Nearly a quarter century ago, Robert Zemeckis was the toast of Oscar night with Forrest Gump, famously beating out now classic works including Pulp Fiction and The Shawshank Redemption. With the release of Welcome to Marwen this Friday, it’s clear that things have changed.
The true life drama (based on the acclaimed 2010 documentary Marwencol) casts Steve Carell as a victim of violence who develops amnesia and invents his own fantasy world. From the release of its first trailer, the film failed to garner any awards buzz. We are now seeing reviews only two days before it release. That’s rarely a positive sign. Its Rotten Tomatoes score is currently a troubling 21%. Box office estimates are low.
Bottom line: Welcome to Marwen never developed as a contender and the buzz out today shows why. There is one caveat. The pic did make the shortlist of ten possible nominees for Best Visual Effects. However, my current projections show Avengers: Infinity War, First Man, Black Panther, Ready Player One, and Mary Poppins Returns as the ones that will elevate. My weekly picks will be released early tomorrow and (spoiler alert!) Marwen will place 8th. My Oscar Watch posts will continue…
Stephanie (Anna Kendrick) is the type of character who would be in the book club that reads something like ASimpleFavor. Yet the cyclone level of twists in the story might only be thought up by someone like Emily (Blake Lively) after drinking too many of her patented mid afternoon dry martinis. Paul Feig’s satiric thriller is, alas, based on a novel by Darcey Bell that probably has been read in those clubs.
This takes the issues of female empowerment found in GoneGirl or TheGirlontheTrain (also from literary works) and casts a black comedic cloud over it. It occasionally risks collapsing under its sheer volume of plot turns. And somehow it rarely ceases to be a hoot with two dynamic lead performances.
We meet Stephanie on her daily vlog filled with cooking tips and child rearing tips. She’s a single mom whose husband died in a car accident along with her brother. Her instinct is to do it all, including hoarding over school parenting projects. She doesn’t blink when Emily, whose kid attends school with Stephanie’s, starts asking her to be an unpaid nanny. Emily has a hectic job as PR manager for a fashion designer, the already mentioned drinking problem, and has-been writer turned professor husband Sean (Henry Golding from summer smash CrazyRichAsians). The two end up bonding with Stephanie deeming Emily her “best friend” (there’s a bracelet involved).
Then one day Emily vanishes and Stephanie’s daily posts become a darker (though always humorous) search for a missing person. Her protective nature draws her close to Sean, so much so that the authorities begin to question their motives. What follows is a relentless stream of genre clichés: insurance claims, alternate identities, unknown twins, and love triangles, just to name some. This is kitchen sink level stuff. It’s borderline exhausting, but you get the feeling that Feig and screenwriter Jessica Sharzer know it and are furiously winking. The director is known for his straight up comedies such as Bridesmaids, TheHeat, and Spy. While this does venture into paperback adapted material, it does it with tongue in cheek planted wit. This is more in tone with 1998’s under appreciated WildThings than something like GoneGirl.
Kendrick and Lively are the show here and their chemistry makes it work. Stephanie’s desperation for companionship is sold by Kendrick, who thinks she’s found someone special beyond her unseen blog watchers. She’s done so with Emily, whose back story is filled with too many secrets to keep track of (you will lose count). Lively has a ball revealing them. So do we once we realize keeping up with it all is secondary to its ridiculous and fun nature.
If you thought Robert Downey Jr. and Jude Law’s take on Sir Arthur Conan Doyle’s sleuthing characters was a little silly, wait till you get a load of Holmes & Watson next week. The comedy casts Will Ferrell as Holmes and John C. Reilly as Watson with Etan Cohen (who worked with Ferrell in GetHard) directs with a supporting cast including Rebecca Hall, Ralph Fiennes, Kelly Macdonald, Lauren Lapkus, and Hugh Laurie.
Ferrell and Reilly have, of course, headlined two hits from the previous decade – TalladegaNights: TheBalladofRickyBobby and StepBrothers. Ironically, the maker of both of them (Adam McKay) has Vice debuting directly against this.
Technically this is the two principles fourth collaboration since Reilly had a cameo in Anchorman2: TheLegendContinues. This opens Christmas Day, which means it’s out on Tuesday. Movies generally perform strangely during the holiday frame. Previous films that have opened when 12/25 falls on Tuesday can see their Tuesday-Thursday gross match or even exceed the Friday-Sunday.
I expect that to occur here with Holmes getting close to lower double digits in the latter part of its six-day. That could mean low 20s for the first week run.
Holmes & Watson opening weekend prediction: $11.3 million (Friday to Sunday); $22.3 million (Tuesday to Sunday)
Sporting the 1980s Universal Pictures logo followed by the Amblin Entertainment one, TheHousewithaClockinItsWalls does feel like a Spielberg picture at times. Not one that he would’ve directed, but one that he got executive producer credit on. This is Eli Roth’s homage to that era and he’s working in PG territory, which is two MPAA ratings below his typical bailiwick. Like some eighties titles (think BacktotheFuture or NightoftheCreeps), this is set in the 1950s. It’s a more innocent time for evil spirits to haunt and inanimate objects to become animated and agitated.
Lewis (Owen Vaccaro) is a ten-year-old whose parents perished in an accident. He’s sent to live with estranged uncle Jonathan (Jack Black, reveling in his own brand of spirited antics). Jonathan lives in a large and spooky manor adorned with countless ticking clocks. There’s also furniture and paintings that come to life and strange sounds behind the old walls. Florence (Cate Blanchett) is the platonic friend neighbor who spends plenty of time at the clocked crib.
It turns out Lewis’s new caretakers have some supernatural abilities of the warlock and witching variety. They use their abilities for good, but Jonathan’s late magic show partner (Kyle MacLachlan) might have some evil tricks up his sleeve if he’s summoned back to existence. Jonathan’s only rule to Lewis is not to open a dusty book that could do just that. We know the next chapter.
The Spielberg touches are clear. Parental loss and being an adolescent outsider are explored. They’re coupled with the science fiction elements we also anticipate. There’s some solid makeup work and special effects to behold. And like some 80s era flicks (think Gremlins or Poltergeist), there’s some creepy moments sprinkled in. They are not as scary as those aforementioned titles that caused PG-13 to exist. However, Clock has enough of them to make this fun for kids. As for the older folks who grew up on all this stuff (like its director), it’s lovingly made and passably entertaining. It won’t make your 3D nostalgia glasses mist up like Super8 or StrangerThings might have, but it’s worth the time spent.
Blogger’s Note (12/18/18): Some updates as Aquaman estimate have risen and MaryPoppinsReturns has dwindled a bit.
Hollywood is hoping that Yuletide cheer is spread among a host of newcomers opening this weekend. We have superhero fish tale Aquaman, Disney sequel Mary Poppins Returns arriving over a half century following its classic predecessor, Transformers franchise prequel Bumblebee, Jennifer Lopez rom com Second Act, and the Robert Zemeckis drama Welcome to Marwen starring Steve Carell. You can peruse my detailed prediction posts on all of them here:
Expectations for Aquaman have floated upwards in recent days with decent reviews and terrific numbers overseas. It seems destined to rule the charts with a mid 70s performance and the possibility of rising even higher.
Mary Poppins Returns gets an early start on Wednesday and the runner-up spot appears to be a given. It’s also benefiting from mostly strong critical reaction and some Oscar chatter.
Speaking of critics, we were all taken aback when Bumblebee achieved its own positive buzz with a current 98% rating on Rotten Tomatoes (that’s better than the last four movies in the series… combined). Having the best reviews of a Transformers pic should certainly help , but competition is seriously steep and the franchise has been on the downside. I’ve got it pegged for mid 20s, but don’t be surprised if it over performs.
With Second Act estimated at $6.5 million and Welcome to Marwen (which seems DOA) at $3.8 million, that would put both of them outside the top 5. Last weekend’s top two earners Spider-Man: Into the Spider-Verse and The Mule should fill out the rest of high-five.
And with that, here’s those merry projections:
1. Aquman
Predicted Gross: $77.3 million
2. Mary Poppins Returns
Predicted Gross: $34.8 million (Friday to Sunday); $52.2 million (Wednesday to Sunday)
3. Bumblebee
Predicted Gross: $26.2 million
4. Spider-Man: Into the Spider-Verse
Predicted Gross: $20.1 million
5. The Mule
Predicted Gross: $10.2 million
Box Office Results (December 14-16)
The Spider-Man character, through seven films this century, has never failed to open at #1. The streak held as the acclaimed Spider-Man: Into the Spider-Verse took in $35.3 million, not quite reaching my $43.4 million forecast. With an A+ Cinemascore grade, this should play well throughout the holiday season. I do expect a drop of just over 40% coming up considering the level of competition, but that should subside the following weekend.
Clint Eastwood’s The Mule got off to a solid start in second as a prime option for older moviegoers. The thriller took in $17.5 million and I was as close as can be with $17.6 million. Like Spidey, it may dip about 40% and then level off well in coming weekends.
The Grinch was third with $11.7 million (I said $10.8 million) to bring its total to a pleasing $239 million.
Ralph Breaks the Internet dropped to fourth after three weeks at #1 with $9.2 million, in line with my $9.7 million estimate. The Disney sequel has taken in $154 million.
Mortal Engines staked its claim for biggest flop of the year as the Peter Jackson penned sci-fi adventure stalled in fifth place with just $7.5 million. I was higher at $12.4 million. That doesn’t bode well when its reported budget was $100 million.
Finally, the PG-13 Once Upon a Deadpool failed to attract many eyeballs in 11th place with $2.6 million – under my $4.2 million prediction. The good news? The very R-rated sequel that preceded it this summer was already at about $315 million domestic.
It’s looking to be a rough road ahead for WelcometoMarwen, which debuts next weekend and could get lost in the holiday shuffle. It casts Steve Carell in this based on a true story drama of an assault victim who develops amnesia and develops his own fantasy world. Robert Zemeckis, the man behind BacktotheFuture and ForrestGump and most recently Allied, directs. Costars include Leslie Mann, Janelle Monae, and Gwendoline Christie.
Marwen simply hasn’t managed to generate any heat. It’s been the subject of zero awards chatter and we have a slew of real Oscar contenders populating multiplexes. If it performs poorly, it would be Carell’s second dramatic flop in a row this season after BeautifulBoy.
This film is reminding me a lot of last year’s Downsizing, which also opened Christmas weekend. It also had recognizable stars, a known director, genre similarities, and precious little buzz. The result? An opening of just over $5 million. I’m putting this even lower.
WelcometoMarwen opening weekend prediction: $3.8 million
Jennifer Lopez is back in theaters next weekend and in romantic comedy territory with SecondAct. It casts the star as an unsuccessful worker granted the chance to enter the corporate world. Peter Segal, who’s been behind comedies such as AngerManagement, 50FirstDates, TheLongestYard, GetSmart, and GrudgeMatch, directs. Costars include Vanessa Hudgens, Leah Remini, and Milo Ventimiglia. Reviews are mixed with a current Rotten Tomatoes score of 57%.
Nearly four years has passed since J-Lo headlined a feature with the thriller TheBoyNextDoor, which debuted to nearly $15 million. It’s been 2010 since we saw her in a rom com with TheBack–UpPlan and it premiered to just over $12 million.
SecondAct faces plenty of holiday competition and I suspect its starting numbers won’t match the aforementioned pictures. I’ll say mid to high single digits is the result.
SecondAct opening weekend prediction: $6.5 million
A day late, but my weekly Oscar predictions are up for your review! Enjoy…
Best Picture
1. A Star Is Born (Previous Ranking: 1)
2. Roma (PR: 2)
3. The Favourite (PR: 3)
4. Green Book (PR: 4)
5. BlacKkKlansman (PR: 6)
6. If Beale Street Could Talk (PR: 5)
7. Black Panther (PR: 8)
8. Vice (PR: 7)
9. Mary Poppins Returns (PR: 9)
10. First Man (PR: 10)
Other Possibilities:
11. Can You Ever Forgive Me? (PR: 11)
12. Eighth Grade (PR: 13)
13. First Reformed (PR: 12)
14. Bohemian Rhapsody (PR: Not Ranked)
15. Crazy Rich Asians (PR: 14)
Dropped Out:
Widows
Best Director
1. Alfonso Cuaron, Roma (PR: 1)
2. Bradley Cooper, A Star Is Born (PR: 2)
3. Spike Lee, BlacKkKlansman (PR: 3)
4. Yorgos Lanthimos, The Favourite (PR: 5)
5. Barry Jenkins, If Beale Street Could Talk (PR: 4)
Other Possibilities:
6. Peter Farrelly, Green Book (PR: 6)
7. Adam McKay, Vice (PR: 7)
8. Ryan Coogler, Black Panther (PR: 8)
9. Damien Chazelle, First Man (PR: 10)
10. Rob Marshall, Mary Poppins Returns (PR: 9)
Best Actor
1. Bradley Cooper, A Star Is Born (PR: 1)
2. Christian Bale, Vice (PR: 2)
3. Viggo Mortensen, Green Book (PR: 3)
4. Rami Malek, Bohemian Rhapsody (PR: 4)
5. Ethan Hawke, First Reformed (PR: 5)
Other Possibilities:
6. Willem Dafoe, At Eternity’s Gate (PR: 6)
7. Ryan Gosling, First Man (PR: 7)
8. John David Washington, BlacKkKlansman (PR: Not Ranked)
9. Robert Redford, The Old Man & The Gun (PR: 8)
10. Lucas Hedges, Boy Erased (PR: 9)
Dropped Out:
Clint Eastwood, The Mule
Best Actress
1. Glenn Close, The Wife (PR: 1)
2. Lady Gaga, A Star Is Born (PR: 2)
3. Olivia Colman, The Favourite (PR: 3)
4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 5)
5. Emily Blunt, Mary Poppins Returns (PR: 4)
Other Possibilities:
6. Yalitza Aparicio, Roma (PR: 6)
7. Nicole Kidman, Destroyer (PR: 8)
8. Viola Davis, Widows (PR: 7)
9. Toni Collette, Hereditary (PR: Not Ranked)
10. Julia Roberts, Ben Is Back (PR: 9)
Dropped Out:
Rosamund Pike, A Private War
Best Supporting Actor
1. Mahershala Ali, Green Book (PR: 1)
2. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)
3. Sam Ellliot, A Star Is Born (PR: 2)
4. Adam Driver, BlacKkKlansman (PR: 4)
5. Timothee Chalamet, Beautiful Boy (PR: 5)
Other Possibilities:
6. Michael B. Jordan, Black Panther (PR: 8)
7. Sam Rockwell, Vice (PR: 6)
8. Nicholas Hoult, The Favourite (PR: 7)
9. Russell Hornsby, The Hate U Give (PR: 9)
10. Daniel Kaluuya, Widows (PR: 10)
Best Supporting Actress
1. Regina King, If Beale Street Could Talk (PR: 1)
2. Amy Adams, Vice (PR: 2)
3. Emma Stone, The Favourite (PR: 3)
4. Rachel Weisz, The Favourite (PR: 4)
5. Claire Foy, First Man (PR: 5)
Other Possibilities:
6. Margot Robbie, Mary Queen of Scots (PR: 10)
7. Nicole Kidman, Boy Erased (PR: 6)
8. Michelle Yeoh, Crazy Rich Asians (PR: 8)
9. Natalie Portman, Vox Lux (PR: 7)
10. Emily Blunt, A Quiet Place (PR: Not Ranked)
Dropped Out:
Marina De Tavira, Roma
Best Adapted Screenplay
1. BlacKkKlansman (PR: 1)
2. A Star Is Born (PR: 3)
3. If Beale Street Could Talk (PR: 2)
4. Can You Ever Forgive Me? (PR: 4)
5. Crazy Rich Asians (PR: 8)
Other Possibilities:
6. Black Panther (PR: 6)
7. First Man (PR: 5)
8. Leave No Trace (PR: 9)
9. The Hate U Give (PR: 10)
10. Widows (PR: 7)
Best Original Screenplay
1. The Favourite (PR: 1)
2. Green Book (PR: 3)
3. Roma (PR: 2)
4. Vice (PR: 4)
5. First Reformed (PR: 5)
Other Possibilities:
6. Eighth Grade (PR: 6)
7. A Quiet Place (PR: 8)
8. Sorry to Bother You (PR: Not Ranked)
9. Private Life (PR: 7)
10. The Ballad of Buster Scruggs (PR: 9)
Dropped Out:
Ben Is Back
Best Foreign Language Film
1. Roma (PR: 1)
2. Cold War (PR: 2)
3. Shoplifters (PR: 3)
4. Burning (PR: 6)
5. Capernaum (PR: 4)
Other Possibilities:
6. Never Look Away (PR: 7)
7. Girl (PR: 5)
8. Border (PR: 8)
9. Birds of Passage (PR: 9)
10. I Am Not a Witch (PR: 10)
Best Animated Feature
1. Incredibles 2 (PR: 1)
2. Spider-Man: Into the Spider-Verse (PR: 2)
3. Isle of Dogs (PR: 3)
4. Ralph Breaks the Internet (PR: 4)
5. Mirai (PR: 5)
Other Possibilities:
6. Smallfoot (PR: 6)
7. Early Man (PR: 8)
8. Ruben Brandt, Collector (PR: 7)
9. Teen Titans Go! To the Movies (PR: 10)
10. Lu Over the Wall (PR: 9)
Best Documentary Feature
1. Won’t You Be My Neighbor? (PR: 1)
2. Three Identical Strangers (PR: 2)
3. RBG (PR: 4)
4. Free Solo (PR: 3)
5. Minding the Gap (PR: 5)
Other Possibilities:
6. Crime + Punishment (PR: 6)
7. Dark Money (PR: 7)
8. Shirkers (PR: Not Ranked)
9. Hale County This Morning, This Evening (PR: 8)
10. Science Fair (PR: 9)
Dropped Out:
Quincy
Best Film Editing
1. Roma (PR: 2)
2. First Man (PR: 1)
3. A Star Is Born (PR: 3)
4. Vice (PR: 6)
5. The Favourite (PR: 4)
Other Possibilities:
6. Green Book (PR: 9)
7. Black Panther (PR: 5)
8. BlacKkKlansman (PR: 8)
9. If Beale Street Could Talk (PR: 7)
10. A Quiet Place (PR: Not Ranked)
Dropped Out:
Widows
Best Cinematography
1. Roma (PR: 1)
2. First Man (PR: 3)
3. The Favourite (PR: 4)
4. If Beale Street Could Talk (PR: 2)
5. A Star Is Born (PR: 5)
Other Possibilities:
6. Black Panther (PR: 6)
7. Cold War (PR: 7)
8. BlacKkKlansman (PR: Not Ranked)
9. Vice (PR: 10)
10. Green Book (PR: Not Ranked)
Dropped Out:
Widows
The Ballad of Buster Scruggs
Best Production Design
1. The Favourite (PR: 1)
2. Black Panther (PR: 2)
3. Mary Queen of Scots (PR: 6)
4. Mary Poppins Returns (PR: 4)
5. Crazy Rich Asians(PR: 8)
Other Possibilities:
6. First Man (PR: 3)
7. A Star Is Born (PR: 7)
8. Roma (PR: 5)
9. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)
10. If Beale Street Could Talk (PR: 10)
Best Costume Design
1. The Favourite (PR: 1)
2. Black Panther (PR: 2)
3. Mary Queen of Scots (PR: 3)
4. Mary Poppins Returns (PR: 4)
5. Fantastic Beasts: The Crimes of Grindelwald (PR: 8)
Other Possibilities:
6. Colette (PR: 7)
7. Crazy Rich Asians (PR: 5)
8. A Star Is Born (PR: 6)
9. The Nutcracker and the Four Realms (PR: Not Ranked)
10. If Beale Street Could Talk (PR: 9)
Dropped Out:
Bohemian Rhapsody
Best Makeup and Hairstyling
1. Black Panther (PR: 1)
2. Mary Queen of Scots (PR: 2)
3. Vice (PR: 3)
Other Possibilities:
4. Stan & Ollie (PR: 4)
5. The Favourite (PR: 5)
6. Mary Poppins Returns (PR: 8)
7. Colette (PR: 6)
8. A Star Is Born (PR: 7)
9. Bohemian Rhapsody (PR: Not Ranked)
10. Solo: A Star Wars Story (PR: 10)
Dropped Out:
Deadpool 2
Best Sound Editing
1. First Man (PR: 1)
