Blogger’s Note (08/25): The reported theater count of only 600 screens has caused my revision to be lowered to $1.9 million.
There’s only new picture opening over the long Labor Day weekend and it’s unlikely to blossom into any sort of hit. Justin Chadwick’s Tulip Fever finally makes it to the big screen with a cast that includes Oscar winner Alicia Vikander, Dane DeHaan, Jack O’Connell, Judi Dench, Christoph Waltz, Zach Galifianakis, Matthew Morrison, and Cara Delevingne.
The reported $25 million production from the Weinstein Company has had a long and delayed journey to the silver screen. Tulip was shot over three years ago and was originally slated to debut in theaters last summer before the studio’s financial woes got in the way. It was then rescheduled for February of this year. Finally, it was supposed to debut this coming weekend before the Weinstein Company chose to release it wide (with little fanfare) just days ago as the sole release over the holiday weekend.
This does not bode well for its chances stateside. Even though there’s little competition, I’d say its best scenario is earning the $6.1 million captured by last year’s Labor Day release The Light Between Oceans (also starring Vikander). However, I’m not convinced it even manages that (a theater count when released will help). For now, I’ll say a debut between $4-$5 million is my diagnosis.
Tulip Fever opening weekend prediction: $1.9 million (Friday to Monday estimate)
Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.
Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):
Blade Runner 2049
Release Date: October 6
35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.
Downsizing
Release Date: December 22
It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.
NO TRAILER AT PRESS TIME
It
Release Date: September 8
Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.
Justice League
Release Date: November 17
DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).
mother!
Release Date: September 15
Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.
Murder on the Orient Express
Release Date: November 10
Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.
The Papers
Release Date: December 22
As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.
NO TRAILER AT PRESS TIME
Phantom Thread
Release Date: December 27
Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.
NO TRAILER AT PRESS TIME
The Shape of Water
Release Date: December 8
Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.
Star Wars: The Last Jedi
Release Date: December 15
Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.
And there you have it, folks! Let us look forward to a hopefully glorious autumn season…
The doldrums of the late August box office eclipses theaters this weekend as four new entries are scheduled to open wide: animated Leap!, Christian themed drama All Saints, martial arts pic Birth of the Dragon, and Robert Pattinson heist thriller Good Time. You can look directly at my individual prediction posts here:
As you can see, I only have one of the newbies over $4 million (ouch). Good Time is a bit of a head scratcher, since there’s no theater count yet (my estimate for it could easily change). I only have it at $1.5 million currently.
With my $2.9 million prediction for Dragon and $2.6 million prognosis for Saints, that means I only have Leap! managing a top 5 debut in fourth.
That means holdovers dominate the remainder of my picks with The Hitman’s Bodyguard easily repeating at number one and Annabelle: Creation, Logan Lucky, and Dunkirk filling the remaining slots.
And with that, my top 5 predictions for the weekend:
1. The Hitman’s Bodyguard
Predicted Gross: $10.5 million (representing a drop of 51%)
2. Annabelle: Creation
Predicted Gross: $7.7 million (representing a drop of 51%)
3. Dunkirk
Predicted Gross: $4.2 million (representing a drop of 36%)
4. Leap!
Predicted Gross: $4.1 million
5. LoganLucky
Predicted Gross: $4 million (representing a drop of 47%)
Box Office Results (August 18-20)
TheHitman’sBodyguard easily topped the box office and opened at the highest end of expectations with $21.3 million compared to my lower $16.7M estimate. The Ryan Reynolds/Samuel L. Jackson action comedy could well be #1 for three weeks, considering the extreme lack of competition.
Annabelle: Creation dropped to second with $15.6 million to bring its pleasing total to $64 million. I predicted just a tad lower at $14.6M.
Despite positive reviews and considerable star power, Steven Soderbergh’s heist comedy LoganLucky opened with lackluster results in third with $7.6 million, below my $10.5M prediction.
Dunkirk was fourth with $6.6 million (I said $7M) for a $165 million overall tally.
TheNutJob2: NuttybyNature was fifth in its second weekend with $5 million, a bit above my $4.5M forecast. Its total is $17 million.
