November 3-5 Box Office Predictions

After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:

While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).

Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.

Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $27.6 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $8.3 million

3. Killers of the Flower Moon

Predicted Gross: $5.8 million

4. Priscilla

Predicted Gross: $3.9 million

5. After Death

Predicted Gross: $3.2 million

Box Office Results (October 27-29)

Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.

Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.

Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.

I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.

The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.

PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.

And that does it for now, folks! Until next time…

Oscar Predictions: Sound of Freedom

With backing from upstart Angel Studios and a budget below $15 million, action thriller Sound of Freedom has unquestionably become the summer’s sleeper hit. When it was released on July 4th, it came in under the radar screens of many prognosticators (including this one). The marketing campaign was clever with a pay it forward angle allowing viewers to purchase tickets afterwards for their family and friends. Combine that with an emphasis on appealing to conservative and faith-based crowds and the Jim Caviezel vehicle took off in a way few anticipated. After its second weekend in release, the gross stands at over $85 million stateside. It actually increased its box office haul in weekend #2 by over 35%. That doesn’t happen often.

Moviegoers are liking what they see. The Cinemascore grade is a rare A+ and the Rotten Tomatoes score for the masses is 100%. As for the official reviews, the RT meter is a favorable though far from overwhelming 72%.

Two weeks ago, I wouldn’t have thought to do an awards write-up on Freedom. Yet I suspect the film’s target audience will push for its inclusion to Academy members in Best Picture, Actor, and Original Screenplay. It is extremely unlikely to materialize, but expect to see lots of social media chatter advocating for it in the early part of 2024. If Caviezel’s mega-grossing The Passion of the Christ nearly 20 years ago couldn’t get on Academy’s radar, this won’t either. My Oscar Prediction posts will continue…

Sound of Freedom Box Office Prediction

Angel Studios, the company behind The Chosen and His Only Son, hopes to find passionate fans with the action flick Sound of Freedom. From director Alejandro Monteverde, Jim Caviezel stars as a vigilante taking on human traffickers. Costars include Mira Sorvino, Bill Camp, and Kurt Fuller.

With a reported budget under $15 million, Freedom rolled out on July 4th with hopes for a healthy six-day run (I’ll confess that this was under my radar). It’s already nabbed a very impressive $14 million due to Angel’s unique form of crowdfunding and marketing to a targeted conservative audience.

This certainly has the ability to outpace any expectations and I do believe a Friday to Sunday take exceeding $10 million is achievable. That should put it in third place behind Indiana Jones and the Dial Destiny and Insidious: The Red Door.

Sound of Freedom opening weekend prediction: $12.5 million (Friday to Sunday estimate)

For my Insidious: The Red Door prediction, click here:

For my Joy Ride prediction, click here: