Oscar Predictions – Avatar: Fire and Ash

Avatar: Fire and Ash, James Cameron’s third feature in his epic sci-fi franchise, is the last major piece of the 98th Academy Awards puzzle to come into focus. Opening Friday, the review embargo was lifted today as it hopes to rule the box office over the holidays. While it looks to join the multi-billion dollar club like its two predecessors, Fire additionally seeks to heat up Oscar ballots.

The 2009 original landed nine nominations – Picture, Director, Art Direction (which it won), Cinematography (another victory), Film Editing, Original Score, Sound Editing, Sound Mixing, and Visual Effects (a third trophy). Its Rotten Tomatoes score was 81% with 83 on Metacritic.

When Avatar: The Way of Water came out 13 years later, Sound Editing and Sound Mixing was combined into just Sound while Art Direction was now Production Design. Water was nominated for both along with Picture. The sole win came for its Visual Effects. Rotten Tomatoes was 76% with Metacritic at 67.

Fire critical reaction is so far the weakest of the trilogy with 70% on RT and a 61 Metacritic. With Oscar shortlists released this afternoon, we already know it won’t be nominated for Cinematography since it is not one of the contending 16 features. It did make four other shortlisted races – Original Score, Original Song (the Miley Cyrus track “Dream As One”), Sound, and Visual Effects.

Let’s get the obvious out of the way – Visual Effects is a given and Fire is the frontrunner. Sound is likely. I’m not convinced it makes the musical cut in either Score or Song.

What’s left is Picture and Production Design – the other two competitions where the other Avatar‘s got in. The latter is a stronger possibility. This third trip to Pandora could still get into BP. Yet if the Academy goes with a successful late 2025 sequel, I’d give Wicked: For Good an edge. It’s entirely feasible that neither get in. I suspect Fire may only rise in tech competitions when all is said and done. My Oscar Prediction posts will continue…

December 19-21 Box Office Predictions

Hollywood is hoping for merry pre-Christmas tidings with Avatar: Fire and Ash in position to rule the charts. There’s other potential new gifts for multiplexes in the form of psychological thriller The Housemaid and the double animated offerings of biblical tale David and fourquel The SpongeBob Movie: Search for SquarePants. You can locate my detailed prediction posts on the quintet here:

Avatar: Fire and Ash Box Office Prediction

The Housemaid Box Office Prediction

David Box Office Prediction

The SpongeBob Movie: Search for SquarePants Box Office Prediction

The first two Avatar features from newly minted billionaire James Cameron each grossed $2B+ worldwide. Fire looks to keep up pace. I have it under $100 million for its first stateside weekend but with about $36million less than 2022 predecessor The Way of Water.

Placement for slots 2-4 could be unpredictable. Based on a buzzy bestseller, The Housemaid with Sydney Sweeney and Amanda Seyfried has breakout potential and should serve as shrewd counter programming from blue creatures and family fare. I have it in second.

Faith-based crowds could cause David to top SpongeBob. I have the former in the low 20s with the latter in mid to higher teens. Both look to debut decently and hold impressively over Christmas. Current champ Zootopia 2 should follow in an animated bottom heavy top 5.

Here’s how I see it playing out:

1. Avatar: Fire and Ash

Predicted Gross: $98 million

2. The Housemaid

Predicted Gross: $21.9 million

3. David

Predicted Gross: $20.8 million

4. The SpongeBob Movie: Search for SquarePants

Predicted Gross: $17.1 million

5. Zootopia 2

Predicted Gross: $14.3 million

Box Office Results (December 12-14)

Zootopia 2 returned to rule the charts with $25.8 million in its third frame, a bit ahead of my $23.6 million call. The Disney sequel sits at $258 million domestically and has already topped $1 billion globally.

Five Nights at Freddy’s 2 dropped to second in its sophomore frame with $19.3 million. The 70% drop was, as expected, steep. However, it didn’t fall as far as my $15.7 million projection suggested. The horror sequel is near nine digits at $95 million.

Wicked: For Good was third with $8.5 million, in range with my $8.2 million prediction and it has conjured up $312 million in four weeks.

Hindi-language action pic Dhurandhar was #4 and I did not have it in the top 5. With $3.4 million, it had the highest per-screen-average of all features (nearly $10k per venue) and brought its earnings to $7.7 million after two weeks.

Now You See Me: Now You Don’t was fifth with only a 32% decline. With $2.3 million in its fifth weekend, the overall gross is $59 million. I also didn’t have it in the leading quintet.

That’s because I slightly overestimated Jujutsu Kaisen: Execution at $2.4 million and it made $2 million in sixth. The two-week take is $14 million.

Finally, poorly reviewed dramedy Ella McCay from veteran filmmaker James L. Brooks languished in seventh with $2 million. I was slightly a little more generous at $2.7 million.

And that does it for now, folks! Until next time…

Avatar: Fire and Ash Box Office Prediction

Avatar: Fire and Ash hopes to heat up the holiday box office season on December 19th. Clocking in at nearly 3 hours and 20 minutes, James Cameron’s epic sci-fi threequel arrives 16 years after the record breaking original and 3 years behind Avatar: The Way of Water. The large list of returning cast members doing their motion capture work includes Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, CCH Pounder, Giovanni Ribisi, Joel David Moore, Dileep Rao, Matt Gerald, Cliff Curtis, Edie Falco, Brendan Cowell, Jemaine Clement, Britain Dalton, Trinity Jo-Li Bliss, and Jack Champion. Oona Chaplin (daughter of Geraldine and granddaughter of Charlie) is a new addition and said to be a standout in a villainess turn.

Back in 2009, Avatar was seen a big risk for 20th Century Studios. After a $77 million opening, it legged out to (at the time) become the biggest blockbuster in history with $749 million domestically. That number has climbed to $785 million when factoring re-releases. The worldwide total is $2.9 billion. 2022’s The Way of Water actually underperformed in its first frame with $134 million but held fantastically throughout the holidays and beyond. It ended up with $688 million stateside after counting its recent re-release and $2.3 billion across the globe.

Forecasts have Fire coming in lower than Water and that makes sense. There was a 13 year build-up of anticipation for the first sequel. Only a three-year gap separates these. Competitors didn’t shy away from Fire either. While Water was the only wide release in its mid-December date, this will have animated biblical tale David, female catering The Housemaid, and a SpongeBob flick providing alternatives. To be fair, part of Water‘s lack of competition was due to COVID related lack of product.

Fire might fall just under $100 million for starters. Then it will look for a long and prosperous road ahead over the holidays and new year.

Avatar: Fire and Ash opening weekend prediction: $98 million

For my David prediction, click here:

David Box Office Prediction

For my The Housemaid prediction, click here:

The Housemaid Box Office Prediction

For my The SpongeBob Movie: Search for SquarePants prediction, click here:

The SpongeBob Movie: Search for SquarePants Box Office Prediction

October 10-12 Box Office Predictions

Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million. That puts it outside of the of the top 5.

With Taylor Swift sashaying out of multiplexes after a dominant weekend, Tron: Ares looks to take over the charts. We also have Channing Tatum in the crime dramedy Roofman and Jennifer Lopez headlining Kiss of the Spider Woman. My detailed prediction posts on the trio can be accessed here:

Tron: Ares Box Office Prediction

Roofman Box Office Prediction

Kiss of the Spider Woman Box Office Prediction

With scant competition, Tron should have no trouble placing first. That said, I have the sci-fi threequel earning less out of the gate than what greeted Tron: Legacy nearly 15 years ago.

I have both Roofman and Spider Woman in the mid single digits and both could fall behind the third frame of One Battle After Another if it dips in the low to mid 40s. **I’ll also note the release of Soul on Fire starring William H. Macy. It could manage to do $3 million or so and sneak into the top 5, but I’m uncertain on the theater count. I may add it into the lineup later this week so keep an eye out.

