Author: toddmthatcher

The Internship Movie Review

The point of an internship in real life is to lead to something better. Ironic because that’s what happens as I watched The Internship with Vince Vaughn and Owen Wilson. Also ironic because the song “Ironic” by Alanis Morrisette is featured prominently in the opening scene. We keep wanting the script to give us something more than a formulaic tale of two old-timers entering the tech world complete with cliched characters and stale jokes. It doesn’t.

The selling point of The Internship is obviously the reunion of Vaughn and Wilson eight years after their 2005 smash Wedding Crashers. It’s a little surprising just how safe this follow-up plays it. The most curious decision is to make it PG-13 when their first collaboration was heralded as a welcome return to raunchy R-rated comedy.

Vaughn and Wilson play watch salesmen whose company falls victim to the fact that everyone checks the time on their cell phone (though last time I checked, lots of people still own watches). The duo decide to apply for an internship at Google and they are grouped with a gang of much younger computer nerds. The team must face off against other teams, one of which is headed by a bully (Max Minghella, who appeared in the Citizen Kane of Internet films The Social Network).

None of this is particularly fresh or interesting. Vaughn and Wilson spend most of the movie coasting on their chemistry together, but the screenplay (co-written by Vaughn) doesn’t bring the funny. We also have a tacked-on romantic subplot between Wilson and Rose Byrne that is just dull. Even cameos by John Goodman and a certain comic superstar who also had a surprise appearance in Crashers add little to the proceedings.

Towards the third act of The Internship, we start to get the feeling through Vaughn and co-writer Jared Stern’s dialogue that they may have something worthwhile to say about the current tech age. There are nibbles here and there about how the younger generation can’t communicate with people as well as older generations. A scene where the two stars convince a business to join the computer age is fairly well-written. It mostly never materializes though.

The only serious problem I had with Wedding Crashers was it could have probably been fifteen minutes shorter and that same complaint applies here with its bloated 120 minute running time. Crashers had a heckuva lot going for it though. Real chemistry between Wilson and Rachel McAdams over a boring subplot here. Outrageous R-rated comedy over conservative PG-13 jokes. A truly hilarious Will Ferrell cameo over a forgettable one.

Anything with these two stars will have a few laughs and Vaughn and Wilson give us that occasionally. There’s no question, however, that when you do a Yahoo or Bing search on Best Vaughn/Wilson comedy, this won’t be it. I could have said another search engine company that you might have heard of, but they just got two long hours of product placement in the film I just watched.

** (out of four)

Box Office Predictions: October 25-27

Unless it earns less than half of what Jackass 3D took in for an opening three years ago, Jackass Presents: Bad Grandpa with Johnny Knoxville should knock Gravity off its three week perch of being #1. The weekend’s other newbie is Ridley Scott’s The Counselor with an impressive cast and curiously, a so-so marketing campaign and no reviews at press time. You can read my prediction posts on both newcomers here:

https://toddmthatcher.wordpress.com/2013/10/20/jackass-presents-bad-grandpa-box-office-prediction/

https://toddmthatcher.wordpress.com/2013/10/20/the-counselor-box-office-prediction/

Gravity lost about 30% of its audience from week two to three and I’d expect roughly the same for this weekend. A low 30s drop seems likely for Captain Phillips in week three. And, finally, Carrie opened to a disappointing third place showing in its debut and could easily fall over 50% in its sophomore frame.

And with that, my prediction for this weekend’s top five:

1. Jackass Presents: Bad Grandpa

Predicted Gross: $28.3 million

2. Gravity

Predicted Gross: $21.2 million (representing a drop of 29%)

3. The Counselor

Predicted Gross: $13.8 million

4. Captain Phillips

Predicted Gross: $10.9 million (representing a drop of 33%)

5. Carrie

Predicted Gross: $7.6 million (representing a drop of 52%)

As always, I’ll have updates on the blog’s Facebook page Saturday with final results Sunday!

The Counselor Box Office Prediction

It’s got some incredibly talented and well-respected people involved but will The Counselor break out of the pack and be a hit? Ridley Scott directs this crime drama that boasts an original screenplay from acclaimed novelist Cormac McCarthy. It stars Shame and X-Men First Class star Michael Fassbender and features an all-star supporting cast that includes Brad Pitt, Cameron Diaz, Penelope Cruz, and Javier Bardem.

With that kind of pedigree, The Counselor could have a healthy opening above $20 million. However, I don’t think it’s going to happen. The marketing campaign has only been so-so and the TV spots really don’t make it clear what the film is about. Curiously, we’ve seen no mainstream reviews out five days before its debut so buzz (whether it turns out positive or negative) is nonexistent at this juncture. While Fassbender is certainly well-respected, he’s got no track record of opening a film. This could all spell out a muted opening for The Counselor.

While it’s certainly one of my most anticipated releases of the season, there’s been plenty of recent titles catering to an adult audience (Gravity, Captain Phillips, Prisoners). The possibility of The Counselor getting somewhat lost in the shuffle seems very real. I’m going with a debut in the mid-teens.

The Counselor opening weekend prediction: $13.8 million

For my Jackass Presents: Bad Grandpa prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/20/jackass-presents-bad-grandpa-box-office-prediction/

Jackass Presents: Bad Grandpa Box Office Prediction

For over a decade now, the Jackass franchise has been a mightily profitable one for Paramount and MTV Films. Based on the popular MTV series, Jackass: The Movie opened to $22.7 million in the fall of 2002. Four years later, Jackass Number Two debuted to $29 million. Four years following that, Jackass 3D took in an amazing $50.4 million for its opening.

This Friday brings us Jackass Presents: Bad Grandpa in which star Johnny Knoxville portrays said Grandpa, one of the more known characters from the show’s history. This could properly be called a spin-off of the franchise and the trailers claim that it’s all real people reacting to Grandpa’s antics. Bad Grandpa appears to be modeled more after the kind of pics that Sasha Baron Cohen makes.

Bad Grandpa looks to be a true test as to just how hot this franchise still is. A lot of the moviegoers that grew up with Jackass are getting older. Will they turn out? I highly doubt this venture can even approach what Jackass 3D made in 2010. Its enormous opening was way beyond what most thought it could do, but it did have the advantage of higher ticket prices due to the 3D technology.

My gut tells me Bad Grandpa is more likely to debut around the numbers of the first two franchise flicks. It could certainly surprise with a gross north of $30 million but I’m not seeing it. What Bad Grandpa should do is end the three-week reign of the juggernaut Gravity. However, the trend of each Jackass pic opening bigger than the last should end here.

Jackass Presents: Bad Grandpa opening weekend prediction: $28.3 million

For my prediction on Ridley Scott’s The Counselor, click here:

https://toddmthatcher.wordpress.com/2013/10/20/the-counselor-box-office-prediction/

Box Office Results: October 18-20

Alfonso Cuaron’s Gravity held the top spot at the box office for the third weekend in a row as three new films posted disappointing results. The space thriller with Sandra Bullock and George Clooney continues to capture audiences as it took in $30 million in week 3. This is right there with my $29.7M projection. Gravity has grossed an astonishing $170 million so far and still has $300 million in its sights.

In its second weekend, Captain Phillips with Tom Hanks slid a fairly modest 35% for a $16.7 million gross, below my $18.5M projection. The Somali pirate saga is on pace to  cross the century mark and be Hanks’s highest live-action earner in four years since 2009’s Angels and Demons. 

Opening with less than expected numbers in third place is the horror remake Carrie. The update of 1976’s Brian De Palma’s classic grossed $16.3 million, well below my $22.4M estimate. On top of its lackluster debut, horror flicks tend to suffer large drop-offs in subsequent weekend so the future looks rather bleak for this one.

