Iceland hasn’t had a warm reception from Oscar voters in their submissions for International Feature Film. They have put up a picture every year since 1980 and only 1991’s Children of Nature managed a nomination (falling short to Italy’s Mediterraneo). Touch from Baltasar Kormákur hits screens in limited fashion this weekend. Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, and Yoko Narahashi star.
The filmmaker’s 2012 effort The Deep was Iceland’s contender for inclusion. It made the shortlist, but not the final cut of five. Kormákur has since helmed stateside releases including 2 Guns, Everest, Adrift, and Beast.
This decades spanning romantic drama has 93% on Rotten Tomatoes, but I’m not sure reviews are glowing enough. Iceland may well select it as their candidate. Their track records suggests it’s an uphill climb to say the least. My Oscar Prediction posts will continue…
Universal hopes that horror fans board The Last Voyage of the Demeter when it opens August 11th. Based on a chapter from Bram Stoker’s signature novel Dracula, André Øvredal (maker of Scary Stories to Tell in the Dark) directs Corey Hawkins, Aisling Franciosi, David Dastmalchian, Javier Botet, Liam Cunningham, and Woody Norman in the tale of passengers trying to surviving a trip from Transylvania to London.
The Dracula angle could succeed in getting some genre fans out, but this Voyage‘s marketing campaign seems to be lacking. At this point, the studio might settle for a premiere similar to its Idris Elba starrer Beast, which took in nearly $12 million in mid-August last year. It could also debut in range with the vampiric The Invitation, which didn’t reach $7 million a week after Beast opened.
A gross closer to The Invitation as opposed to Beast is where this might land.
The Last Voyage of the Demeter opening weekend prediction: $6.4 million
Despite some encouraging early word-of-mouth, horror flick Barbarian could be fairly quiet out of the gate as the only wide release this weekend. You can peruse my detailed prediction posts on it here:
My estimate easily puts it in the top spot, but that’s cold comfort considering I’m projecting a second weekend in a row with no title topping $10 million.
On the more limited front is the Indian adventure Brahmastra: Part One – Shiva. I didn’t do an individual post for it, but the reported 750 venues should limit its potential. With a caveat that this may over perform, I’ll say it manages a fourth place start (though it could just as easily be 2nd or 3rd).
Holdovers Top Gun: Maverick, Bullet Train, and DC League of Super-Pets should fill out the remainder of the high five. Here’s how I see it:
1. Barbarian
Predicted Gross: $7.1 million
2. Top Gun: Maverick
Predicted Gross: $4.2 million
3. Bullet Train
Predicted Gross: $3.4 million
4. Brahmastra: Part One – Shiva
Predicted Gross: $3.2 million
5. DC League of Super-Pets
Predicted Gross: $3 million
Box Office Results (September 2-5)
On its 102nd day of release, Top Gun: Maverick returned to the top spot over a desolate Labor Day weekend with $7.9 million (surpassing my $6.2 million prediction). Tom Cruise’s sequel surpassed Black Panther to become the 5th largest domestic grosser of all time. The total is $701 million. Fifth place is likely where it will stay as #4 is Avatar ($760 million) and it’s got a re-release coming in two weeks before the December sequel.
Bullet Train was second with $7.5 million, ahead of my $6 million projection as it has pulled in $88 million over five weeks. Now might be a good time to mention that National Cinema Day, which priced films for $3 at major chains, probably helped push the numbers up a bit over the holiday.
DC League of Super-Pets was third with $6.7 million (I underplayed it at $4.3 million). The National Cinema Day bump got it to $82 million.
Spider-Man: No Way Home – The More Fun Stuff Edition added 11 minutes of extra footage and $6.5 million to its considerable coffers. That’s in range with my $7 million guesstimate. Spidey has swung $811 million in the bank.
The Invitation rounded out the top five at $6.1 million (besting my $4.6 million take) for a two-week total of $15 million.
Beast was sixth with $5 million compared to my call of $4.1 million for $26 million overall.
