Tag: Anne Hathaway

2019 Oscar Predictions: September 5th Edition

A lot can change in a week and that’s certainly the case in my second edition of weekly Oscar predictions for 2019. That’s because the Venice and Telluride festivals have happened and numerous contenders have emerged. Some have seen their fortunes dwindle (like Steven Soderbergh’s The Laundromat or Edward Norton’s Motherless Brooklyn). Other films and performances have received a serious boost like Ford v Ferrari, Waves (not even on my radar last week), The Two Popes, and Renee Zellweger in Judy.

While last Thursday provided my pre festival rankings, there’s plenty of movement that’s occurred since then. And by next Thursday… the picture will begin more clear with the Toronto Film Festival beginning today and where several other high profile hopefuls will screen.

Let’s get to it, shall we?

BEST PICTURE

Predicted Nominees:

1. The Irishman (PR: 1)

2. Marriage Story (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Ford v Ferrari (PR: 11)

5. Parasite (PR: 7)

6. 1917 (PR: 4)

7. Little Women (PR: 5)

8. Jojo Rabbit (PR, 10)

9. The Two Popes (PR: Not Ranked)

Other Possibilities:

10. The Report (PR: 9)

11. The Farewell (PR: 6)

12. Waves (PR: Not Ranked)

13. Pain and Glory (PR: 16)

14. A Beautiful Day in the Neighborhood (PR: 12)

15. Joker (PR: 15)

16. A Hidden Life (PR: 19)

17. Dark Waters (PR: 17)

18. Bombshell (PR: 13)

19. The Lighthouse (PR: 21)

20. Harriet (PR: 14)

21. Just Mercy (PR: 20)

22. Rocketman (PR: 22)

23. Queen and Slim (PR: Not Ranked)

24. The Laundromat (PR: 8)

25. Ad Astra (PR: 23)

Dropped Out:

Booksmart

Avengers: Endgame

The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 5)

5. Sam Mendes, 1917 (PR: 3)

Other Possibilities:

6. James Mangold, Ford v Ferrari (PR: 12)

7. Pedro Almodovar, Pain and Glory (PR: 8)

8. Greta Gerwig, Little Women (PR: 6)

9. Trey Edward Shults, Waves (PR: Not Ranked)

10. Taika Waititi, Jojo Rabbit (PR: 10)

11. Fernando Meirelles, The Two Popes (PR: Not Ranked)

12. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 13)

13. Terrence Malick, A Hidden Life (PR: 11)

14. Todd Haynes, Dark Waters (PR: 14)

15. Lulu Wang, The Farewell (PR: 9)

Dropped Out:

Steven Soderbergh, The Laundromat

Kasi Lemmons, Harriet

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 5)

3. Saoirse Ronan, Little Women (PR: 3)

4. Cynthia Erivo, Harriet (PR: 2)

5. Alfre Woodard, Clemency (PR: 7)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 4)

7. Charlize Theron, Bombshell (PR: 6)

8. Natalie Portman, Lucy in the Sky (PR: 12)

9. Lupita Nyong’o, Us (PR: 8)

10. Helen Mirren, The Good Liar (PR: 9)

11. Jodie Turner-Smith, Queen and Slim (PR: 10)

12. Kristen Stewart, Seberg (PR: 15)

13. Lesley Manville, Ordinary Love (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 13)

15. Elisabeth Moss, Her Smell (PR: 11)

Dropped Out:

Beanie Feldstein, Booksmart

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 2)

3. Antonio Banderas, Pain and Glory (PR: 3)

4. Jonathan Pryce, The Two Popes (PR: 9)

5. Joaquin Phoenix, Joker (PR: 6)

Other Possibilities:

6. Christian Bale, Ford v Ferrari (PR: 8)

7. Robert De Niro, The Irishman (PR: 4)

8. Taron Egerton, Rocketman (PR: 5)

9. Eddie Murphy, Dolemite Is My Name (PR: 7)

10. Mark Ruffalo, Dark Waters (PR: 12)

11. Ian McKellen, The Good Liar (PR: 13)

12. Adam Sandler, Uncut Gems (PR: 14)

13. Daniel Kaluuya, Queen and Slim (PR: 15)

14. Robert Pattinson, The Lighthouse (PR: Not Ranked)

15. Michael B. Jordan, Just Mercy (PR: 11)

Dropped Out:

Adam Driver, The Report

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 2)

2. Annette Bening, The Report (PR: 1)

3. Margot Robbie, Once Upon a Time in Hollywood (PR: 4)

4. Shuzhen Zhou, The Farewell (PR: 3)

5. Florence Pugh, Little Women (PR: 8)

Other Possibilities:

6. Meryl Streep, The Laundromat (PR: 5)

7. Meryl Streep, Little Women (PR: 7)

8. Penelope Cruz, Pain and Glory (PR: Not Ranked)

9. Janelle Monae, Harriet (PR: 10)

10. Scarlett Johansson, Jojo Rabbit (PR: 11)

11. Nicole Kidman, Bombshell (PR: 9)

12. Jennifer Hudson, Cats (PR: 13)

13. Anna Paquin, The Irishman (PR: 12)

14. Anne Hathaway, Dark Waters (PR: 6)

15. Taylor Russell, Waves (PR: Not Ranked)

Dropped Out:

Catherine Deneuve, The Truth

Nicole Kidman, The Goldfinch

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Willem Dafoe, The Lighthouse (PR: 2)

3. Al Pacino, The Irishman (PR: 4)

4. Anthony Hopkins, The Two Popes (PR: Not Ranked)

5. Taika Waititi, Jojo Rabbit (PR: 8)

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 6)

7. Alan Alda, Marriage Story (PR: Not Ranked)

8. Joe Pesci, The Irishman (PR: 7)

9. Kelvin Harrison, Jr., Waves (PR: Not Ranked)

10. Jamie Bell, Rocketman (PR: 10)

11. Jamie Foxx, Just Mercy (PR: 5)

12. John Lithgow, Bombshell (PR: 9)

13. Gary Oldman, The Laundromat (PR: 3)

14. Matt Damon, Ford v Ferrari (PR: Not Ranked)

15. Tracy Letts, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Ray Liotta, Marriage Story

Matthew Rhys, A Beautiful Day in the Neighborhood

Wesley Snipes, Dolemite Is My Name

Leslie Odom, Jr., Harriet

Timothee Chalamet, Little Women

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 4)

3. Little Women (PR: 3)

4. Dark Waters (PR: 5)

5. The Laundromat (PR: 2)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Joker (PR: 7)

8. Just Mercy (PR: 9)

9. The Goldfinch (PR: 11)

10. The Good Liar (PR: 12)

11. Toy Story 4 (PR: 8)

12. Motherless Brooklyn (PR: 14)

13. The King (PR: Not Ranked)

14. Downton Abbey (Not Ranked)

15. Judy (PR: 13)

Dropped Out:

Ford v Ferrari (moved to Original)

Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Two Popes (PR: Not Ranked)

4. Parasite (PR: 5)

5. The Report (PR: 4)

Other Possibilities:

6. The Farewell (PR: 3)

7. Pain and Glory (PR: 7)

8. Waves (Not Ranked)

9. Ford v Ferrari (PR: Not Ranked – moved from Adapted)

10. Booksmart (PR: 6)

11. The Lighthouse (PR: 12)

12. Bombshell (PR: 9)

13. Harriet (PR: 11)

14. 1917 (PR: 8)

15.  Dolemite Is My Name (PR: 10)

Dropped Out:

Ad Astra

Us

Queen and Slim

Expect more changes next week when much of the Toronto happenings will have transpired! Until then…

2019 Oscar Predictions: August 29th Edition

Welcome to my first edition of my weekly Oscar predictions where I’ll be ranking my top 25 Best Picture possibilities and 15 contenders in the directing, acting, and screenplay categories!

