The nation of Ireland has a brief and unremarkable history in the International Feature Film competition at the Academy Awards. Beginning in 2007, they’ve submitted 8 features for consideration in the foreign race. Only one (2015’s Viva) made the shortlist and it did not make the final five.
In 2022, the Irish could finally get lucky with The Quiet Girl. The directorial debut from Colm Bairéad received raves after its premiere at the Berlin Film Festival earlier this year. That acclaim has continued as it has played other European fests. The drama set in the early 80s stars Carrie Crowley, Andrew Bennett, Catherine Clinch, and Michael Patric.
There’s a bunch of viable hopefuls in IFF this year. Decision to Leave and All Quiet on the Western Front seem to be the favorites and there’s easily 10-12 others looking to fill three slots.
Ireland may not have the track record, but there’s a first time for everything and The Quiet Girl is capable of making a little noise with the right campaign. My Oscar Prediction posts will continue…
One of the last significant pieces of the 2022 Oscar puzzle has come into sharper focus with Damien Chazelle’s Babylon. The 188 minute epic set in late 1920s Hollywood has screened for industry and critics and reaction is wildly divergent. Some posts are calling it a triumph while others proclaim it a grotesque mess. One thing seems certain – this one will get a whole lotta chatter leading up to its December 23rd release. One other thing – the buzz below could change with more screenings as we get closer to the premiere.
Newcomer Diego Calva headlines a cast that includes Margot Robbie, Brad Pitt, Jovan Adepo, Li Jun Li, Jean Smart, and Tobey Maguire. While the review embargo won’t lift for a bit, the all over the map chatter raises some questions for its awards viability.
Chazelle has a sterling track record with voters. His first two features – 2014’s Whiplash and 2016’s La La Land – were both Best Picture nominees (the latter rather famously losing to Moonlight). Chazelle did take the Director prize for La La. On the other hand, 2018’s First Man underperformed at the box office and with the Academy (its four nods were all in tech categories).
So it’s a given that Babylon has (sight unseen) sat high on the projections of prognosticators for months. First things first. This won’t end the streak of Chazelle’s movies getting nominations. It’s a major possibility in numerous below the line competitions like Cinematography, Costume Design, Makeup and Hairstyling, Production Design, Score, and Sound. Film Editing is one that could be contingent on a BP nod.
Will it get there for the biggest race? I think it still probably makes the cut. Yet Paramount might be feeling that Top Gun: Maverick is now their ace contender. The studio has had such a solid year that both could get in. There’s been some comparisons to The Wolf of Wall Street with the running time and frequent debauchery. That was a BP hopeful in 2013. For another Leo pic reference, Don’t Look Up was up last year and it too garnered severely mixed reviews.
I suspect I’ll still have Babylon in my top 10 when I updated my projections this weekend. I’ve had it listed 3rd for weeks and I would anticipate that ranking will drop. Chazelle is unlikely to be my #2 where he’s sat behind Steven Spielberg (The Fabelmans) for awhile. I’m not completely sure he’ll be in my estimated quintet.
As for the actors – Robbie is getting a lot of praise thus far as is Calva. Best Actress, as I’ve noted a lot on here, is packed this year. I believe Cate Blanchett (Tár), Michelle Yeoh (Everything Everywhere All at Once), and Danielle Deadwyler (Till) are currently top 3 in the race and there’s a handful of others vying for spots 4-5. That includes Robbie and I still believe she stands a realistic shot. So does Calva and that may be due to Actor being pretty weak this year. His inclusion is far from guaranteed, but he could nab a fourth or fifth slot like his costar. While Pitt is getting decent notices, I’m less convinced he’s in for Supporting Actor.
Bottom line: Babylon doesn’t seem like a threat to win Best Picture and it’s questionable whether it even gets in. Acting nods are feasible but not assured. Tech noms are inevitable. My Oscar prediction posts will continue…
Sr. refers to Robert Downey Sr. and it recounts his directing and acting career in addition to his final years (he passed last summer). Best known for the underground 1969 satire Putney Swope, the film streams on Netflix December 2nd. His very famous son also appears in the documentary from Chris Smith, maker of 2019’s buzzy Fyre.
After a premiere at Telluride in September, Sr. also played the New York Film Festival. Early reviews are solid across the board with 100% on Rotten Tomatoes. Netflix always has docs to campaign for at Oscar time. Their biggest hopeful might be Descendant, but they’ll likely promote this one too (especially with the high profile Hollywood connection and Downey Jr. making the rounds).
I’ve had Sr. in and out of my top ten of possibilities in Doc Feature, but not yet in the high five. We’ll see if it manages to rise in the coming weeks. My Oscar Prediction posts will continue…
Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.
The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.
However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…
Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.
The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.
The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).
All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.
Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).
As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.
Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…
Blogger’s Note (11/09): I am revising my Black Panther: Wakanda Forever estimate down from $205.2M to $195.2M.
Black Panther: Wakanda Forever looks to achieve the largest opening of 2022 when it is unveiled Friday. The sequel to 2018’s $700 million domestic grosser is understandably the only new release this weekend. You can peruse my detailed prediction post on it here:
My estimate puts Wakanda at the higher end of its expected range and has it surpassing its predecessor for the 8th largest debut of all time. It needs to get beyond $191 million to topple the year’s best opening currently held by Doctor Strange in the Multiverse of Madness. I believe it can with room to spare.
After a three-week reign atop the charts and a better than anticipated 3rd frame hold (more on that below), Black Adam will drop to second. One Piece Film: Red should have the heftiest percentage fall of all holdovers (typical for its genre). That should allow Ticket to Paradise to remain in third. We could even see Smile or Lyle, Lyle, Crocodile in the four or five spot ahead of Red (it could be awfully close for those 4-6 positions).
Here’s how I see it all playing out:
1 . Black Panther: Wakanda Forever
Predicted Gross: $195.2 million
2. Black Adam
Predicted Gross: $8.7 million
3. Ticket to Paradise
Predicted Gross: $5.8 million
4. Lyle, Lyle, Crocodile
Predicted Gross: $2.5 million
5. Smile
Predicted Gross: $2.4 million
6. One Piece Film: Red
Predicted Gross: $2.2 million
Box Office Predictions (November 4-6)
Dwayne Johnson rocked another #1 weekend as Black Adam took in $18.2 million (besting my $14.4 million take). That’s a solid dip of 33% as its stateside tally stands at $137 million. The reported $200 million budget is preventing this from being considered a runaway success, but the total is decent in this marketplace.
One Piece Film: Red, the animated fantasy from Japan, premiered in line with its range at $9.3 million for runner-up status. I went slightly higher at $10.2 million. As mentioned above, a sophomore plummet of over 70% is likely.
Ticket to Paradise continued to prevent the death of the rom com in third with $8.5 million, holding up sturdier than my $6.8 million forecast. The three-week gross is $46 million.
Smile was fourth with $3.9 million (I said $3.4 million) as the sleeper horror hit is up to $99 million (with over $200 million already domestically). The Paramount release should join the century club tonight.
Prey for the Devil was right behind in firth as that scary movie earned $3.8 million in weekend #2. I said a little less with $3.1 million. It’s made $13 million.
Lyle, Lyle, Crocodile managed to jump up 23% for sixth place with $3.3 million. The kiddie pic is at $36 million.
Finally, Oscar hopeful The Banshees of Inisherin was seventh with $2 million. The Irish set black comedy with Colin Farrell and Brendan Gleeson came in a tad below my $2.2 million projection.
Over the past week, I posted deep dives into 6 major categories: Picture, Director, and the four acting derbies. If you missed them, you can access them right there:
The numbers for those competitions are reflected below (therefore you won’t see Previous Rankings for them). For every other race, these are projections updated for the first time since October 23rd.
