Oscar Watch: Luca

Two days ahead of its streaming debut on Disney Plus, Pixar’s latest comedic fantasy Luca has seen its review embargo lifted. It marks the feature-length directorial debut of Enrico Casarosa (who’s done story artist work on some of the studio’s pics) and has a cast voice cast that includes Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Maya Rudolph, and Jim Gaffigan.

Set in the Italian Riviera, the coming-of-age tale is taking the same distribution route as last year’s Soul by passing multiplexes for home viewing. In 2020, Soul was seen as the sturdy frontrunner for Best Animated Feature and that narrative never changed. That Pixar effort sported a 95% Rotten Tomatoes score and ended up winning gold at the Oscars. The path for Luca could be trickier.

Its Tomato meter currently sits at 89% and while that’s quite good, many critics are saying Luca is not in the upper echelon of Pixar fare. I would say the question is not whether Luca gets nominated (it will), but whether it wins. The score by Dan Romer also has a shot in that race. Disney already has another entry from this spring that could make the final five in Animated Feature (Raya and the Last Dragon), but Luca would have an edge. However, there’s also The Mitchells vs. the Machines from Netflix and it should serve as major competition for the top prize. This is in addition to films slated for the second half of 2021 (remember the names Flee and the Mouse Factory’s own Encanto).

Bottom line: You can never count out Pixar. Luca will likely hear its name included when the Animated Features contenders are named. Its victory presents a more challenging path than Soul experienced. My Oscar Watch posts will continue…

Peter Rabbit 2: The Runaway Box Office Prediction

After hopping around the release calendar at least half a dozen times due to COVID-19 delays, the hybrid live-action/animated comedic adventure Peter Rabbit 2: The Runaway hits theaters June 11. Will Gluck returns to direct with James Corden again voicing the title character and Margot Robbie reprising her behind the mic work as Flopsy. Live-action participants include Rose Byrne, Domhnall Gleeson, and David Oyelowo. Elizabeth Debicki, Aimee Horne, Sia, and Sam Neill are among the voice cast.

In 2018, the first Rabbit premiered on the high end of expectations with $25 million and legged out nicely to a $115 overall domestic haul. Part 2 shouldn’t fall too far off that mark, but I do believe it’ll have trouble reaching that number. This won’t have anything to do with reviews. The 2018 pic had a mixed critical reaction with 63% on Rotten Tomatoes while the sequel is currently perched at 71%.

The Runaway has already opened in Australia and the United Kingdom to decent results. More than three years after the original, there could be a falloff of some youngsters not clamoring to see the followup. That said, a gross of $20 million is feasible. I’ll put it a few million below that figure though.

Peter Rabbit 2: The Runaway opening weekend prediction: $15.9 million

For my In the Heights prediction, click here:

In the Heights Box Office Prediction

Oscar Watch: Spirit Untamed

In 2002, the horse drawn animated adventure Spirit: Stallion of the Cimarron managed a Best Animated Feature nomination (ultimately losing to Spirited Away). Nearly two decades ago, the pic received mostly positive reviews with a 70% Rotten Tomatoes rating and decent box office. Since then, a Netflix series focused on the main character led to Spirit Untamed, which opens in theaters today. It features the voices of some familiar faces like Jake Gyllenhaal and Julianne Moore

So how are its odds to race to awards voters ballots? Not good. Untamed has mostly stalled with critics and its Tomato meter is a mere 44%. We already have solid contenders to make the final cut (Raya and the Last Dragon and The Mitchells vs. The Machines) and there’s plenty more on deck for the second half of the year including the soon to be released Luca from Pixar.

Bottom line: I can’t imagine Dreamworks Animation will mount a spirited campaign for this one. Gyllenhaal’s only equestrian related Oscar contender should remain Brokeback Mountain. My Oscar Watch posts will continue…

Spirit Untamed Box Office Prediction

All the way back in 2002, the animated horse adventure Spirit: Stallion of the Cimarron debuted over Memorial Day weekend and performed fairly well. With Matt Damon voicing the title character, the pic galloped to a Best Animated Feature Oscar nod and a $73 million domestic gross. A Netflix spin-off series has aired since 2017 and Spirit Untamed is a joint venture between Universal and DreamWorks to bring the character back to the big screen. Elaine Bogan and Ennio Torresan Jr. co-direct with a voice cast that includes Isabela Merced, Jake Gyllenhaal, Marsai Martin, Mckenna Grace, Julianne Moore, Walton Goggins, and Eiza Gonzalez.

