Tag: Alison Brie

August 8-10 Box Office Predictions

Freakier Friday looks to rule the whole weekend while critically lauded horror pic Weapons and family fantasy Sketch from Angel Studios also debut. You can peruse my detailed prediction posts on the trio of newcomers here:

Freakier Friday Box Office Prediction
Weapons Box Office Prediction
Sketch Box Office Prediction

Jamie Lee Curtis and Lindsay Lohan reprise their roles from the 2003 body swap remake Freaky Friday in Freakier Friday. An absence of female driven material over the summer and goodwill towards the predecessor should mean an #1 premiere and I’m projecting low 30s (barring a feasible Weapons over performance).

Weapons should be in line for a runner-up start with encouraging word-of-mouth and effective trailers. High 20s or possible more seems achievable.

As for Sketch, it’s getting solid initial reviews. However, distributor Angel has stalled with their output lately. While I think it could have the capacity to surprise, my $3.9 million estimate from Friday to Sunday and $5.8 million prediction when counting its Wednesday and Thursday numbers would put it outside of the top five (likely in 8th).

Let’s talk holdovers. The Fantastic Four: First Steps fell considerably more than I assumed in its sophomore frame (more on that below). For the third go-round, a 50-52% drop is probably what we’ll see. The dips shouldn’t be as pronounced for The Bad Guys 2 or The Naked Gun in their second weekends. I’ll say mid to high 30s for the former and 40% for the latter.

Here’s how I envision the top 5 shaking out:

1. Freakier Friday

Predicted Gross: $32.5 million

2. Weapons

Predicted Gross: $28.8 million

3. The Fantastic Four: First Steps

Predicted Gross: $18.9 million

4. The Bad Guys 2

Predicted Gross: $13.6 million

5. The Naked Gun

Predicted Gross: $10 million

Box Office Results (August 1-3)

I wrongly thought The Fantastic Four: First Steps would experience a low 50s decline similar to Superman from a couple weeks back. Yet Marvel’s 37th feature tumbled 67% to $38.6 million compared to my far more generous $50.6 million take. The studio can’t love that though it should level off this coming weekend to around 50% (similar to what Thor: Love and Thunder dropped after its high 60s fall).

Two high-profile newbies couldn’t match my projections. DreamWorks Animation’s sequel The Bad Guys 2 was second with $21.9 million. That’s a bit under what its 2022 predecessor managed and I thought it would do a bit over at $28.1 million.

The Naked Gun reboot with Liam Neeson had critics on its side, but still opened on the lower end of its expected range at $16.8 million in third. I had it pegged at $22.3 million. Paramount is hoping for decent legs throughout August.

Superman was fourth with $13.7 million (I said $13.5 million) as the DC reboot has amassed $316 million after four weeks.

Jurassic World Rebirth rounded out the top five with $8.7 million, a tad ahead of my $7.6 million call. After five weeks, it is roaring with $317 million.

Finally, body horror tale Together with Dave Franco and Alison Brie was sixth with $6.7 million from Friday to Sunday and $10.8 million since its Wednesday bow. That’s on pace with my respective predictions of $7 million and $10.2 million.

And that does it for now, folks! Until next time…

August 1-3 Box Office Predictions

While The Fantastic Four: First Steps looks to ride a wave of solid buzz to a second weekend atop the charts, three new releases will jockey for position. We have animated sequel The Bad Guys 2, comedy franchise reboot The Naked Gun, and the Dave Franco/Alison Brie body horror experience Together premiering. You can peruse my detailed prediction posts on the trio here:

The Bad Guys 2 Box Office Prediction
The Naked Gun Box Office Prediction
Together Box Office Prediction

Unless The Bad Guys 2 significantly underperforms or The Naked Gun really fires on all cylinders, it should manage a runner-up debut. I’m projecting high 20s which would improve on its 2022 predecessor’s mid-twenties rollout.

