While Ant-Man and the Wasp: Quantumania should easily stay in the number one spot, Cocaine Bear looks for a strong #2 showing and Jesus Revolution hopes to rise above expectations. They are the newcomers this weekend and my detailed prediction posts on them can be found here:
Cocaine Bear has generated buzz since its trailer (and honestly the title reveal). It could blow past my low teens estimate, but I do believe the appeal might be somewhat limited.
Jesus Revolution, as other faith-based dramas have, could exceed my sub double digits projection. A third place showing seems likely. If it does surpass my prognosis and Cocaine comes in under mine, a battle for the runner-up position is feasible.
Quantumania opened in its expected range and crawled ahead of my estimate (more on that below). It also received a troubling Cinemascore grade of B (tying the lowest for the MCU with Eternals). That should mean a sophomore drop in the mid to high 60s (similar to Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder from last year) is coming.
Holiday holdovers Avatar: The Way of Water and Puss in Boots: The Last Wish should round out the top five. Here’s how I envision it:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $34.2 million
2. Cocaine Bear
Predicted Gross: $14.3 million
3. Jesus Revolution
Predicted Gross: $8.7 million
4. Avatar: The Way of Water
Predicted Gross: $5.4 million
5. Puss in Boots: The Last Wish
Predicted Gross: $4.6 million
Box Office Results (February 17-20)
As anticipated, Ant-Man and the Wasp: Quantumania commanded the long President’s Day frame with $120.3 million from Friday to Monday. That’s ahead of my $109.1 million estimate. That easily makes for the best start to the three Ant pics (as was expected). Per above, the second weekend dip should be substanial.
Avatar: The Way of Water held in second with $8 million compared to my $6.1 million prediction. The mega-sequel has amassed $659 million domestically.
The sequel love continued with Puss in Boots: The Last Wish at $7 million in third, slashing past my $5.8 million take. Total is $167 million.
Magic Mike’s Last Dance dropped from 1st to 4th though it doubled its theater count from approximately 1500 to over 3000. It made $6.2 million (I said $5.5 million) for overall earnings of $18 million.
Knock at the Cabin was fifth and I incorrectly had it on the outside looking in. With $4.6 million, the three-week gross is $31 million.
Finally, 80 for Brady was sixth with $4.5 million compared to my $4.2 million guesstimate. The octogenarian comedy is up to $33 million.
And that does it for now, folks! In case you didn’t know, I’ve started a podcast where you can hear my box office and Oscar predictions and the link for it is below. Until next time…
The past 24 hours have likely been impactful when it comes to figuring the puzzle that is Oscar prognosticating. The BAFTAs and the DGAs announced their winners. The latter went as expected. The Brits, on the other hand, showed they are still capable of surprises.
Across that pond, Edward Berger’s All Quiet on the Western Front made a lot of noise. The German WWI epic won 7 out of its 14 nominations. This includes Best Film and Director. I predicted those categories would go to The Banshees of Inisherin and the Daniels (Everything Everywhere All at Once). Side note – I went 13 for 22 overall on the BAFTA picks. Quiet also took Adapted Screenplay over my favored Living. The other four were Film Not in the English Language, Cinematography, Original Score, and Sound. I called 3 of those 4, but had Babylon listed in Score instead. Ironically I picked Quiet to take Production Design. That went to Babylon.
While this is a great BAFTA performance for Quiet, I don’t believe it dramatically changes its dynamic at the Oscars. I still don’t view it as a threat to emerge victorious in Best Picture. It’s important to remember that just 3 out of the past 10 BAFTA winners ended up nabbing the biggest race at the Academy Awards. Nomadland (from 2020) is the only match of the previous 8 ceremonies. And, of course, Berger isn’t even nominated in Director for the Oscars.
In the lead acting derbies, I correctly called the victors with Cate Blanchett (Tár) and Austin Butler (Elvis). This solidifies each as the frontrunners and it especially hurts Colin Farrell for Banshees. I would say he needed this to have any real shot at Best Actor on March 12th (unless he somehow manages an upset at SAG next weekend).
Banshees made up for the Best Film and Actor losses in the supporting fields. Kerry Condon is Supporting Actress which I projected. She has emerged as the alternative to Oscar favorite Angela Bassett in Black Panther: Wakanda Forever. One of the massive upsets is Barry Keoghan winning Supporting Actor over the heavily favored Ke Huy Quan for Everything Everywhere All at Once (who was sweeping until today). I still believe Quan is looking good for Oscar.
Further races I got right: Banshees in Original Screenplay; Guillermo del Toro’s Pinocchio as Animated Film (continuing its sweep); Elvis in Costume Design; Everything Everywhere for Editing; Avatar: The Way of Water‘s Visual Effects; Banshees for Outstanding British Film; and Aftersun for Outstanding Debut by a British Writer, Director, or Producer.
Where I went wrong: Navalny is Best Documentary over Fire of Love and Elvis took Casting instead of Everything Everywhere and won Make-Up & Hair over The Whale. That means Banshees and Elvis each earned 4 statues. Nothing else won more than one.
As I relayed in my DGA prediction, the directorial recipient there has matched the Oscar winning director 19 of 22 times in the 21st century. The Daniels were honorees for Everything Everywhere. Even though Everything won only Editing at BAFTA, I still think it’s the frontrunner for BP at the Oscars (as are the Daniels).
Bottom line: Quiet was loud at BAFTA. Yet the most significant storyline with Academy impact could be Butler and Blanchett firming up their standings.
The BAFTAs, Britain’s version of the Academy Awards, airs this Sunday (February 19) and it can often serve as a preview for where the Oscars will go. That holds true in same races more than others like the acting derbies.
In the past decade, 32 of the 40 winners in Actress, Actor, Supporting Actress, and Supporting Actor became Oscar recipients. That’s 8 out of the past 10 Actresses, 9 for 10 in Actor, 7 for 10 in Supporting Actress, and 8 for 10 in Supporting Actor.
It’s a different story for the grand prize. A mere 3 of 10 Best Film winners at BAFTA are BP victors at the Oscars – Argo, 12 Years a Slave, and Nomadland. The percentage goes up considerably for Director at 7/10.
I’m going to keep it simple here. I’ll give you the nominees and my predicted winner and a runner-up. Let’s get to it!
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár
Predicted Winner: The Banshees of Inisherin
Runner-Up: Everything Everywhere All at Once
Best Director
Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin)
Predicted Winner: Daniels, Everything Everywhere All at Once
Runner-Up: Todd Field, Tár
Best Actressin a Leading Role
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
Predicted Winner: Cate Blanchett, Tár
Runner-Up: Michelle Yeoh, Everything Everywhere All at Once
Best Actor in a Leading Role
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Daryl McCormack (Good Luck to You, Leo Grande), Paul Mescal (Aftersun), Bill Nighy (Living)
Predicted Winner: Austin Butler, Elvis
Runner-Up: Colin Farrell, The Banshees of Inisherin
Best Actress in a Supporting Role
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)
Predicted Winner: Kerry Condon, The Banshees of Inisherin
Runner-Up: Angela Bassett, Black Panther: Wakanda Forever
Best Actor in a Supporting Role
Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse), Albrecht Schuch (All Quiet on the Western Front), Micheal Ward (Empire of Light)
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Brendan Gleeson, The Banshees of Inisherin
Best Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
Predicted Winner: The Banshees of Inisherin
Runner-Up: Everything Everywhere All at Once
Best Adapted Screenplay
All Quiet on the Western Front, Living, The Quiet Girl, She Said, The Whale
Predicted Winner: Living
Runner-Up: All Quiet on the Western Front
Best Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Marcel the Shell with Shoes On
Best Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Corsage, Decision to Leave, The Quiet Girl
Predicted Winner: All Quiet on the Western Front
Runner-Up: The Quiet Girl
Best Documentary
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, Moonage Daydream, Navalny
Predicted Winner: Fire of Love
Runner-Up: Navalny
Best Casting
Aftersun, All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Triangle of Sadness
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Elvis
Best Cinematography
All Quiet on the Western Front, The Batman, Elvis, Empire of Light, Top Gun: Maverick
Predicted Winner: All Quiet on the Western Front
Runner-Up: Elvis
Best Costume Design
All Quiet on the Western Front, Amsterdam, Babylon, Elvis, Mrs. Harris Goes to Paris
Predicted Winner: Elvis
Runner-Up: Mrs. Harris Goes to Paris
Best Editing