The Conjuring: Last Rites could hold the five spot since I believe its decline will be far less than The Smashing Machine‘s sophomore outing. The latter bombed over the weekend (more on that below) and its B- Cinemascore doesn’t bode well for the road ahead.

Here’s how I see the top 5 shaking out:

1. Tron: Ares

Predicted Gross: $42.6 million

2. One Battle After Another

Predicted Gross: $6.4 million

3. Roofman

Predicted Gross: $5.8 million

4. The Conjuring: Last Rites

Predicted Gross: $3.1 million

5. The Smashing Machine

Predicted Gross: $2.6 million

Box Office Results (October 3-5)

To coincide with the release of her already record-breaking 12th album, Taylor Swift: The Official Release Party of a Showgirl played for a three-day engagement and was #1 as expected. The $34 million take was in line with many expectations, but I thought Ms. Swift might surpass them with a $48.6 million projection. Any way you cut it, it’s a fine result while not approaching the $93 million that her Eras Tour theatrical experience garnered.

In fact, pretty much everything fell below my forecasts this weekend. One Battle After Another slid to second with a troubling 50% decline to $11 million. I was more generous at $14.5 million as I thought the A Cinemascore would help out more than it did. The two-week take is $42 million.

Dwayne Johnson suffered his weakest ever wide release opening as The Smashing Machine crumbled in third with $6 million. I guesstimated more than twice that number at $13.7 million. A poor start like that should evaporate any awards buzz and look for it to fade quickly.

Gabby’s Dollhouse: The Movie nosedived 61% in fourth with $5.3 million compared to my glass half full $7.9 million prediction. Its ten-day tally is a meager $21 million.

The Conjuring: Last Rites rounded out the top five with $4.1 million and I incorrectly had it on the outside looking in. The five-week total is $167 million.

Two other new(ish) titles struggled. The re-release of Avatar: The Way of Water was seventh with $3.2 million. I went with $4.4 million. Nevertheless the few extra bucks brought its gross to $687 million as Avatar: Fire and Ash is primed for December.

Canine horror pic Good Boy was ninth with $2.3 million, falling a bit under my $2.8 million projection.

And that does it for now, folks! Until next time…

October 3-5 Box Office Predictions

Just as she will on the music charts starting Friday, the biggest pop star in the universe seeks to dominate the box office rankings with Taylor Swift: The Official Release Party of a Showgirl. We also have Dwayne Johnson and Emily Blunt in the MMA biopic The Smashing Machine, the re-release of Avatar: The Way of Water and canine centric horror tale Good Boy out. You can peruse my detailed prediction posts on the newcomers here:

Taylor Swift: The Official Release Party of a Showgirl Box Office Prediction

The Smashing Machine Box Office Prediction

Avatar: The Way of Water Re-Release Box Office Prediction

Good Boy Box Office Prediction

Coinciding with the release of her 12th studio album, Showgirl looks to kick up impressive earnings for its engagement lasting only this weekend. While it’s unlikely to approach the $93 million generated out of the gate by her Eras Tour doc in 2023, I believe it’ll surpass the $40 million forecasts and reach higher 40s. As a general rule, take the over when it comes to Taylor.

The Smashing Machine will compete for adult eyeballs with the second weekend of One Battle After Another. My low teens take would put it in third for a so-so showing.

While audiences await threequel James Cameron’s Avatar: Fire and Ash this December, I have the re-release of The Way of Water in mid single digits and rounding out the high five.

My lower single digits estimate at $2.8 million for Good Boy leaves it outside the top five.

As for holdovers, Battle came in at the lower end of its expected range (more on that below). However, awards buzz and the Cinemascore grade of A might mean a meager drop. Gabby’s Dollhouse: The Movie didn’t pack in family crowds, but lack of competition for kids (though plenty of them might see Ms. Swift) could mean a decline around 40% or less.

Here’s I have it all shaking out:

1. Taylor Swift: The Official Release Party of a Showgirl

Predicted Gross: $48.6 million

2. One Battle After Another

Predicted Gross: $14.5 million

3. The Smashing Machine

Predicted Gross: $13.7 million

4. Gabby’s Dollhouse: The Movie

Predicted Gross: $7.9 million

5. Avatar: The Way of Water re-release

Predicted Gross: $4.4 million

Box Office Results (September 26-28)

Paul Thomas Anderson’s acclaimed One Battle After Another certainly set a record for his openings. Yet the $22 million debut for Leonardo DiCaprio’s latest came in lower than my $27 million prediction. It will hope for (and should achieve) smallish dips in the coming weeks due to the aforementioned word-of-mouth.

Gabby’s Dollhouse: The Movie was second with an unimpressive $13.6 million, well under my $20.3 million call. Based on the Netflix TV show, plenty of viewers opted to stay home.

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle was third in weekend #3 with $7.1 million and ahead of my $5.8 million projection. The anime record holder has amassed $118 million stateside.

The Conjuring: Last Rites was fourth in weekend #4 at $6.7 million (I said $6.4 million) as the sequel’s tally is $161 million.

The Strangers – Chapter 2 sputtered in fifth with $5.8 million, under my $6.7 million take. This scary sequel failed to approach the double digits that its predecessor last year managed.

Speaking of underwhelming fright fest performances, Him tumbled 73% in sixth with $3.5 million. I was more generous at $5.1 million as its two-week earnings are $20 million.

And that does it for now, folks! Until next time…

Avatar: The Way of Water Re-Release Box Office Prediction

Before the third edition of James Cameron’s money minting franchise arrives in December, predecessor Avatar: The Way of Water re-releases on October 3rd. Originally out in December 2022, the sci-fi epic looks to add to its $684 million in domestic dollars (good for 7th all-time) and excite moviegoers for Avatar: Fire an Ash.

This is not a new release pattern for 20th Century Studios. In September 2022, the first Avatar (the 4th biggest stateside grosser ever) had a return engagement in multiplexes. It added $10.5 million in its first 3 days.

The slightly diminishing (though still potent) results that greeted Water should apply once again. The re-release of 2009’s original was likely assisted by a longer lag time than what we have here. Nevertheless I’ll say this return engagement still manages mid single digits.

Avatar: The Way of Water re-release opening weekend prediction: $4.4 million

For my Taylor Swift: The Official Release Party of a Showgirl prediction, click here:

Taylor Swift: The Official Release Party of a Showgirl Box Office Prediction

For my The Smashing Machine prediction, click here:

The Smashing Machine Box Office Prediction

For my Good Boy prediction, click here:

Good Boy Box Office Prediction

Kingdom of the Planet of the Apes Review

Kingdom of the Planet of the Apes, for starters, gets its name right. Arriving seven years after War for the Planet of the Apes, a common criticism (not an especially important one) of the preceding trilogy was that their titles were a bit misleading. 2011’s Rise of the Planet of the Apes should’ve been Dawn of the Planet of the Apes. Yet that one came three years later and a more appropriate moniker for it would be War for the Planet of the Apes. However, War was in 2017 even though Rise of the Planet of the Apes would’ve fit better. Apes are indeed ruling the planet in the fourth entry of this Apes run and the tenth overall in the franchise. Climb of the Planet of the Apes might’ve stuck as well since the plot needs the creatures to use their upward mobility to get them out of jams.