Minions: The Rise of Gru was seventh with $4.5 million and I did not project it. The franchise blockbuster sits at $360 million.
The Jaws re-release was 8th with $3.3 million, on target with my prediction of $3.1 million.
Finally, the Regina Hall/Sterling K. Brown satire Honk for Jesus. Save Your Soul. found no love with $1.7 million for 14th place. I said $2.4 million.
Just like last year, the Marvel Cinematic Universe may land atop the charts over Labor Day weekend. This time around, it’ll be with considerably less money… as in, less than one-tenth of what we witnessed in 2021. Spider-Man: No Way Home – The More Fun Stuff Edition (with 11 minutes of extra footage) is scheduled for the widest (re)release of the holiday frame.
Steven Spielberg’s OG summer blockbuster Jaws also returns to cinemas. The only true newcomer is the Regina Hall/Sterling K. Brown satire Honk for Jesus. Save Your Soul,, which is also available on streaming via Peacock.
My detailed prediction posts on each are accessible here:
Let’s start with Jesus as I have its $2.4 million projected Friday-Monday offering potentially falling outside of the top ten. There’s a slight chance it could surprise, but I doubt it.
There’s been a narrative developing for awhile that Top Gun: Maverick could manage to return to first position in its 15th week. During Labor Day, popular holdovers do often expand their gross from the previous frame. I expect that will be the case here. However, I do believe Spidey’s 3000 screens (some IMAX) should allow it to swing back to #1 after it originally debuted last December. This should leave the runner-up spot for Maverick or Bullet Train (they should be close). That’s a far cry from this same period in 2021 when Shang-Chi and the Legend of the Ten Rings decimated the all-time Labor Day record with $94 million.
Jaws is only on a fraction of the webbed superhero’s venues (about 1200) so the possibilities are limited. My estimate of $3.1 million would probably put it in seventh place.
Current champ The Invitation hardly impressed in its premiere (more on that below). With a troubling C Cinemascore grade, expect it to be one of the only leftovers that does see diminished returns. It should drop to at least fourth while the five spot could be close between DC League of Super-Pets and Beast.
And with that, let’s do a top 7 outlook and keep in mind these numbers are for the four-day holiday:
1. Spider-Man: No Way Home – The More Fun Stuff Edition
Predicted Gross: $7 million
2. Top Gun: Maverick
Predicted Gross: $6.2 million
3. Bullet Train
Predicted Gross: $6 million
4. The Invitation
Predicted Gross: $4.6 million
5. DC League of Super-Pets
Predicted Gross: $4.3 million
6. Beast
Predicted Gross: $4.1 million
7. Jaws
Predicted Gross: $3.1 million
Box Office Results (August 26-28)
I’ll go the obvious route… there weren’t many RSVP’s for YA horror tale The Invitation. This is the first time in 15 months that the #1 pic didn’t manage to make over $10 million. The Invitation stumbled with $6.8 million, below my $8.1 million forecast.
Bullet Train was second with $5.6 million (on target of my $5.5 million call) with an overall take of $78 million.
Top Gun: Maverick was third with $4.7 million (I went with $5.2 million) as the juggernaut has now gathered $691 million. The biggest hit of the year is on a glide path to topple Black Panther ($700 million) next and become the fifth largest domestic earner in history.
Beast had a hefty sophomore drop of 58% for $4.8 million and fourth place. That’s under my $5.7 million prediction. The subpar two-week tally is $20 million.
Dragon Ball Super: Super Hero, as anticipated, plummeted in its second weekend (its genre is extremely front loaded). After a fantastic $21 million start, Hero fell 78% to fifth with $4.6 million (I was more generous at $5 million). After ten days, it’s taken in $30 million stateside.
DC League of Super-Pets was sixth with $4.1 million (I said $4.6 million) for $74 million in its 5 weeks of release.
