forever (a notable snub) and Roald Dahl’s Matilda the Musical.
Editing
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Top Gun: Maverick
How I Did: 4/5
Thought the Brits might select Moonage Daydream but it’s Banshees instead.
Make Up and Hair
All Quiet on the Western Front, The Batman, Elvis, Roald Dahl’s Matilda the Musical, The Whale
Didn’t have All Quiet or Matilda. Did have Amsterdam and Babylon.
Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio
Two of the year’s most acclaimed scores (Empire of Light, Women Talking) fall out with All Quiet and Everything in.
Production Design
All Quiet on the Western Front, Babylon, The Batman, Elvis, Guillermo del Toro’s Pinocchio
How I Did: 2/5
Ouch Part II. Only correctly called Babylon and Elvis (the duo most likely to win). Incorrectly had Avatar: The Way of Water, Banshees, and Empire of Light.
Sound
All Quiet on the Western Front, Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick
How I Did: 4/5
Tár in, The Batman out.
Special Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Top Gun: Maverick
All Quiet in over Fantastic Beasts: The Secrets of Dumbledore. Despite a meager haul for Avatar, it should manage a victory in this race.
For those keeping score, that means these pictures garnered these numbers of nominations:
14 Nominations
All Quiet on the Western Front
10 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
9 Nominations
Elvis
5 Nominations
Tár
4 Nominations
Aftersun, The Batman, Good Luck to You, Leo Grande, Top Gun: Maverick, The Whale
3 Nominations
Babylon, Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness
2 Nominations
Avatar: The Way of Water, Decision to Leave, The Quiet Girl, Roald Dahl’s Matilda the Musical, She Said, The Woman King
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Amsterdam, Argentina, 1985, Black Panther: Wakanda Forever, Blonde, Blue Jean, Brian and Charles, Corsage, Electric Malady, The Fabelmans, Fire of Love, The Good Nurse, Marcel the Shell with Shoes On, Moonage Daydream, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, Rebellion, See How They Run, The Swimmers, Till, Turning Red, The Wonder
I’ll have final predictions up shortly before the ceremony’s airdate!
Arriving five days before Oscar nominations are the British Academy Film Awards – commonly known as the BAFTAs. On January 6th, the long lists in each category were revealed. There were major surprises like Avatar: The Way of Water not being in the list of 10 for Best Film consideration (same goes for its maker James Cameron in Director). Perhaps the biggest shock was Steven Spielberg being omitted from the Directing race. That’s partly why I have The Fabelmans generating a grand total of 1 nomination.
This is a show that isn’t afraid to go their own way. In 2021, while all 5 Best Film contenders were also BP contenders with the Academy, none of the six Best Actress hopefuls scored an Oscar nod (I doubt that happens again). Only two of the six Actor nominees got the Academy’s consideration.
You know the drill. For each competition, I’m giving you my picks (nominees can be between 4 and 10 and mostly 5 and 6 depending on the race) and a runner-up. Let’s go!
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Everything Everywhere All at Once, Tár, Triangle of Sadness
Runner-Up: Top Gun: Maverick
Director
Edward Berger (All Quiet on the Western Front), Daniels (Everything Everywhere All at Once), Alice Diop (Saint Omer), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Charlotte Wells (Aftersun)
Runner-Up: Park Chan-wook, Decision to Leave
Actress
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Lesley Manville (Mrs. Harris Goes to Paris), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
Runner-Up: Michelle Williams, The Fabelmans
Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Felix Kammerer (All Quiet on the Western Front), Paul Mescal (Aftersun), Bill Nighy (Living)
Runner-Up: Tom Cruise, Top Gun: Maverick
Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Dolly De Leon (Triangle of Sadness), Lashana Lynch (The Woman King), Janelle Monáe (Glass Onion: A Knives Out Mystery)
Runner-Up: Jamie Lee Curtis, Everything Everywhere All at Once
Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Woody Harrelson (Triangle of Sadness), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Micheal Ward (Empire of Light)
Runner-Up: Ben Whishaw, Women Talking
Original Screenplay
