The onslaught of 2026 Anne Hathaway movies continues with Verity, based on the novel by It Ends with Us author Colleen Hoover. Out October 2nd, Dakota Johnson and Josh Hartnett costar in the psychological thriller directed by Michael Showalter.
Originally slated for May, this becomes Hathaway’s fifth pic of the year behind Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. As far as opening weekends, it could land right in the middle and certainly behind Prada and Odyssey. It might also fall a tad behind Oak‘s $21 million premiere.
Hoover’s built-in audience should mean a decent female turnout. While I don’t see this approaching the $50 million that It Ends with Us scored out of the gate, a start in the mid 20s seems doable. That could put it in a close race for #1 with Tom Cruise’s Digger (Hathaway will team up with Cruise for summer 2028’s Days of Thunder 2).
As September closes out, the top 5 should consist of 80% fresh product with four titles primed to gross $10 million and higher. However, current champ Resident Evil could maintain first position. We have the re-release of the MCU’s Avengers: Endgame Encore, DreamWorks Animation’s Forgotten Island, Brad Pitt and a German Shepherd in the survival tale Heart of the Beast, and Robert Pattinson headlining the biographical thriller Primetime. You can peruse my detailed prediction posts on the newbies here:
Let’s start with a caveat – this is an unpredictable frame. I believe all the newcomers have a shot at outperforming my forecasts. Avengers and Island, in particular, could exceed expectations and challenge for the top spot. My hunch is that, even with a 60% drop (fine for its genre), Resident Evil will maintain its #1 bragging rights with a mid-20s gross.
If I get the order of 2-5 right, I’ll be happy with myself. For the incoming quartet, I have all placing between $10-$20 million. With the advantage of following Spider-Man: Brand New Day and meant to drum up anticipation for December’s Avengers: Doomsday, Disney/Marvel’s Endgame return to theaters could approach the $20 million figure and I have it achieving runner-up status.
With solid reviews, Forgotten Island could be right behind in third or be second. The fact that it’s not based on known IP could be a hurdle for kiddos and parents to RSVP.
Pitt’s Beast, his first pic since last summer’s blockbuster F1, is also drawing decent critical reaction. Mid to high teens is certainly doable for a fourth place finish.
Primetime is perhaps the biggest unknown. With Pattinson as To Catch a Predator host Chris Hansen, the trailer is buzzy as was reaction at the Venice Film Festival earlier this month. This might have more audience members seated than I’m estimating but my prognosis in the low teens has it rounding out the top five. I also wouldn’t be shocked if it fell between $8-13 million or even approached $20 million.
Here’s how I have this fascinating weekend shaking out:
1. Resident Evil
Predicted Gross: $24 million
2. Avengers: Endgame Encore
Predicted Gross: $22.6 million
3. Forgotten Island
Predicted Gross: $17.2 million
4. Heart of the Beast
Predicted Gross: $16.8 million
5. Primetime
Predicted Gross: $14.5 million
Box Office Results (September 18-20)
Horror enthusiasts and gamers came out in droves for Zach Cregger’s reboot of the Resident Evil franchise. The well-reviewed eighth overall entry in the series boasted a $60.1 million premiere, managing to top my $55.8 million prediction. That more than doubles the previous best of the bunch – 2010’s Resident Evil: Afterlife at $26 million and sets a personal best for the Weapons filmmaker.
Practical Magic 2 was second with a 60% fall in frame #2 as the witchy sequel made $12.1 million, in line with my $12.4 million take. Falling on the low end of its range, the two-week total is $50 million.
Summer holdovers populated slots 3-5. Spider-Man: Brand New Day was third with $6.4 million compared to my $4.7 million call. Earlier in the week, Day surpassed 2015’s Star Wars: The Force Awakens to become the largest domestic grosser of all time at $944 million after eight weeks.
The Odyssey was fourth with $4.9 million (I said $4.6 million) as Christopher Nolan’s epic brought its tally to $609 million in ten weeks.
Finally, Coyote vs. Acme was fifth with $4.4 million, ahead of my $3.5 million projection for $54 million in four weeks.
With Robert Pattinson headlining as To Catch a Predator host Chris Hansen, Primetime is exposed in multiplexes starting September 25th. Lance Oppenheim, a documentarian making his narrative feature debut, directs (he’s got the buzzy doc You Can See Everything out in October). Costars include Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Bokeem Woodbine, Anna Faris, and Tony Revolori.
Primetime picked up mostly positive buzz after its unveiling at the Venice Film Festival. The Rotten Tomatoes score is 93% with Metacritic at 73. There is chatter for the busy Pattinson nabbing his first Oscar nomination. Will that translate to lots of moviegoers having a seat in theaters?
A solid result would be anything north of $10 million and I think that is achievable. I’ll go a bit over and put it in low teens as it hopes WOM keeps it afloat moving forward.
Primetime opening weekend prediction: $14.5 million
For my Avengers Endgame: Encore prediction, click here:
Forgotten Island from DreamWorks Animation is the fairly rare wholly original feature from a genre often reliant on sequels and other known IP. Joel Crawford (who last helmed Puss in Boots: The Last Wish) and Januel Mercado direct with a voice cast including H.E.R., Liza Soberano, Dave Franco, Jenny Slate, Manny Jacinto, Dolly de Leon, Jo Koy, Ronny Chieng, and Lea Salonga.
The fantastical comedy hopes to bring in kids (particular young girls) and their parents in a market devoid of much family programming. However, general lack of awareness and minimal buzz for the 1990s Philippines set tale could limit its potential.
Animated flicks can always exceed expectations and the ceiling could be an opening in the $25 million neighborhood. I’m more skeptical and projecting high teens.
Forgotten Island opening weekend prediction: $17.2 million
For my Avengers Endgame: Encore prediction, click here:
Brad Pitt reunites with his Fury director David Ayer for the survival tale Heart of the Beast on September 25th. While J.K. Simmons and Anna Lambe costar, Pitt’s main companion is German Shepherd Uber as Odin. The story centers around a Special Forces member and his combat dog stranded in the wilderness following a plane crash.
Beast could benefit from being Pitt’s first feature since last summer’s smash F1. A best case scenario could land it close to $20 million. A disappointing result would be in the lower double digits. I’ve got this right in the middle of that range for a respectable debut as Paramount hopes strong WOM will carry it in the future weekends.
Heart of the Beast opening weekend prediction: $16.8 million
For my Avengers: Endgame Encore prediction, click here:
Sporting an extra couple minutes of runtime from the 2019 original and primed to build anticipation for Doomsday, Disney/Marvel unveils Avengers: Endgame Encore on September 25th. The epic 22nd feature in the MCU is already the second highest grossing pic worldwide ever (behind Avatar) and would need a bit over $125 million globally to take the crown back.
The re-release immediately follows another record for the franchise. Spider-Man: Brand New Day just became the (unadjusted for inflation) #1 domestic earner of all time. Endgame, with its voluminous list of cast members from Robert Downey Jr.’s Tony Stark to the Chris triumvirate (Evans, Hemsworth, Pratt) to Robert Redford’s final screen appearance and so many more, should benefit from being sandwiched between New Day and Doomsday.
Estimates have this making anywhere from late teens to late 20s. I’m going more on the lower end of that spectrum. That might put it in the mix for the top spot depending on the sophomore frame for Resident Evil.
Avengers: Endgame Encore opening weekend prediction: $22.6 million
Zach Cregger’s reboot of the Resident Evil franchise should easily dominate the box office charts and it’s the only new release I have in the top six. You can peruse my detailed prediction post on it here:
Coming off a massive summer 2025 hit with Weapons, Cregger’s latest should have no trouble achieving the best earnings of an Evil iteration. This is the eighth overall feature in the franchise that began in 2002. My mid 50s call has it doubling the current holder in 2010’s Resident Evil: Afterlife at $26 million.
That’s about it as far as intrigue for the weekend. Holdovers should populate slots 2-6 with Spider-Man: Brand New Day and The Odyssey battling it out for third and Coyote vs. Acme and Runner in a close competition for fifth. Practical Magic 2, after a subpar start, should fall to runner-up status with a decline that could approach 60%.. Here’s how I have it shaking out:
1. Resident Evil
Predicted Gross: $55.8 million
2. Practical Magic 2
Predicted Gross: $12.4 million
3. Spider-Man: Brand New Day
Predicted Gross: $4.7 million
4. The Odyssey
Predicted Gross: $4.6 million
5. Coyote vs. Acme
Predicted Gross: $3.5 million
6. Runner
Predicted Gross: $3.3 million
Box Office Results (September 11-13)
Audiences weren’t nearly as bewitched by Practical Magic 2 as I thought they might be. Arriving 28 years after the original, Sandra Bullock and Nicole Kidman’s return to witchy territory came in at the low end of expectations with $30 million. I thought it would conjure up $43.5 million. It did manage to knock off Spider-Man: Brand New Day after six weeks in first.
Spidey made $8.4 million compared to my $10.3 million projection. The MCU record breaker has amassed $935 million in seven weeks and will become the highest grossing domestic picture of all time early this week (beating out Star Wars: The Force Awakens).
The Odyssey was third with $7.5 million, a bit shy of my $8.6 million call for a fantastic $600 million after nine weeks of release.
I mistakenly undervalued Runner from Angel Studios with Alan Ritchson and Owen Wilson. I didn’t do an estimate for it, but the action comedy came in fourth with $6.4 million.
Coyote vs. Acme was right behind in fifth as it also made $6.4 million. The live-action/animated hybrid was in line with my $6.2 million forecast and is up to $47 million after three weeks.
Two other newcomers failed to attract eyeballs. South Korean sci-fi/action spectacle Hope was eighth with $3.2 million and $4.9 million since its Wednesday premiere. That’s well below my respective projections of $5.9 million and $9.4 million.
Andrew Garfield’s The Uprising was ninth with a paltry $3.3 million (I said $4.2 million). The Robin Hood origin story was another flop for that character after 2018’s Robin Hood and this summer’s The Death of Robin Hood.
Adapted from the video games that kicked off 30 years ago, Resident Evil is rebooted for the second time on the big screen starting September 18th. It has the advantage of being directed by Zach Cregger. His Barbarian was a critical favorite in 2022 followed by the massive box office success ($150 million) of Weapons last year. Austin Abrams (who memorably appeared in Weapons) stars alongside Zach Cherry, Kali Reis, and Paul Walter Hauser.
Starting in 2002, Milla Jovovich headlined six Evil entries. The top opener was #4, Resident Evil: Afterlife and it took in $26 million for starters. Three others (parts 2, 3, 5) managed $20M+ out of the gate. However, audiences weren’t checking in by part 6 (The Final Chapter) which premiered with $13 million.
2021’s reboot Resident Evil: Welcome to Raccoon City brought the pics to new lows with a debut just north of $5 million and $17 million overall stateside (both easy franchise lows). The tide should turn here in major fashion for the action horror series.
In a best case scenario, Cregger’s participation and a hunger from genre fans for fresh product could not only set an Evil best for opening weekends. That shouldn’t be an issue. This has the possibility of grossing $60M+ from Friday to Sunday and that would be more in three days than any Evil movie has made domestically in total. I think mid 50s is where it lands but don’t be too afraid to consider the over.
Resident Evil opening weekend prediction: $55.8 million
Spidey’s reign atop the box office charts looks to end this weekend with the release of Practical Magic 2. We also have the South Korean sci-fi action epic Hope and period action drama The Uprising out. You can peruse my detailed prediction posts on the trio here:
Reuniting Sandra Bullock and Nicole Kidman 26 years after their witchy original, Practical Magic 2 has a nostalgia factor and an appeal to a female audience that could mean an impressive start. My high 40s projection gives it (unadjusted for inflation) more in its first frame than the 1998 original made in its entire domestic run.
Hope is a wild card as the South Korean release boasts the widest opening from its country since 2019’s Parasite. The Wednesday bow has me thinking it’ll manage a fifth place start over the traditional weekend with nearly $10 million over the five-day.
My hunch is that The Uprising from Paul Greengrass and starring Andrew Garfield will struggle. Out on a smallish 1500 reported screens, my mid single digits estimate should mean a premiere just outside the top five.
As for holdovers, Spider-Man: Brand New Day may still manage double digits as it finally moves to the runner-up spot while The Odyssey and Coyotevs. Acme should be third and fourth. Here’s how I see it shaking out:
1. Practical Magic 2
Predicted Gross: $43.5 million
2. Spider-Man: Brand New Day
Predicted Gross: $10.3 million
3. The Odyssey
Predicted Gross: $8.6 million
4. Coyote vs. Acme
Predicted Gross: $6.2 million
5. Hope
Predicted Gross: $5.9 million (Friday to Sunday); $9.4 million (Wednesday to Sunday)
6. The Uprising
Predicted Gross: $4.2 million
Box Office Results (September 4-7)
Capping off a fruitful summer, the Labor Day weekend was a winner for the MCU as Spider-Man: Brand New Day put up $23.7 million from Friday to Monday. That’s right on pace with my $23 million prediction with the juggernaut hitting $923 million after six weeks. It is now just $13 million away from the all-time domestic record of $936 million held by Star Wars: The Force Awakens. That record looks to fall in the coming days.
The Odyssey was once again #2 with $17.2 million, eclipsing my $14.8 million projection. Christopher Nolan’s all-time largest earner grew to $588 million after eight weeks.
Coyote vs. Acme held up impressively in third for its sophomore outing with $16.1 million compared to my $13.2 million call. The tally is $38 million for the live-action/animated hybrid that nearly didn’t see the light of day.
The holiday weekend’s top grossing newcomer was By Any Means with Mark Wahlberg. The crime thriller was fourth with $9.2 million, a bit ahead of my $7.8 million forecast.
Disney/Pixar’s 20th anniversary re-release of Cars rounded out the top five with $8 million and I incorrectly had it outside of the top half of the chart.
Insidious: Out of the Further placed sixth and also took in $8 million (I said $7.5 million). The horror sequel has scared up $55 million in three weeks.
14th century set action drama The Uprising hits theaters on September 11th from Bourne franchise director Paul Greengrass. Andrew Garfield headlines a cast including Jamie Bell, Stephen Dillane, Tom Hollander, Cosmo Jarvis, Thomasin McKenzie, Jonny Lee Miller, Woody Norman, and Katherine Waterston.
The Focus Features release has recently changed its marketing to reveal itself as a Robin Hood origin tale. I’m not so sure that’ll get it any more box office bucks. Recent iterations like 2018’s Robin Hood with Taron Egerton and this year’s The Death of Robin Hood with Hugh Jackman have flopped.
I haven’t detected any momentum for The Uprising and I’m projecting mid single digits at best considering the reported 1500 screen count.
The Uprising opening weekend prediction: $4.2 million