The dawn of my rankings coincides with the start of film festival season as Venice is in full swing with Telluride and Toronto on deck. Noah Baumbach’s Marriage Story has already screened in Italy and solidified its status as a serious contender in numerous races. There’s a whole bunch of movies premiering in the coming days so expect the picture to become a wee bit clearer. That said, I’ve learned a lot of things from years of past predicting when it comes to this time of the year:

  • Movies thought to be contenders will fail to live up to their buzz
  • Movies will be pushed back to 2020 and render them ineligible
  • Leading actor and actress candidates will be moved to supporting and vice versa
  • Screenplays considered Adapted will become Original and vice versa
  • Sleepers not currently on the radar will rise up… think last year’s Best Picture winner Green Book

With all those caveats, let’s get to it! And expect updates every Thursday on the blog…

BEST PICTURE

Predicted Nominees:

1. The Irishman

2. Marriage Story

3. Once Upon a Time in Hollywood

4. 1917

5. Little Women

6. The Farewell

7. Parasite

8. The Laundromat

9. The Report

Other Possibilities:

10. Jojo Rabbit

11. Ford v Ferrari

12. A Beautiful Day in the Neighborhood

13. Bombshell

14. Harriet

15. Joker

16. Pain and Glory

17. Dark Waters

18. Booksmart

19. A Hidden Life

20. Just Mercy

21. The Lighthouse

22. Rocketman

23. Ad Astra

24. Avengers: Endgame

25. The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman

2. Quentin Tarantino, Once Upon a Time in Hollywood

3. Sam Mendes, 1917

4. Noah Baumbach, Marriage Story

5. Bong Joon-Ho, Parasite

Other Possibilities:

6. Greta Gerwig, Little Women

7. Steven Soderbergh, The Laundromat

8. Pedro Almodovar, Pain and Glory

9. Lulu Wang, The Farewell

10. Taika Waititi, Jojo Rabbit

11. Terrence Malick, A Hidden Life

12. James Mangold, Ford v Ferrari

13. Marielle Heller, A Beautiful Day in the Neighborhood

14. Todd Haynes, Dark Waters

15. Kasi Lemmons, Harriet

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story

2. Leonardo DiCaprio, Once Upon a Time in Hollywood

3. Antonio Banderas, Pain and Glory

4. Robert DeNiro, The Irishman

5. Taron Egerton, Rocketman

Other Possibilities:

6. Joaquin Phoenix, Joker

7. Eddie Murphy, Dolemite Is My Name

8. Christian Bale, Ford v Ferrari

9. Jonathan Pryce, The Two Popes

10. Adam Driver, The Report

11. Michael B. Jordan, Just Mercy

12. Mark Ruffalo, Dark Waters

13. Ian McKellen, The Good Liar

14. Adam Sandler, Uncut Gems

15. Daniel Kaluuya, Queen and Slim

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story

2. Cynthia Erivo, Harriet

3. Saoirse Ronan, Little Women

4. Awkwafina, The Farewell

5. Renee Zellweger, Judy

Other Possibilities:

6. Charlize Theron, Bombshell

7. Alfre Woodard, Clemency

8. Lupita Nyong’o, Us

9. Helen Mirren, The Good Liar

10. Jodie Turner-Smith, Queen and Slim

11. Elisabeth Moss, Her Smell

12. Natalie Portman, Lucy in the Sky

13. Felicity Jones, Aeronauts

14. Beanie Feldstein, Booksmart

15. Kristen Stewart, Seberg

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood

2. Willem Dafoe, The Lighthouse

3. Gary Oldman, The Laundromat

4. Al Pacino, The Irishman

5. Jamie Foxx, Just Mercy

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood

7. Joe Pesci, The Irishman

8. Taika Waititi, Jojo Rabbit

9. John Lithgow, Bombshell

10. Jamie Bell, Rocketman

11. Ray Liotta, Marriage Story

12. Matthew Rhys, A Beautiful Day in the Neighborhood

13. Wesley Snipes, Dolemite Is My Name

14. Leslie Odom, Jr., Harriet

15. Timothee Chalamet, Little Women

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Annette Bening, The Report

2. Laura Dern, Marriage Story

3. Shuzhen Zhou, The Farewell

4. Margot Robbie, Once Upon a Time in Hollywood

5. Meryl Streep, The Laundromat

Other Possibilities:

6. Anne Hathaway, Dark Waters

7. Meryl Streep, Little Women

8. Florence Pugh, Little Women

9. Nicole Kidman, Bombshell

10. Janelle Monae, Harriet

11. Scarlett Johansson, Jojo Rabbit

12. Anna Paquin, The Irishman

13. Jennifer Hudson, Cats

14. Catherine Deneuve, The Truth

15. Nicole Kidman, The Goldfinch

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman

2. The Laundromat

3. Little Women

4. Jojo Rabbit

5. Dark Waters

Other Possibilities:

6. A Beautiful Day in the Neighborhood

7. Joker

8. Toy Story 4

9. Just Mercy

10. Ford v Ferrari

11. The Goldfinch

12. The Good Liar

13. Judy

14. Motherless Brooklyn

15. Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story

2. Once Upon a Time in Hollywood

3. The Farewell

4. The Report

5. Parasite

Other Possibilities:

6. Booksmart

7. Pain and Glory

8. 1917

9. Bombshell

10. Dolemite Is My Name

11. Harriet

12.  The Lighthouse

13. Ad Astra

14. Us

15. Queen and Slim

And that does it for my inaugural ranked predictions! Keep an eye on the blog daily for ongoing developments…

Early 2019 Oscar Predictions: Best Supporting Actress

And away we go with my very early initial Oscar predictions for the films of 2019! As has become tradition on this here blog, I make my first projections in the six top races (the acting categories, Director, Picture) in late August. This is right on the cusp of festival season (Toronto, Venice, Telluride, New York) when dozens of hopefuls will screen beginning Thursday and into the next several weeks. Expect a whole bunch of Oscar Watch posts coming your way!

At that time, the outlook will become considerably clearer when it comes to real deal contenders and pretenders. Beginning Thursday and through October, I will have a weekly column estimating my top 25 Best Picture possibilities and 15 entries in the five other races. They will be ranked unlike these first posts. Starting in November, that will dwindle down to 15 Pictures and top 10 predictions in all other categories weekly.

There is no doubt that these lists will fluctuate significantly as the year progresses. We begin with Supporting Actress. Last year, only one of my initial 5 predictions for this race ended up being nominated. It happened to be the winner… Regina King in If Beale Street Could Talk. Of the 10 performers below the estimated five, two scored nods (Amy Adams in Vice and Rachel Weisz in The Favourite).

So without further adieu, Todd’s first Oscar calls for 2019!

EARLY PREDICTIONS: BEST SUPPORTING ACTRESS

Annette Bening, The Report

Laura Dern, Marriage Story

Florence Pugh, Little Women

Margot Robbie, Once Upon a Time in Hollywood

Shuzhen Zhou, The Farewell

Other Possibilities:

Anne Hathaway, Dark Waters 

Jennifer Hudson, Cats

Scarlett Johansson, Jojo Rabbit

Nicole Kidman, Bombshell

Nicole Kidman, The Goldfinch

Janelle Monae, Harriet

Maggie Smith, Downton Abbey

Meryl Streep, The Laundromat

Meryl Streep, Little Women

Emma Watson, Little Women

Best Supporting Actor is next!

Serenity Movie Review

Steven Knight’s Serenity plays like a concept thought up after a long day and night of smoking weed. That concept, at least theoretically, would seem crazy and illogical in the morning. Yet somehow that realization never dawned on the writer and director and now we have Oscar winners starring in it. Matthew McConaughey and Anne Hathaway could have easily spent the weeks filming this relaxing on an island similar to the beautiful one where this is set. They made this instead and it will forever be on their record.

The Lincoln pitchman plays Baker Dill, a hard drinking fishing boat captain. He lives in Plymouth, a tropical locale surrounded by water and an elusive tuna fish that he’s obsessed with catching. One day his ex flame Karen (Hathaway) shows up. They were high school sweethearts whose romance was cut short when he was deployed overseas. They have a teenage son who doesn’t see his dad anymore, but they seem to share an almost (ahem) interstellar connection. Karen is now married to abusive monster Frank (Jason Clarke). She offers Baker $10 million dollars to take him out – on the boat and in the murderous sense. He initially rejects the idea, but a bizarre (and I do mean bizarre) twist complicates matters.

There’s really no more plot left to ponder unless I enter spoiler territory. And if you wish to see Serenity (which you’ll likely regret), I won’t be the one to spill the beans. The film often plays like a hammy noir complete with overacting from its two Academy Award recipients. Djimon Hounsou turns up as the captain’s first mate while Diane Lane is his love interest. Her character solely exists for exposition conversations after they have sex.