I will confess to not knowing how popular the streaming series is, but it seems to me that 19 years is a long break between theatrical releases. That could certainly be a nagging problem as to Spirit‘s potential. Additionally, some family audiences might still be checking out Cruella in its sophomore frame.

Untamed stands no shot at reaching what its predecessor accomplished. I’m even skeptical that it reaches $5 million out of the gate and will go a bit under that.

Spirit Untamed opening weekend prediction: $4.4 million

For my The Conjuring: The Devil Made Me Do It prediction, click here:

The Conjuring: The Devil Made Me Do It Box Office Prediction

Oscar Watch: The Mitchells vs. the Machines

As we wait to hear the Best Animated Feature at the Academy Awards this Sunday evening (hint: it’s Soul), we have a fresh possibility for the competition next year. Formerly titled Connected, Netflix premieres The Mitchells vs. the Machines on April 30. The computer animated sci-fi comedy comes from director Michael Rianda and is produced by Phil Lord and Christopher Miller (the team behind 2019’s Oscar recipient Spider-Man: Into the Spider-Verse and The Lego Movie franchise). Actors doing voice work include Abbi Jacobson, Danny McBride, Maya Rudolph, Eric Andre, Fred Armisen, Beck Bennett, Conan O’Brien, and Olivia Colman.

The Sony Pictures release was originally slated for theatrical release before the COVID-19 pandemic switched it to streaming. Reviews out today are nearly across the board positive with a current 96% Rotten Tomatoes score. It is early in the year and there’s eight more months of animated hopefuls to come. Disney’s Raya and the Last Dragon is already out and could easily make the final cut. Pixar’s Luca (out this summer) is certainly one to keep an eye on. However, Mitchells has already established itself as a contender in the 2021 mix.

My Oscar Watch posts will continue…

Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train Box Office Prediction

After becoming the highest grossing film in Japan’s history, the R-rated anime fantasy Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train hits domestic theaters this weekend before its June digital release. A sequel to a 2019 series, Haruo Sotozaki directs the pic which has already grossed close to half a billion worldwide. Overall it’s already achieved the status of fourth largest worldwide earner of 2020.

How this translates to American audiences is a bit of a mystery. It opens opposite Mortal Kombat, which should manage to top the charts and eat into Slayer‘s target demographic. There’s certainly a chance that this over performs considering the massive haul overseas.

I think double digits is certainly achievable and it should debut at #2 behind Kombat.

Demon Slayer opening weekend prediction: $10.7 million

For my Mortal Kombat prediction, click here:

Mortal Kombat Box Office Prediction

Oscar Watch: Raya and the Last Dragon

As we await the five nominated pictures in the 2020 Animated Feature race at the Oscars, a legitimate hopeful has already emerged for 2021. This Friday, Disney’s traditionally drawn Raya and the Last Dragon debuts in theaters and on Disney Plus. The action fantasy features a mostly Asian American voice cast including Kelly Marie Tran, Awkwafina, Daniel Dae Kim, Gemma Chan, Sandra Oh, and Benedict Wong. Directing duties are handled by Don Hall (whose Big Hero 6 landed an Academy nod in 2014) and Carlos Lopez Estrada.

Reviews are up and they’re very solid at 96% on Rotten Tomatoes. Unsurprisingly, Disney has been quite the player since the inception of the animated category back in 2001. As is often the case for the studio, the Mouse Factory may well compete against itself with Pixar’s Luca slated for release this summer. That will probably occur this year with Soul and Onward as likely nominees.

Bottom line: the critical reaction for Raya (even this early in the calendar) establishes it as a sturdy contender for recognition already. My Oscar Watch posts will continue…

Tom & Jerry To The Rescue (?)

An age old cat and mouse contest is widening the eyeballs of box office prognosticators and theater owners courtesy of Tom & Jerry. The mix of live-action and animation reboot of a cartoon dating back to 1940 premiered simultaneously in multiplexes and HBO Max yesterday. This is how Warner Bros. is handling all their product in 2021 as we have already witnessed with The Little Things and Judas and the Black Messiah (and soon Godzilla vs. Kong). Reviews for the pic are certainly not rosy with a current Rotten Tomatoes score of 23%. And with the uncertainty of the box office for nearly a year, expectations weren’t much either.