There’s less than two months left in the calendar year! We’re entering crunch time and here’s my state of the races as we sprint to the finish…
Best Picture
Predicted Nominees:
1. The Fabelmans
2. Everything Everywhere All at Once
3. Babylon
4. Women Talking
5. The Banshees of Inisherin
6. Top Gun: Maverick
7. Tár
8. The Whale
9. Triangle of Sadness
10. She Said
Other Possibilities:
11. All Quiet on the Western Front
12. Decision to Leave
13. Avatar: The Way of Water
14. Elvis
15. Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans
2. Damien Chazelle, Babylon
3. Daniels, Everything Everywhere All at Once
4. Sarah Polley, Women Talking
5. Todd Field, Tár
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front
7. Park Chan-wook, Decision to Leave
8. Martin McDonagh, The Banshees of Inisherin
9. James Cameron, Avatar: The Way of Water
10. Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár
2. Michelle Yeoh, Everything Everywhere All at Once
3. Danielle Deadwyler, Till
4. Michelle Williams, The Fabelmans
5. Margot Robbie, Babylon
Other Possibilities:
6. Olivia Colman, Empire of Light
7. Naomi Ackie, I Wanna Dance with Somebody
8. Viola Davis, The Woman King
9. Jennifer Lawrence, Causeway
10. Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale
2. Colin Farrell, The Banshees of Inisherin
3. Austin Butler, Elvis
4. Bill Nighy, Living
5. Hugh Jackman, The Son
Other Possibilities:
6. Diego Calva, Babylon
7. Tom Cruise, Top Gun: Maverick
8. Jeremy Pope, The Inspection
9. Adam Driver, White Noise
10. Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1 . Claire Foy, Women Talking
2. Kerry Condon, The Banshees of Inisherin
3. Jessie Buckley, Women Talking
4. Hong Chau, The Whale
5. Carey Mulligan, She Said
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once
7. Dolly De Leon, Triangle of Sadness
8. Nina Hoss, Tár
9. Jamie Lee Curtis, Everything Everywhere All at Once
10. Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1 . Ke Huy Quan, Everything Everywhere All at Once
2. Brendan Gleeson, The Banshees of Inisherin
3. Ben Whishaw, Women Talking
4. Judd Hirsch, The Fabelmans
5. Barry Keoghan, The Banshees of Inisherin
Other Possibilities:
6. Paul Dano, The Fabelmans
7. Brad Pitt, Babylon
8. Mark Rylance, Bones & All
9. Woody Harrelson, Triangle of Sadness
10. Eddie Redmayne, The Good Nurse
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Aftersun (PR: Not Ranked)
9. Broker (PR: 9) (E)
10. The Menu (PR: 10) (E)
Dropped Out:
Armageddon Time
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones & All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 9) (-1)
Dropped Out:
The Son
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 3) (E)
4. Strange World (PR: 4) (E)
5. The Bad Guys (PR: 7) (+2)
Other Possibilities:
6. Marcel the Shell with Shoes On (PR: 5) (-1)
7. The Sea Beast (PR: 6) (-1)
8. My Father’s Dragon (PR: 8) (E)
9. Lightyear (PR: 10) (+1)
10. Minions: The Rise of Gru (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 2) (+1)
2. Decision to Leave (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Saint Omer (PR: 5) (E)
Other Possibilities:
6. Klondike (PR: 9) (+3)
7. Holy Spider (PR: 7) (E)
8. Argentina, 1985 (PR: 6) (-2)
9. EO (PR: 10) (+1)
10. Alcarras (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Last Flight Home (PR: 6) (+1)
Other Possibilities:
6. Fire of Love (PR: 5) (-1)
7. The Territory (PR: 7) (E)
8. Moonage Daydream (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Sr. (PR: Not Ranked)
Dropped Out:
Aftershock
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Avatar: The Way of Water (PR: 6) (+3)
4. Empire of Light (PR: 3) (-1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Top Gun: Maverick (PR: 8) (+1)
8. The Banshees of Inisherin (PR: 7) (-1)
9. Black Panther: Wakanda Forever (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 10) (E)
Dropped Out:
Tár
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 4) (E)
5. The Woman King (PR: 7) (+2)
Other Possibilities:
6. Living (PR: 5) (-1)
7. The Fabelmans (PR: 6) (-1)
8. Three Thousand Years of Longing (PR: 9) (+1)
9. Corsage (PR: 8) (-1)
10. Everything Everywhere All at Once (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Top Gun: Maverick (PR: 2) (-1)
4. The Fabelmans (PR: 4) (E)
5. Women Talking (PR: 7) (+2)
Other Possibilities:
6. Elvis (PR: 5) (-1)
7. All Quiet on the Western Front (PR: 9) (+2)
8. Avatar: The Way of Water (PR: 8) (E)
9. The Banshees of Inisherin (PR: Not Ranked)
10. Decision to Leave (PR: 10) (E)
Dropped Out:
Tár
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Elvis (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 6) (+1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. X (PR: 10) (+3)
8. Three Thousand Years of Longing (PR: 8) (E)
9. All Quiet on the Western Front (PR: 7) (-1)
10. The Woman King (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. The Banshees of Inisherin (PR: 7) (+3)
5. Women Talking (PR: 4) (-1)
Other Possibilities:
6. Tár (PR: 6) (E)
7. Guillermo del Toro’s Pinocchio (PR: 5) (-2)
