Tag: Alex Garland

97th Academy Awards: FIRST Predictions in Best Director

We are over a month removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the acting derbies and they can be perused here:

97th Academy Awards: FIRST Predictions in Best Actress
97th Academy Awards: FIRST Predictions in Best Actor
97th Academy Awards: FIRST Predictions in Best Supporting Actress
97th Academy Awards: FIRST Oscar Predictions in Best Supporting Actor

We now move to Director. When I did my first picks on the competition in 2023, it yielded the winner with Christopher Nolan for Oppenheimer as well as Martin Scorsese (Killers of the Flower Moon). Under the 10 other possibilities, I named Yorgos Lanthimos of Poor Things. I did not identify Jonathan Glazer (The Zone of Interest) or Justine Triet (Anatomy of a Fall) at the early juncture.

Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders.

In 2021, one of the biggest shockers of nomination morning was Denis Villeneuve being left out of Best Director for Dune. I don’t have history repeating itself as the filmmaker makes my initial quintet for the sequel. So does Edward Berger, who was surprisingly snubbed in 2022 for All Quiet on the Western Front.

Here’s the first snapshot…

TODD’S FIRST OSCAR PREDICTION FOR BEST DIRECTOR AT THE 97TH ACADEMY AWARDS:

Edward Berger, Conclave

Steve McQueen, Blitz

Rachel Morrison, The Fire Inside

Joshua Oppenheimer, The End

Denis Villeneuve, Dune: Part Two

Other Possibilities:

Ali Abbasi, The Apprentice

Andrea Arnold, Bird

Francis Ford Coppola, Megalopolis

Alex Garland, Civil War

Luca Guadagnino, Queer

Greg Kwedar, Sing Sing

Yorgos Lanthimos, Kinds of Kindness

George Miller, Furiosa: A Mad Max Saga

Todd Phillips, Joker: Folie à Deux

Sean Wang, Dídi

Best Picture is up next!

Civil War Review

When it focuses on snapping the perfect photo, Alex Garland’s Civil War crackles and pops with a tension rivaling the best scary movies. Indeed there is horror to be found in this tale of journalists covering a nation torn apart. It is set in the near future and viewers will bring their own instincts to suss out the political landscape. Garland’s screenplay doesn’t provide the roadmap as a third-term President (Nick Offerman) and his dwindling protective units are being closed in on by separatist groups.

Lee Smith (Kirsten Dunst) is a veteran shutterbug who’s seen it all. Almost. Along with colleague Joel (Wagner Moura), they plan a trek to D.C. to witness and document the pending downfall of POTUS. An interview before his demise is the wished for cherry on top. Two others hitch a ride with the Reuters duo – seasoned New York Times reporter Sammy (Stephen McKinley Henderson) and newbie cameraperson Jessie (Cailee Spaeny, fresh off her starring role as Priscilla in that biopic).

The trip to the capital is a bumpy and episodic one, filled with sudden bursts of carnage and odd and often distracting musical needle drops. Lee’s view of documenting the violence is passive in nature. She refuses (at least outwardly) to let emotion overwhelm her. Just the snaps, ma’am. Jessie has to learn that trait. Dunst and Spaeny are precise and effective in portraying the two sides of the equation.

Another noteworthy performance belongs to Dunst’s husband Jesse Plemons in a one segment role as a militia man deciding whether or not to let the road warriors continue their trip. It is the most suspenseful sequence in a picture with a few of them.

As mentioned, the details of the governmental breakdown are kept to a minimum and we are left to interpret plenty. There is one episode that frightens in a different way. The group passes through a town where the citizens are willfully uninformed of the chaos surrounding them. What doesn’t kill them makes them stronger in their estimation and it’s an eerie divergence on that particular exit.

When the action gets to D.C. in the third act, some energy is lost. The coup is exceedingly well-directed by the maker of Ex Machina and Annihilation (a shoutout especially to the sound designers on Garland’s crew). It just seems like we’ve seen the White House go down in plenty of lesser flicks. Civil War shines brightest when it dwells on the power of the photog in their darkest moments.

*** (out of four)

April 12-14 Box Office Predictions

A24 is looking for Civil War to be their biggest box office breakout so far when it opens this weekend. You can peruse my detailed prediction post on the newcomer here:

Civil War Box Office Prediction

In order to set the all-time opening premiere record for the studio, it needs to eclipse the low teens start Hereditary managed in 2018. That shouldn’t be a problem as I have it posting a high teens beginning. That should be enough for a #1 perch.

That means Godzilla x Kong: The New Empire should slide to second after two weeks atop the charts with a high 40s-low 50s decline. The other sequel with Empire at the end – Ghostbusters: Frozen Empire – might maintain its third place position as I have current #2 Monkey Man experiencing a larger drop. I actually have Monkey sliding three spots. Kung Fu Panda 4 may manage to rise from 5th to 4th as its fall should be less than the sophomore frame of The First Omen, which had a highly disappointing debut (more on that below).