Ultimately Kingdom gets more right than its name. A brief prologue reminds us where we left off in War. In its climax, simian leader Caesar (played iconically by Andy Serkis in probably the greatest motion capture performance ever) stopped being an Earthbound dweller and belonged to the ages. “Many generation later” (like 200-300 years), there are groups who study and honor Caesar’s work. Others are agnostic. Young ape Noa (Owen Teague) is in the latter bunch. His clan is more preoccupied with their birding activities which involve coming-of-age rituals that Noa is primed for. This is interrupted by human contact in the form of Freya Allan’s character Mae. All members of that race have been rendered speechless (as we started to witness in War). By Kingdom‘s coming, they’re also undomesticated and homeless and rare to come across.

This interaction inadvertently brings harm to Noa’s loved ones and sets the young ape on a course of discovery and retrieval of kidnapped family members. The abductor is Proximus Caesar (Kevin Durand’s superb and complex villain), whose mission involves bringing all clans together where he can rule with an iron paw. While that ape bends the teachings of Caesar to his own twisted ideology, others succeed in extolling the virtues. This includes orangutan Raka (Peter Macon) who joins Noa on the journey and first exposes him to the dominant force in Rise, Dawn, and War (or more appropriately… Dawn, War, and Rise but’s let not get hung up on it).

Raka is maybe my favorite character in a screenplay (by Avatar: The Way of Water scribe Josh Friedman) filled with promising new ones. I say promising because Kingdom is clearly world building to more installments. In that sense, comparisons to Rise of the Planet of the Apes from 2011 are apt. That tale explained Caesar’s childhood upbringing and eventual imprisonment that created the wide divide between apes and human. The movie itself was lean and efficient with a short runtime compared to Dawn, War, and this. Parts of Kingdom could’ve used a shave and tighter edit. The end result, though, is similar to 2011’s reboot in that I look forward to what’s coming while valuing what I just saw. Wes Ball takes over directorial responsibilities from Matt Reeves, who excelled at making the darker Dawn and War. Ball’s contribution may not be quite as distinctive, but it’s well-executed in reintroducing the audience to its visual landscapes and consistent tug-of-war between species coexisting in them.

This is smarter summer blockbuster sci-fi than any other franchise going and the series has been pulling that off for nearly 60 years. There’s been dips in quality (hi Tim Burton and various portions of the 1970s sequels). These past four Apes sagas have climbed to the top in terms of overall quality.

***1/2 (out of four)

2023 Oscar Predictions: October 3rd Edition

The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.

Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).

I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.

For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.

The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.

In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.

Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.

My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.

Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. The Color Purple (PR: 6) (+1)

6. Past Lives (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. The Holdovers (PR: 7) (-1)

9. Anatomy of a Fall (PR: 9) (E)

10. The Zone of Interest (PR: 11) (+1)

Other Possibilities:

11. American Fiction (PR: 10) (-1)

12. Air (PR: 12) (E)

13. Napoleon (PR: 15) (+2)

14. Spider-Man: Across the Spider-Verse (PR: 14) (E)

15. Origin (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Yorgos Lanthimos, Poor Things (PR: 3) (E)

4. Greta Gerwig, Barbie (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)

Other Possibilities:

6. Justine Triet, Anatomy of a Fall (PR: 6) (E)

7. Celine Song, Past Lives (PR: 5) (-2)

8. Bradley Cooper, Maestro (PR: 9) (+1)

9. Alexander Payne, The Holdovers (PR: 7) (-2)

10. Blitz Bazawule, The Color Purple (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Emma Stone, Poor Things (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)

5. Greta Lee, Past Lives (PR: 7) (+2)

Other Possibilities:

6. Fantasia Barrino, The Color Purple (PR: 6) (E)

7. Margot Robbie, Barbie (PR: 5) (-2)

8. Cailee Spaeny, Priscilla (PR: 9) (+1)

9. Annette Bening, Nyad (PR: 8) (-1)

10. Natalie Portman, May December (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (PR: 1) (E)

2. Bradley Cooper, Maestro (PR: 5) (+3)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Paul Giamatti, The Holdovers (PR: 4) (-1)

Other Possibilities:

6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)

