Slasher flick Heart Eyes and action comedy Love Hurts hope to achieve audience affection this weekend while competing with holdovers and a little football game on Sunday. You can peruse my detailed prediction posts on the newcomers here:
Sony’s Heart Eyes looks to fright fest fans and teens and, in this genre, there’s always the possibility of exceeding expectations. It might get to the teens, but I have it in the lower double digits for a runner-up showing.
Recent supporting category Oscar winners Ke Huy Quan and Ariana DeBose (and Super Bowl victor Marshawn Lynch) tackle Love Hurts. Universal would heart a start in double digits and especially teens though I suspect it could struggle to get there. My estimate puts it in third.
As for holdovers, DreamWorks Animation’s Dog Man opened impressively (more on that below) and it should be top dog once again. The sophomore outing drop could be in the mid to high 40s.
Companion, despite a solid (at least for horror) B+ Cinemascore grade, may dip in the mid to high 40s as well with Mufasa: The Lion King and One of Them Days in a close call for fifth.
Here’s how I envision the top 6 shaking out:
1. Dog Man
Predicted Gross: $19.4 million
2. Heart Eyes
Predicted Gross: $10.8 million
3. Love Hurts
Predicted Gross: $7.1 million
4. Companion
Predicted Gross: $4.9 million
5. Mufasa: The Lion King
Predicted Gross: $4.6 million
6. One of Them Days
Predicted Gross: $4.4 million
Box Office Results (January 31-February 2)
Dog Man lapped all competitors with room to spare as the animated tale (tail?) based on Dav Pilkey’s works scored $36 million, well ahead of my $25.4 million projection. With an A Cinemascore grade, look for this to eye nine digits stateside.
Companion‘s second place showing was in line with expectations at $9.3 million, a tad under my $10.6 million call. The well-reviewed mix of horror, sci-fi, and satire only had a reported $15 million price tag so this is a decent result.
Mufasa: The Lion King was third with $6.3 million (I said $6.5 million), bringing the Disney property’s seven-week haul to $229 million.
Buddy comedy One of Them Days was fourth, holding up well in weekend #3 with $5.8 million (on target with my $6 million prediction). The total is $34 million,
Finally, as estimated, Flight Risk with Mark Wahlberg lost altitude in its second go-round. Plummeting from first to fifth, it made $5.4 million (a 53% ease). That’s close to my $5.7 million take as its ten-day earnings are $20 million.
Columbia Pictures hopes audiences are craving new superhero action when Kraven the Hunter hits theaters on December 13th. This is the latest entry in the Sony Spider-Man Universe which has found success with the Venom pics and failure with Morbius and Madame Web. Aaron Taylor-Johnson stars in the title role spawned from the Marvel Comic with Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, and Russell Crowe offering support.
This has had a lengthy road to the multiplex. Hunter is on its fourth release date as it was originally slated for nearly two years ago. The first trailer came out in June 2023. In April of 2022, Morbius rolled out to a $39 million showing before cratering in weekend #2. Madame Web had a six-day rollout over President’s Day weekend and took in only $25 million for that time period.
I don’t think Kraven approaches that Morbius figure and it may fall just below Web‘s $15 million Friday to Sunday from a few months back.
Kraven the Hunter opening weekend prediction: $14.8 million
For my The Lord of the Rings: The War of the Rohirrim prediction, click here:
Chris Pine makes his directorial debut, cowrites, and stars in Poolman which wades into theaters in a limited pattern this Friday. The comedic noir has a sizable supporting cast including Annette Bening, DeWanda Wise, Stephen Tobolowsky, Clancy Brown, John Ortiz, Ray Wise, Juliet Mills, Ariana DeBose, Jennifer Jason Leigh, and Danny DeVito.