The Naked Gun is the biggest question mark of the weekend. While nostalgia could propel it to better than anticipated numbers, series unfamiliarity among younger patrons could hinder it. The range is wide as I see the floor in the teens with breakout potential putting it in second place. My lower 20s compromise means a commendable third place.

Together is at 99% on Rotten Tomatoes, but horror fans have had plenty to feast on recently. My higher single digits estimate (and low double digits when factoring in its Wednesday bow) might put it in a face-off for fifth with the fifth weekend of Jurassic World Rebirth.

As mentioned, The Fantastic Four: First Steps should have no trouble staying in 1st. A mid to high 50s decline would be a bit more than the 53% experienced by Superman. Speaking of Supes, a fourth weekend decline close to 50% should mean fourth place.

Here’s how I see the top 6 shaking out:

1. The Fantastic Four: First Steps

Predicted Gross: $50.6 million

2. The Bad Guys 2

Predicted Gross: $28.1 million

3. The Naked Gun

Predicted Gross: $22.3 million

4. Superman

Predicted Gross: $13.5 million

5. Jurassic World Rebirth

Predicted Gross: $7.6 million

5. Together

Predicted Gross: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)

Box Office Results (July 25-27)

MCU’s 37th feature yielded its 37th #1 in a row as The Fantastic Four: First Steps made $117.6 million. It came close to Superman‘s start, falling short by just over $7 million. The critically appreciated reboot also couldn’t match my $122.4 million prediction. This is still a nice start while not getting to the rosiest of projections.

Superman dropped to second with $24.8 million, flying under my $28 million call. DC’s reboot (that word is popular with this summer’s crop) is nearing $300 million with $289 million in its coffers after three weeks.

Jurassic World Rebirth did cross that threshold with $13.2 million more in weekend #4, in line with my $13.6 million projection. The tally is $301 million.

Other holdovers were in close range with my guesstimates. F1 was fourth with $6.3 million (I said $6.7 million) for five-week earnings of $165 million.

Smurfs rounded out the top five with $5.4 million (I went with $5.5 million). The animated, yes, reboot has brought in a sleepy $22 million in two weeks.

I Know What You Did Last Summer was sixth with $5.2 million (I said $5.3 million) for $23 million in its ten days of release.

And that does it for now, folks! Until next time…

Together Box Office Prediction

Real-life spouses Dave Franco and Alison Brie are fictional spouses growing a little too close for comfort in the body horror tale Together, out July 30th. It marks the directorial debut of Michael Shanks (who also scripts) and the Neon distributed release generated significant buzz after its Sundance bow.

Together currently has bragging rights with a rare 100% Rotten Tomatoes score and that’s helpful for the TV spots. Metacritic is at 76. Neon hopes this brings in genre audiences like their unexpected hit Longlegs did last summer. That critically appreciated pic surprised prognosticators with a $22 million start.

I don’t anticipate Together will see that kind of premiere. I do anticipate it will outdo the $5.3 million opening of Neon offering Immaculate last spring. Since it kicks off on a Wednesday, I’ll say a higher single digits bow over the traditional weekend with around $10 million for the five-day is the call.

Together opening weekend prediction: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)

For my The Naked Gun prediction, click here:

The Naked Gun Box Office Prediction

For my The Bad Guys 2 prediction, click here:

The Bad Guys 2 Box Office Prediction

Oscar Predictions: Together

The body horror genre had its awards breakout last year via Coralie Fargeat’s The Substance. After its January unveiling at Sundance, could Together generate attention from voters? Starring real-life married couple Alison Brie and Dave Franco, it marks the directorial debut of Michael Shanks (who also scripts).

