October 7-9 Box Office Predictions

Family friendly Lyle, Lyle, Crocodile hopes to make its mark on the charts and easily win the weekend as the star studded Amsterdam also debuts. My detailed prediction posts on the newcomers can be found here:

Lyle, Lyle, Crocodile Box Office Prediction

Amsterdam Box Office Prediction

We’ve had about a two month break between movies geared toward kids and that should help Lyle achieve a low 20s start. It’s unlikely to have any trouble hitting the #1 spot.

Despite the considerable ensemble of Oscar winners and nominees, David O. Russell’s first feature in seven years is garnering mostly mediocre reviews from critics. The marketing campaign has been so-so in my view. Christian Bale, Margot Robbie, and company could elevate this to low double digits or even teens. However, I’m estimating it’ll flop in high single digits.

That would put it in third behind the sophomore frame of Smile. The horror pic got off to an impressive debut (more on that below) and I’ll say the second weekend dip might be in the low to mid 40s.

Holdovers The Woman King and Don’t Worry Darling should round out the top five. Bros had a very disappointing opening (more on that below too), but it did nab an A Cinemascore grade. If it manages a smallish decline, it might give Darling a run for its money in the five spot.

Here’s how I see it shaking out:

1. Lyle, Lyle, Crocodile

Predicted Gross: $21.6 million

2. Smile

Predicted Gross: $12.9 million

3. Amsterdam

Predicted Gross: $8.4 million

4. The Woman King

Predicted Gross: $4.7 million

5. Don’t Worry Darling

Predicted Gross: $3.1 million

6. Bros

Predicted Gross: $3.1 million

Box Office Results (September 30-October 2)

Paramount is undoubtedly doing just what the title says as Smile opened widely to a pleasing $22.6 million. That’s ahead of my $18.7 million projection. The B- Cinemascore is actually fairly decent for a horror flick and it could play well next weekend before Halloween Ends arrives the following one.

Don’t Worry Darling cratered in weekend #2 with $6.8 million, not matching my $8 million call. Even with the 65% plummet, it’s nearly managed to outgross its budget domestically in just 10 days with $32 million (price tag was reportedly $35 million).

The Woman King was third and it also made $6.8 million to bring its three-week take to $46 million. I forecasted slightly more at $7.4 million.

The Avatar re-release was fourth with $5 million (I was more generous at $6.6 million) as the 2009 juggernaut now has $779 million in the bank.

Bros with Billy Eichner, billed as the first wide release LGBTQ rom com from a major studio, was a massive disappointment. In fifth place with only $4.8 million, it came nowhere near my $12.1 million prediction. You can bet the marketing department at Universal is furiously second guessing themselves today, but it struggled mightily to find an audience beyond coastal metro areas. That aforementioned A Cinemascore does indicate it could find plenty of fans eventually… just not in multiplexes.

And that does it for now, folks! Until next time…

September 30-October 2 Box Office Predictions

Horror pic Smile and Bros, the first gay rom com from a major studio, look to lead the end of September/early October box office. Both are getting solid notices with respective Rotten Tomatoes scores of 79% and 95%. You can peruse my detailed prediction posts on the newbies here:

Smile Box Office Prediction

Bros Box Office Prediction

Smile has had a shrewd marketing campaign with a creepy teaser trailer that played in front Top Gun: Maverick all summer (so a lot of moviegoers saw it). My mid to high teens projection should put it in first place.

That’s unless Bros with Billy Eichner exceeds forecasts. However, my low teens estimate would give it runner-up status. I would not be surprised if it legs out well in subsequent weekends (I suspect word-of-mouth will be strong). **Speaking of forecasts, as of this writing, it remains to be seen if Hurricane Ian could negatively impact the weekend ahead.

With a B- Cinemascore, current champ Don’t Worry Darling could be headed towards a hefty sophomore drop after its solid premiere (more on that below). A mid to high 50s fall is possible. It should hold the 3 spot though The Woman King could give it a run for its money.

King and the Avatar re-release should fill out the rest of the top five and here’s how I envision it panning out:

1. Smile

Predicted Gross: $18.7 million

2. Bros

Predicted Gross: $12.1 million

3. Don’t Worry Darling

Predicted Gross: $8 million

4. The Woman King

Predicted Gross: $7.4 million

5. Avatar

Predicted Gross: $6.6 million

Box Office Results (September 23-25)

Don’t Worry Darling, the much publicized thriller from Olivia Wilde and starring Florence Pugh and Harry Styles, started out strong and diminished throughout the weekend. Taking in $19.3 million, it just outdid my $18.9 million projection. It looked like $20 million plus was likely with a $3 million Thursday night start until it dwindled. With a reported $35 million budget, it’s a pleasing debut regardless.

The Woman King fell to second with $11 million, under my $13.2 million take. The acclaimed historical epic with Viola Davis has made $36 million in its first ten days.