An eagerly awaited premiere at the Toronto Film Festival last fall, Poolman flopped upon its unveiling. The RT score is just 23%. It is safe to assume that the Star Trek and Wonder Woman franchise player won’t get to bring this title character back. We certainly won’t see any awards mentions. My Oscar Prediction posts will continue…
Kingsman maker Matthew Vaughn appears to be in his comfort zone with Argylle, out February 2nd. The spy action comedy comes with a reported $200 million budget and hopes to spawn a trilogy. Henry Cavill, Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O’Hara, Dua Lipa, Ariana DeBose, John Cena, and Samuel L. Jackson fill out the eclectic cast. There’s even a Taylor Swift connection (sort of). Swifties speculated that the film’s author character (played by Howard) might in fact be the superstar/Chiefs fan, but Vaughn debunked the theory. Anytime Swift is in the mix, that means your movie is getting extra attention.
Argylle could also be helped by the dead zone that is the current box office landscape. There’s simply not much out there and this star-studded affair will be the highest profile option.
That said, I don’t think this will exceed expectations. Current forecasts have this in the high teens to low 20s and I think that sounds right. This means Argylle may need to rely on overseas grosses if it wants that trilogy.
I.S.S. isn’t a comedy about a group of rambunctious teens serving in-school suspension. The title stands for International Space Station in the sci-fi thriller from Gabriela Cowperthwaite, best known for directing the documentary Blackfish. Oscar winner Ariana DeBose, Chris Messina, John Gallagher Jr., Maria Mashkova, Costa Ronin, and Pilou Asbaek star.
Critics first boarded I.S.S. back in June at the Tribeca Film Festival where it launched with solid notices (93% on RT). Bleecker Street acquired the rights last fall for the January 19th premiere. The release date doesn’t indicate much confidence (despite the reviews). It also doesn’t help that Bleecker’s distribution library is littered with box office disappointments (Mafia Mamma anyone?). If this manages to reach $5 million, I’d be a little surprised.
In 2023, Disney finds itself in the rather rare position of not having a Best Animated Feature frontrunner at the Oscars. The category started in 2001 and 15 of the 22 previous winners have been released by the Mouse House. This summer’s Elemental got decent enough reviews that it probably has a spot in the eventual five nominees.
I’m not sure the same can be said for Wish. The musical from directors Chris Buck and Fawn Veerasunthorn and featuring the voices of West Side Story gold statue recipient Ariana DeBose and Chris Pine comes out over the Thanksgiving holiday. With its review embargo lifted, the Tomato meter is at only 62%. That is certainly below most Disney animated offerings and it brings awards viability into question.
In my view, Elemental (a bit fresher at 74%) is behind Spider-Man: Across the Spider-Verse (definitely the favorite) and The Boy and the Heron. I still think it gets in. That leaves two spots. Wish will need to compete with Teenage Mutant Ninja Turtles: Mutant Mayhem, Chicken Run: Dawn of the Nugget, Nimona, and The Peasants to make the cut. Its legendary studio will need to work their campaigning magic to have two competitors in the race.
Wish may have a slightly better shot at Original Song with DeBose singing “This Wish”. Yet it’s quite possible that Wish could be granted zero nominations. My Oscar Prediction posts will continue…
Blogger’s Update (11/20): Middling reviews have led to a downgrade in my estimate to low 30s for the three-day and mid 40s for the five.
Disney seeks a return to a Thanksgiving tradition by having an animated offering in the top spot with the release of Wish on November 22nd. Chris Buck (who co-helmed the Frozen features) and Fawn Veerasunthorn direct with a voice cast including Ariana DeBose, Chris Pine, Alan Tudyk, Angelique Cabral, Victor Garber, Harvey Guillén, Evan Peters, Ramy Youssef, and Jon Rudnitsky.
The musical fantasy would love to replicate the performance of the Frozen entries, but would certainly settle for the earnings of pre-COVID Turkey weekend offerings. In 2016, Moana opened to $56 million from Friday to Monday and $82 million when counting Wednesday and Thursday of the holiday frame. Coco in 2017 started off with $50 million over the three-day and $72 million for the five-day. In 2018, Ralph Breaks the Internet took in $56 million from Friday to Monday and $84 million over the extended holiday.