The exploration of codependence made a splash in Park City months ago. Hitting theaters on July 30th, the Rotten Tomatoes score is a perfect 100% (with almost 50 reviews in) with 76 on Metacritic. I probably would’ve discounted its prospects before The Substance nabbed five nods. Together is likely still a long shot for Academy attention. If it can contend anywhere, look to Original Screenplay. However, that race is already packed with potential players. Perhaps more importantly, distributor Neon will have its hands full with Sentimental Value and It Was Just an Accident. My Oscar Prediction posts will continue…

Oscar Watch: Happiest Season

Hulu looks to have a holiday hit on their hands when Happiest Season holds its streaming debut on November 25th. The rom com stars Kristen Stewart as her character embarks on a holiday outing with the family of her girlfriend (Mackenzie Davis). Problem is, said girlfriend hasn’t yet come out to said family. Clea DuVall directs with a supporting cast including Alison Brie, Aubrey Plaza, Dan Levy, Victor Garber, and Mary Steenburgen.

The review embargo lifted today and the results indicate a winner. Its Rotten Tomatoes rating stands at 93%. Particular praise has gone to a trio of performances: Stewart, Plaza, and Levy (who’s having quite a year with his multiple Emmys for Schitt’s Creek). When it comes to Oscar, however, I am skeptical that Season has any impact (potentially similar to another acclaimed Hulu comedy Palm Springs).

The Golden Globes, on the other hand, could be a different story. The pic could contend in the Musical/Comedy race, but I especially think Stewart could be recognized in Best Actress. Ms. Stewart has had a number of critically appreciated roles in her post Twilight years. A nod in the Musical/Comedy category would mark her first Globes mention. Oscar may have to wait for another season. My Oscar Watch posts will continue…

The Rental Movie Review

Well-known actors crafting nifty little suspense thrillers tinged with horror has become a thing lately (think John Krasinski’s A Quiet Place and Joel Edgerton’s The Gift). Dave Franco gets in on it with The Rental, which is swift in its running time and plentiful with twists that you see coming and some that are nicely rewarding. It also features a quartet of solid performers whose weekend getaway gives them far more than they bargained for.

Charlie (Dan Stevens) finds a swanky vacation house to nab for the weekend with help from his trusted assistant Mina (Sheila Vand). They’re celebrating something going right with their business and it’s good reason to let their hair down with Charlie’s wife Michelle (Alison Brie, the director’s real life spouse). Mina happens to be dating Charlie’s brother Josh (Jeremy Allen White) so he tags along with his puppy. Pets aren’t allowed at the establishment, but that turns out to be the least of their issues. For instance, there might be a psycho around and it’s not safe to be in the shower.

Upon arrival, the foursome confront the property’s caretaker Taylor (Toby Huss). The first problem is a racially tinged one. Mina, who’s of Middle Eastern descent, tried to rent the place and was promptly denied. Charlie had no such trouble. They decide to overlook that and the first night becomes an alcohol and designer drug filled party. This is where the aforementioned “twists” that follow are somewhat predictable in nature. However, the actors have a real chemistry with one another and you’ll want to see where it all leads.

Without venturing into spoiler territory, The Rental isn’t its eventual genre for about two thirds of its brisk 88 minutes. Credit is due to Franco and Joe Swanberg’s script for keeping the audience engaged in the dynamics of the four principals. Of them, it’s Vand who has the best role and she’s quite impressive.

When we arrive at the final third, the build up has been sturdy enough that we care about the fates of the characters as they navigate their way through dense fog and deeply personal conflicts. Franco has crafted a lean and effective directorial debut and its title is worth the price of one.

*** (out of four)

Oscar Watch: Promising Young Woman

Ahead of its April 17th stateside debut, the revenge thriller Promising Young Woman has screened at Sundance. The pic marks the directorial debut of Emerald Fennell and casts Carey Mulligan in the title role alongside a supporting cast including Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Adam Brody, Alfred Molina, Connie Britton, and Laverne Cox.

Early reviews are encouraging with a Rotten Tomatoes rating of 96%. Some critical reaction is effusive enough to make one wonder if Mulligan could nab her second Oscar nod after 2009’s An Education. 

In order for that, Focus Features will need to launch an aggressive campaign to keep voters focused on her work in the months that follow. The Sundance buzz, at least, is somewhat promising. My Oscar Watch posts will continue…

The Lego Movie Collapse

This was a weekend where The Lego Movie 2: The Second Part was expected to easily nab the #1 spot at the box office. That mission was accomplished, but it did so with much less money than any prognosticator figured. The sequel to the 2014 original took in $34 million and that was about $20 million less than expected. I had a feeling it would under perform and forecasted a $48 million debut. However, I never figured a mid 30s premiere.

