It’s got an Oscar winning director and Thor starring in it, but chances are that next Friday’s In the Heart of the Sea is destined to be known as “the movie that opened the week before Star Wars“. In other words – it better make its money now.
Ron Howard directs the whale tale epic that inspired Moby Dick with Chris Hemsworth in the lead and Cillian Murphy, Brendan Gleeson, Benjamin Walker, and Ben Whishaw costarring. Early reviews are quite mixed (it stands at 67% currently on Rotten Tomatoes) and widespread acclaim could have helped.
While trailers and TV spots have been decent, it seems like Sea has been flying a bit under the radar for a pic of its scale and, as mentioned, it doesn’t help with the galactic Goliath that follows just a week later.
On this same weekend last year, Ridley Scott’s Exodus: Gods and Kings took in $24 million. That, too, was an epic tale with an Oscar winning auteur and lead actor known for his superhero role (Christian Bale). Sea will be lucky to reach that number and I believe it will fall short of the $20M mark for a choppy start.
In the Heart of the Sea opening weekend prediction: $18.4 million
It hasn’t really been looked at too seriously for Oscar attention and now next week’s In the Heart of the Sea has screened for critics. Ron Howard’s epic true story whale tale that inspired Moby Dick stars Chris Hemsworth, Benjamin Walker, Cillian Murphy, Ben Whishaw, and Brendan Gleeson.
For what once appeared as a major potential box office player, Sea seems to be flying under the radar. As mentioned, while it didn’t seem like much of an awards contender, it was always worth mentioning due to Howard’s track record. Plus you just never know… nobody expected Creed to become the legit contender that it certainly has.
Now that reviews are out – it’s safe to say that this will not be hearing its name called for Academy nominations. Both trade papers weren’t too kind. Opening a week before something called Star Wars: The Force Awakens, this could struggle at the box office as well (my prediction post will be up tomorrow, by the way). And today solidified what most of us suspected: there will be no wave of awards attention for Sea.
In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.
Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.
As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.
The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.
I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.
As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.
The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.
Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea.
Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).
Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…
A summertime thrill ride that has served as a resurgence for a thirty year old action franchise got a big Oscar boost today when Mad Max: Fury Road won the National Board of Review (NBR) award for Best Picture. This was an upset. While George Miller’s return to kinetic and wild adventure set pieces earned universal critical acclaim, it’s not really been looked at as a given for a Picture nod at the Academy Awards. The NBR attention does nothing but help.
Over this century, the NBR’s Picture winner has been nominated for the big race at the Oscars 14 out of 16 times (the exceptions were 2000’s Quills and last year’s A Most Violent Year). On the other hand, only two of the past 16 NBR honorees have won the Academy’s honor (2007’s No Country for Old Men and 2008’s Slumdog Millionaire).
I would still say that Fury Road is no shoo in for a nomination, but its chances no doubt increased with the announcement this afternoon. I also believe a scenario (and maybe a stronger one) exists where Miller gets a directing nomination with the film being left off of the Best Picture group come announcement time.
The NBR also names an additional nine favorite movies of the year. They were: Bridge of Spies, Creed, The Hateful Eight, Inside Out, The Martian, Room, Sicario, Spotlight, and Straight Outta Compton. Of these films, Sicario and Compton are seen as least likely to receive Oscar attention. Both are still possible and Creed‘s stock keeps rising.
High profile Oscar contenders left off? The Revenant, Steve Jobs, Joy, Anomalisa, Brooklyn, and Carol. However, the NBR list and the Academy list never match and expect some of these titles to be included in the big race.
Besides Max, the other pic to get a huge NBR boost is The Martian, where Ridley Scott won Best Director and Matt Damon won Best Actor. Again, neither are shoo ins for Oscar nods but their inclusion is seeming more and more probable.
As for the other acting categories, Brie Larson’s work in Room marked her first win in what could be several and her Oscar nod seems assured. Sylvester Stallone was victorious in Supporting Actor for Creed and it would now be a surprise if Oscar doesn’t call his name among the five nominees. The same is likely for Jennifer Jason Leigh in The Hateful Eight, who won Supporting Actress.
This day really marked the official beginning of the awards season and there’ll be much more to chew on (other critics group, Golden Globes, SAG Awards) before the Academy reveals their choices. And this blog will be following and keeping you up to date all the way. Stay tuned!
The first week of December is traditionally a weak frame at the box office as the month’s heavy hitters have yet to roll out and moviegoers are mostly nibbling on Thanksgiving leftovers. This year figures to follow suit as only the Christmas themed horror comedy Krampus opens wide and I don’t see it performing too well. You can read my detailed prediction post on it here:
The post holiday weekend also usually means big drop offs for existing pics. The last two Hunger Games entries have fallen more than 60% on this weekend and current champ Mockingjay – Part 2 should do the same.
Disney’s animated features that debuted on Turkey Day weekend have typically fallen over 50% and that could true here with The Good Dinosaur.
And that could create a serious photo finish for the top spot. To add to the mystery: Creed opened to better than expected results and I foresee it having the smallest decline due to very positive word of mouth.