On the other hand, the Mouse House wants to avoid a Good Dinosaur level performance from 2015. It made $39 million for the three-day and $55 million with the extras.
My hunch is that Wish is granted a performance closest to Coco levels while not quite reaching those figures. I’ll project a mid to high 40s output over the regular weekend and mid to high 60s when factoring in those extra days when kiddos are out of school.
Wish opening weekend prediction: $32.2 million (Friday to Monday); $46.4 million (Wednesday to Sunday)
We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.
As for the other nine, let’s take a deeper dive:
Belfast
Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.
Does It Make the Final Five?
Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.
Don’t Look Up
Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).
Does It Make the Final Five?
No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.
Drive My Car
Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.
Does It Make the Final Five?
No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.
Dune
Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.
Does It Make the Final Five?
Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.
King Richard
Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.
Does It Make the Final Five?
No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.
Licorice Pizza
Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.
Does It Make the Final Five?
No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.
Nightmare Alley
Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.
Does It Make the Final Five?
No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.
The Power of the Dog
Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.
Does It Make the Final Five?
Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.
West Side Story
Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.
Does It Make the Final Five?
Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.
That means my final 2021 five is:
Belfast
CODA
Dune
The Power of the Dog
West Side Story
2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.
If you missed my entries for 2009-20, have no fear! They’re here:
Stephanie Hsu’s at turns villainous and sympathetic character(s) in Everything Everywhere All at Once is the final Case Of post for the Supporting Actress nominees at the 95th Academy Awards.
The Case for Stephanie Hsu:
Playing dual roles in the Daniels multi-genre tale, Hsu garnered raves as Michelle Yeoh’s daughter. SAG and Critics Choice nods followed and the Academy doesn’t shy away from honoring exciting relative newcomers (think Ariana DeBose from West Side Story last year).
The Case Against Stephanie Hsu:
The major precursors have spread the love around for Supporting Actress contenders, but it hasn’t included any victories for Hsu. Her costar Jamie Lee Curtis (who won SAG) may have a stronger narrative for the statue given her decades long career. Angela Bassett (Black Panther: Wakanda Forever) took Critics Choice and the Golden Globe (no nod for Hsu there) while Kerry Condon (The Banshees of Inisherin) was honored at BAFTA (where Hsu also missed).
Previous Nominations:
None
The Verdict:
There are three performers vying for a walk up the stage and Hsu isn’t one of them.
My Case Of posts will continue with Hsu’s costar Ke Huy Quan in Everything Everywhere All at Once!
Entries for the other Supporting Actress hopefuls can be found here:
Another significant piece of the Oscar prognosticating puzzle is put together on Wednesday when nominations for the 29th Screen Actors Guild (SAG) Awards are dropped. The ceremony’s main prize, it’s important to note, is not Best Picture but Best Ensemble. That means a correlation from the Oscar BP and the top race here is not apples to apples. It is worth noting that half of the last 10 SAG Ensemble victors (Argo, Birdman, Spotlight, Parasite, CODA) did go on to win BP from the Academy. On the other hand, three recent BPs (The Shape of Water, Green Book, Nomadland) didn’t make the SAG quintet at all.
Let’s go through all six categories one by one with my picks and a runner-up call, shall we?
Outstanding Performance by a Cast in a Motion Picture
There are plenty of possibilities including box office hits like Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick. For Panther, the original won Ensemble in 2018 so the sequel materializing is feasible. I wouldn’t discount the sprawling cast of Babylon though middling reviews could hurt it. It’s tempting to pick Glass Onion but I’m hesitant since Knives Out was snubbed in 2019.
