Shang-Chi and the Legend of the Ten Rings Review

Shang-Chi and the Legend of the Ten Rings is planted firmly in mid-tier Marvel territory and that’s to say it’s quite an enjoyable origin spectacle with humorous moments sprinkled in. The formula is adhered to, but there’s enough quality entertainment to make it worthwhile. We expect an abundance of Daddy issues in our MCU tales and we sure get it. What makes it new(ish) is the patriarchal villain is given dimensions that prevent another franchise feature where the bad guy is the weakest character (an attribute that also pertained to Black Panther).

Shaun (Simu Liu) has a fascinating backstory for a San Francisco valet. He’s rather aimless in his pursuits and seems content parking whips of the wealthy with his bestie Katy (Awkwafina, providing sturdy comic relief).   He grew up overseas as Shang-Chi, the heir to his father Wenwu’s (Tony Leung) world conquering dynasty. Dad is an immortal ruler who fooled around and fell in love with Ying Li (Fala Chen). Shang-Chi is the first born with sister Xi Xialing following. After some past associates of Wenwu off Mom, our teenage title character is eventually given the choice to exact revenge or abandon his birthright. He chooses the latter but can’t escape his upbringing when Papa comes calling.

That’s when Shang-Chi is forced to show Katy that he’s a well trained martial arts master and superhero in waiting during a meticulously choreographed action sequence aboard a bus. He also tracks down his estranged sister (Meng’er Zhang) who now runs an underground fighting circuit. They’re reunited with Wenwu, whose wrists are adorned with the ten rings that give him his otherworldly powers. If you need some context for MCU purposes, think of them as like Infinity Stones but they… actually just think Infinity Stones and you should be fine.

Wenwu is convinced that their departed matriarch is still alive and being held captive in Ta Lo, a mystical place filled with CG beasts that’s only reachable through an ever shifting forest. His kids aren’t buying it and they put it upon themselves to stop Dad, his henchmen, and his Stones (sorry… Rings) from their nefarious land acquisition. In Ta Lo, they are subject to more training from their aunt (the welcome sight of Michelle Yeoh).

Like the karaoke ditties that Shaun and Katy drunkenly belt after a day’s work, this material has been covered better before. We are in rare MCU territory with nearly all never before seen characters (though there’s a few recognizable surprise appearances that I won’t spoil). The faces may change yet their circumstances remain the same. Part of Rings is told through flashbacks that feel familiar. They’re brief enough that they generally don’t weigh down the forward momentum.

Shang-Chi and Xi Xialing are clearly being set up for further duty in this universe and I’d say the jury is still out on how effective they’ll be as leaders of the new Marvel school. Tony Leung, a legend in Chinese cinema, makes for a compelling villain with more layers than your run-of-the-mill MCU antagonist.

By the time we reach the climax, Rings is hampered with some indecipherable and visually unappealing CG mayhem. That serves as an unfortunate drag on the proceedings, but much of what precedes it is a pleasurable intro to some new players that I’m anxious to see again.

*** (out of four)

Shang-Chi and the Legend of the Ten Rings Box Office Prediction

A new group of Marvel cinematic heroes and villains arrives onscreen over Labor Day weekend with Shang-Chi and the Legend of the Ten Rings. The 25th MCU feature (and second of four in 2021) is out in theaters only with Disney choosing not to make it available simultaneously on their streaming service. I have already written a bit about the challenges it faces. They include releasing it during a holiday frame not known for unveiling blockbusters, as well as ongoing COVID related hindrances. You can read that post here:

Shang-Chi and the Legend of the Labor Day Box Office

Destin Daniel Cretton, who’s best known for dramas with Captain Marvel Brie Larson like The Glass Castle and Just Mercy, directs. The cast features Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, and Tony Leung. You can also expect some villains that have populated previous MCU flicks.

Early word-of-mouth should help. Rings currently sports a strong 92% Rotten Tomatoes rating. That said, there is the possibility that the non-traditional release date and other factors threaten to make this the lowest MCU premiere of the lot. It also doesn’t help that there’s really no familiar characters to draw some viewers out. The same could be said for Guardians of the Galaxy and Black Panther, but they had sizzling buzz that this needs to generate in a hurry (the solid reviews might help).

