Summer 2014: The Top 10 Hits and More

In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).

Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.

Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.

10. How to Train Your Dragon 2

Domestic Gross: $177 million

While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.

9. Teenage Mutant Ninja Turtles

Domestic Gross: $191 million

With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.

8. 22 Jump Street

Domestic Gross: $191 million

Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.

7. Godzilla

Domestic Gross: $200 million

It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick

6. The Amazing Spider-Man 2

Domestic Gross: $202 million

While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.

5. Dawn of the Planet of the Apes

Domestic Gross: $208 million

The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.

4. X-Men: Days of Future Past

Domestic Gross: $233 million

This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.

3. Maleficent

Domestic Gross: $241 million

After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.

2. Transformers: Age of Extinction

Domestic Gross: $245 million

Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.

1. Guardians of the Galaxy

Domestic Gross: $233 million

This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.

And now let’s cover some other flicks from ’14 that had crowds and critics chatting.

Neighbors

Domestic Gross: $150 million

The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.

Lucy

Domestic Gross: $126 million

Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.

The Fault in Our Stars

Domestic Gross: $124 million

John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.

Edge of Tomorrow

Domestic Gross: $100 million

Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.

Let’s Be Cops

Domestic Gross: $82 million

This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.

Chef

Domestic Gross: $31 million

After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.

Boyhood

Domestic Gross: $25 million

Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.

Snowpiercer

Domestic Gross: $4 million

Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.

OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.

Hercules

Domestic Gross: $72 million

Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?

Jersey Boys

Domestic Gross: $47 million

The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.

Blended

Domestic Gross: $46 million

The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.

A Million Ways to Die in the West

Domestic Gross: $43 million

Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.

The Expendables 3

Predicted Gross: $39 million

The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.

Sex Tape

Predicted Gross: $38 million

Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.

Sin City: A Dame to Kill For

Domestic Gross: $13 million

The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.

And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!

Oscar History: 2014

Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash. 

In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher. 

Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash. 

One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).

There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).

In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.

Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.

Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).

https://www.youtube.com/watch?v=xDAsABdkWSc

I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.

Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.

As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).

My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!

2014: The Year of Michael Keaton

Concluding my series of six performers who had a memorable 2014 on the big screen, we finish with Michael Keaton. The 63 year old actor has had many career highlights in his over three decades of stardom. He was Batman, for goodness sake! He was Beetlejuice! There was well regarded dramatic work in Clean and Sober and My Life. His team up with Quentin Tarantino in Jackie Brown and Steven Soderbergh in Out of Sight (playing the same part too). A creepy tenant in Pacific Heights. Comedies such as Mr. Mom and Multiplicity, among others.

For the last few years, Keaton has mostly been relegated to supporting roles in some high profile material and some indies. And he doesn’t make this list because of his work in this spring’s Robocop remake or video game adaptation Need for Speed (which are two examples of the kind of material that seemed a little beneath him).

No, Keaton is here because of Birdman, Alejandro Gonzalez Inarritu’s acclaimed comedy/drama. This picture marked a career comeback that rivaled that of Travolta in Pulp Fiction and Mickey Rourke in The Wrestler. This is the role of a lifetime for Mr. Keaton and there stands a very solid chance that he’ll hear his name called in an ultra competitive Best Actor race at the Academy Awards.

The Birdman love will almost certainly mean roles will be available for Keaton that perhaps haven’t been in recent years. Next year, he’ll appear alongside Mark Ruffalo and Rachel McAdams in Spotlight, a drama which focuses on the Massachusetts Catholic sex scandals of recent history. It comes from Thomas McCarthy, the respected indie director of The Station Agent and The Visitor. With Inarritu’s rediscovery of Keaton’s great talent, there’s probably a lot of fine directors who’ll be calling up his services in the near future.

For my post on The Year of Shailene Woodley, click here:

https://toddmthatcher.com/2014/12/23/2014-the-year-of-shailene-woodley/

For my post on The Year of Kevin Hart, click here:

https://toddmthatcher.com/2014/12/23/2014-the-year-of-kevin-hart/

For my post on The Year of Scarlett Johannson, click here:

https://toddmthatcher.com/2014/12/23/2014-the-year-of-scarlett-johannson/

For my post on The Year of Chris Pratt, click here:

https://toddmthatcher.com/2014/12/23/2014-the-year-of-chris-pratt/

For my post on The Year of Angelina Jolie, click here:

https://toddmthatcher.com/2014/12/23/2014-the-year-of-angelina-jolie/

2014 Oscar Predictions: Todd’s Picks for Early January

And we’re off with my next to last round of Oscar predictions before they’re announced on Thursday, January 16th. The plan is to do my final predictions, most likely either on Sunday the 12th or Monday the 13th. These new picks reflect changes in four of the six top categories. Let’s get to it shall we?

BEST PICTURE

I’ve stayed consistent with predicting that nine movies will get nominated. The change here is that I’m including Dallas Buyer’s Club for the first time as I believe it’s gotten enough precursor momentum to get in. That means I had to take something out and Saving Mr. Banks has been dropped. As I see it, the race is still a battle between 12 Years a Slave and Gravity for the win with American Hustle as a possible spoiler.