For some context, the first Lego experience five years ago made $69 million out of the gate and eventually earned $257 million domestically. In 2017, first franchise spin-off The Lego Batman Movie debuted to $53 million ($175 million total). The first sign of trouble came a few months later when The Lego Ninjago Movie came in far under estimates with $20 million in its opening weekend and a lowly $59 million stateside. Yet some attributed the poor Ninjago performance to its limited niche audience.

The Second Part marked a hopeful return to form for Warner Bros considering it was a direct sequel to a picture that made over $250 million. There is no doubt that the number produced this weekend could block future plans for the series. Its best hope ahead could be the President’s Day weekend as the studio hopes it will have a small decline. Any way you cut it, though, part two will seriously come in under its predecessor. We now have two Lego Movie collapses in a row and it will be interesting to see how Warner handles it.

Oscar Watch – The Lego Movie 2: The Second Part

The Lego franchise has made nearly half a billion dollars at the domestic box office for Warner Bros since 2014 and The Lego Movie 2: The Second Part will add to those coffers next weekend. It’s money hauls, however, have not translated to success with Oscar voters.

The Lego Movie was critically acclaimed and seemed assured an Academy nod in Animated Feature four years ago. It was one of the most surprising snubs when it didn’t make the cut. There were two Lego pics in 2017 (The Lego Batman Movie, The Lego Ninjago Movie). Neither of them managed to make the race that year.

While reviews for The Second Part are strong, several critics have said it doesn’t quite match the first part. Competition from animated sequels alone in 2019 (How to Train Your Dragon: The Hidden World, Frozen 2, Toy Story 4) is serious. Therefore it appears highly unlikely that this will be the year where Lego builds any standing with the awards crowd.

My Oscar Watch posts will continue…

The Lego Movie 2: The Second Part Box Office Prediction

The Warner Animation Group hopes to build back up its near half billion dollar domestic franchise next weekend with the release of The Lego Movie 2: The Second Part. This direct sequel arrives five years after its hit predecessor, though there’s been two spin-offs in the meantime. Mike Mitchell, who made Shrek Forever After and Trolls, takes over directing duties from Christopher Miller and Phil Lord (they wrote the screenplay). Returning voices include Chris Pratt, Elizabeth Banks, Will Arnett (he’s Batman), Charlie Day, Nick Offerman, Alison Brie, and Will Ferrell. Familiar faces joining the voiceover party are aplenty. They include Tiffany Haddish, Maya Rudolph, Channing Tatum, Jonah Hill, Brooklyn Prince, and thespians from the DC Cinematic Universe (Gal Gadot, Margot Robbie, Jason Momoa).

In February of 2014, The Lego Movie earned $69 million out of the gate with an eventual stateside take of $257 million. Our first spin-off, 2017’s The Lego Batman Movie, achieved $53 million for its start and $175 million total. A few months later, The Lego Ninjago Movie was a legitimate disappointment. It premiered with only $20 million and didn’t leg out well ($59 million).

As they were with the first part, reviews are positive as this stands at 93% on Rotten Tomatoes. Several critics, however, have noted it doesn’t quite match up to the original. While this should easily debut at #1, I’ll project that it falls short of the 2014 earnings. Topping $50 million is certainly possible, but I’ll go just shy of that number.

The Lego Movie 2: The Second Part opening weekend prediction: $48.6 million

For my What Men Want prediction, click here:

https://toddmthatcher.com/2019/01/30/what-men-want-box-office-prediction/

For my Cold Pursuit prediction, click here:

https://toddmthatcher.com/2019/01/30/cold-pursuit-box-office-prediction/

For my The Prodigy prediction, click here:

https://toddmthatcher.com/2019/01/31/the-prodigy-box-office-prediction/