7. Andrew Scott, All of Us Strangers (PR: 7) (E)

8. Joaquin Phoenix, Napoleon (PR: 9) (+1)

9. Barry Keoghan, Saltburn (PR: 10) (+1)

10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)

Dropped Out:

Teo Yoo, Past Lives

Best Supporting Actress

Predicted Nominees:

1. Danielle Brooks, The Color Purple (PR: 1) (E)

2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)

3. Emily Blunt, Oppenheimer (PR: 4) (+1)

4. Taraji P. Henson, The Color Purple (PR: 3) (-1)

5. Viola Davis, Air (PR: 5) (E)

Other Possibilities:

6. Penelope Cruz, Ferrari (PR: 6) (E)

7. Julianne Moore, May December (PR: 7) (E)

8. Jodie Foster, Nyad (PR: 9) (+1)

9. Rosamund Pike, Saltburn (PR: 8) (-1)

10. America Ferrera, Barbie (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Robert Downey Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 2) (E)

3. Mark Ruffalo, Poor Things (PR: 3) (E)

4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)

5. Charles Melton, May December (PR: 7) (+2)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Colman Domingo, The Color Purple (PR: 8) (+1)

8. John Magaro, Past Lives (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)

10. Glenn Howerton, BlackBerry (PR: 9) (-1)

Dropped Out:

Sterling K. Brown, American Fiction

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. Past Lives (PR: 2) (E)

3. The Holdovers (PR: 3) (E)

4. Anatomy of a Fall (PR: 4 ) (E)

5. Air (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 6) (E)

7. May December (PR: 7) (E)

8. Asteroid City (PR: 8) (E)

9. Fair Play (PR: 10) (+1)

10. Saltburn (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Oppenheimer (PR: 3) (E)

4. American Fiction (PR: 4) (E)

5. All of Us Strangers (PR: 5) (E)

Other Possibilities:

6. The Zone of Interest (PR: 8) (+2)

7. Hit Man (PR: 6) (-1)

8. The Color Purple (PR: 7) (-1)

9. Origin (PR: 9) (E)

10. Spider-Man: Across the Spider-Verse (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. The Taste of Things (PR: 2) (E)

3. Perfect Days (PR: 3) (E)

4. About Dry Grasses (PR: 5) (-1)

5. Fallen Leaves (PR: 4) (+1)

Other Possibilities:

6. Society of the Snow (PR: 7) (+1)

7. The Peasants (PR: Not Ranked)

8. The Settlers (PR: Not Ranked)

9. The Delinquents (PR: 8) (-1)

10. The Promised Land (PR: 9) (-1)

Dropped Out:

The Teachers’ Lounge

Io capitano

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. The Wish (PR: 4) (E)

5. Nimona (PR: 7) (+2)

Other Possibilities:

6. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 5) (-1)

7. Chicken Run: Dawn of the Nugget (PR: 6) (-1)

8. The Peasants (PR: Not Ranked)

9. The Super Mario Bros. Movie (PR: 8) (-1)

10. Ruby Gillman, Teenage Kraken (PR: Not Ranked)

Dropped Out:

Suzume

Robot Dreams

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. 20 Days in Mariupol (PR: 3) (+1)

3. Stamped from the Beginning (PR: 4) (+1)

4. Still: A Michael J. Fox Movie (PR: 2) (-2)

5. The Eternal Memory (PR: 7) (+2)

Other Possibilities:

6. Every Body (PR: 9) (+3)

7. The Mother of All Lies (PR: 8) (+1)

8. Orlando, My Political Biography (PR: 5) (-3)

9. It Ain’t Over (PR: 10) (+1)

10. The Deepest Breath (PR: Not Ranked)

Dropped Out:

American Symphony

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Maestro (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 6) (E)

7. Ferrari (PR: Not Ranked)

8. The Killer (PR: 9) (+1)

9. The Color Purple (PR: 7) (-2)

10. Barbie (PR: 10) (E)

Dropped Out:

Asteroid City

Best Costume Design

Predicted Nominees:

1. Barbie (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. The Color Purple (PR: 3) (E)

4. Killers of the Flower Moon (PR: 4) (E)

5. Chevalier (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 8) (+2)

7. Asteroid City (PR: Not Ranked)

8. Priscilla (PR: 6) (-2)

9. Oppenheimer (PR: 7) (-2)

10. Wonka (PR: 9) (-1)

Dropped Out:

Maestro

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. Maestro (PR: 4) (-1)

Other Possibilities:

6. Air (PR: 7) (+1)

7. Barbie (PR: 10) (+3)

8. The Holdovers (PR: 8) (E)

9. Ferrari (PR: 6) (-3)

10. Anatomy of a Fall (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Maestro (PR: 2) (E)

3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. Killers of the Flower Moon (PR: 10) (+5)

Other Possibilities:

6. Priscilla (PR: 5) (-1)

7. The Color Purple (PR: 8) (+1)

8. Beau is Afraid (PR: Not Ranked)

9. Golda (PR: 9) (E)

10. Nyad (PR: 7) (-3)

Dropped Out:

Oppenheimer

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. The Killer (PR: 7) (+2)

Other Possibilities:

6. Poor Things (PR: Not Ranked)

7. Napoleon (PR: 4) (-3)

8. The Boy and the Heron (PR: 9) (+1)

9. Ferrari (PR: 10) (+1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Spider-Man: Across the Spider-Verse

Asteroid City

Best Original Song

Predicted Nominees:

1. TBD from The Color Purple (PR: 1) (E)

2. “What Was I Made For?” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 3) (E)

4. “The Wish” from Wish (PR: 4) (E)

5. “I’m Just Ken” from Barbie (PR: 5) (E)

Other Possibilities:

6. “Joan Still” from Theater Camp (PR: 9) (+3)

7. “Dance the Night” from Barbie (PR: 10) (+3)

8. “Gonna Be You” from 80 for Brady (PR: 7) (-1)

9. “Quiet Eyes” from Past Lives (PR: 6) (-3)

10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)

Dropped Out:

“High Life” from Flora and Son

Best Production Design

Predicted Nominees:

1. Barbie (PR: 3) (+2)

2. Poor Things (PR: 1) (-1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Oppenheimer (PR: 4) (E)

5. Asteroid City (PR: 6) (+1)

Other Possibilities:

6. The Color Purple (PR: 5) (-1)

7. Napoleon (PR: 7) (E)

8. Maestro (PR: 8) (E)

9. The Zone of Interest (PR: Not Ranked)

10. Saltburn (PR: 10) (E)

Dropped Out:

Wonka

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Ferrari (PR: 3) (+1)

3. Napoleon (PR: 4) (+1)

4. The Color Purple (PR: 2) (-2)

5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)

Other Possibilities:

6. Killers of the Flower Moon (PR: 5) (-1)

7. The Creator (PR: Not Ranked)

8. Barbie (PR: 8) (E)

9. The Zone of Interest (PR: 10) (+1)

10. Maestro (PR: 7) (-3)

Dropped Out:

The Killer

Best Visual Effects

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)

3. The Creator (PR: 3) (E)

4. Napoleon (PR: 6) (+2)

5. Rebel Moon (PR: 5) (E)

Other Possibilities:

6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)

7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)

8. Poor Things (PR: 4) (-4)

9. Barbie (PR: 10) (+1)

10. Killers of the Flower Moon (PR: 8) (-2)

That means I’m projecting these movies will garner these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer

10 Nominations

Poor Things

9 Nominations

Barbie

6 Nominations

The Color Purple, Maestro

5 Nominations

Past Lives

4 Nominations

The Holdovers, The Zone of Interest

3 Nominations

Anatomy of a Fall

2 Nominations

Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol

Best Picture 2022: The Final Five

We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.

Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!

Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.

Back to the Oscars that just happened…

All Quiet on the Western Front

Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.