In the previous decade, the winner of the Producers Guild of America (PGA) best motion picture ended up matching with the eventual Oscar recipient 70% of the time. So it’s no wonder that all eyes of prognosticators were on tonight’s ceremony. Would the PGA do anything to interrupt the narrative that Chloe Zhao’s Nomadland is a sturdy favorite to take the Academy’s gold?
The answer? No. Nomadland received yet another honor from the PGA to go with its Golden Globe for Best Drama, Critics Choice Award, and numerous regional group best pic designations. Had Minari or Promising Young Woman or The Trial of the Chicago 7 won, it might have created more suspense for the Oscar ceremony happening on April 25th. Yet the PGA victory is another arrow in the quiver for Zhao’s achievement.
If you’re another movie hoping to best Nomadland, the PGA and the Academy have differed three times in the last five years. In 2015, the Guild picked The Big Short over Spotlight. In 2016, it was La La Land instead of Moonlight. Last year – 1917 over Parasite.
As for other races, Disney/Pixar’s Soul, as expected, took animated feature and it remains a major frontrunner at the big show. The documentary category went to My Octopus Teacher and that certainly puts it in serious contention in one month.
Bottom line: Nomadland is rolling and nothing may be able to stop it.
My Case Of posts for the 8 Best Picture nominees concludes with Aaron Sorkin’s The Trial of the Chicago 7. If you missed the previous seven entries on the other contenders, you can peruse them here:
When the Netflix drama began streaming in October, Sorkin’s sophomore directorial effort became an immediate player in the Oscar discussion and was considered a soft frontrunner for weeks. Along with The Father, Judas and the Black Messiah, Minari, Nomadland, and Sound of Metal, it scored six nominations. This is also the kind of effort that seems tailor-made for Academy attention. Sorkin is already a gold winner for his 2010 screenplay for The Social Network.
The Case Against The Trial of the Chicago 7:
Well… it’s grown recently. Trial couldn’t manage a Golden Globe or Critics Choice victory over Nomadland, which has become the favorite. In fact, all of its major nominations appear in jeopardy. Sacha Baron Cohen’s chances in Supporting Actor are behind Daniel Kaluuya’s for Judas and the Black Messiah. Original Screenplay seems iffy with Emerald Fennell’s Promising Young Woman surging. Perhaps most notably, Sorkin missed the cut in Best Director.
The Verdict
While other nominees like Minari, Promising Young Woman, and Sound of Metal have gained momentum in recent weeks, Trial appears to be going in the opposite direction. There is a legitimate chance that it walks away with zero wins come Oscar night (Film Editing might be its best hope). I wouldn’t completely count out its chances to take Best Picture, but its prospects have undoubtedly dwindled.
My Case Of posts for Best Picture have wrapped up, but now it’s time for the directing and acting players. That begins with Lee Isaac Chung for Minari and that will be posted tomorrow…
Darius Marder’s Sound of Metal is next up in my Case Of posts for 2020’s Best Picture nominees. If you missed my previous entries, they’re linked here:
While fellow nominees The Father, Minari, and Promising Young Woman were first unveiled back in January 2020, Sound of Metal was out of the gate way back in September 2019 when it premiered at the Toronto Film Festival. Its road to the Oscar stage was more of a slow burn and that culminated with its December 2020 bow on Amazon Prime. On nominations morning, it over performed with six nominations: Picture, Actor (Riz Ahmed), Supporting Actor (Paul Raci), Original Screenplay, Film Editing, and Sound. Its 96% Rotten Tomatoes is near the top of the films selected and it’s been an audience pleaser.
The Case Against Sound of Metal
The nominations haul was better than expected, but Sound‘s miss for director Marder is a noteworthy one. Only twice in the past decade has a movie taken Best Picture without its maker being recognized. Another key omission is no nod for Best Drama at the Golden Globe Awards.
The Verdict
Critics saw Sound before any other nominee, but the late breaking surge has been impressive. The pic is unlikely to go home empty-handed on Oscar night. However, those victories are more probable in Editing and (especially) Sound and not the major races it’s up for.
My Case Of posts will continue with The Trial of the Chicago 7…
My Case Of posts covering the nominees for Best Picture continues with Emerald Fennell’s directorial debut Promising Young Woman. This is my sixth write-up for the 8 nominated films. If you missed any of the previous entries, you may find them here:
Like The Father and Minari, this jet black revenge dramedy premiered over a year ago at the Sundance Film Festival where it earned rave reviews. It landed five Oscar nods and that includes its director, Carey Mulligan in Actress (where she’s considered a soft frontrunner), Original Screenplay, and Film Editing. The screenplay and editing nods are precisely the nominations a picture needs to be considered a threat to win it all. Furthermore, Fennell’s script just took the Writers Guild of America honor. Promising Young Woman has done what it needs to do to establish itself a genuine threat to the favored Nomadland.
The Case Against Promising Young Woman
While it’s come on strong lately, Nomadland still enjoys its status as the movie to beat this season. If the PGA goes for an upset this week and picks this (or Minari or anything else for that matter), look for that narrative to shift. As of today, however, a Promising victory would be a pretty major upset.
The Verdict
Promising Young Woman could be assisted by its movie of the moment feel. That said, victories in Actress and Original Screenplay are more likely than the grand prize.
My Case Of posts will continue with Sound of Metal…
Chloe Zhao’s Nomadland is next up in my Case Of posts for the 8 Best Picture nominees from the 2020 Oscar season. If you missed my posts on The Father, Judas and the Black Messiah, Mank, and Minari, you can peruse them here:
Since its debut at the Venice Film Festival in September where it won the Golden Lion (the event’s top prize), Nomadland has been a serious contender that has managed to become the favorite. While many prognosticators predicted The Trial of the Chicago 7 would take the Best Drama category at the Golden Globes, Nomadland emerged victorious and it also won the Critics Choice Award recently. Other accolades include the People’s Choice Award at the Toronto Film Festival and numerous regional critics group selections as the film of 2020. Nomadland tied with five other pics last week with 6 Oscar nominations and it landed in the expected races beyond Picture with Director, Actress (Frances McDormand), Adapted Screenplay, Cinematography, and Editing. It is a contender to win them all.
The Case Against Nomadland
Being the frontrunner can be dangerous. It could be argued that the on paper favorites for three of the last ceremonies did not take the gold (2016’s La La Land lost to Moonlight, 2018’s Roma to Green Book, and 2019’s 1917 to Parasite). A narrative could certainly develop where a “surprise” winner (think Minari or Promising Young Woman, as well as the aforementioned Trial) could pose a serious threat.
The Verdict
Betting odds favor Nomadland as it’s done what it needs to be the picture to beat this year. That said, Oscar voters have had a way of recently upending the conventional wisdom.
My Case Of posts will continue with Promising Young Woman…
My Case of posts for the Best Picture nominees of 2020 continues with fourth entry Minari. If you missed my previous takes on The Father, Judas and the Black Messiah, and Mank, you can find them here:
Like its fellow nominees The Father and Promising Young Woman, this American drama about Korean immigrants burst onto the awards scene early in 2020 at the Sundance Film Festival. Minari won the festival’s Grand Jury Prize and Audience Award and has developed staying power throughout the season. On Oscar nomination morning, it tied five other pics with six nods. That includes Director (Lee Isaac Chung), Actor (Steven Yeun), Supporting Actress (Yuh-jung Youn), Original Screenplay, and Score. This is exactly the kind of feel-good crowd pleaser that could be a trendy upset pick over a frontrunner like Nomadland and its stock has seemed to rise in recent weeks.
The Case Against Minari
As mentioned, there is a frontrunner. Additionally, only one Best Picture recipient in nearly four decades missed a Film Editing nod (2014’s Birdman and that was for good reason) so Minari would be seriously going against tradition in that sense.
The Verdict
Minari could go two ways on Oscar evening. This could end up being embraced by voters, following Sundance’s lead with a Picture win and others down the line (Supporting Actress certainly seems doable). Or it could end up going 0 for 6. The latter is more likely, but distributor A24 has done a remarkable job keeping this as an outside contender.