Shang-Chi will have a posted four-day gross due to the Labor Day holiday (where 2007’s Halloween holds the largest ever debut at $30 million). There’s little question that this should easily eclipse that record. In MCU terms, 2008’s The Incredible Hulk experienced the smallest start at $55 million. That’s followed by 2015’s Ant-Man with $57 million.

The extra day of reported earnings may help. I don’t see this getting anywhere near what Black Widow did ($80 million) at the start of summer. My feeling is that Rings, in its Friday to Sunday financial report, may hold the distinction of having the smallest gross in the MCU franchise. Yet the Monday could push it toward a mid to high 50s take with $60M+ certainly as a possibility.

Shang-Chi and the Legend of the Ten Rings opening weekend prediction: $58.9 million

Oscar Watch: Shang-Chi and the Legend of the Ten Rings

Ahead of its Labor Day weekend bow in theaters only, Disney has lifted its review embargo for the 25th Marvel Cinematic Universe pic. Shang-Chi and the Legend of the Ten Rings is garnering positive reaction to the tune of a current 91% Rotten Tomatoes score.

Many reviews point out that it closely follows the MCU formula, but there’s enough to make it highly recommendable. Despite the many kudos, I don’t see anything that indicates a play for Best Picture (where Black Panther still is the studio’s sole nominee in that race).

Instead Shang-Chi‘s possibilities at awards attention should come down to where most MCU titles are viable. That’s in Best Visual Effects. Early buzz suggests it may be strong enough in that space to qualify. However, it will face numerous competitors with three coming from its own multi-billion dollar franchise.

I do think it has a better shot at making the final five than the already out Black Widow. Yet Eternals and Spider-Man: No Way Home loom. It’s worth noting that neither Spider-Man entry from the MCU (Homecoming or Far From Home) made the cut. Eternals could be the biggest in-house competitor. Then we have plenty of other hopefuls. Some have premiered and they include Godzilla vs. Kong, Jungle Cruise, The Green Knight, The Suicide Squad, and Free Guy. Some await like Dune and The Matrix 4.

Bottom line: there’s much to be determined, but Shang-Chi could certainly be the MCU’s nominee in VE. I doubt it will be the fourth picture with Rings in the name to win (as Peter Jackson’s trilogy did). After all, 10 of Marvel’s flicks have nabbed a nod for their visuals. None have won. My Oscar Watch posts will continue…

Oscar Watch: Raya and the Last Dragon

As we await the five nominated pictures in the 2020 Animated Feature race at the Oscars, a legitimate hopeful has already emerged for 2021. This Friday, Disney’s traditionally drawn Raya and the Last Dragon debuts in theaters and on Disney Plus. The action fantasy features a mostly Asian American voice cast including Kelly Marie Tran, Awkwafina, Daniel Dae Kim, Gemma Chan, Sandra Oh, and Benedict Wong. Directing duties are handled by Don Hall (whose Big Hero 6 landed an Academy nod in 2014) and Carlos Lopez Estrada.

Reviews are up and they’re very solid at 96% on Rotten Tomatoes. Unsurprisingly, Disney has been quite the player since the inception of the animated category back in 2001. As is often the case for the studio, the Mouse Factory may well compete against itself with Pixar’s Luca slated for release this summer. That will probably occur this year with Soul and Onward as likely nominees.

Bottom line: the critical reaction for Raya (even this early in the calendar) establishes it as a sturdy contender for recognition already. My Oscar Watch posts will continue…

Raya and the Last Dragon Box Office Prediction

A totally different kind of COVID test arrives in theaters March 5 with the release of Disney’s Raya and the Last Dragon. It’s the latest traditionally animated feature from the Mouse Factory and it hits multiplexes and Disney+ on the same day. The fantasy adventure is co-directed by Don Hall (who made Big Hero 6 for the studio) and Carlos Lopez Estrada (maker of the decidedly non Disney pic Blindspotting). The predominately Asian-American voice cast includes Kelly Marie Tran, Awkwafina, Gemma Chan, Daniel Dae Kim, Sandra Oh, Benedict Wong, and Alan Tudyk.

Raya marks the highest profile release of 2021 thus far on the big screen. The question is whether family audiences will mostly opt to shell out thirty bucks to watch it on the tube. All things considered – that’s probably less money than a night out for a clan of four to view it. And the Disney+ model is already familiar to subscribers with recent products such as Mulan and Soul.

