There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.
The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.
A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…
D. Smith’s provocative and acclaimed doc Kokomo City was first unveiled at Sundance in January. Following four transgender sex workers in Georgia and New York, it won an audience prize when it screened at the Berlin Film Festival. Magnolia picked up the distribution rights and it is slated for domestic release on July 28th.
With a 100% score on Rotten Tomatoes, City‘s reviews are strong enough for potential awards consideration. If it manages to get buzz when it releases later next month (and it certainly could), this could be a contender for Documentary Feature that the Academy embraces. On the other hand, it might be too hot button for the unpredictable branch. My Oscar Prediction posts will continue…
As the mom of a school shooter preparing to meet with family members of the departed, Judy Greer stars in Michael Shannon’s directorial debut Eric Larue. Brett Neveu adapts his own play with a supporting cast including Paul Sparks, Alison Pill, Tracy Letts, and Alexander Skarsgård. It premiered at the Tribeca Film Festival and is seeking domestic distribution for later this year.
Reviews for the picture itself are a mixed bag with 70% on Rotten Tomatoes. Some of the critical reaction compares it to 2021’s similarly themed Mass. That film received more acclaim and came up empty at the Oscars.
The story should be the same for Larue with one possible exception. Greer is generating career best notices. She’s one of those performers that you’ll recognize from many projects on the big and small screen. The lengthy list includes Adaptation, 13 Going on 30, The Village, 27 Dresses, The Descendants, Dawn of the Planet of the Apes, Jurassic World, Ant-Man, Halloween and sequel Halloween Kills.
Normally I’d say that Larue might be too minor a project for Greer to contend for Best Actress attention. However, Andrea Riseborough’s surprise nom a few months back for To Leslie at least has me wondering. Greer is well-respected with two decades of character actor work. I wouldn’t count on her getting in, but the right campaign could change the dynamic. My Oscar Prediction posts will continue…
My mid-June look at the major races for the 96th Academy Awards adds the screenplay competitions to the mix. In them, my top picks for Best Picture (Killers of the Flower Moon and Past Lives) lead their respective writing categories.
Truth be told, we’re in a bit of a lull for significant awards buzz. The Cannes Film Festival is over and the key fall fests (Toronto, Venice, Telluride) are nearly three months out.
In July, we will have two potential heavyweights unveiled in Oppenheimer and Barbie. At this juncture, a lot of my speculation is simply deciding whether certain features are even released in 2023. We might not see Ana DuVernay’s Caste, Steve McQueen’s Blitz, or Malcolm Washington’s The Piano Lesson until 2024. That’s why I currently have them out of the mix.
One item that has materialized in the past couple of weeks is the release of Spider-Man: Across the Spider-Verse. The acclaimed animated sequel has established itself as at least a candidate for BP consideration. There’s no doubt it’s the current frontrunner for Animated Feature.
You can peruse all the movement below and I’ll have another update posted in a couple of weeks!
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Past Lives (PR: 3) (+1)
3. The Color Purple (PR: 2) (-1)
4. Dune: Part Two (PR: 4) (E)
5. The Zone of Interest (PR: 7) (+2)
6. Oppenheimer (PR: 5) (-1)
7. Poor Things (PR: 10) (+3)
8. Air (PR: 9) (+1)
9. Saltburn (PR: 6) (-3)
10. The Holdovers (PR: 8) (-2)
Other Possibilities:
11. Maestro (PR: 12) (+1)
12. May December (PR: 11) (-1)
13. Challengers (PR: 14) (+1)
14. Anatomy of a Fall (PR: 13) (-1)
15. Barbie (PR: 16) (+1)
16. Napoleon (PR: 17) (+1)
17. Asteroid City (PR: 24) (+7)
18. The Book of Clarence (PR: 22) (+4)
19. Spider-Man: Across the Spider-Verse (PR: Not Ranked)
20. The Killer (PR: 23) (+3)
21. Flint Strong (PR: 19) (-2)
22. Rustin (PR: 18) (-4)
23. Bob Marley: One Love (PR: 20) (-3)
24. The Nickel Boys (PR: 21) (-3)
25. Ferrari (PR: 25) (E)
Dropped Out:
Blitz
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Celine Song, Past Lives (PR: 4) (+2)
3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)
4. Blitz Bazawule, The Color Purple (PR: 3) (-1)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Yorgos Lanthimos, Poor Things (PR: 8) (+1)
8. Emerald Fennell, Saltburn (PR: 7) (-1)
9. Justine Triet, Anatomy of a Fall (PR: 9) (E)
10. Alexander Payne, The Holdovers (PR: 10) (E)
11. Ben Affleck, Air (PR: 12) (+1)
12.Bradley Cooper, Maestro (PR:11) (-1)
13. Greta Gerwig, Barbie (PR: 14) (+1)
14. Todd Haynes, May December (PR: Not Ranked)
15. Ridley Scott, Napoleon (PR: 13) (-2)
Dropped Out:
Steve McQueen, Blitz
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 4) (+1)
4. Emma Stone, Poor Things (PR: 3) (-1)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 9) (+2)
8. Zendaya, Challengers (PR: 8) (E)
9. Annette Bening, Nyad (PR: 12) (+3)
10. Carey Mulligan, Maestro (PR: 7) (-3)
11. Kate Winslet, Lee (PR: 11) (E)
12. Regina King, Shirley (PR: Not Ranked)
13. Sandra Hüller, The Zone of Interest (PR: 13) (E)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Judy Greer, Eric Larue (PR: Not Ranked)
Droped Out:
Saoirse Ronan, Blitz
Jane Levy, A Little Prayer
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 3) (E)
4. Barry Keoghan, Saltburn (PR: 4) (E)
5. Bradley Cooper, Maestro (PR: 6) (+1)
Other Possibilities:
6. Anthony Hopkins, Freud’s Last Session (PR: 9) (+3)
7. Kingsley Ben-Adir, Bob Marley: One Love (PR: 5) (-2)
8. Cillian Murphy, Oppenheimer (PR: 8) (E)
9. Teo Yoo, Past Lives (PR: 7) (-2)
10. Matt Damon, Air (PR: 12) (+2)
11. Joaquin Phoenix, Napoleon (PR: 10) (-1)
12. Mike Faist, Challengers (PR: 14) (+2)
13. David Strathairn, A Little Prayer (PR: 11) (-2)
14. Andre Holland, The Actor (PR: Not Ranked)
15. Ed Harris, Long Day’s Journey Into Night (PR: 13) (-2)
Dropped Out:
John David Washington, The Piano Lesson
Best Supporing Actress
Predicted Nominees:
1 . Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Julianne Moore, May December (PR: 5) (E)
Other Possibilities:
6. Viola Davis, Air (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Audra McDonald, Rustin (PR: 9) (+1)
9. Aunjanue Ellis, The Nickel Boys (PR: 11) (+2)
10. Lashana Lynch, Bob Marley: One Love (PR: 8) (-2)
11. Tilda Swinton, The Killer (PR: 12) (+1)
12. Halle Bailey, The Color Purple (PR: 10) (-2)
13. Jodie Foster, Nyad (PR: 14) (+1)
14. Claire Foy, Strangers (PR: Not Ranked)
15. Jodie Comer, The Bikeriders (PR: Not Ranked)
Dropped Out:
Danielle Deadwyler, The Piano Lesson
Vanessa Kirby, Napoleon
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. Colman Domingo, The Color Purple (PR: 3) (E)
4. John Magaro, Past Lives (PR: 5) (+1)
5. Charles Melton, May December (PR: 4) (-1)
Other Possibilities:
6. Ben Affleck, Air (PR: 9) (+3)
7. Ryan Gosling, Barbie (PR: 7) (E)
8. Richard E. Grant, Saltburn (PR: 8) (E)
9. Mark Ruffalo, Poor Things (PR: 12) (+3)
10. Brian Tyree Henry, Flint Strong (PR: 11) (+1)
11. Corey Hawkins, The Color Purple (PR: 13) (+2)
12. Jesse Plemons, Killers of the Flower Moon (PR: 10) (-2)
13. Glynn Turman, Rustin (PR: 14) (+1)
14. Ben Foster, Long Day’s Journey Into Night (PR: 15) (+1)
The twelve pictures that have made up the DC Extended Universe in the past decade has resulted in a grand total of one nomination at the Oscars. That honor belongs to Suicide Squad in 2016 for Makeup and Hairstyling and it won. Other DCEU titles like Man of Steel, Batman v Superman: Dawn of Justice, Wonder Woman, Aquaman, and 2021’s The Suicide Squad couldn’t manage Visual Effects or Sound or any other mentions.
Could that change with The Flash? Opening June 16th, the superhero tale finally hits screens after multiples delays and lots of unflattering news about its lead Ezra Miller. On the other hand, audiences could be stoked to see the returns of Ben Affleck and especially Michael Keaton as Batman. Sasha Calle costars as Supergirl with Michael Shannon reprising his role as General Zod from Man of Steel. Andy Muschietti, best known for helming the two It chapters, directs.
The review embargo lapsed today and the result thus far is 73%. That’s fine, but plenty of the write-ups are of the mixed variety. It’s nostalgic overtones are being praised and criticized. I could see this contending for Visual Effects and probably that race only. Yet given the DCEU track record, I wouldn’t want to double down on it making the cut. My Oscar Prediction posts will continue…
Transformers: Rise of the Beasts debuts Friday and it marks the seventh entry in the franchise that began in 2007. This has never been a series known for critical acclaim, but reviews have been on the uptick as of late.
The Rotten Tomatoes score for Beasts is 57%. That’s actually tied for second best of the bunch as the first Transformers has the same rating. #1 by far is the 91% achieved by immediate predecessor Bumblebee from 2018. The other four were at 35% or under (2017’s The Last Knight is lowest at 16%).
That said, certain technical aspects were noticed by the Academy for awhile. Part 1 was nominated for Sound Editing, Sound Mixing, and Visual Effects (note that these sound races have since been combined). 2009’s follow-up Transformers: Revenge of the Fallen was up for Sound Mixing. 2011’s third adventure Transformers: Dark of the Moon landed the same three mentions as the first. There are no victories among the seven nominations.
However, the next three pics (2014’s Age of Extinction, The Last Knight, Bumblebee) were ignored by voters. And if Bumblebee couldn’t manage a Sound or VE spot, it’s tough to see Beasts rising to the challenge. My Oscar Prediction posts will continue…
We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.
Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!
Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.
Back to the Oscars that just happened…
All Quiet on the Western Front
Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.
Does It Make the Final Five?
Yes, despite surprising misses for its Director and in Film Editing. I still think the 9 nine total nods (also second best to Everything) puts it in the quintet.
Avatar: The Way of Water
As anticipated, James Cameron’s long-awaited sequel to the 2009 box office behemoth was a victor in Visual Effects. It also got nods in Production Design and Sound.
Does It Make the Final Five?
No. Water logged less than half of its predecessor’s nine mentions and Cameron himself didn’t make the directorial derby.
The Banshees of Inisherin
Martin McDonagh’s black comedy clocked nine nominations with the others being for the director and screenwriter (both McDonagh), Actor (Colin Farrell), two Supporting Actor bids (Brendan Gleeson and Barry Keoghan), Supporting Actress (Kerry Condon), Film Editing, and Original Score. It ended up going 0 for 8.
Does It Make the Final Five?
Yes. The winning percentage of zero was due to the Everything love, but it still would’ve found a slot among the five.
Elvis
Baz Luhrmann’s lavish musical biopic of The King shimmied to 8 nods including Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, and Sound. Like Banshees, it left the building with no statues.
Does It Make the Final Five?
No. Had Elvis garnered wins in some of the below-the-line races (which it was expected to) or for Butler, I may have a different answer in this case. Yet it wasn’t to be.
The Fabelmans
Steven Spielberg’s most personal work to date saw 7 nominations for the director and screenwriter (both Spielberg with Tony Kushner co-scribing), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Score, and Production Design. In what’s starting to sound like a broken record, it failed to capitalize on any of its nominations.
Does It Make the Final Five?
Yes though I struggled with this one. Missing editing (a good harbinger of a BP nod) was a surprise and same goes for the cinematography. Ultimately the power of Spielberg might’ve reserved this for the fourth or fifth spot.
Tár
Todd Field’s profile of a complicated EGOT winner generated six mentions for its director and screenwriter (both Field), Actress (Cate Blanchett), Cinematography, and Film Editing. Once again – any potential victory was thwarted by Everything as it went 0/6.
Does It Make the Final Five?
Yes. I must say that I really went back and forth on this (more so than with The Fabelmans). Yet it managed to score inclusions in the precursors that matter most and it gets the edge for it.
Top Gun: Maverick
The moneymaking monolith of 2022 had a total of six nominations with Adapted Screenplay, Film Editing, Original Song, Sound, and Visual Effects on the menu. It emerged victorious in Sound (Everything and Western Front didn’t take them all).
Does It Make the Final Five?
No. I went back and forth between this and Tár for #5. The latter got in where it matters. Maverick, despite being the people’s champ, missed key races like Director (Joseph Kosinski), Actor (Tom Cruise), and Cinematography.
Triangle of Sadness
The Palme d’or recipient at Cannes was awarded an unexpected directing nod for Ruben Östlund and an expected screenwriting mention for him. The count for was 0 for 3.
Does It Make the Final Five?
No. Östlund’s surprise nomination for his behind the camera was a pleasant surprise, but a final five slot would be an even bigger shocker.
Women Talking
Director Sarah Polley won for her Adapted Screenplay and that marks Women‘s only other nom. That means the sprawling cast that included Rooney Mara, Claire Foy, and Jessie Buckley were all left out.
Does It Make the Final Five?
No. Despite the screenplay award, the aforementioned facts make this the easiest of the bunch to leave out (especially considering its two nods were the smallest of the group).
And that means my 2022 final five is:
All Quiet on the Western Front
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Stay tuned for the inverse of these posts beginning with 2008!
If you missed my write-ups in the series covering 2009-21, you can access them right here:
Filmmaker Kaouther Ben Hania is no stranger to awards attention. In 2020, her Tunisian feature The Man Who Sold His Skin was a surprise nominee for International Feature Film (ultimately losing to Another Round).
Her next round for Oscar chatter lies with Four Daughters. The Arabic-language documentary (known as Les Filles d’Olfa at its French debut) premiered at the Cannes Film Festival. It centers on a Tunisian mother and the disappearance of her two eldest daughters. In this mix of real life and fiction, the director hires professional actresses to portray the missing women.
Early reviews are predominantly fresh with 92% on Rotten Tomatoes. Some of the write-ups, however, indicate it doesn’t fully deliver on the unique premise. Ben Hania scored a surprise nod three years back and perhaps this could accomplish the same in Documentary Feature. It remains somewhat of a long shot currently. My Oscar Prediction posts will continue…
Get those pens (not pencils) ready for one nominee in the Animated Feature race at the 96th Academy Awards. Spider-Man: Across the Spider-Verse is out this weekend. The sequel to 2018’s Spider-Man: Into the Spider-Verse is drawing similar reactions to its predecessor. That means some serious raves as it currently stands at 95% on Rotten Tomatoes (on par with the 97% for part 1).
In December 2018, Into upended the animated category. Any hope that Incredibles 2 or Isle of Dogs held for taking the prize fell by the wayside upon its release. That happened late in the calendar for the first Spidey. We are not even at the midpoint of 2023 and Across has established itself as the strong frontrunner. Pixar’s Elemental, which drew so-so chatter from Cannes, may even struggle to make the final cut of five nominees.
Across is guaranteed a slot and is a huge threat to win no matter what follows in the next few months. It is only the first half of two sequels as Beyond the Spider-Verse follows in March of next year. You can safely assume it might be a hopeful for the 97th Academy Awards.
As for other competitions, I suppose Adapted Screenplay is feasible if Sony were to make a dedicated push. Critics are also pointing out the visual effects. Yet animated titles struggle to get noticed in that particular derby. It’s more likely this will stick to Animated Feature and it could very well stick the landing. My Oscar Prediction posts will continue…
30 years after his debut The Scent of Green Papaya was nominated in the international picture race at the Oscars, Vietnamese filmmaker Tran Anh Hung could see his latest The Pot-au-Feu achieve the same.
Set in the late 19th century, the French romance centered around the culinary arts features Juliette Binoche (Supporting Actress winner for 1996’s The English Patient) and Benoît Magimel. The Rotten Tomatoes reaction is strong with a 100% current rating.
In 1993, Papaya won the Palme d’Or at the Cannes Film Festival and nabbed a final five spot in Best Foreign Language Film (now International Feature Film). At this year’s ceremony in the south of France, Hung was honored with the Best Director statue.
If France makes this their selection for IFF at the 96th Academy Awards, look for this to potentially be on the menu. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 