David Fincher’s Mank marks my third Case Of post weighing the pros and cons of the Best Picture contenders. If you missed my takes on The Father and Judas and the Black Messiah, you can find them here:
With 10 nominations, the Netflix pic easily leads the field in terms of nominations. In fact, it has four more nods than anything else as there are six movies with six mentions. Hollywood loves stories about itself and Fincher is rightfully seen as overdue for Oscar recognition (his previous nominated features are The Curious Case of Benjamin Button and The Social Network).
The Case Against Mank
Leading the pack isn’t much of a designation when it comes to the ceremony itself. Only three times in the previous decade did the film with the most nominations (or tied for most nods) win Best Picture (2010’s The King’s Speech, 2014’s Birdman, 2017’s The Shape of Water). While the pic managed nominations for Director, Gary Oldman for Actor (winner three years ago for Darkest Hour), and first time contender Amanda Seyfried in Supporting Actress, it missed major races that usually bode well for a Picture win. The most notable omissions are Original Screenplay (for the director’s late father Jack Fincher) and Film Editing. Of the 8 nominees, its 83% Rotten Tomatoes rating is the lowest of the bunch.
The Verdict
You may have noticed the case against Mank is a higher word count than the case for. That’s because Mank, despite its numbers, is an unlikely hopeful for any category besides Production Design.
My Case Of posts for the eight Best Picture players arrives at alphabetical entry #2 and that’s Judas and the Black Messiah. If you missed my entry for The Father, you can find it here:
Like The Father, this Warner Bros/HBO Max drama performed quite well on nomination morning with 6 mentions. In addition to the big race, Judas has two nods in Supporting Actor with Daniel Kaluuya (garnering his second nom after Get Out) and Lakeith Stanfield. Kaluuya is considered the frontrunner. It also got an Original Screenplay slot, which is usually key to serious BP contention. This was one of the later entries in the expanded Oscar calendar (arriving in mid February in theaters and streaming). Voters clearly like what they saw.
The Case Against Judas and the Black Messiah
Also like The Father, Judas missed in some races that usually coincide with a BP victory. Most notable is Best Director (where first timer Shaka King was left out) and Best Film Editing. It also failed to nab a Drama nomination at the Golden Globes.
The Verdict
Judas clearly came on strong late with the Academy, but its misses in significant races and previous precursors make Judas a long shot to win it all.
Now that Oscar nominations are out, this evening begins my (gulp) 33 part series outlining the cases for and against the nominees in Best Picture, Director, and the four acting races. I will start with write-ups on the 8 movies recognized and then move to the directing and acting categories. We begin with Florian Zeller’s The Father:
The Case For The Father
The Alzheimer’s drama has been on the awards radar for over a year when it premiered at the Sundance Film Festival in January 2020. Sitting at 99% on Rotten Tomatoes, it’s actually got the best rating of the pictures in contention. It’s fair to say The Father over performed on nomination morning with 6 mentions, including its two stars Anthony Hopkins (previous winner for The Silence of the Lambs) and Olivia Colman (Best Actress recipient two years back for The Favourite) and Best Adapted Screenplay. The Golden Globes also were very kind with their nods for it.
The Case Against The Father
While it came on strong towards the end with voters, its omission in Best Director for Zeller is a big miss. While not unheard of, it’s very rarefor a feature to take the big prize without its filmmaker making it in. The Globes put it in their mix, but it resulted in no victories.
The Verdict
Of the 8 BP hopefuls, I suspect The Father appears most likely to come up completely empty-handed on April 25th.
My Case of posts will continue with Judas and the Black Messiah…
To Oscar prognosticators like yours truly, today was like Christmas morning as nominations were unwrapped early for the 93rd Annual Academy Awards, airing April 25th. Some things never change with the prediction game. There were categories where I was perfect (3 of them) and, as has become tradition, a dreaded race where I whiffed at 2/5.
As was the most likely scenario, Mank led all films with 10 nominations. Yet it did so by missing some key races that are usually needed to nab a Best Picture victory. This was followed by six pictures garnering six mentions: The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, and The Trial of the Chicago 7. Some of those over performed. Others – not so much.
Overall this blogger went 80/104 on estimates and in this topsy turvy year, I’ll take it. Let’s break it down race by race, shall we?
