Oscar Watch: Jackie

A number of recent Oscar Watch posts on this here blog has made one thing abundantly clear: the Best Actress race looks to be a competitive one in 2016. Already, Emma Stone (La La Land), Ruth Negga (Loving), Rooney Mara (Una), Meryl Streep (Florence Foster Jenkins), and Amy Adams (Nocturnal Animals or Arrival) have established themselves as possibilities. And there’s still performers such as Viola Davis (Fences), Annette Bening (20th Century Women), Emily Blunt (The Girl on the Train), Jessica Chastain (Miss Sloane), and Jennifer Lawrence (Passengers) waiting in the wings.

Yet the race potentially got more interesting at the Venice Film Festival as Jackie has screened to some rave critical reaction. A biopic of First Lady Jacqueline Onassis Kennedy, it’s directed by acclaimed Chilean filmmaker Pablo Farrain and stars Natalie Portman in the title role. Early trade reviews have been over the moon with Portman’s portrayal, with one of them claiming that it may surpass her Oscar winning work in 2010’s Black Swan.

Interestingly, unlike most biopics, this is not based on a book or series of them. Therefore, this could qualify for an Original Screenplay nod. Based on the buzz so far, the love could perhaps extend to the Picture itself and Mr. Farrain.

Yet Jackie is most likely to garner attention for the woman playing her (whether costars such as Greta Gerwig, Peter Sarsgaard and Billy Crudup get noticed remains to be seen). Portman hasn’t really had a buzzed about awards role since Swan six years ago and this appears to be just that. As long as Jackie finds a distributor to give it 2016 consideration (something that will probably occur this week), we appear to have another major factor in an already crowded category.

Oscar Watch: Maudie

Critics have been singing the praises of English actress Sally Hawkins for years and awards voters have occasionally taken note. Her work in 2008’s Happy–Go–Lucky won her a Best Actress Golden Globe in the Musical/Comedy race (she missed the cut on an Oscar nod). The Academy did at last recognize her with a Supporting Actress nom for 2013’s Blue Jasmine.

The Telluride Film Festival has opened up the possibility for her first lead Actress nod for Maudie. It screened over the weekend and casts Hawkins in a biopic of Canadian folk artist Maud Lewis, who suffers from serious physical disabilities. Aisling Walsh directs with Ethan Hawke as co-lead.

Reviews for the film itself were mixed and it stands no real at recognition from the Academy other than for Ms. Hawkins. If a distributor gets this out before year’s end and mounts a campaign, she could find herself in the mix of what’s looking like a very crowded Actress race.

Oscar Watch: Wakefield

As the Telluride Film Festival has wound to a close, we have another contender in one particular category to discuss. Wakefield is a family drama from director Robin Swicord, a screenwriter known for works such as The Curious Case of Benjamin Button. It’s based on a short story from E.L. Doctorow.

Reviews for the film have been mostly strong. Yet its only chance at Academy recognition is likely with its star, Bryan Cranston. The three-time Emmy winner for “Breaking Bad” got his first Oscar nod just last year with Trumbo.

Critics have signaled this is another highly powerful performance and Telluride has entered his name into the Best Actor discussion over the Labor Day weekend.

Oscar Watch: Una

Rooney Mara burst onto the scene in 2011 in the Oscar nominated title role of The Girl with the Dragon Tattoo. She received her second nomination last year in Supporting Actress with Carol. This weekend’s Telluride Film Festival has opened up the possibility of a third nod in six years with Una.

The drama is an adaptation of the stage play Blackbird, dealing with the serious theme of child molestation. It’s heavy stuff according to early reviews (mostly raves) and critics have singled out Mara’s performance. Benedict Andrews makes his directorial debut here with Ben Mendelsohn and Riz Ahmed among the supporting cast.

Whether or not Mara can get the nomination is based on at least three factors. First and foremost, there is no set release date for it, though it’s likely to get a 2016 awards qualifying run. Second, the studio will need to mount a real campaign for the picture to be widely seen. Finally, the Best Actress race on paper looks as competitive as it’s been in recent memory. Still – Telluride gave the actress some needed exposure for a potential third nomination.

Oscar Watch: Hacksaw Ridge

It’s been a decade since Mel Gibson has been behind the camera with Apocalypto and these last 10 years have been bumpy ones for the Braveheart Oscar winner. He’s been the subject of controversies and tabloid fodder. His screen appearances have been primarily limited to B movie action flicks of varying quality.

Yet the Venice Film Festival has vaulted him back into the Oscar race with Hacksaw Ridge, his World War II drama which has screened to positive buzz and some sterling reviews. It stars Andrew Garfield, Vince Vaughn, Sam Worthington, Hugo Weaving, Teresa Palmer, and Rachel Griffiths. The Lionsgate release hits screens stateside in November.

Some of the reaction for Hacksaw has used the C word in describing it for Gibson. As in Comeback. Whether or not Academy voters are willing to overlook his personal life and past transgressions and nominate it for Picture or Director is very much an open question. Even with its solid notices, I have Hacksaw currently on the outside looking in. If the film hits with audiences in two months, that dynamic could change.

Oscar Watch: Bleed for This

The Telluride Film Festival is happening this weekend and that means a slew of autumn Academy hopefuls are getting their first exposure. My Oscar Watch series continues with Ben Younger’s Bleed for This. This is the true life tale of boxer Vinny Paz (Miles Teller), who defied all odds to make it back to the ring after breaking his neck.

Movies focused on the sweet science have had a history with Oscar voters. 1976’s Rocky came out of nowhere to punch out all competitors. 2004’s Million Dollar Baby also won Picture, as did its director (Clint Eastwood), Actress (Hilary Swank), and Supporting Actor (Morgan Freeman). 1980’s Raging Bull and 2010’s The Fighter received multiple nods. Just last year, Sylvester Stallone was nominated once again as Mr. Balboa in Creed.

As for the film in question, Bleed for This has received mostly positive notices thus far. However, some have mentioned it borrows plenty of cliches (some from the aforementioned films). It doesn’t appear to be a genuine threat in Picture or Director. Mr. Teller missed out on a nod with 2014’s Whiplash as all attention went to his costar J.K. Simmons in Supporting. The lead actor race looks lighter than usual on paper this year, but he still could face an uphill battle for inclusion. Aaron Eckhart is said to give strong work as his trainer here and he may stand the best chance at recognition (though I’m not currently putting him in).

The Oscar Watch will roll on as further hopefuls are unveiled.

Oscar Watch: Moonlight

The Telluride Film Festival, as expected, has given us another serious contender in the Oscar race as Barry Jenkins’ Moonlight has just had its premiere. Based on a play, the drama centers on the story of Chiron, an African American gay male growing up in Florida.

The pic debuted to rave reviews and its chances at Academy attention extends to numerous races. My initial round of early predictions has it nabbing a Best Picture nod and today’s buzz solidified that pick. I currently have director Jenkins on the outside looking in, but he’s certainly in the mix (he’s likely to get a nom for his Adapted Screenplay).

As for performers, Trevante Rhodes is among three actors who play Chiron at various stages of his life and he should be campaigned for in Best Actor. He’s got a real shot, as does Mahershala Ali in Supporting Actor as a drug dealer who warms to Chiron. Naomie Harris looks to be a player in Supporting Actress as the lead character’s drug addicted mother and she probably has an edge over singer Janelle Monae as Ali’s girlfriend.

Another day. Another contender in this busy week for Oscar hopefuls.

Oscar Watch: Sully

The Telluride Film Festival gave audiences and critics their first look at Sully, which lands (safely) in theaters Friday. This is the first paring of legends Clint Eastwood (who directs) and Tom Hanks. He plays the real life title character of the pilot credited with the Miracle on the Hudson in 2009.

Early reviews have been solid across the board. It’s no surprise that a bulk of the acclaim has gone to Hanks, who’s said to give a typically great performance. I use that term for a reason as it now appears to be easy for Oscar voters to take him for granted. Exhibit A is 2013’s Captain Phillips, another heralded true life tale in which the Academy passed him over for Best Actor, even though I believe it to be among his finest work. If Hanks couldn’t get a nod for it, I’m skeptical he will here.

Sully stands a nice chance at connecting with moviegoers, but I don’t feel at this juncture that it’ll get much Oscar attention. This applies to Best Picture, Director, the supporting categories with costars Aaron Eckhart and Laura Linney, and even its huge lead who hasn’t been nominated in 16 years.

2016 Early Oscar Predictions: Best Picture

We have reached day 6 of my earliest Oscar predictions and that means the big one – Best Picture!

This week, the Venice Film Festival has helped make the scene a little clearer in a couple of ways. For one, Damien Chazelle’s La La Land not only looks like an easy pick for a nomination, but it could potentially be a winner. Tom Ford’s Nocturnal Animals and Denis Villenueve’s Arrival are also in the mix. For now – I’m leaving Arrival out and Animals in (obviously this could certainly change over the next weeks and months).

There’s plenty that we haven’t seen that appear strong – Martin Scorsese’s Silence. Denzel Washington’s Fences. Ang Lee’s Billy Lynn’s Long Halftime Walk. Barry Jenkins’ Moonlight.

And there are others that have already screened at other festivals that look like contenders: Kenneth Lonergan’s Manchester by the Sea. Jeff Nichols’ Loving. This list also includes Nate Parker’s The Birth of a Nation and whether or not news stories involving its director prevent it from being nominated is a legit question. For now, I’ve got it in.

A host of other possibilities abound that have yet to be screened and I’ll be keeping you up to date with numerous prediction posts over the fall. At this juncture, I have nine movies being nominated (there can be anywhere from 9-10).

They are:

TODD’S EARLY OSCAR PREDICTIONS – BEST PICTURE

Billy Lynn’s Long Halftime Walk

The Birth of a Nation

Fences

La La Land

Loving

Manchester by the Sea

Moonlight

Nocturnal Animals

Silence

Other Possibilities:

The 13th

20th Century Women

Allied

American Pastoral

Arrival

Collateral Beauty

The Founder

The Girl on the Train

Gold

Hell or High Water

Hidden Figures

I, Daniel Blake

Jackie

LBJ

Live by Night

The Lobster

Lion

Miss Sloane

Passengers

Rogue One: A Star Wars Story

Rules Don’t Apply

Snowden

Sully

A United Kingdom

Oscar Watch: Nocturnal Animals

Another piece of the potential Oscar puzzle has come into focus with Tom Ford’s Nocturnal Animals, which screened at the Venice Film Festival. The thriller has garnered a number of very positive critical notices and looks to be a player come awards season.

The feature is the second directorial feature from famed clothing designer Ford, who drew positive reactions from his first effort – 2009’s A Single Man (which earned Colin Firth a Best Actor nomination). Animals boasts an impressive cast – Amy Adams, Jake Gyllenhaal, Michael Shannon, Laura Linney, Armie Hammer, Isla Fisher, and Aaron Taylor-Johnson.

Based on early word, this looks to be a factor in Best Picture, Director, and Adapted Screenplay (tech categories such as Cinematography and Editing as well). As for the performers, it will be an interesting story to watch with Adams, as she’s likely to compete against herself with Arrival (which also screened at Venice). Gyllenhaal could be in the mix for Actor while Shannon has had a solid 2016 and could compete for Supporting Actor.

Another day. Another strong possibility for Oscar attention. Nocturnal Animals hits screens on November 18th.

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