Everything Everywhere All at Once and The Fabelmans seem safe. Despite the small call sheet for The Banshees of Inisherin (with just four significant roles), I could see the SAG branch honoring it. I’m also liking The Woman King‘s chances. Women Talking is perhaps the biggest question mark. It has underperformed with precursors. A couple of months ago, I’d have considered it a potential frontrunner to win. Now I wonder if it makes it at all. Nevertheless – here’s my take:
Predicted Nominees:
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
The Woman King
Women Talking
Runner-Up: Glass Onion: A Knives Out Mystery
Outstanding Performance by a Female Actor in a Leading Role
In the previous decade, SAG in Actress has matched the Academy 4/5 on six occasions and 3/5 on four. There are no perfect correlations. SAG has shown they will throw in a shocker – Jennifer Aniston in Cake, Sarah Silverman for I Smile Back or Emily Blunt in The Girl on the Train are recent examples. If there’s one here, look out for Naomi Ackie (Whitney Houston: I Wanna Dance with Somebody).
Margot Robbie (Babylon) is currently the one I’ve got in the Academy five (for the moment) that I don’t have here. Ana de Armas (Blonde) is a real threat. If she makes this quintet, look for her Oscar stock to soar. With those possibilities mentioned, my choices are…
Predicted Nominees:
Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once
Runner-Up: Ana de Armas, Blonde
Outstanding Performance by a Male Actor in a Leading Role
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), and Brendan Fraser (The Whale) should all be safe. Bill Nighy (Living) is fourth though I suspect there’s a better chance at SAG leaving him off than the Academy. Then there’s that five spot. It could be Tom Cruise (Top Gun: Maverick), Tom Hanks (A Man Called Otto), Hugh Jackman (The Son), or Paul Mescal (Aftersun). Take your pick. I’m leaning toward the star of the year’s biggest hit. On a side note, there’s been a SAG/Oscar match of 5/5 for the previous two cycles.
Predicted Nominees:
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Bill Nighy, Living
Runner-Up: Paul Mescal, Aftersun
Outstanding Performance by a Female Actor in a Supporting Role
Last year was an anomaly when just 2 of the SAG nominees (Ariana DeBose for West Side Story and The Power of the Dog‘s Kirsten Dunst) scored Oscar nods. The magic number is usually 3 or 4. The wide open nature of this race has been discussed a lot on the blog. Beyond my picks and runner-up, don’t discount Dolly De Leon (Triangle of Sadness), Claire Foy (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), Janelle Monae (Glass Onion: A Knives Out Mystery), and Carey Mulligan (She Said).
Predicted Nominees:
Angela Bassett, Black Panther: Wakanda Forever
Jessie Buckley, Women Talking
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Runner-Up: Stephanie Hsu, Everything Everywhere All at Once
Outstanding Performance by a Male Actor in a Supporting Role
Like Supporting Actress last year, there was only a 2 for 5 match with Troy Kotsur in CODA and Kodi Smit-McPhee in The Power of the Dog. Usually it’s 4. For 2022, I believe only Ke Huy Quan and Brendan Gleeson are safe assumptions. The remaining three slots should be some combo of Paul Dano (The Fabelmans), Tom Hanks (Elvis), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), Brad Pitt (Babylon), and Eddie Redmayne (The Good Nurse) sorting it out.
Predicted Nominees:
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Barry Keoghan, The Banshees of Inisherin
Ke Huy Quan, Everything Everywhere All at Once
Eddie Redmayne, The Good Nurse
Runner-Up: Brian Tyree Henry, Causeway
Outstanding Performance by a Stunt Ensemble
Don’t discount The Batman or Doctor Strange in the Multiverse of Madness, but my quintet is as follows…
Predicted Nominees:
The Batman
Black Panther: Wakanda Forever
Everything Everywhere All at Once
Top Gun: Maverick
The Woman King
Runner-Up: RRR
That equates to these movies generating these numbers:
5 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
3 Nominations
The Fabelmans, The Woman King
2 Nominations
Black Panther: Wakanda Forever, Top Gun: Maverick, The Whale, Women Talking
1 Nomination
The Batman, Elvis, The Good Nurse, Living, Tár, Till
On Wednesday evening you can expect a recap of what happens after noms are revealed!
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