Three months ahead of its long in development sequel, James Cameron’s Avatar was re-released and earned $10.5 million for third (surging beyond my $8.5 million projection). The fourth highest grossing domestic earner of all time is now at $771 million with that extra coin.

Barbarian continued its meager declines with a fourth place showing of $4.8 million. I was right on target with $4.9 million as the critically appreciated horror flick has made $28 million.

See How They Run was fifth in its sophomore outing and I incorrectly had it outside of the quintet. With $1.9 million, the weak two-week tally is $6 million.

Pearl was sixth as it also made $1.9 million. My guess? $1.9 million! Like Run, $6 million is its the total.

And that does it for now, folks! Until next time…

Bros Box Office Prediction

Billing itself as the first gay rom com from a major studio and featuring an all LGBTQ+ main cast, Universal Pictures releases Bros on September 30th. Nicholas Stoller (director of successful comedies Forgetting Sarah Marshall and Neighbors) is behind the camera with Judd Apatow producing. Billy Eichner of Billy on the Street fame stars alongside Luke Macfarlane. The supporting cast includes Ts Madison, Monica Raymund, Guillermo Diaz, Guy Branum, Amanda Bearse, Jim Rash, Dot-Marie Jones, Bowen Yang, Harvey Fierstein, and Debra Messing.

While this particular humorous tale is making some history, it’s rare nowadays to find any comedy getting a wide release (at least one that’s not animated or filled with action). Bros premiered at the Toronto Film Festival earlier this month to glowing reviews. The Rotten Tomatoes score is 94%.

Prognosticators have the range here at $10-15 million. That sounds reasonable and I suspect it’ll start out at the middle of that spectrum. It’ll likely have to settle for a second place showing behind horror pic Smile. However, I could see this legging out well when word-of-mouth gets out. As an aside, I saw Bros at TIFF and can confirm it should be quite the crowdpleaser.

Bros opening weekend prediction: $12.1 million

For my Smile prediction, click here:

Smile Box Office Prediction

Oscar Predictions: Bros

Bros has made quite the splash in its premiere at the Toronto Film Festival prior to its September 30th stateside rollout. This is the first rom com to feature a primarily LGBTQ+ cast. Nicholas Stoller, who’s helmed successful genre fare like Forgetting Sarah Marshall and Neighbors, directs. Billy Eichner and Luke Macfarlane are the lead couple with a supporting cast including Ts Madison, Monica Raymond, Guillermo Diaz, Guy Branum, Amanda Bearse, Bowen Yang, and Debra Messing.

Early word out of Canada is that this is an entertaining and alternately sweet and raunchy romp (something I can confirm having been at the world premiere last night). The Rotten Tomatoes meter stands at 89%. I’m not sure Bros is as much an Oscar player (where there’s a comedic allergy) as it is a Globes contender. Since they differentiate between Drama and Musical/Comedy, I could easily see the Hollywood Foreign Press nominating this for Best Picture and for Eichner in Best Actor.

That said, I wouldn’t say its Academy hopes are completely dashed. There’s usually a lone screenplay nominee that receives no other nods and Stoller and Eichner’s original screenplay could fit that particular bill. My Oscar Prediction posts will continue…

Oscar Watch: The Lion King

Disney’s live-action rendering of its 1994 classic The Lion King is out next weekend and it’s expected to make a killing at the box office. The computer generated saga from director Jon Favreau is among a quartet of Mouse Factory updates of their animated filmography out in 2019.

Reviews are out today and it’s a mixed bag. Even the majority of positive reviews essentially say it’s a carbon copy of the original. Even the majority of negative reviews seem impressed with its state of the art visuals.

The Rotten Tomatoes score stands at 59% and that’s right in range with the 57% that Aladdin received two months ago. That certainly puts this out of Best Picture range. However, I look for this to be a serious player in Visual Effects. If so, it would follow Favreau’s 2016 smash The Jungle Book and it won the award. This has a shot at following suit. My Oscar Watch posts will continue…

The Lion King Box Office Prediction

Disney’s live action reimagining of The Lion King roars into theaters next weekend a quarter century after the classic animated tale. Jon Favreau, who has some experience in the genre with 2016’s $364 million grosser The Jungle Book, directs. The computer animated animal epic features the voices of many recognizable faces. They include Donald Glover, Seth Rogen, Beyoncé, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, and James Earl Jones returning as Mufasa.

Expectations are sky high and it’s easy to see why. The Mouse Factory has achieved massive successes in this unique sub genre and have done so very recently. This May’s Aladdin now stands at over $321 million in domestic earnings. The high water mark is from 2017 with Beauty and the Beast. It opened to $174 million and topped out at $504 million total.

The 1994 original was a phenomenon, taking in $422 million. And that was 25 years ago and would be over $800 million when adjusted for inflation. It still stands as the fourth highest grossing animated feature of all time.

Considering those gaudy numbers, The Lion King is likely to make a killing and set a new record for the studio’s remakes. $200 million is reachable in my view, but I’ll put it a bit under that.

The Lion King opening weekend prediction: $192.7 million