Aftersun, The Banshees of Inisherin, Everything Everywhere All at Once, Tár, Triangle of Sadness
Runner-Up: The Fabelmans
Adapted Screenplay
Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, She Said, Women Talking
Runner-Up: The Whale
Outstanding British Film
Aftersun, The Banshees of Inisherin, Blue Jean, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Mrs. Harris Goes to Paris, Roald Dahl’s Matilda the Musical, The Wonder
Runner-Up: Lady Chatterley’s Lover
Outstanding Debut a British Writer, Director, or Producer
Aftersun, Blue Jean, Emily, Good Luck to You, Leo Grande, Wayfinder
Runner-Up: Donna
Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Decision to Leave, EO, The Quiet Girl
Runner-Up: RRR
Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
Documentary
All That Breathes, All the Beauty and the Bloodshed, The Ghost of Richard Harris, Hallelujah: Leonard Cohen, a Journey, a Song, Moonage Daydream
Runner-Up: Navalny
Casting
Aftersun, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Triangle of Sadness
Runner-Up: All Quiet on the Western Front
Cinematography
All Quiet on the Western Front, Athena, Empire of Light, Tár, Top Gun: Maverick
Runner-Up: The Banshees of Inisherin
Costume Design
Babylon, Black Panther: Wakanda Forever, Elvis, Mrs. Harris Goes to Paris, Roald Dahl’s Matilda the Musical
Runner-Up: Glass Onion: A Knives Out Mystery
Editing
All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Moonage Daydream, Top Gun: Maverick
Runner-Up: Aftersun
Make Up and Hair
Amsterdam, Babylon, The Batman, Elvis, The Whale
Runner-Up: All Quiet on the Western Front
Original Score
Babylon, The Banshees of Inisherin, Empire of Light, Guillermo del Toro’s Pinocchio, Women Talking
Runner-Up: The Batman
Production Design
Avatar: The Way of Water, Babylon, The Banshees of Inisherin, Elvis, Empire of Light
Runner-Up: All Quiet on the Western Front
Sound
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
Runner-Up: Thirteen Lives
Special Visual Effects
Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Fantastic Beasts: The Secrets of Dumbledore, Top Gun: Maverick
Runner-Up: Black Panther: Wakanda Forever
That equates to these movies garnering these numbers in nominations:
11 Nominations
The Banshees of Inisherin
8 Nominations
Everything Everywhere All at Once
7 Nominations
All Quiet on the Western Front
6 Nominations
Aftersun, Elvis
5 Nominations
Babylon, Empire of Light, Tár, Triangle of Sadness
4 Nominations
Top Gun: Maverick
3 Nominations
Avatar: The Way of Water, The Batman, Good Luck to You, Leo Grande, Guillermo del Toro’s Pinocchio, Living, Mrs. Harris Goes to Paris, The Whale
2 Nominations
Black Panther: Wakanda Forever, Blue Jean, Glass Onion: A Knives Out Mystery, Moonage Daydream, Roald Dahl’s Matilda the Musical, The Woman King, Women Talking
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Amsterdam, Argentina, 1985, Athena, Blonde, Brian and Charles, Decision to Leave, Emily, EO, The Fabelmans (!), Fantastic Beasts: The Secrets of Dumbledore, The Ghost of Richard Harris, Hallelujah: Leonard Cohen, a Journey, a Song, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Quiet Girl, Saint Omer, She Said, Turning Red, Wayfinder, The Wonder
It has been two weeks since my last Oscar predictions and a lot has transpired since. The Golden Globes and Critics Choice Awards aired. SAG nominations came out. So did the BAFTA shortlists and PGA and DGA contenders.
All of this has made the puzzle a little clearer. Yet the fact remains – Oscar will Oscar when noms are released in a week. This is my penultimate forecast. Final predictions will arrive this weekend. Tonight’s estimates are your last look at rankings. It will simply be the listed picks a few days from now with commentary and a runner-up projection in each feature film category.
Here’s the latest developments as we are almost at the end of the line:
The Whale rises as it is back in my top 10 BP nominees. Women Talking falls out. A similar scenario in Supporting Actress as The Whale‘s Hong Chau is in over Women Talking‘s Claire Foy. After victories at the Globes and Critics Choice, Angela Bassett (Black Panther: Wakanda Forever) vaults over Kerry Condon (The Banshees of Inisherin) for the #1 slot in Supporting Actress.
On the other hand, I’m putting Austin Butler (Elvis) back in first over Brendan Fraser (The Whale). This is essentially a coin flip with Colin Farrell from Banshees as a legit spoiler.