2. A Quiet Place (PR: 2)
3. Black Panther (PR: 4)
4. A Star Is Born (PR: 3)
5. Roma (PR: 5)
Other Possibilities:
6. Incredibles 2 (PR: 6)
7. Mary Poppins Returns (PR: 7)
8. Mission: Impossible – Fallout (PR: 8)
9. Solo: A Star Wars Story (PR: 9)
10. Ready Player One (PR: 10)
Best Sound Mixing
1. A Star Is Born (PR: 2)
2. First Man (PR: 1)
3. Black Panther (PR: 5)
4. A Quiet Place (PR: 3)
5. Bohemian Rhapsody (PR: 6)
Other Possibilities:
6. Mary Poppins Returns (PR: 4)
7. Roma (PR: 7)
8. Incredibles 2 (PR: 8)
9. Solo: A Star Wars Story (PR: 9)
10. Ready Player One (PR: 10)
Best Visual Effects
1. Avengers: Infinity War (PR: 2)
2. First Man (PR: 1)
3. Ready Player One (PR: 3)
4. Mary Poppins Returns (PR: 4)
5. Black Panther (PR: 5)
Other Possibilities:
6. Incredibles 2 (PR: 9)
7. Solo: A Star Wars Story (PR: 6)
8. Aquaman (PR: Not Ranked)
9. Fantastic Beasts: The Crimes of Grindelwald (PR: 8)
10. A Quiet Place (PR: 7)
Dropped Out:
Ant-Man and the Wasp
Best Original Score
1. First Man (PR: 1)
2. If Beale Street Could Talk (PR: 2)
3. Mary Poppins Returns (PR: 3)
4. BlacKkKlansman (PR: 5)
5. Mary Queen of Scots (PR: 4)
Other Possibilities:
6. Incredibles 2 (PR: 10)
7. Black Panther (PR: 9)
8. Isle of Dogs (PR: 6)
9. Colette (PR: 7)
10. Suspiria (PR: Not Ranked)
Dropped Out:
Widows
Best Original Song
1. “The Shallow” from A Star Is Born (PR: 1)
2. “All the Stars” from Black Panther (PR: 3)
3. “Trip a Little Light Fantastic” from Mary Poppins Returns (PR: 2)
4. “I’ll Fight” from RBG (PR: 4)
5. “Girl at the Movies” from Dumplin (PR: 5)
Other Possibilities:
6. “Revelation” from Boy Erased (PR: 6)
7. “Time for Change” from On the Basis of Sex (PR: 7)
8. “A Place Called Slaughter Race” from Ralph Breaks the Internet (PR: Not Ranked)
9. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 8)
10. “We Won’t Move” from The Hate U Give (PR: 9)
Dropped Out:
“I’ll Never Love Again” from A Star Is Born
And that equates to the following films getting these numbers for nominations:
11 Nominations
A Star Is Born
10 Nominations
The Favourite
8 Nominations
Black Panther, First Man
7 Nominations
Mary Poppins Returns, Roma
6 Nominations
If Beale Street Could Talk, Vice
5 Nominations
BlacKkKlansman
4 Nominations
Green Book, Mary Queen of Scots
3 Nominations
Can You Ever Forgive Me?
2 Nominations
Bohemian Rhapsody, Crazy Rich Asians, First Reformed, A Quiet Place, RBG
1 Nomination
The Wife, Beautiful Boy, Cold War, Shoplifters, Burning, Capernaum, Incredibles 2, Spider-Man: Into the Spider-Verse, Isle of Dogs, Ralph Breaks the Internet, Mirai, Won’t You Be My Neighbor?, Three Identical Strangers, RBG, Free Solo, Minding the Gap, Fantastic Beasts: The Crimes of Grindelwald, Avengers: Infinity War, Ready Player One, Dumplin’
It seemed a little odd that Clint Eastwood’s The Mule held its review embargo for as long as it did (it’s out tomorrow). After all, the crime thriller which features Eastwood in front of the camera for the first time since 2012’s Trouble with the Curve certainly was an on paper awards contender based on history. The director is no stranger to Oscar attention as Unforgiven and Million Dollar Baby both won Best Picture.