Serenity succeeds or fails based on a willingness to buy the whacked out concept. For me, it certainly failed. I am almost in awe that Knight got the money to try. By its conclusion, it attempts to tug your heartstrings with more force than it takes to reel in that giant tuna fish. It succeeded more in tickling my funny bone and in an unintentional way.

*1/2 (out of four)

The Hustle Box Office Prediction

A remake of a remake, MGM is hoping moviegoers want to do The Hustle next weekend. The pic updates the Steve Martin/Michael Caine comedy Dirty Rotten Scoundrels, which itself was a reworking of the 1964 Marlon Brando/David Niven effort Bedtime Story. Anne Hathaway and Rebel Wilson are the newest pair of con artists. The supporting cast includes Alex Sharp, Tim Blake Nelson, and Dean Norris. Chris Addison directs.

Hathaway hasn’t headlined a high-profile laugher since 2015’s The Intern, which made $17 million for its start. Wilson, on the other hand, starred in Isn’t It Romantic earlier this year and that debuted at $14.2 million. I like that comp better and I’ll throw in another: 2015’s Hot Pursuit with Reese Witherspoon and Sofia Vergara. It opened in mid May as well with $13.9 million.

That sounds about right here with a so-so low teens take.

The Hustle opening weekend prediction: $13.4 million

For my Pokemon Detective Pikachu prediction, click here:

https://toddmthatcher.com/2019/04/30/pokemon-detective-pikachu-box-office-prediction/

For my Poms prediction, click here:

https://toddmthatcher.com/2019/05/02/poms-box-office-prediction/

For my Tolkien prediction, click here:

https://toddmthatcher.com/2019/05/04/tolkien-box-office-prediction/

Serenity Box Office Prediction

Matthew McConaughey and Anne Hathaway lend their star power to the thriller Serenity, out next weekend. The pic was originally slated for a fall 2018 release before its delay to January, which can often serve as a dumping ground for certain titles. Steven Knight directs with Diane Lane, Jason Clarke, Djimon Hounsou, and Jeremy Strong in the supporting cast.

The studio seems to be treating this as an afterthought. Marketing has been pretty slim. While McConaughey has had some hits since his Oscar win five years ago, there’s been some flops including Free State of Jones, Gold, and White Boy Rick. Hathaway has a better track record as of late, but I’m not convinced her participation will help matters.

Serenity has a $25 million budget, so at least its potential losses shouldn’t be too significant. Like the trio of previous McConaughey titles, I don’t have this hitting double digits.

Serenity opening weekend prediction: $5.1 million

For my The Kid Who Would Be King prediction, click here:

https://toddmthatcher.com/2019/01/16/the-kid-who-would-be-king-box-office-prediction/

Best Supporting Actress: A Look Back

Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.

We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.

The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.

For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:

1990 – Whoopi Goldberg, Ghost

1991 – Mercedes Ruehl, The Fisher King

1992 – Marisa Tomei, My Cousin Vinny

1993 – Anna Paquin, The Piano

1994 – Dianne Wiest, Bullets Over Broadway

1995 – Mira Sorvino, Mighty Aphrodite

1996 – Juliette Binoche, The English Patient

1997 – Kim Basinger, L.A. Confidential

1998 – Judi Dench, Shakespeare in Love

1999 – Angelina Jolie, Girl, Interrupted

2000 – Marcia Gay Harden, Pollock

2001 – Jennifer Connelly, A Beautiful Mind

2002 – Catherine Zeta-Jones, Chicago

2003 – Renee Zellweger, Cold Mountain

2004 – Cate Blanchett, The Aviator

2005 – Rachel Weisz, The Constant Gardner

2006 – Jennifer Hudson, Dreamgirls

2007 – Tilda Swinton, Michael Clayton

2008 – Penelope Cruz, Vicky Christina Barcelona

2009 – Mo’Nique, Precious

2010 – Melissa Leo, The Fighter

2011 – Octavia Spencer, The Help

2012 – Anne Hathaway, Les Miserables

2013 – Lupita Nyong’o, 12 Years a Slave

2014 – Patricia Arquette, Boyhood

2015 – Alicia Vikander, The Danish Girl

2016 – Viola Davis, Fences

2017 – Allison Janney, I, Tonya

I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:

3. Dianne Wiest, Bullets Over Broadway

Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, Hannah and Her Sisters.