Predictions:

American Hustle

Captain Phillips

Dallas Buyer’s Club

Gravity

Her

Inside Llewyn Davis

Nebraska

12 Years a Slave

The Wolf of Wall Street

BEST DIRECTOR

One change here: I believe the polarizing reaction to The Wolf of Wall Street might leave Martin Scorsese out in this competitive category. So he’s out and Spike Jonze, riding a wave of momentum for Her, is in. Like Picture, this race should come down to Slave‘s Steve McQueen and Gravity‘s Alfonso Cuaron for the victory with yet again Hustle‘s Russell as possible spoiler.

Predictions:

Alfonso Cuaron, Gravity

Spike Jonze, Her

Steve McQueen, 12 Years a Slave

Alexander Payne, Nebraska

David O. Russell, American Hustle

BEST ACTOR

This is seriously such a loaded category. In any other year, I’d be predicting Christian Bale in American Hustle, Forest Whitaker in Lee Daniels’ The Butler or Joaquin Phoenix in Her. None of them make the cut. Conventional wisdom is that this is a six man race and only five make the cut. Last round of predictions, I had Tom Hanks’ work in Captain Phillips left out, but now he’s back in. This came down to a decision between whether to leave out Leonardo DiCaprio in Wolf of Wall Street or Robert Redford in All is Lost. For the first time in my predictions, it’s Redford that I’ve got drawing the short straw. I believe Chiwetel Ejiofor, Bruce Dern, or Matthew McConaughey could win.

Predictions:

Bruce Dern, Nebraska

Leonardo DiCaprio, The Wolf of Wall Street

Chiwetel Ejiofor, 12 Years a Slave

Tom Hanks, Captain Phillips

Matthew McConaughey, Dallas Buyer’s Club

BEST ACTRESS

Prediction wise, this category has remained the most stable and I have no changes this round either. As for who will win, Cate Blanchett is emerging as the clear favorite though Sandra Bullock has a shot.

Predictions:

Cate Blanchett, Blue Jasmine

Sandra Bullock, Gravity

Judi Dench, Philomena

Meryl Streep, August: Osage County

Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR

This is likely the most unpredictable category that is capable of producing a surprise and my new picks reflect that. Jared Leto is the frontrunner to win and Michael Fassbender appears a lock for nomination. After that, all bets are off. I’m taking out Jonah Hill for The Wolf of Wall Street and Tom Hanks for Saving Mr. Banks. I’m keeping in my Bradley Cooper for American Hustle prediction. Additions to my list: Daniel Bruhl, who’s picked up momentum for his role in Rush. As for the fifth slot, it could have been Hanks, Hill, the late James Gandolfini in Enough Said, Barkhad Abdi in Captain Phillips, or Harrison Ford in 42. Like I said, I believe a real surprise nomination could surface here and that’s why I’m picking former SNL alum Will Forte in Nebraska.

Predictions:

Daniel Bruhl, Rush

Bradley Cooper, American Hustle

Michael Fassbender, 12 Years a Slave

Will Forte, Nebraska

Jared Leto, Dallas Buyer’s Club

BEST SUPPORTING ACTRESS

Like the lead actress race, I’ve got no changes to report here either. This should still come down to Lupita Nyong’o and Jennifer Lawrence for the win.

Predictions:

Jennifer Lawrence, American Hustle

Lupita Nyong’o, 12 Years a Slave

Julia Roberts, August: Osage County

June Squibb, Nebraska

Oprah Winfrey, Lee Daniels’ The Butler

I’ll be back with last round of nomination picks soon enough!

Box Office Predictions: January 3-5

The new year at the box office will be rung in with a pretty sturdy horror franchise in the form of Paranormal Activity: The Marked Ones, opening Friday. Unless it greatly doesn’t match expectations, the fifth entry in the series should open atop the charts with the rest being filled by holiday leftovers. You can find my detailed prediction post on The Marked Ones here:

https://toddmthatcher.com/2013/12/29/paranormal-activity-the-marked-ones-box-office-prediction/

Christmas holdovers usually fall in the 30s to low 40s during the first weekend of the next year and I expect we’ll see that occur here. My predictions reflect Disney’s Frozen having one of the lower declines which should allow it to remain at #2 while The Hobbit: The Desolation of Smaug should end its three-week reign at number one and fall to third. I expect American Hustle and Anchorman 2 to round out the top five. This means Martin Scorsese’s The Wolf of Wall Street should drop out of the top five in its second weekend. While it had a healthy debut (grossing $34 million over five days), audiences were polarized by it, evidenced by its weak C Cinemascore average.

And with that, my predictions for the top six at the box office during weekend #1 of 2014:

1. Paranormal Activity: The Marked Ones

Predicted Gross: $26.8 million

2. Frozen

Predicted Gross: $19 million (representing a drop of 33%)

3. The Hobbit: The Desolation of Smaug

Predicted Gross: $16.2 million (representing a drop of 44%)

4. American Hustle

Predicted Gross: $13.1 million (representing a drop of 33%)

5. Anchorman 2: The Legend Continues

Predicted Gross: $12.5 million (representing a drop of 38%)

6. The Wolf of Wall Street

Predicted Gross: $11 million (representing a drop of 41%)

This would be a great time to remind you of the website www.boxofficeace.com – where you can make your own predictions on the opening weekends of new box office entries. This week would be a fantastic time to start (only takes a sec to set up profile) because the competition begins anew with 2014 rolling in. On the site, you can compete against me and see if you can make box office predictions better than yours truly.

And there you have it! Check by Saturday for early updates on the blog’s Facebook page and Sunday with final results!