Best Picture
Nominees: The Father, Judas and the Black Messiah, Mank, Minari, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 7/9
The magic number of nominees ended up being 8 and I projected 9. I’ll say again… I’m very happy that the Academy is going with a set 10 again beginning in 2022. This means it was Ma Rainey’s Black Bottom and One Night in Miami that missed and The Father (which had a solid showing) in. Judas, Minari and Sound of Metal proved their anticipated status as late bloomers making the cut.
Best Director
Nominees: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), David Fincher (Mank), Thomas Vinterberg (Another Round), Chloe Zhao (Nomadland)
How I Did: 4/5
The Academy made history today when they nominated two women in Director for the first time. This was expected, but it is worth noting that Regina King (One Night in Miami) was a contender who missed the cut. That’s not where I went wrong as Vinterberg came out of nowhere to get a spot. While Another Round is expected to emerge victorious in International Feature Film, its director became the rare nominee to get in without a Best Picture slot. And despite being nominated for his writing, Aaron Sorkin (Trial) couldn’t get into this one.
Best Actress
Nominees: Viola Davis (Ma Rainey’s Black Bottom), Andra Day (The United States vs. Billie Holiday), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)
How I Did: 5/5 (!)
I can’t put myself on the back too much here. This was widely seen as the most probable quintet and it remained true to form. Potential surprise picks like Sophia Loren (The Life Ahead) and Golden Globe Musical/Comedy winner Rosamund Pike (I Care a Lot) didn’t materialize.
Best Actor
Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)
How I Did: 5/5 (!)
Again, no shockers here. Any late momentum by Mads Mikkelsen (Another Round) or Tahar Rahim (The Mauritanian) was squashed and Boseman stands tall as the major frontrunner.
Best Supporting Actress
Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Amanda Seyfried (Mank), Yuh-jung Youn (Minari)
How I Did: 4/5
For the past couple of weeks, there have been six likely nominees and only five spots. I went with Golden Globe winner Jodie Foster (The Mauritanian) over Seyfried. Fun fact: Foster is the first Globe winner from this category in 44 years to not land an Oscar mention. This is a wide open acting race (more so than the others by far).
Best Supporting Actor
Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Daniel Kaluuya (Judas and the Black Messiah), Leslie Odom Jr. (One Night in Miami), Paul Raci (Sound of Metal), Lakeith Stanfield (Judas and the Black Messiah)
How I Did: 4/5
The morning’s biggest surprise is the inclusion of Stanfield with his Judas costar Kaluuya. That has nothing to do with performance itself as Warner Bros. actually campaigned for Stanfield in Best Actor. The Academy simply ignored that and chose to put him here. In other words, this is the nomination that nobody saw coming. His inclusion prevented Boseman from being a double nominee for Da 5 Bloods (which had an almost nonexistent showing).
Best Original Screenplay
Nominees: Judas and the Black Messiah, Minari, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 4/5
No Mank is the headline here as Sound of Metal grabbed the spot. This omission is what makes a Mank BP victory highly doubtful.
Best Adapted Screenplay
Nominees: Borat Subsequent Moviefilm, The Father, Nomadland, One Night in Miami, The White Tiger
How I Did: 3/5
Ma Rainey‘s bleaker than expected morning continued with no love here. Same goes for The Mauritanian (which goose egged today). In their place? Borat and The White Tiger.
Best Animated Feature
Nominees: Onward, Over the Moon, A Shaun the Sheep Movie: Farmageddon, Soul, Wolfwalkers
How I Did: 4/5
It was Sheep over The Croods: A New Age in a competition where Disney/Pixar’s Soul should dominate.
Best Documentary Feature
Nominees: Collective, Crip Camp, The Mole Agent, My Octopus Teacher, Time
How I Did: 3/5
This category (unpredictable usually) was a real head scratcher in 2020. I had Dick Johnson Is Dead and Welcome to Chechnya in over Crip Camp and The Mole Agent. This is a toughie to project, but I’ll say Time might have an edge.
Best International Feature Film
Nominees: Another Round, Better Days, Collective, The Man Who Sold His Skin, Quo Vadis, Aida?