2. Jennifer Hudson, Dreamgirls

Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.

1. Anne Hathaway, Les Miserables

Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.

Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in The Piano, who became the second youngest winner when she beat out favorite Winona Ryder for The Age of Innocence. Here’s 3 I rank as even more surprising:

3. Marcia Gay Harden, Pollock

Harden had won no significant precursors and Kate Hudson was expected to have her name called for Almost Famous. She wasn’t even nominated for a Golden Globe or SAG.

2. Juliette Binoche, The English Patient

While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s The Mirror Has Two Faces. Yet it was Binoche’s performance that was unexpectedly honored.

1. Marisa Tomei, My Cousin Vinny

For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (Husbands and Wives), Joan Plowright (Enchanted April), Vanessa Redgrave (Howards End), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.

As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in Cape Fear. However, the group was not particularly strong:

Mercedes Ruehl, The Fisher King (Winner)

Diane Ladd, Rambling Rose

Juliette Lewis, Cape Fear

Kate Nelligan, The Prince of Tides

Jessica Tandy, Fried Green Tomatoes

For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. The other nominees:

Laura Linney, Kinsey

Virginia Madsen, Sideways

Sophie Okonedo, Hotel Rwanda

Natalie Portman, Closer

And there you have it! I’ll have Supporting Actor up soon…

Oscar History: 2012

It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:

The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty. 

Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.

The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.

Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).

In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.

The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.

Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).

Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).

Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).

Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…

In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).

Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.

And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!

Summer 2008: The Top 10 Hits and More

We have arrived at part 3 of summer nostalgia looking over the cinematic seasons from 30, 20, and 10 years ago. If you missed my posts on 1988 and 1998, you can find them here:

https://toddmthatcher.com/2018/07/11/summer-1988-the-top-10-hits-and-more/

https://toddmthatcher.com/2018/07/12/summer-1998-the-top-10-hits-and-more/

This brings us to 2008. It was a vaunted superhero summer to be sure and there’s some humdingers for our flops. Here are the top ten moneymakers in addition to other notables and bombs.

10. The Incredible Hulk

Domestic Gross: $134 million

The second feature in the Marvel Cinematic Universe found Edward Norton taking on the angry green giant from Eric Bana. While better received than Ang Lee’s Hulk, it was mostly met with a shrug and Mark Ruffalo would take over the part four years later in The Avengers. It stands at lowest earner of the MCU.

9. The Chronicles of Narnia: Prince Caspian

Domestic Gross: $141 million

The follow-up to 2005’s The Lion, The Witch and the Wardrobe made less than half of what that picture achieved. Like Hulk, it may have placed in the top ten, but it was considered a bit of a disappointment.

8. Mamma Mia!

Domestic Gross: $144 million

The ABBA infused comedic musical was a major sleeper hit and its sequel hits theaters this Friday.

7. Sex and the City

Domestic Gross: $152 million

Fans of the HBO series turned out in droves for the big screen treatment. A sequel two years later yielded less impressive returns.

6. Kung Fu Panda

Domestic Gross: $215 million

Dreamworks Animation found itself a franchise with this animal fest led by Jack Black. Two sequels have followed.

5. WALL-E

Domestic Gross: $223 million

Yet another critically lauded effort from the money minting machine that is Disney/Pixar, this would take home Best Animated Feature at the Oscars.

4. Hancock

Domestic Gross: $227 million

Despite mostly negative reviews, this superhero effort proved Will Smith’s potency at the box office. Director Peter Berg has mostly moved to true life dramas with Mark Wahlberg.

3. Indiana Jones and the Kingdom of the Crystal Skull

Domestic Gross: $317 million

Nearly 20 years after The Last Crusade, Harrison Ford’s iconic hero returned and teamed up with Shia LaBeouf. Critics and audiences had their issues with it, but Indy is slated to come back again in 2021 (when Mr. Ford will almost be 80).

2. Iron Man

Domestic Gross: $318 million

It’s crazy to think now, but the idea of casting Robert Downey Jr. as a superhero less known than Batman or Superman was considered risky business at the time. We know what followed… the Marvel Cinematic Universe. This started it all.