In these uncertain pandemic days, it is difficult to find any real comps for opening weekend estimates. The Croods: A New Age debuted over Thanksgiving weekend and took in a better than anticipated $14 million over the five-day frame with nearly $10 million of it from the traditional Friday to Sunday portion. Yet that’s not exactly a reliable comp as Croods was a sequel to a well known property out during a holiday period. Still… this is Disney…

As I’ve said repeatedly with any box office guesstimates for nearly a year, we are in unpredictable territory. However, I’ll say Raya makes between $11-$14million and I’ll go a bit on the higher end of that range.

Raya and the Last Dragon opening weekend prediction: $13.2 million

For my Chaos Walking prediction, click here:

https://toddmthatcher.com/2021/02/24/chaos-walking-box-office-prediction/

Oscar Watch: Nine Days

Nine Days premiered nine months ago at the Sundance Film Festival. It will be available for all viewers this January after Sony Pictures Classics snatched up the rights. The science fiction drama marks the directorial debut of Edson Oda with a cast featuring Winston Duke, Zazie Beetz, Benedict Wong, Tony Hale, and Bill Skarsgard. Executive produced by Spike Jonze, the pic has been praised by critics for its originality, the lead performance from Duke, and its screenplay which was penned by the director. The Rotten Tomatoes meter is at 86% currently.

Sony Pictures will need to a mount a major campaign in order for this to gain any traction with awards voters. I’m skeptical for now, but it’s not impossible that Original Screenplay could be in play if Sony plays their cards right. Bottom line: Nine Days could easily be ignored in the Oscar conversation, but it’s at least worth keeping an eye on. My Oscar Watch posts will continue…

 

Gemini Man Box Office Prediction

Arriving just behind his biggest domestic and worldwide grosser Aladdin and just ahead of his long in development sequel Bad Boys for Life, Will Smith headlines the sci fi action thriller Gemini Man next weekend. Itself a project that’s been in the planning for over two decades, double Oscar winner Ang Lee directs this tale of Smith’s aging hitman battling a youthful version of himself. Costars include Mary Elizabeth Winstead, Clive Owen, and Benedict Wong.

Most of the pic’s publicity has centered around its visual effects and de-aging process with the younger Fresh Prince. Yet the Rotten Tomatoes score is anything but fresh at a troubling 22%. That won’t help with word of mouth for Gemini and I believe that could rule out a start north of $30 million (where some projections are).

Despite his recent exposure in Disney’s billion dollar blockbuster and plenty of success for Smith in this genre, I’ll predict this gets off to a middling debut in the low to mid 20s range.

Gemini Man opening weekend prediction: $22.8 million

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

For my Jexi prediction, click here:

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

Oscar Watch: Gemini Man

Sporting a lowly 29% Rotten Tomatoes ranking prior to its October 11 release, Ang Lee’s Gemini Man is certainly no candidate for Best Picture recognition like the director’s previous works Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi. The sci fi action thriller casts Will Smith in an effects heavy experience where the actor plays an aging hitman who must battle a younger version of himself.

While it’s no surprise that the pic won’t contend for top line prizes, Gemini has always been eyed as a possibility for Visual Effects. The 3D high frame per second look is one employed by Lee in his last film Billy Lynn’s Long Halftime Walk. That drama was seen as awards bait before poor reviews sunk its viability.

Visual Effects nowadays is a race where there’s usually no shortage of contenders. In 2019, we have the upcoming Star Wars: The Rise of Skywalker in addition to The Irishman, The Lion King, Avengers: Endgame, and Smith’s own summer blockbuster Aladdin. I believe Gemini could still sneak in the category, but its own negative critical reaction might derail it. My Oscar Watch posts will continue…

Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

Avengers: Infinity War Movie Review

A decade into its multi-billion dollar cinematic universe, Avengers: Infinity War invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses  one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s Iron Man, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!

All of this runs the risk of Infinity War coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: Age of Ultron or 2016’s Captain America: Civil War (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and Civil War, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads Infinity War to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.

What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in Civil War two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).

As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.

Delving too far into what happens in Infinity War would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.

The conclusion of Infinity War leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.

***1/2 (out of four)