Edward Berger (All Quiet on the Western Front) returns to the directorial quintet and James Cameron (Avatar: The Way of Water) is out.
In Actress, Viola Davis (The Woman King) at last makes the cut with Margot Robbie (Babylon) dropping. That’s not the only news in this derby. I almost went with Ana de Armas (Blonde) instead of Davis. And there’s the recent development of Andrea Riseborough’s online campaign for the micro budget indie drama To Leslie. Numerous performers, including Cate Blanchett, have boarded the Riseborough bandwagon. Two weeks ago – she was on no one’s radar screen. Now the buzz is enough to put her in 8th.
You can read all the movement below and look for those FINAL predictions this weekend!
Best Picture
Predicted Nominees
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 3) (E)
4. Top Gun: Maverick (PR: 4) (E)
5. Tár (PR: 5) (E)
6. Elvis (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Whale (PR: 12) (+3)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Babylon (PR: 11) (E)
12. RRR (PR: 13) (+1)
13. Women Talking (PR: 8) (-5)
14. Glass Onion: A Knives Out Mystery (PR: 14) (E)
15. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 3) (E)
4. Todd Field, Tár (PR: 4) (E)
5. Edward Berger, All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 5) (-1)
7. Joseph Kosinski, Top Gun: Maverick (PR: 10) (+3)
8. S.S. Rajamouli, RRR (PR: Not Ranked)
9. Ruben Ostlund, Triangle of Sadness (PR: 8) (-1)
10. Baz Luhrmann, Elvis (PR: 9) (-1)
Dropped Out:
Sarah Polley, Women Talking
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 3) (E)
4. Danielle Deadwyler, Till (PR: 4) (E)
5. Viola Davis, The Woman King (PR: 6) (+1)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 7) (+1)
7. Margot Robbie, Babylon (PR: 5) (-2)
8. Andrea Riseborough, To Leslie (PR: Not Ranked)
9. Olivia Colman, Empire of Light (PR: 8) (-1)
10. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: Not Ranked)
Dropped Out:
Jennifer Lawrence, Causeway
Emma Thompson, Good Luck to You, Leo Grande
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 2) (+1)
2. Brendan Fraser, The Whale (PR: 1) (-1)
3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 7) (E)
8. Adam Sandler, Hustle (PR: Not Ranked)
9. Tom Hanks, A Man Called Otto (PR: 8) (-1)
10. Jeremy Pope, The Inspection (PR: 10) (E)
Dropped Out:
Gabriel LaBelle, The Fabelmans
Best Supporting Actress
Predicted Nominees:
1. Angela Bassett, Black Panther: Wakanda Forever (PR: 4) (+3)
2. Kerry Condon, The Banshees of Inisherin (PR: 1) (-1)
3. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 2) (-1)
4. Hong Chau, The Whale (PR: 9) (+5)
5. Dolly De Leon, Triangle of Sadness (PR: 3) (-2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 8) (+2)
7. Jessie Buckley, Women Talking (PR: 6) (-1)
8. Janelle Monáe, Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Claire Foy, Women Talking (PR: 5) (-4)
10. Carey Mulligan, She Said (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 8) (+2)
7. Eddie Redmayne, The Good Nurse (PR: 10) (+3)
8. Brian Tyree Henry, Causeway (PR: 6) (-2)
9. Ben Whishaw, Women Talking (PR: 7) (-2)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 8) (+1)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 7) (-2)
10. Armageddon Time (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 2) (-1)
4. She Said (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities
6. All Quiet on the Western Front (PR: 8) (+2)
7. Top Gun: Maverick (PR: 7) (E)
8. White Noise (PR: 6) (-2)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. Bones and All (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Marcel the Shell with Shoes On (PR: 2) (E)
3. Turning Red (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 4) (E)
5. Wendell and Wild (PR: 7) (+2)
Other Possibilities:
6. The Bad Guys (PR: 6) (E)
7. My Father’s Dragon (PR: 5) (-2)
8. Strange World (PR: 8) (E)
9. Inu-Oh (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 1) (E)
2. Decision to Leave (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Argentina, 1985 (PR: 4) (E)
5. EO (PR: 7) (+2)
Other Possibilities:
6. Saint Omer (PR: 3) (-3)
7. Bardo (PR: 5) (-2)
8. The Quiet Girl (PR: 10) (+2)
9. Joyland (PR: 9) (E)
10. Holy Spider (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 3) (+1)