8. Bardo (PR: Not Ranked)
9. Avatar: The Way of Water (PR: 8) (-1)
10. All Quiet on the Western Front (PR: 10 (E)
Dropped Out:
The Batman
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: Not Ranked)
3. “Naatu Naatu” from RRR (PR: 2) (-1)
4. “Nobody Like U” from Turning Red (PR: 3) (-1)
5. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. “Applause” from Tell It Like a Woman (PR: 4) (-2)
7. “Stand Up” from Till (PR: 7) (E)
8. “Carolina” from Where the Crawdads Sing (PR: 5) (-3)
9. “New Body Rhumba” from White Noise (PR: 8) (-1)
10. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: Not Ranked)
Dropped Out:
“On My Way” from Marry Me
“At the Automat” from The Automat
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Elvis (PR: 2) (-2)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. Empire of Light (PR: 7) (-1)
9. Glass Onion: A Knives Out Mystery (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Bardo
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 4) (-2)
7. Elvis (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. The Fabelmans (PR: Not Ranked)
10. Nope (PR: 10) (E)
Dropped Out:
Tár
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. Guillermo del Toro’s Pinocchio (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. RRR (PR: 8) (+1)
8. Doctor Strange in the Multiverse of Madness (PR: 5) (-3)
9. All Quiet on the Western Front (PR: 9) (E)
10. Good Night Oppy (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
10 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once, Women Talking
7 Nominations
The Banshees of Inisherin
6 Nominations
Black Panther: Wakanda Forever
5 Nominations
Top Gun: Maverick, The Whale
4 Nominations
Avatar: The Way of Water, Elvis, Tár
3 Nominations
All Quiet on the Western Front, She Said
2 Nominations
Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, The Batman, Close, Decision to Leave, Descendant, Glass Onion: A Knives Out Mystery, Last Flight Home, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, The Son, Strange World, Till, The Woman King, Wendell and Wild
My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:
At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.
Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.
On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.
However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.
Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).
It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).
While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.
The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.
The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).
Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick,Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.
Best Picture
Predicted Nominees:
1 . The Fabelmans (Previous Ranking: 1) (Even)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. She Said (PR: 12) (+2)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. Decision to Leave (PR: 10) (-2)
13. Avatar: The Way of Water (PR: 14) (+1)
14. Elvis (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Stay tuned for estimates on all the races coming up soon!
Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:
As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.
I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.
The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.
However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.
I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.
As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.
If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.
Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.
This race can and will evolve over the next couple of months. Here’s the state of the race right now:
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)
7. Park Chan-wook, Decision to Leave (PR: 6) (-1)
8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)
9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)
10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)
Selena Gomez My Mind & Me drops on Apple TV tomorrow after premiering at AFI Fest earlier this week. The film documents six years in the life of the pop singer and costar of Hulu’s hit comedy series Only Murders in the Building. Alek Keshishian is no stranger to the genre. Over 30 years ago, he was behind the camera for Madonna: Truth or Dare.
The streaming service premiering Mind is no stranger to the genre. Last year, Billie Eilish: The World’s a Little Blurry made the shortlist of titles in contention for Documentary Feature. It didn’t end up making the final five. Blurry also had the benefit of a limited theatrical release. Unless I missed it, I’ve yet to find evidence that Mind is receiving an awards qualifying run.
While early reviews are uniformly positive (100% on Rotten Tomatoes), it may simply not be eligible for consideration. Even it is, if Billie couldn’t get in, I doubt Selena would. My Oscar Prediction posts will continue…
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