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Top Gun: Maverick
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Best Make-Up & Hair
All Quiet on the Western Front, The Batman, Elvis, Roald Dahl’s Matilda the Musical, The Whale
Predicted Winner: The Whale
Runner-Up: Elvis
Best Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio
Predicted Winner:Babylon
Runner-Up: All Quiet on the Western Front
Best Production Design
All Quiet on the Western Front, Babylon, The Batman, Elvis, Guillermo del Toro’s Pinocchio
Predicted Winner: All Quiet on the Western Front
Runner-Up: Babylon
Best Sound
All Quiet on the Western Front, Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick
Predicted Winner: All Quiet on the Western Front
Runner-Up: Top Gun: Maverick
Best Special Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Top Gun: Maverick
Predicted Winner: Avatar: The Way of Water
Runner-Up: Top Gun: Maverick
Outstanding British Film
Aftersun, The Banshees of Inisherin, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Roald Dahl’s Matilda the Musical, See How They Run, The Swimmers, The Wonder
Predicted Winner: The Banshees of Inisherin
Runner-Up: Aftersun
Outstanding Debut by a British Writer, Director or Producer
Aftersun, Blue Jean, Electric Malady, Good Luck to You, Leo Grande, Rebellion
Predicted Winner: Aftersun
Runner-Up: Good Luck to You, Leo Grande
That equates to these movies generating these numbers in terms of wins:
4 Wins
All Quiet on the Western Front, The Banshees of Inisherin, Everything Everywhere All at Once
2 Wins
Elvis
1 Win
Aftersun, Avatar: The Way of Water, Babylon, Fire of Love, Guillermo del Toro’s Pinocchio, Living, Tár, The Whale
The MCU hopes for enlarged returns for Ant-Man and the Wasp: Quantumania when its debuts Friday. This is the third film in the franchise with Paul Rudd and Evangeline Lilly as the title heroes with Jonathan Majors making his debut as villainous Kang.
31 pictures into the cinematic universe that began with Iron Man (2008), Marvel’s multi-billion grossing series has seen its share of Oscar nominations. This is particularly true in Visual Effects where 13 features have been up and none have yet to win (Black Panther: Wakanda Forever is unlikely to break that stat next month with competition from Avatar: The Way of Water).
None of the MCU’s previous nods belong to Quantumania predecessors Ant-Man (2015) or Ant-Man and the Wasp (2018). Based on reviews today, that stat should also stay intact. While Majors is picking up decent reviews, the pic is currently at 55% on Rotten Tomatoes. That’s the second lowest score of any MCU title (Eternals is 47%). By comparison, the original Ant-Man hit 83% and the sequel had 87%. Bottom line: the chances for any awards attention is quite small. My Oscar Prediction posts will continue…
Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.
The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:
Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.
The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.
Here’s how I envision the top 5 playing out:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $109.1 million
2. Avatar: The Way of Water
Predicted Gross: $6.1 million
3. Puss in Boots: The Last Wish
Predicted Gross: $5.8 million
4. Magic Mike’s Last Dance
Predicted Gross: $5.5 million
5. 80 for Brady
Predicted Gross: $4.2 million
Box Office Results (February 10-12)
Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.
Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.
Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.
The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.
80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.
Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.
Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.
Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:
In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.
That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.
As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.
Here’s how I see the top 6 playing out:
1. Titanic 25th Anniversary
Predicted Gross: $11.6 million
2. Magic Mike’s Last Dance
Predicted Gross: $10.7 million
3. 80 for Brady
Predicted Gross: $8.1 million
4. Avatar: The Way of Water
Predicted Gross: $7.5 million
5. Knock at the Cabin
Predicted Gross: $5.9 million
6. Puss in Boots: The Last Wish
Predicted Gross: $5.6 million
Box Office Results (February 3-5)
As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.
80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.
Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.
Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.
I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.
A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.
Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…
Will Academy voters feel the need? The need for recognizing the year’s biggest domestic grosser in the Best Picture race at the 95th Academy Awards? It’s the eighth film up for consideration in my Case Of posts.
The Case for Top Gun: Maverick:
This would represent the People’s Choice. Tom Cruise’s summer sequel rode a wave of sizzling buzz to towering business ($718 million stateside) while critics raved (96% on Rotten Tomatoes). It nabbed six nominations including some key ones for a BP victory like Adapted Screenplay and Film Editing.
The Case Against Top Gun: Maverick:
It also missed in some important precursors. Despite a DGA spot, director Joseph Kosinski was omitted from the Oscar five. Maverick was considered a threat to take Cinematography gold (as it did at the Globes), but was snubbed. Mega-blockbusters don’t usually take the grand prize (it’s been almost 20 years since Lord of the Rings: Return of the King rose above its competitors).
Other Nominations:
Adapted Screenplay, Film Editing, Original Song, Sound, Visual Effects
The Verdict:
The sound of a Maverick win may be likeliest in Sound. The preferential ballot could lend itself to an upset in BP. It has a better shot than the other sequel in contention Avatar: The Way of Water. However, the odds are slightly against it.
My Case Of posts will continue with Triangle of Sadness!
If you didn’t catch my previous write-ups on BP contenders, click here:
On February 10th, we will see if audiences are ready to go back to Titanic. The James Cameron romance pic/disaster flick is being re-released on the occasion of its 25th anniversary. This is just as Avatar: The Way of Water wraps up its seven-week #1 domestic stand with $2 billion+ worldwide run at multiplexes.
The movie that made Leonardo DiCaprio and Kate Winslet icons currently stands as the 8th largest stateside earner in history. At the time of its release, it vaulted to first place. With $659 million overall (and that includes some previous re-releases), it could jump a spot over Avengers: Infinity War ($678 million). Worldwide it is #3 ($2.2 billion) with Water ($2.1 billion) hot on its heels. And, yes, Cameron does now have three of the four all-time global grossers with Avatar ($2.8 billion) atop that chart.
Speaking of the original Avatar, it was put back in theaters last September a few months before the sequel was unleashed. It made $10.5 million in its first frame of re-issuance. I could see Titanic matching or maybe slightly exceeding that figure.
Titanic 25th Anniversary opening weekend prediction: $11.6 million
For my Magic Mike’s Last Dance prediction, click here:
Baz Luhrmann’s flashy musical biopic Elvis is the fourth Case Of post for the ten Best Picture nominees at the 95th Academy Awards. Will it shake up the race with a victory? I present the pros and cons.
The Case for Elvis:
Over the summer, Elvis captured the attention of moviegoers to the tune of $151 million domestically. That makes it the highest grosser of the contenders that’s not a gigantic sequel (Avatar: The Way of Water, Top Gun: Maverick). It performed well at precursors including 9 BAFTA nods, 7 Critics Choice nods (winning Hair and Makeup), and 3 Golden Globe mentions with Austin Butler taking Actor in a Drama. The 8 nominations are right where this was expected to be.
The Case Against Elvis:
Best Picture victories among precursors and critics groups are nowhere to be found. The 77% Rotten Tomatoes meter is one of 3 hopefuls below the 80% mark. Omissions in the directing and screenplay races are significant misses.
Other Nominations:
Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, Sound
The Verdict:
Elvis could leave the building on Oscar night with Butler holding gold and various tech wins. It won’t leave as the Best Picture winner.
My Case Of posts will continue with Everything Everywhere All at Once!
If you missed my previous posts, you can find them here:
**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.
The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:
Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.
80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).
As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first.Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:
1. Knock at the Cabin
Predicted Gross: $23.6 million
2. 80 for Brady
Predicted Gross: $15.5 million
3. Avatar: The Way of Water
Predicted Gross: $11.8 million
4. The Chosen: Season 3 Finale
Predicted Gross: $11 million
5. Puss in Boots: The Last Wish
Predicted Gross: $8.9 million
6. A Man Called Otto
Predicted Gross: $4.8 million
Box Office Results(January 27-29)
Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).
Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.
The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.
A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.
M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.
Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).
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