Finally, George Miller’s Three Thousand Years of Longing was a pricey dud for MGM. The Idris Elba/Tilda Swinton Djinn fantasy, with a reported $60 million budget, opened in 7th with a mere $2.9 million. I thought it could at least manage $4 million. The studio is certainly wishing they hadn’t spent what they did after that performance.
For the first time since May of 2021, we may have a box office outing where no picture tops $10 million. We’re in a bit of a late August spiral as the YA centered vampire tale The Invitation and George Miller’s genie saga Three Thousand Years of Longing debut. You can peruse my detailed prediction posts on them here:
I’m not expecting much out of either. This isn’t a time when studios typically bring out heavy hitters (though it is worth noting that Universal impressed on this same weekend last year with Candyman‘s $22 million haul). I wouldn’t anticipate the newcomers coming anywhere close to that.
My Invitation estimate would give it to #1 spot while Longing could place anywhere from 2-7. I’m thinking #7 is more probable than second as the Tilda Swinton/Idris Elba fantasy seems to be suffering from a quiet marketing campaign.
The runner-up position could be determined by the sophomore drop of current champ Dragon Ball Super: Super Hero, which easily surpassed expectations (more on that below). It’s worth noting that its immediate predecessor Dragon Ball Super: Broly experienced a second frame plummet of nearly 70%. Broly actually premiered on a Wednesday before MLK weekend in 2018. In six days, it took in $22 million (similar to Hero‘s three-day mark). Broly only managed $3 million in weekend #2. I think Hero should surpass that, but don’t be surprised it drops in the low 70s.
If so, Beast could stay in second place if it only loses half its audience. While its B Cinemascore grade isn’t great, the lack of competition could mean it avoids a precipitous fall. Bullet Train, Top Gun: Maverick, and DC League of Super-Pets should all hold solidly and that could place them above Longing.
And with that, here’s how I envision the top 7 looking:
1. The Invitation
Predicted Gross: $8.1 million
2. Beast
Predicted Gross: $5.7 million
3. Bullet Train
Predicted Gross: $5.5 million
4. Top Gun: Maverick
Predicted Gross: $5.2 million
5. Dragon Ball Super: Super Hero
Predicted Gross: $5 million
6. DC League of Super-Pets
Predicted Gross: $4.6 million
7. Three Thousand Years of Longing
Predicted Gross: $4 million
Box Office Results (August 20-22)
As mentioned, it was a bountiful harvest for Dragon Ball Super: Super Hero as the animated Japanese martial arts fantasy crunched an impressive $21 million. That’s well above my $13.2 million projection. These titles are extremely front loaded so expect a sharp downturn, but that’s a terrific gross and we can anticipate plenty more wide openings for these genre titles.
Idris Elba battled a Beast in the form of a lion and the picture opened in line with most estimates. At $11.5 million (I said $11.3 million), it will hope to match its $36 million budget stateside in coming weeks.
Bullet Train was third with $8 million, rising ahead of my $7 million call. The three-week total is $69 million as it hopes to reach nine figures domestically.
Top Gun: Maverick soared to new heights with $5.9 million, a little under my $6.7 million prediction. In its 13th (!) weekend, Maverick surpassed Avengers: Infinity War to become the 6th largest domestic earner of all time. The tally is $683 million as it looks to top Black Panther‘s $700 million next.
Finally, DC League of Super-Pets rounded out the top five with $5.6 million (I went with $5 million). The overall gross after 4 weeks is $67 million.
The easiest way to review Beast is as follows: if you want to watch Idris Elba attempt to cold-cock a lion, you’re in luck! Of course I want to see that and it happens in this survival thriller. The remaining hour and a half surrounding it is a disappointingly low energy affair with a screenplay that borders on laughable at times. The CG isn’t laughable, but I never forgot Elba and his daughters were battling a giant cat of pixelated proportions.
Elba is Dr. Samuels, who travels from America to South Africa for a needed excursion with daughters Meredith (Iyana Halley) and Norah (Leah Sava Jeffries). The family is mourning the recent loss of the matriarch who the doctor was separated from. They aren’t the only mammals grieving. Poachers have taken out a pride of lions, but one survived. That wounded creature (emotionally and physically I suppose) is hungry for revenge.
When the Samuels clan joins an old friend and wildlife biologist (Sharlto Copley) on a nature reserve trip, that vengeful roarer disrupts it. In Cujo style, the title character torments the family in and around their immobile vehicle. The movie itself struggles to get its motor running.
Baltasar Kormakur directs and he’s well-versed in nature tales like Everest and Adrift. His work is sometimes overly flashy or bordering on boring with a jump scare every few minutes to break the monotony. There’s hardly an in-between.
Beast could have coasted on its B flick concept. Ryan Engle’s clunky screenplay gets in the way from its lame family therapy sessions to lines designed for trailers only (“We’re in his territory now!”). The script attempts to push an anti-poaching theme… as evidenced by the youngest daughter at one point exclaiming “God, I hate these poachers!” That kind of subtlety is what you get here. If you want to watch Idris Elba punch a lion, expect to fight through the mediocrity of it all.
MGM may need more than three wishes for Three Thousand Years of Longing to become a box office success when it opens August 26th. Based on a 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt, the reported $60 million production is the latest fantasy from acclaimed filmmaker George Miller. Idris Elba stars as a genie hoping to gain his freedom through an academic played by Tilda Swinton.
Miller hasn’t been behind the camera since 2015’s Mad Max: Fury Road, which landed 10 Oscar nominations and six wins (all tech categories). He’ll be back helming the franchise again with 2024’s Furiosa. This in-between effort premiered at Cannes back in May to mixed reaction. While its visuals were praised, several critics weren’t overly keen on the story. The Rotten Tomatoes score is currently 62%.
Elba is a busy man in the last half of August with Beast debuting the week prior. That survival tale might make more in its second frame than Longing accomplishes in its first.
When the theater count is released, my estimate could fluctuate. Initial projections have this potentially reaching $10 million. I’m not buying it. The awareness factor for it seems low and it generated little buzz with the French festival premiere. This has the feel of a significant flop and the late August placement hardly dispels that possibility. I’m projecting that it might not reach $5 million as Miller’s most ardent supporters could be the only moviegoers turning up.
Three Thousand Years of Longing opening weekend prediction: $4 million
Blogger’s Update (08/17): Two days before its premiere, I’m revising Beast down from $14.3M to $11.3M. That puts it in second place instead of first with Dragon Ball rising to first.
Survival thriller Beast with Idris Elba and the animated Japanese fantasy sequel Dragon Ball Super: Super Hero will compete for the #1 spot this weekend. It could be a close competition and you can peruse my detailed prediction posts on the newcomers here:
I’m projecting that both will manage a low teens opening and I’m giving Beast an ever so slight edge. Either could over perform, but both could also top out in low double digits. As long as neither falls significantly short of expectations, they should place 1-2.
Bullet Train, after two weeks in first, should fall to 3rd or 4th depending on how well Top Gun: Maverick holds. It’s a safe bet that the latter will hold quite solidly so it could be a stiff competition for third with DC League of Super-Pets rounding out the top five.
Here’s how I see it playing out:
1. Dragon Ball Super: Super Hero
Predicted Gross: $13.2 million
2. Beast
Predicted Gross: $11.3 million
3. Bullet Train
Predicted Gross: $7 million
4. Top Gun: Maverick
Predicted Gross: $6.7 million
5. DC League of Super-Pets
Predicted Gross: $5 million
Box Office Results (August 12-14)
Brad Pitt and the Bullet Train was #1 again with $13.4 million, just shy of my $14.1 million take. The two-week total is $55 million as it is tracking to come in under $100 million domestically when all is said and done.