1. The Dark Knight

Domestic Gross: $533 million

The sequel to Batman Begins turned into a genuine phenomenon with Heath Ledger’s incredible work as The Joker and an experience that has influenced numerous franchises since.

And now for some other notables of summer 2008:

Get Smart

Domestic Gross: $130 million

Steve Carell experienced a box office bomb the summer prior with Evan Almighty. He got back into the good graces of audiences with this big screen rendering of the 1960s TV series alongside Anne Hathaway.

Tropic Thunder

Domestic Gross: $110 million

Ben Stiller’s comedy was a hit with crowds and critics. Robert Downey Jr. earned an Oscar nod for his work here and we see Tom Cruise as never before.

Step Brothers

Domestic Gross: $100 million

It didn’t make as much as Adam McKay and Will Ferrell’s previous collaboration two summers earlier, Talladega Nights: The Ballad of Ricky Bobby. However, this has achieved serious cult status in following years.

Hellboy II: The Golden Army

Domestic Gross: $75 million

Guillermo del Toro’s sequel managed to out gross its predecessor and it was another critically hailed comic book adaptation in a summer filled with them. A reboot of the franchise with David Harbour comes next year.

The Strangers

Domestic Gross: $52 million

This low-budget horror flick turned into a sleeper. A sequel was released this March.

This brings us to the flops…

The Happening

Domestic Gross: $64 million

M. Night Shyamalan had his first flop two summers earlier with Lady in the Water. This one focused on killer trees with a lackluster performance from Mark Wahlberg. Audiences were laughing at it more than frightened by it. The director has since rebounded with Split. 

Speed Racer

Domestic Gross: $43 million

This was the Wachowskis first picture since the Matrix trilogy and it fell far under expectations at the box office and with critics.

The Love Guru

Domestic Gross: $32 million

Mike Myers couldn’t make this creation anywhere near as iconic as Wayne Campbell or Austin Powers. Moviegoers simply ignored Pitka.

The X-Files: I Want to Believe

Domestic Gross: $20 million

Ten summers after the first adaptation of the FOX show did well at theaters, audiences didn’t want to believe in its long gestating sequel.

Meet Dave

Domestic Gross: $11 million

This sci-fi comedy was a massive bomb for Eddie Murphy, making a small percentage of its reported $60 million budget.

And that does it for my recaps of the summer! You can be sure I’ll be back next season covering 1989, 1999, and 2009.

Ocean’s 8 Box Office Prediction

A franchise is reborn with a twist when Ocean’s 8 lands in theaters next weekend. It’s been over a decade since the Ocean’s 11-13 heist sagas with George Clooney, Matt Damon, Brad Pitt, and a bunch of other famous faces being directed by Steven Soderbergh. Each entry made a little less at the box office as they went along, but they all opened between $35-$40 million. Soderbergh just produces here with Gary Ross taking over the directorial duties. He’s had hits such as Seabiscuit and The Hunger Games, but his most recent was the Matthew McConaughey flop Free State of Jones. 

The aforementioned twist is that it’s the ladies getting in on the thievery this time around. Sandra Bullock plays the sister of Clooney’s character from the first trilogy and she’s the mastermind of a crew that includes Cate Blanchett, Mindy Kaling, Sarah Paulson, Rihanna, Helena Bonham Carter, and Awkwafina. Anne Hathaway is the target of the score with James Corden, Dakota Fanning, and host of celebrity cameos included among the cast.

Ocean’s 8 looks to bring in a sizable female audience and their male counterparts may not mind coming along for the ride. The high-profile cast, especially Bullock, certainly doesn’t hurt and this stands a real shot at having the highest Ocean’s debut of all. That’s not guaranteed as I could see the low bar being in the low 30s. That would fall under the previous low of $36 million by Ocean’s Thirteen in 2007.

However, I’m leaning more towards a high 30s to possibly mid 40s roll out for Sandra and company. I’ll estimate it somewhere in between.

Ocean’s 8 opening weekend prediction: $42.6 million

For my Hereditary prediction, click here:

https://toddmthatcher.com/2018/05/30/hereditary-box-office-prediction/

For my Hotel Artemis prediction, click here:

https://toddmthatcher.com/2018/05/30/hotel-artemis-box-office-prediction/