And with that, my forecast for the top 5:

1. Civil War

Predicted Gross: $18 million

2. Godzilla x Kong: The New Empire

Predicted Gross: $15.9 million

3. Ghostbusters: Frozen Empire

Predicted Gross: $5.6 million

4. Kung Fu Panda 4

Predicted Gross: $5.1 million

5. Monkey Man

Predicted Gross: $4.9 million

Box Office Results (April 5-7)

Godzilla x Kong: The New Empire, as anticipated, had an understandable 61% second weekend plummet to $31.2 million. That’s right on target with my $31.8 million prediction as the impressive two-week total is $134 million.

Dev Patel’s inaugural behind the camera project Monkey Man was runner-up and kicked off on the lower end of expectations. With $10.1 million, it came in well under my $16.6 million take.

Ghostbusters: Frozen Empire was third with $9 million in its third haunting. That’s hotter than my $7.6 million projection as it has amassed $88 million.

The First Omen, as mentioned, might have been victim to horror genre overload. Despite mostly heavenly reviews, the demonic prequel was DOA with $8.3 million. I was more generous at $13.3 million.

Kung Fu Panda 4 rounded out the top five at $7.7 million (I said $6.5 million) as the animated sequel is up to $165 million in five weeks and has grossed more than parts 2 and 3 domestically already. It will not, however, match the $215 million that the original took in.

Finally, Dune: Part Two was sixth with $7.4 million (I said $6.7 million) for a six-week bounty of $265 million.

And that does it for now, folks! Until next time…

Civil War Box Office Prediction

Civil War breaks out in theaters on April 12th after a buzzy premiere at South by Southwest last month. The dystopian action flick from Alex Garland imagines a nation deeply divided in what should be timely programming in this election year. Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons are among the ensemble.

This marks Garland’s fourth directorial feature after the acclaimed Ex Machina from 2015 and 2018’s Annihilation and 2022’s Men which generated considerably more mixed reviews. Notices for War are strong with a 92% RT rating. The A24 release looks to set an all-time best opening for the distributor by topping Hereditary‘s $13.6 million debut.

That record should be set, but by how much is the question for the $50 million budgeted project. Some estimates have this at $20 million or more. I’m being a tad more conservative in the high teens.

Civil War opening weekend prediction: $18 million

Oscar Predictions: Civil War

Alex Garland’s directorial debut Ex Machina was a critically hailed sci-fi effort that earned its maker an Original Screenplay nomination and a Visual Effects win at the 2014 Oscar ceremony. His follow-ups Annihilation (despite solid reviews) and Men (which drew a considerably more mixed reaction) did not generate much awards chatter post release. Garland’s fourth feature Civil War has been unveiled at South by Southwest prior to its April 12th debut. The dystopian thriller stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons. This reunites the husband/wife team of Dunst and Plemons after The Power of the Dog.

Several critics are highly impressed with Civil War, which is being called both a love letter to journalists and a tense political action pic. The Rotten Tomatoes score is 88%. I’m not convinced that this will become a BP or directing or original screenplay player, but it’s within the realm of possibility. Tech nods seem more doable, including Sound and perhaps Cinematography.

As for the cast, Dunst and Spaeny are receiving the most attention. Dunst is coming off her first nomination for Dog in 2021 while Spaeny would be vying for her first (she probably came close to getting in for last year’s Priscilla). I would say Civil War needs to get in the BP conversation for either to have a shot and that will remain unclear for some time. My Oscar Prediction posts will continue…

May 27-30 Box Office Predictions

***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.

***Blogger’s Note: Another day, another significant update raising my Top Gun: Maverick prediction. Now at $103.7M for the three-day and $124.4M for the four-day.

**Blogger’s Note (05/24): My Top Gun: Maverick prediction has risen from a $75.6M and $98.8M three and four-day start to $86.6M and $104.9M

Tom Cruise is poised to land his largest debut of all time over this Memorial Day weekend with the long in development sequel Top Gun: Maverick as the animated The Bob’s Burgers Movie is also served up. You can peruse my detailed prediction posts on the pair here:

Top Gun: Maverick Box Office Prediction

The Bob’s Burgers Movie Box Office Prediction

Arriving 36 years after the first entry made Cruise a superstar, Maverick is generating terrific buzz. For the three-day portion of the holiday frame, it needs to surpass the $64 million earned by 2005’s War of the Worlds in order to set a personal best start. I have it achieving that feat with over $10 million to spare with a gross just shy of $100 million for the Friday to Monday haul.

As for Burgers, it could find itself locked in a race with Downton Abbey: A New Era for third.

After a three-week reign atop the charts, Doctor Strange in the Multiverse of Madness will drop to second with The Bad Guys likely rounding out the top five.

Here’s how I see for the four-day frame and I’m throwing in the three-day projections for the newbies:

1. Top Gun: Maverick

Predicted Gross: $138 million (Friday to Monday); **$113.4 million (Friday to Sunday)

2. Doctor Strange in the Multiverse of Madness

Predicted Gross: $22.1 million

3. The Bob’s Burgers Movie

Predicted Gross: $11.6 million (Friday to Monday); **$9.2 million (Friday to Sunday)

4. Downton Abbey: A New Era

Predicted Gross: $9.5 million

5. The Bad Guys

Predicted Gross: $6.2 million

Box Office Results (May 20-22)

The good doctor held off competition for the third week as Multiverse took in $32.3 million, ahead of my $27.8 million projection. The MCU juggernaut is up to $342 million thus far.

Downton Abbey: A New Era settled for second with $16 million, a bit shy of my $18.4 million take. That’s on the lower end of expectations and significantly under the $31 million that its 2019 predecessor earned out of the gate.

The Bad Guys was third with $6.1 million, in range with my $5.7 million prediction for $74 million overall.

Sonic the Hedgehog 2 took fourth with $4 million (I said $3.5 million) to bring its impressive tally to $181 million.

Alex Garland’s Men failed to attract an audience with $3.2 million for fifth. I was a little more generous at $4.1 million. Despite some decent reviews, the Cinemascore grade was a putrid D+.

Everything Everywhere All at Once was sixth with $3.1 million compared to my $2.7 million guesstimate. With $52 million in the bank, it is now A24’s highest domestic earner.

And that does it for now, folks! Until next time…

Men Box Office Prediction

Men is a later than usual addition to my box office predictions as it opens in just two days. This is Alex Garland’s latest feature after his acclaimed sci-fi pics Ex Machina (2015) and Annihilation (2018). More of a horror experience than his usual fare, the A24 distributed tale currently holds an 82% Rotten Tomatoes score. Jessie Buckley and Rory Kinnear star.

While that’s certainly solid, some critics have predicted that this won’t be an audience favorite. The best hope might be for a decent start as a hefty sophomore weekend drop is likely coming. It sounds as if it’s going quite wide at an estimated 2500 screens (something I wasn’t aware of until this late date). I could see Men debuting in the same range as X from the same studio. It grossed just over $4 million and that sounds about right here.

Men opening weekend prediction: $4.1 million

For my Downton Abbey: A New Era prediction, click here:

Downton Abbey: A New Era Box Office Prediction

 

Oscar Predictions: Men

In 2015, Alex Garland nabbed an Original Screenplay Oscar nod for his directorial debut Ex Machina. That acclaimed sci-fi tale also surprisingly took the gold in Visual Effects over heavy hitters like Mad Max: Fury Road and Star Wars: The Force Awakens. 

His 2018 follow-up Annihilation didn’t fare as well at multiplexes or with awards voters. Despite an 88% Rotten Tomatoes rating (Machina got a 92%), it failed to generate any nominations.

On February 20th comes Garland’s third behind the camera effort Men. Featuring Jessie Buckley and Rory Kinnear, the A24 release sounds like it’s right up the distributor’s dark alley. That means it may score better with critics than crowds. The RT is currently the filmmaker’s lowest at 83% (still pretty darn solid). Like Annihilation, don’t expect it to be in the Academy mix. My Oscar prediction posts will continue…

Oscar Watch: After Yang

South Korean filmmaker Kogonada became a critical darling in 2017 with the release of his debut Columbus. The romance earned plenty of mentions on the top ten lists of critics, but only garnered awards nods with the independent ceremonies.

The Cannes Film Festival marks the premiere of his sophomore effort After Yang. The sci-fi drama stars Colin Farrell, Jodie Turner-Smith (of Queen & Slim), Haley Lu Richardson, Justin H. Min, Sarita Choudhury, and Clifton Collins Jr. Some of the reviews indicate this could also pop up on some end of year best of countdowns.

2015’s Ex Machina is being mentioned frequently a comparison in terms of quality and the fact that androids are prominently featured. That Alex Garland effort scored an Oscar nod in Original Screenplay and victory for its Visual Effects. With an early 100% rating on Rotten Tomatoes, could After Yang also come before the minds of voters?

First things first – it is uncertain at the moment when Yang will be released. However, the positive buzz likely means A24 will get it out before year’s end. If so, Adapted Screenplay seems to be the biggest possibility. And just perhaps its acclaim could lead to a shot at the big dance. My Oscar Watch posts will continue…

Daily Streaming Guide: March 18th Edition

Continuing on with my Daily Streaming Guide for worthy titles available on various services – let’s call today the Alex Garland Edition. He’s the director behind both science fiction titles that are highly worthy of a look:

Netflix

We begin with his intelligent 2015 effort about artificial intelligence – Ex Machina starring Domhnall Gleeson, Oscar Isaac, and Alicia Vikander. Made for a reported lowly $15 million, this is the type of sci-fi that Stanley Kubrick probably would have been proud of. Machina even won the Oscar for Visual Effects over high-profile features like Mad Max: Fury Road and Star Wars: The Force Awakens. It also features one of the greatest out of nowhere dance sequences in cinematic history in my view.

Hulu

Garland’s excursion into high minded sci-fi continued with Annihilation, his 2018 follow-up. The visually stunning experience featuring Natalie Portman and Isaac (again) has themes that will stick with you post credits. And just like Ex Machina features a scene that floored me, so does this. The former involved dancing. The latter involves a human and a bear sharing the same voice. You’ll see what I mean. It’s terrifying and thrilling simultaneously.

I’ll be back at it soon, folks! Until then…