A long way from Twilight, Robert Pattinson is receiving critical acclaim for his latest pic and it is heist drama Good Time, which expands nationwide this weekend. The A24 release comes from directors Ben and Josh Sadfie with a supporting cast featuring Barkhad Abdi and Jennifer Jason Leigh.
The film premiered at the Cannes Film Festival in May to solid notices and it stands at 90% on Rotten Tomatoes, with a performance from Mr. Pattinson that’s drawn raves. Over the previous weekend, it drew a commendable $165,000 on just 20 screens.
Doing an opening weekend estimate for Good Time is a little tricky since I don’t have a theater count at press time (in other words, this prediction could change). I’m going to assume it’s on maybe 600-700 screens. For now, I’ll say it manages to reach a bit between $1-$2M out of the gate.
Good Time opening weekend prediction: $1.5 million
David Frankel’s CollateralBeauty starts with a pretentious name and goes downhill from there. It’s a film dealing with weighty subjects in a manner that is borderline offensive and cheats the audience and its talented actors of quality. When you can’t get past an incredibly contrived concept, it makes any semblance of emotional resonance that the screenplay is trying to beat into you fail badly. And it does.
Howard (Will Smith) is an advertising exec who’s mourning the loss of his young daughter. He can’t get past the loss and he’s cut off communication with the world, including his coworkers. There’s three of them that are focused on and they’re all given their own soap opera subplots. Whit (Edward Norton) is a divorcee trying to reconnect with his own little girl. Claire (Kate Winslet) is the workaholic wanting to become a mother. Simon (Michael Pena) is terminally ill and trying to hide his diagnosis from everyone.
The trio make the tough decision to try to push Howard out of the company. In order to do so, the script invents quite a remarkably ridiculous way to do so. You see – Howard writes letters to issues he’s grappling with – Love, Death, Time. When his coworkers are at their wit’s end, they make the puzzling decision to hire an acting troupe to portray those emotions, catch Howard’s reaction to them on camera, and exploit his response for the company’s gain. It’s even more contrived than it sounds. So we have Helen Mirren as Death, Keira Knightley as Love, and Jacob Latimore as Time. Howard also reaches out to a grief counselor (Naomie Harris) who’s experienced similar life issues.
This is the type of picture that some may not want to criticize due to its subject matter. Yet CollateralBeauty deserves scorn, especially because so many other films have dealt with similar themes in far more mature and satisfying ways. There’s not a performance here worthy of praise and that’s remarkable considering the cast. Smith is stuck playing one note throughout and even Mirren (one of our finest actresses) is annoying. No actors could make this dialogue work to be fair. It’s as if screenwriter Allan Loeb took a bunch of sympathy and encouragement cards and self-help manuals, cut them up, threw them in the air, and let treacly word piles form. The result is ugly.
Back in March, TheDisasterArtist premiered at the South by Southwest festival and it will soon screen at the Toronto Film Festival. The pic comes from James Franco, who directs, produces, and stars. Disaster is the story of the making of TheRoom, a low budget 2003 experience that is considered among the worst movies of all time. Mr. Franco plays its director and lead actor Tommy Wiseau. The supporting cast includes Seth Rogen, Josh Hutcherson, Zac Efron, Sharon Stone, Melanie Griffith, and Jacki Weaver.
Very positive reviews followed its Southwest bow and it currently stands at 92% on Rotten Tomatoes. Critics have indicated this is Franco’s finest performance since 2010’s 127Hours, in which he received an Oscar nomination. Could he do so here? I would venture to say that a Franco nod for Best Actor is probably the picture’s best chance at recognition. While Disaster has been compared to 1994’s Tim Burton pic EdWood (high praise), it’s worth noting that Wood wasn’t nominated for Best Picture.
TheDisasterArtist opens wide in December and my Oscar Watch posts will continue…
Blumhouse and WWE Studios hope that martial arts fans turn out for Birth of the Dragon, opening next weekend. Set in 1960s San Francisco, it casts Philip Ng as legend Bruce Lee and chronicles one of his most famous showdowns with Shaolin Master Wong Jack Man (Xia Yu).