Critical reaction is out and it’s actually pretty decent with a current Tomato rating of 82%. However, I suspect the best comparison for this would be the last time Eastwood directed himself – 2008’s hit Gran Torino. That feature landed with audiences, but failed to garner a single nomination from the Academy.
Bottom line: while reviews are mostly positive, The Mule is likely to be more of a potential hit with audiences than Oscar voters. My Oscar Watch posts will continue…
The SAG Awards were announced this morning and a couple of items are clear. First, the Screen Actors Guild nods handed us some genuine surprises. Second, this branch of thespians really love them some Emily Blunt!
I went 18/25 on my predictions and let’s break down each category with some thoughts and my first winner predictions (with final ones coming right before the January ceremony).
Best Ensemble Film
Nominees: A Star Is Born, Black Panther, BlacKkKlansman, Bohemian Rhapsody, Crazy Rich Asians
The nominations reflected yours truly going just 2/5 (ouch). And there were shockers. If Beale Street Could Talk, with its sprawling cast, being snubbed counts as one. I also figured The Favourite and Vice could get in. It was probably foolish to think A Star Is Born would be left out, even if its only a trifecta of actors getting the lions share of attention. BlacKkKlansman wasn’t too surprising, but the inclusion of Bohemian Rhapsody definitely is. It’s probably time to start talking about the real chance it gets a Best Picture nomination, despite many mediocre reviews. The only two I got right: Black Panther and Crazy Rich Asians. As I see it now, Star could win here. Yet I’m still going with SAG honoring a larger group of performers and I’ll go with an unprecedented MCU victory (for now).
Predicted Winner: Black Panther
Best Actor
Nominees: Christian Bale (Vice), Bradley Cooper (A Star Is Born), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book), John David Washington (BlacKkKlansman)
Four out of five here with Ethan Hawke’s work in First Reformed and his momentum from critics group being interrupted. It’s John David Washington getting in for BlacKkKlansman instead. I had Ryan Gosling for First Man in as an alternate and it’s worth mentioning that the Neil Armstrong biopic received zero nominations.
Bale and Mortensen might have shots (and maybe even Malek), but Cooper has the edge.
Predicted Winner: Cooper
Best Actress
Nominees: Emily Blunt (Mary Poppins Returns), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)
Four for five. My upset pick of Toni Collette getting recognition for Hereditary didn’t pan out. Instead it was the aforementioned Ms. Blunt in with the rest of the expected nominees. Even with Actress having lots of options in 2018, this is beginning to look like the consensus Academy five. Like the Oscar race, I expect this to come down to Close v. Gaga.
Predicted Winner: Gaga
Best Supporting Actor
Nominees: Mahershala Ali (Green Book), Timothee Chalamet (Beautiful Boy), Adam Driver (BlacKkKlansman), Sam Elliot (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?)
Five for five. Like Actress, this is also looking to be the most probable group of Oscar nominees. And it’s a genuine three-way competition between Ali, Elliot, and Grant. You could flip a coin at the moment.
Predicted Winner: Ali
Best Supporting Actress
Nominees: Amy Adams (Vice), Emily Blunt (A Quiet Place), Margot Robbie (Mary Queen of Scots), Emma Stone (The Favourite), Rachel Weisz (The Favourite)
Three for five. The exclusion of Regina King in If Beale Street Could Talk (considered somewhat of an Oscar favorite) is totally unexpected. So is the inclusion of Blunt, who got an Actress nod and was a surprise nominee two years ago for The Girl on the Train. Claire Foy didn’t get in for First Man as Margot Robbie did (that could help her chances with the Academy). Honestly, I would have picked King to win had she been named here. I could see either of the Favourite ladies possibly winning, but I’ll go with Adams (who’s also nominated in the TV race for Sharp Objects). She could also win that and probably will.
Predicted Winner: Adams
And there you have it! Expect plenty more awards show and Oscar analysis in short order.
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