Let’s be clear: in non COVID times, Tom & Jerry heading toward a $13-$14 million opening would be considered pretty disappointing. How times have changed. When considering that millions of subscribers could simply cue it up from the comfort of home and with around half of theaters still shuttered, an estimated $12 million start is impressive. Should this number hold, it would mark the second biggest opening gross of the Coronavirus era (behind only Wonder Woman 1984).

That’s more than The Croods: A New Age managed over Thanksgiving and it legged out to over $50 million domestically. There’s no reason to think the iconic cat and mouse won’t do the same. This is also music to the ears of Disney as they prepare to release their animated Raya and the Last Dragon next weekend (along with a Disney Plus rollout).

However, this news really must be encouraging to theaters chains and owners. This is a sign that family audiences in particular will turn up for new product even if it’s available on the couch. As for material outside of that genre, the jury is still out and lots of attention should turn to the aforementioned battle of two other famous creatures (Godzilla vs. Kong) in one month. One thing seems clearer today: the outlook for theaters, while still in flux, got a little rosier.

Raya and the Last Dragon Box Office Prediction

A totally different kind of COVID test arrives in theaters March 5 with the release of Disney’s Raya and the Last Dragon. It’s the latest traditionally animated feature from the Mouse Factory and it hits multiplexes and Disney+ on the same day. The fantasy adventure is co-directed by Don Hall (who made Big Hero 6 for the studio) and Carlos Lopez Estrada (maker of the decidedly non Disney pic Blindspotting). The predominately Asian-American voice cast includes Kelly Marie Tran, Awkwafina, Gemma Chan, Daniel Dae Kim, Sandra Oh, Benedict Wong, and Alan Tudyk.

Raya marks the highest profile release of 2021 thus far on the big screen. The question is whether family audiences will mostly opt to shell out thirty bucks to watch it on the tube. All things considered – that’s probably less money than a night out for a clan of four to view it. And the Disney+ model is already familiar to subscribers with recent products such as Mulan and Soul.

In these uncertain pandemic days, it is difficult to find any real comps for opening weekend estimates. The Croods: A New Age debuted over Thanksgiving weekend and took in a better than anticipated $14 million over the five-day frame with nearly $10 million of it from the traditional Friday to Sunday portion. Yet that’s not exactly a reliable comp as Croods was a sequel to a well known property out during a holiday period. Still… this is Disney…

As I’ve said repeatedly with any box office guesstimates for nearly a year, we are in unpredictable territory. However, I’ll say Raya makes between $11-$14million and I’ll go a bit on the higher end of that range.

Raya and the Last Dragon opening weekend prediction: $13.2 million

For my Chaos Walking prediction, click here:

https://toddmthatcher.com/2021/02/24/chaos-walking-box-office-prediction/

Oscar Watch – The Croods: A New Age

Seven and a half years after DreamWorks Animation had a prehistoric animated comedic hit on their hands with the original, The Croods: A New Age hits theaters this Wednesday. It will surely be a different box office story in these COVID times as part 2 will follow with its PVOD unveiling in time for Christmas. The toon is directed by Joel Crawford and returns the vocal stylings of Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, and Cloris Leachman. New faces behind the mics include Peter Dinklage, Leslie Mann, and Kelly Marie Tran.

The review embargo ended today and the results are mostly positive with a 75% rating on Rotten Tomatoes. That’s in line with the 72% achieved by its predecessor. In 2013, part 1 managed a Best Animated Feature nod. It was defeated by a massive Pixar front runner by the name of Frozen. 

2020 could see history repeat itself with the caveman family. One could argue that it’s easier to slide into the final five this year and A New Age looks to do so. Yet there is once again a heavy favorite to win the prize and that is Soul from (you guessed it) Pixar. Other acclaimed titles such as Wolfwalkers and Over the Moon appear to be likely nominees and Pixar has another hopeful with Onward (though after the snub of Frozen II from last year, it’s not a guarantee that one makes it in).

Croods could easily fill the fourth or fifth slot come nomination time, but I wouldn’t chisel its inclusion in pen just yet. My Oscar Watch posts will continue…