The film premiered nearly a year ago at the Toronto Film Festival and it’s getting a release stateside on approximately 1500 screens. The late summer release date and lack of promotion could hinder its box office potential.
If box office predictions were made by considering the amount of Wu-Tang Clan members who might attend a screening, I’d have this higher. Minus that, I’ll say it struggles to even reach $3 million.
Birth of the Dragon opening weekend prediction: $2.9 million
AtomicBlonde is set in 1989 and that feels appropriate because it’s a gleefully rated R entry in an action genre that cranked out a lot more of those 30 years ago. It’s unapologetically violent, sexy, and stylish with a pulsating late 80s soundtrack booming all throughout (almost all throughout). It’s additionally uneven at times and confusing, but I didn’t care much because the good outweighs the bad and the bad people look good doing their thing.
David Leitch co-directed JohnWick and we see those kind of kinetic fight scenes represented here as well. Charlize Theron is Lorraine, an MI6 agent dispatched to Berlin just days before the collapse of the Wall. While the Cold War is drawing to a close, she’s given the mission of retrieving a McGuffin (a wristwatch in this case) that hides the identities of secret agents. She’s also teamed up with Percival (James McAvoy), an outlandish fellow agent who may or may not be on her side. Lorraine also gets friendly (very friendly) with Sofia Boutella’s French agent and the scenes between them aren’t something normally found in summer shoot-em-up material.
The story is told in flashback (not exactly an original touch) as Lorraine recounts her sordid Berlin experience to a CIA man (John Goodman) and other government big wigs. The villains change seemingly minute to minute. It’s a screenplay that never tires of double, triple, and quadruple crosses. Trying to piece it altogether at its conclusion may not be worth your time.
That said, certain sequences and the general cool vibe make it worth your while. It also doesn’t hurt to hear George Michael, A Flock of Seagulls and others singing along during the battle ballets. They’re a trip, but the most effective fight scene is a gloriously choreographed number with no music. It might be the finest action set piece using that distinction since Heat.
Theron has proven herself in several genres, but she sure seems comfortable in this one. McAvoy is having a blast as well. AtomicBlonde is shameless in a way that R rated action pics should be when they’re done well enough. And that alone sets it apart in the summer season.
Sony Pictures attempts to tap into faith-based crowds when All Saints debuts in theaters next weekend. John Corbett headlines as a corporate type gone pastor in the drama costarring Cara Buono, David Keith, and Barry Corbin. Steve Gomer, who’s primarily a TV director, is behind the camera and he also made 1998’s Barney’s Great Adventure (fun fact!).
Christian pics have had a history of sometimes outdoing projections, especially if larger churches plan outings to view it. That said, the late August release date doesn’t inspire much confidence as this is usually a very quiet time in multiplexes.
With an estimated theater count of around 800 screens, I’ll say All Saints struggles to even reach $3 million.
All Saints opening weekend prediction: $2.6 million
The final animated feature of summer 2017 arrives next weekend when Leap! debuts in theaters. It will likely earn the least of them all. The tale of an orphan trying to become a ballerina has already opened in other parts of the world under the title Ballerina. It debuted in parts of Europe last December and in Canada this past February with a $57 million global tally.
Featuring the voices of Elle Fanning, Nat Wolff, Kate McKinnon, Carly Rae Jepsen, and Mel Brooks, the $30 million budgeted pic stands at a decent 76% on Rotten Tomatoes. Its stateside premiere comes in late August where studios aren’t exactly expecting heavy grosses. It may manage to be the biggest debut of the weekend (against All Saints, Birth of the Dragon, and Good Time). That’s not saying much.
Family audiences have seen plenty of animated tales this summer from Despicable Me 3 to Cars 3 to The Emoji Movie to Captain Underpants to The Nut Job 2: Nutty by Nature, which opened poorly just last weekend. With little ones returning to school, Leap! should have a tough road attracting eyeballs. A decent comp could be the Shaun the Sheep Movie from two summers ago, which managed only $4 million in its August premiere. That’s right about where I have this one.