3. Fire of Love (PR: 4) (+1)
4. Navalny (PR: 2) (-2)
5. The Territory (PR: 5) (E)
Other Possibilities:
6. Descendant (PR: 6) (E)
7. Moonage Daydream (PR: 7) (E)
8. Retrograde (PR: 10) (+2)
9. Bad Axe (PR: 8) (-1)
10. Last Flight Home (PR: Not Ranked)
Dropped Out:
The Janes
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. All Quiet on the Western Front (PR: 4) (E)
5. Empire of Light (PR: 6) (+1)
Other Possibilities:
6. Babylon (PR: 5) (-1)
7. Elvis (PR: Not Ranked)
8. The Banshees of Inisherin (PR: 7) (-1)
9. The Batman (PR: Not Ranked)
10. Nope (PR: Not Ranked)
Dropped Out:
Bardo
Everything Everywhere All at Once
Tár
Best Costume Design
Predicted Nominees:
1. Elvis (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 4) (E)
5. Mrs. Harris Goes to Paris (PR: 7) (+2)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Corsage (PR: 9) (E)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
The Banshees of Inisherin
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Elvis (PR: 5) (+2)
4. Avatar: The Way of Water (PR: 4) (E)
5. The Fabelmans (PR: 3) (-2)
Other Possibilities:
6. All Quiet on the Western Front (PR: 9) (+3)
7. The Banshees of Inisherin (PR: 8) (+1)
8. Babylon (PR: 7) (-1)
9. Tár (PR: 10) (+1)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
Women Talking
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2 (+1)
2. The Whale (PR: 1) (-1)
3. The Batman (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 5) (E)
Other Possibilities:
6. All Quiet on the Western Front (PR: 6) (E)
7. Amsterdam (PR: 8) (+1)
8. Blonde (PR: 9) (+1)
9. Emancipation (PR: 7) (-2)
10. Crimes of the Future (PR: 10) (E)
Best Original Score
Predicted Nomnees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Guillermo del Toro’s Pinocchio (PR: 5) (+2)
4. Women Talking (PR: 2) (-2)
5. Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. The Woman King (PR: 8) (+1)
8. Black Panther: Wakanda Forever (PR: 10) (+2)
9. Avatar: The Way of Water (PR: 6) (-3)
10. All Quiet on the Western Front (PR: 9) (-1)
Best Original Song
Predicted Nominees:
1. “Naatu Naatu” from RRR (PR: 2) (+1)
2. “Hold My Hand” from Top Gun: Maverick (PR: 1) (-1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 3) (E)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-1)
7. “Carolina” from Where the Crawdads Sing (PR: 7) (E)
8. “New Body Rhumba” from White Noise (PR: 8) (E)
9. “Good Afternoon” from Spirited (PR: Not Ranked)
10. “Stand Up” from Till (PR: 9) (-1)
Dropped Out:
“Nothing is Lost (You Give Me Strength)” from Avatar: The Way of Water
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Avatar: The Way of Water (PR: 2) (-2)
5. All Quiet on the Western Front (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Batman (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. All Quiet on the Western Front (PR: 4) (+1)
4. Elvis (PR: 3) (-1)
5. The Batman (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Black Panther: Wakanda Forever (PR: 8) (E)
9. Moonage Daydream (PR: 10) (+1)
10. Guillermo del Toro’s Pinocchio (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Batman (PR: 3) (E)
4. Doctor Strange in the Multiverse of Madness (PR: 4) (E)
5. All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. Nope (PR: 5) (-2)
8. Thirteen Lives (PR: 8) (E)
9. Jurassic World: Dominion (PR: 9) (E)
10. Fantastic Beasts: The Secrets of Dumbledore (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Top Gun: Maverick
6 Nominations
Avatar: The Way of Water
5 Nominations
Black Panther: Wakanda Forever, The Whale
4 Nominations
Babylon, Tár
3 Nominations
The Batman, Guillermo del Toro’s Pinocchio, Triangle of Sadness
2 Nominations
Living, The Woman King, Women Talking
1 Nominations
All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Doctor Strange in the Multiverse of Madness, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, RRR, She Said, Tell It Like a Woman, The Territory, Till, Turning Red, Wendell and Wild
The morning after The Banshees of Inisherin beat Everything Everywhere All at Once for Best Motion Picture (Musical or Comedy) at the Golden Globes, the two BP Oscar hopefuls tied for most nominations from the Screen Actors Guild voters. The Globes Drama winner The Fabelmans, meanwhile, had a more disappointing showing including one particular unexpected omission.