How I Did: 2/5 (ugh)
The dreaded 2/5 came here with Better Days, double nominee Collective, and the charmingly titled The Man Who Sold His Skin in over my picks of Dear Comrades!, La Llorona, and Two of Us. This looks like Round‘s race to lose at press time.
Best Cinematography
Nominees: Judas and the Black Messiah, Mank, News of the World, Nomadland, The Trial of the Chicago 7
How I Did: 4/5
Judas over Minari was where I went wrong, but not shocking considering the former’s very good day. You may have noticed this is the first mention of News of the World, which picked up four tech nods but got zilch in the big derbies.
Best Costume Design
Nominees: Emma, Ma Rainey’s Black Bottom, Mank, Mulan, Pinocchio
How I Did: 4/5
Not many were saying Pinocchio would play here, but it nosed out my Ammonite selection.
Best Film Editing
Nominees: The Father, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 4/5
This is another high profile miss for Mank as The Father was selected instead. Of its six nods, this and Original Screenplay is where Trial has the best shot at gold.
Best Makeup and Hairstyling
Nominees: Emma, Hillbilly Elegy, Ma Rainey’s Black Bottom, Mank, Pinocchio
How I Did: 4/5
And here’s a scenario where I was saying Mank would miss. It didn’t as it edged out Birds of Prey, which was called out zero times this morning.
Best Original Score
Nominees: Da 5 Bloods, Mank, Minari, News of the World, Soul
How I Did: 4/5
Here marks the sole mention for Bloods in a race where it wasn’t anticipated. It got in over my pick of The Midnight Sky. Like Animated Feature, expect Soul to reign supreme here.
Best Original Song
Nominees: “Fight for You” from Judas and the Black Messiah, “Hear My Voice” from The Trial of the Chicago 7, “Husavik” from Eurovision Song Contest: The Story of Fire Saga, “lo Si” from The Life Ahead, “Speak Now” from One Night in Miami
How I Did: 4/5
The chances of Will Ferrell and Rachel McAdams belting out their ballad from the Netflix comedy Eurovision became a reality! It makes the cut over “Turntables” from All In: The Fight for Democracy (which also missed Documentary Feature).
Best Production Design
Nominees: The Father, Ma Rainey’s Black Bottom, Mank, News of the World, Tenet
How I Did: 3/5
This is where Mank stands its greatest chance at a victory among the ten nods. The Father and Tenet (both kind of unexpected here) get in over The Midnight Sky and The Trial of the Chicago 7.
Best Sound
Nominees: Greyhound, Mank, News of the World, Soul, Sound of Metal
How I Did: 5/5 (!)
I’ll take it and the winner will probably be the one with the category name in its title.
Best Visual Effects
Nominees: Love and Monsters, The Midnight Sky, Mulan, The One and Only Ivan, Tenet
How I Did: 3/5
The One and Only Ivan was my runner-up. Love and Monsters, on the other hand, was not expected. They get in over Mank and Welcome to Chechnya.
To recap, the following pictures nabbed these numbers in terms of nominations:
10 Nominations
Mank
6 Nominations
The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, The Trial of the Chicago 7
Better Days, Crip Camp, Da 5 Bloods, Eurovision Song Contest: The Story of Fire Saga, Greyhound, The Life Ahead, Love and Monsters, The Man Who Sold His Skin, The Midnight Sky, The Mole Agent, My Octopus Teacher, The One and Only Ivan, Onward, Over the Moon, Pieces of a Woman, Quo Vadis, Aida?, A Shaun the Sheep Movie: Farmageddon, Time, The United States vs. Billie Holiday, The White Tiger, Wolfwalkers
Quick tidbits:
12 of the 20 acting nominees are first-timers (Day, Kirby, Ahmed, Boseman, Yeun, Bakalova, Seyfried, Youn, Cohen, Odom, Raci, Stanfield)
3 are previous nominees (Mulligan, Close, Kaluuya)
5 are previous winners (Davis, McDormand, Hopkins, Oldman, Colman)
Of the five directors, only Fincher has been nominated before and none have won
So this begins the next phase of my Oscar predicting as I will do a “Case Of” post individually for all the Picture, Director, and acting nominees. Yes, that means 33 posts in the next several weeks where I outline the pros and cons of each nominee taking the gold or coming up cold. Stay tuned!
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