In a photo finish for second, Top Gun: Maverick achieved another remarkable feat. Rising from sixth to the runner-up position, Tom Cruise’s biggest hit ever (and then some) earned $7 million in its 12th outing. I projected a tad lower at $6.2 million. Sitting at $673 million and #7 all-time stateside, it will eventually get to the #5 slot and overtake Black Panther and Avengers: Infinity War in the coming days.
DC League of Super-Pets was third and it also made $7 million, in line with my $7.2 million prediction. The animated tale has made $58 million in its three weeks of release.
It was a razor thin margin for 4th and 5th with Thor: Love and Thunder barely surpassing Nope. The former made $5.3 million (I was right there at $5.4 million) as the MCU sequel has rung up $325 million.
Nope was fifth and also did $5.3 million, outpacing my $4.2 million guesstimate. Jordan Peele’s effort has made $107 million.
Minions: The Rise of Gru was sixth with $5 million. I went with $5.2 million and it’s amassed $343 million.
#7 was Where the Crawdads Sing with $4 million (I said $4.1 million) with a $72 million overall haul.
Bodies Bodies Bodies couldn’t really capitalize on its impressive NY/LA limited rollout last weekend. Expanding wide, it took in $3.2 million for eighth place. I was a bit more optimistic at $4.4 million. While its per screen average was 2nd in the top 10 behind only Train, look for it to fade quickly.
Elvis was ninth with $2.5 million (I said $2.6 million) as the biopic has shook up $141 million.
The climbing thriller Fall debuted in 10th with $2.5 million. That’s nothing to brag about, but it did come in with better earnings than most prognoses. This includes my own at $1.2 million.
Easter Sunday fell outside of the top ten in 11th with $2.4 million in its sophomore frame (I was on target at $2.5 million). The meager total is $9 million.
Last and least, Diane Keaton’s comedy Mack & Rita was a massive flop in 13th position with $1 million. I gave it too much leeway at $2.3 million. As if that start wasn’t bad enough, it earned a dreadful D+ Cinemascore grade.
Over three and a half years ago, Dragon Ball Super: Broly significantly exceeded expectations stateside. As summer closes out, the follow-up Super Hero hopes to do the same. The martial arts fantasy from Toei Animation is actually the 21st feature in the long running Japanese franchise. Tetsuro Kodama directs.
The pic already did brisk business in its native country when it opened in June. Over the long MLK frame in 2019, Broly got a kickstart to the weekend with a Wednesday bow. In its first two days of release, it captured $10.4 million with a six-day overall haul of over $22 million.
Hero is not slated for a hump day start nor is it premiering over a holiday. That makes comparisons to Broly a little tricky. There’s no doubt that this genre is extremely front loaded and I certainly see it hitting double digits. It could find itself in a battle for #1 with the Idris Elba headlined survival thriller Beast. Both could be competing for some of the same eyeballs. I’ll project $12-14 million is where this lands and that puts it barely behind where I have Beast at.
Dragon Ball Super: Super Hero opening weekend prediction: $13.2 million
Blogger’s Update (08/17): Two days before its premiere, I’m revising Beast down from $14.3M to $11.3M
Idris Elba faces single fatherhood and a murderous lion in the survival thriller Beast when it opens August 19th. It comes from Balthasar Kormakur, who recently directed nature related efforts Everest and Adrift. Costars include Sharlto Copley, Iyana Halley, and Leah Sava Jeffries. The selling point for the Universal Pictures pic is, of course, the big cat hunting Elba and family in the South African setting.
Beast should find itself in position for a #1 opening with Bullet Train in its third weekend. That said, the Japanese animated adventure Dragon Ball Super: Super Hero could certainly give it a run for its money.
Estimates have this as low as $10 million or in the $15 million range. Approaching or slightly exceeding the latter seems more likely as long as buzz is decent (early word-of-mouth is encouraging). Higher teens even seems doable, but I’m not ready to go into that mode as of yet.
Beast opening weekend prediction: $11.3 million
For my Dragon Ball Super: Super Hero prediction, click here:
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