We are in the thick of awards season and I’m pretty pleased to report I went 25/30 on my SAG picks! Let’s walk through the six competitions with how I did and some general analysis. Final predictions for this ceremony will come closer to the February 26th airdate.
Outstanding Performance by a Cast in a Motion Picture
The Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking
How I Did: 4/5
I went with The Woman King over the sprawling cast of Babylon. I’ll admit I was feeling a bit bold picking Women Talking after a subpar season, but it managed to make the cut while none of its performers garnered individual noms.
It doesn’t turn out this way in most years at SAG, but this prize may well come down to the three movies mostly likely to take the Oscar BP: Banshees, EEAAO, and Fabelmans.
Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture
The Nominees: Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Ana de Armas (Blonde), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 4/5
There are two headlines here in my opinion. The first is that Michelle Williams did not get in for The Fabelmans. Most prognosticators, including this one, have her sitting in 3rd for the Academy rankings.
Another is that Ana de Armas has made it for the Globes and SAG. A few weeks ago, her work as Marilyn Monroe in Blonde had fallen out of my top 10 possibilities. Now she is a serious threat for the Oscar quintet. I had Williams over de Armas projected.
As for the winner – this should come down to Blanchett v. Yeoh (both freshly minted Globe recipients).
Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture
The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)
How I Did: 4/5
SAG news other the nominees themselves was made today when it was announced that Netflix will livestream the show starting next year. It was also an unexpectedly solid morning for the streamer. In this race, the surprise inclusion was Adam Sandler for Hustle (which premiered on the subscription service). I had Tom Cruise (Top Gun: Maverick) forecasted instead.
It’s worth noting that Cruise has now missed Globe and SAG. For the former, it was easy to explain considering he had a highly publicized break with the Hollywood Foreign Press Association. No such explanation is found with SAG. His chances for Oscar are shaky.
The dynamics of this derby are intact. Butler, Farrell, Fraser, and Nighy appear to be safe bets for Academy attention. The fifth spot is wide open and Sandler got some exposure this morning. As for a winner at SAG, it’s a three-person fight between Butler, Farrell, and Fraser.
Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture
The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
How I Did: 4/5
Bassett, Condon, and Curtis are the trio who’ve landed in all major precursors thus far. Jamie Lee’s costar Hsu makes it in over my pick of Jessie Buckley (Women Talking).
The Golden Globes honored Bassett last night and she could absolutely snag this trophy. However, I’m less convinced she sweeps than the chances of a sweep in Supporting Actor (more on that below). Let’s see if Condon or Curtis, especially, make it interesting.
A quick Women Talking comment. Even though Buckley or Claire Foy (who’s received nothing so far) are mostly or totally MIA, I still could see the Academy putting one of them up. We saw that they can throw a curveball in this race (Judi Dench in Belfast last year).
Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture
The Nominees: Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
How I Did: 5/5 (!)
After viewing Quan’s heartfelt remarks at Globes, it seems like a sweep is in the cards. My one perfect category means Redmayne has landed Globe and SAG love. The Academy could still leave him out and same goes for Dano. We’ll see if alternates like Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), or Globe nominee Brad Pitt (Babylon) can sneak in.
Outstanding Performance by a Stunt Ensemble in a Motion Picture
The Nominees: Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King
How I Did: 4/5
Avatar got in over my call of Everything Everywhere All at Once (YOU try being a stuntman waving those hot dog fingers!). The original Black Panther won in 2018 so perhaps the sequel will follow suit. Another sequel (Maverick) may prevent that.
That works out to the following number of SAG mentions for these pics:
5 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
2 Nominations
Black Panther: Wakanda Forever, The Fabelmans, The Whale, The Woman King
1 Nomination
Avatar: The Way of Water, Babylon, The Batman, Blonde, Elvis, The Good Nurse, Hustle, Living, Tár, Till, Top Gun: Maverick