The animated sequel Cloudy with a Chance of Meatballs 2 continues to hang around in the top five as it made $10 million for the four spot. This is right on pace with my $9.3M projection.

Sylvester Stallone and Arnold Schwarzenegger saw their action fest Escape Plan open right on target with most projections in fifth place with a so-so $9.6 million, just below my $10.1M estimate. Clearly the two stars are no longer the draw they were in the 80s and 90s, but the pic did outdo the action stars solo entries from earlier this year The Last Stand and Bullet to the Head.

Finally, the Wikileaks drama The Fifth Estate starring Benedict Cumberbatch had a terrible opening with only $1.7 million, well under my what I thought was a modest $5.8M projection. The pic received many negative reviews and audiences simply ignored it.

That’s all for now, my friends. I’ll have predictions posts up later today for next weekend’s newbies, Jackass Presents: Bad Grandpa and The Counselor soon enough!

The Heat Movie Review

Paul Feig’s The Heat answers the question as to whether a picture can simply coast on the charms of its personable leading ladies Sandra Bullock and Melissa McCarthy. That answer, for the most part, is yes. This buddy cop comedy displays all the hallmarks of the genre with the notable exception of said cops being female. We’ve had countless examples of male-driven movies in this category from Lethal Weapon to Bad Boys to Rush Hour to The Other Guys and so forth. As far as I can recall, there’s more examples of male cop/dog cop genre pics than straight up female buddy cop entries. Only 1988’s long-forgotten Feds with Rebecca DeMornay and Mary Gross springs to mind.

Bridesmaids director Feig changes that here and enlists some big stars to headline it. Bullock plays Sarah Ashburn, the uptight FBI agent forced to team up with foul-mouthed and streetwise Boston cop Mullins (McCarthy). Both think their brand of law enforcement is the best method and they’re naturally diametrically opposed… so let the hijinks ensue!

There’s really nothing about the plot that separates The Heat from its counterparts in the genre. Let’s face it – it’s pretty tough to bring much new to the buddy cop flick. That’s where Bullock and McCarthy are able to make this fairly worthwhile. The duo is chasing after a group of drug runners and there’s a mole either in the FBI or Boston PD that they’re trying to nab. All this plot stuff is incidental, however.

McCarthy exploded onto the movie scene with her Oscar-nominated turn in 2011’s Bridesmaids. She deserved the nomination and I’ve used one particular scene in that pic with Kristin Wiig as an example of Movie Perfection previously on the blog.

https://toddmthatcher.wordpress.com/2013/04/21/movie-perfection-melissa-mccarthy-becomes-a-movie-star/

Here McCarthy is given some humorous scenes with her dysfunctional family who haven’t forgiven her for sending her own criminal brother (Michael Rapaport) to the slammer.

Yet it’s the chemistry of the two stars that makes or breaks The Heat and Bullock does a commendable job as the straight woman. Throughout her career, Bullock has shown a keen ability with dramas and comedy. This film gives her the opportunity to show those chops in something other than a rom com.

There’s a whole lotta familiar territory to find here. Since Agent Ashburn is the tightly wound cop, it’s up to Mullins to get her drunk and they’re eventually getting the whole bar to dance to Deee-Lite’s “Groove Is In The Heart”. Ashburn’s loner personality is explained because – well, she was a foster child (of course). The ladies learn that the old trick of holding a suspect over a balcony doesn’t always go as planned.

Bullock and McCarthy, though, have a winning chemistry and they manage to often rise above the cliched material and allow The Heat to be a mildly entertaining experience. Their fans should be mostly pleased. This isn’t like the previously mentioned The Other Guys that both satirizes the genre while also being an entry in it. That pic worked much better because audiences know all the tricks of buddy cop pics and The Other Guys had fun with it. The Heat is more safe and serviceable. And the two leads do just enough to make it tolerable.

**1/2 (out of four)

Oscar History: 2004

In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.

Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing. 

Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.

As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.

The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake. 

Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.

Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.

One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.

Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.

Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.

Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer. 

Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.

The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer. 

After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –

Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy

Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy

Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy

Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy

I’ll be back with Oscar History: 2005 soon, my friends!

Box Office Predictions: October 18-20

The horror remake Carrie, the Stallone/Schwarzenegger action pic Escape Plan, and the Wikileaks drama The Fifth Estate all join the box office fray this weekend. You can find my predictions on all three at these links:

https://toddmthatcher.wordpress.com/2013/10/13/carrie-box-office-prediction/

https://toddmthatcher.wordpress.com/2013/10/13/escape-plan-box-office-prediction/

https://toddmthatcher.wordpress.com/2013/10/13/the-fifth-estate-box-office-prediction/

Will any of them have any enough firepower to unseat Gravity from the #1 spot? As I see it, only Carrie stands a chance. However, I’m only putting it at a low 20s opening and that should not be enough to keep Alfonso Cuaron’s space phenomenon from the #1 perch for a third weekend. Captain Phillips with Tom Hanks scored a solid $25 million opening this past weekend and with an A Cinemascore grade, its second weekend decline should be small.

Based on my prediction for The Fifth Estate, it should open at #6 while Cloudy with a Chance of Meatballs 2 stays in the top five. And, with that, my predictions for the weekend’s top five:

1. Gravity

Predicted Gross: $29.7 million (representing a drop of 31%)

2. Carrie

Predicted Gross: $22.4 million

3. Captain Phillips

Predicted Gross: $18.5 million (representing a drop of 28%)

4. Escape Plan

Predicted Gross: $10.1 million

5. Cloudy with a Chance of Meatballs 2

Predicted Gross: $9.3 million (representing a drop of 32%)

I’ll have an update posted Saturday on the blog’s Facebook page with a final report Sunday on the blog!

The Fifth Estate Box Office Prediction

The Fifth Estate stars Benedict Cumberbatch (seen this summer in a fine performance as the villain in Star Trek Into Darkness) as Wikileaks founder Julian Assange. From Gods and Monsters and Dreamgirls director Bill Condon, Estate was looked at as a potential awards contender before it screened at some recent film festivals. The result? It sits at a weak 44% on Rotten Tomatoes as many critics were not impressed with what they saw.

Media news stories regarding Assange have been prevalent in recent years and it could help Estate‘s performance. Honestly though, this is the type of picture that greatly would’ve benefited from strong reviews which fuels Oscar buzz. It didn’t turn out that way. The pic is marketed toward an adult crowd who still have Gravity and Captain Phillips in the multiplex. Add it all up and I see a fairly muted debut for this film.

The Fifth Estate opening weekend prediction: $5.8 million

For my Carrie prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/13/carrie-box-office-prediction/

For my Escape Plan prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/13/escape-plan-box-office-prediction/

Escape Plan Box Office Prediction

There was a time when an action flick starring Sylvester Stallone and Arnold Schwarzenegger would have been one of the most eagerly anticipated releases of the year. Those years were about 1985-1995.

Times have changed. And you need look no further than earlier this year for evidence of that. In January, Ah-nuld’s comeback vehicle The Last Stand sputtered with a terrible $6.2 million opening. One month later, the news was even worse for Sly when Bullet to the Head managed only a $4.5 million debut.

Will putting the aging action stars together make a difference? Probably not much of one. The trailers for the prison flick Escape Plan are nothing special. Then there’s the competition factor. Younger moviegoers likely have no desire to see these two guys together anyway and might be preoccupied with Carrie. Older moviegoers may be busy catching Gravity in its third weekend or Captain Phillips in its second.

If you added up to opening weekends of their last two pics, that would get you to $10.7 million. And that may be about where Escape Plan ends up.

Escape Plan opening weekend prediction: $10.1 million

For my Carrie box office prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/13/carrie-box-office-prediction/

For my The Fifth Estate prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/13/the-fifth-estate-box-office-prediction/