Krampus should land in the four spot with Spectre rounding out the top five. And here are those top five estimates for a fairly sleepy weekend:
The Good Dinosaur
Predicted Gross: $18.7 million (representing a drop of 52%)
2. The Hunger Games: Mockingjay – Part 2
Predicted Gross: $18.5 million (representing a drop of 64%)
3. Creed
Predicted Gross: $16.4 million (representing a drop of 44%)
4. Krampus
Predicted Gross: $7.1 million
5. Spectre
Predicted Gross: $6 million (representing a drop of 52%)
Box Office Results (November 25-29)
Katniss and crew maintained their dominance as Mockingjay – Part 2 ruled Thanksgiving with $52 million over the Friday to Sunday portion of the weekend and $75.9 million for the five day holiday frame. This was in line with my respective projections of $48.4M and $75.5M. The franchise finale stands at $198 million so far.
Disney/Pixar’s The Good Dinosaur had a so so premiere compared to what the company is used to with $39.1 million over the three day and $55.4 million for the long weekend. This is well under my predictions of $56.6M and $78.9M. It will need meager drop offs over the holidays to avoid potentially being Pixar’s smallest earner in its storied two decade existence.
With legitimate Oscar buzz, Creed tapped into Rocky nostalgia and made a magnificent $29.6 million (three day) and $42.1 million (five day), knocking out my estimates of $19.6M and $27.4M. The red hot word of mouth clearly brought this to heights that were unimaginable just weeks ago.
Spectre was fourth with $12.8 million (three day) and a five day tally of $18.2 million for a $176M overall gross. I was close with $13.1M and $17.7M.
The Peanuts Movie came in a bit below my forecast at fifth with $9.7 million and $13.6 million compared to my predictions of $11.1M and $15.3M. It’s made $116M.
The Night Before was sixth in its sophomore frame with $8.3 million and $10.7 million – right in line with my estimates of $8M and (bingo!) $10.7M.
Last and majorly least, critically drubbed Victor Frankenstein tanked with an embarrassing $2.4 million and $3.5 million since its Wednesday start. This put it in just 12th place and way below my generous $10.8 and $14.8M projections.
When it comes to Oscar nominations over the first half of this decade, no director matches the incredible track record of David O. Russell. Let’s do some math, shall we? His last three pictures – 2010’s The Fighter, 2012’s Silver Linings Playbook, 2013’s American Hustle – have scored a combined 25 Academy Award nods. All three were nominated for Best Picture. Russell was in the Directing race for each film. The trio of pics nabbed a total of 11 acting nominations resulting in three victories: Christian Bale (Supporting Actor for The Fighter), Melissa Leo (Supporting Actress for The Fighter), and Jennifer Lawrence (Actress for Silver Linings Playbook).
Therefore, it’s obvious that December’s Joy has been high on the list for potential Oscar attention. Over the weekend, it screened for critics and journalists for the first time. While reviews are officially embargoed until mid December, the word is that Russell likely has his fourth contender in a row. Early buzz makes one thing clear: Lawrence is in line to receive her fourth nomination as the title character in Best Actress. At this point, it’d be a shock if she’s not included. This would mark her third recognition in a row from the Academy working with Russell (winning for Playbook, nominated for Hustle). As for other acting races, it’s murkier. Bradley Cooper would also be going for his third nomination in a row with Russell, but his part is said to be small and he probably won’t be included. Robert De Niro, on the other hand, has potential with his supporting turn. His last nomination was in the same category for Playbook. Diane Ladd is rumored to be the Supporting Actress most in contention over costars Virginia Madsen and Isabella Rossellini.
It would also seem that Joy remains a strong contender for Best Picture recognition and that could extend to Russell’s fourth time in the Director category. As stated, Russell’s films have been an Oscar juggernaut and it’s unlikely to let up here (especially with J Law). A caveat: some of the initial reaction for this isn’t quite as over the moon as the director’s last efforts, so I would write Joy‘s Best Picture nomination and Russell’s down in pencil, not pen until officials reviews are released. Feel free to use a Bic with Lawrence.
This is the third full year of this blog’s existence and in 2013 and 2014, I posted six separate entries about actors and actresses that experienced terrific years during those frames. I’m doing the same for 2015, but for my first, there’s a twist. It’s not a specific performer that gets the honor of having a watershed year but rather a feeling. Nostalgia.
In 2015, we have witnessed franchises that began four decades ago and two decades ago become the defining pictures of this calendar year. We’ve seen the early days of a generational defining musical genre become the surprise hit of the summer. And next month, we are highly likely to see the year culminate in a nostalgic frenzy.
We begin in the summer when Avengers: Age of Ultron was widely expected to be the season’s largest grosser. That was until Jurassic World shocked everyone with the highest domestic premiere of all time with $208 million with an eventual $652 million haul. The franchise that Spielberg began sparked the interest of those who were wowed by its dinosaurs over 20 years earlier. They attended this new World and took their kids along with them.
This same summer saw another long time franchise that had stood dormant for 30 years get rebooted to acclaimed results and brisk box office when Mad Max: Fury Road took in $153 million stateside. George Miller (who helmed the original trilogy) brought his wild action set pieces to a whole new audience and gave fans one of the most heralded pics in the genre in years.
In August, a generation of listeners who grew up on late 80s and early 90s gangsta rap celebrated the release of Straight Outta Compton, which focused on the formation of NWA. It would make an incredible $161 million.
This past Thanksgiving weekend continued the reminiscent trend in the form of Creed. While it might be the seventh movie in the last near 40 years to feature the iconic character of Sylvester Stallone’s Rocky Balboa, the actor/director turned the reins over to upstart filmmaker Ryan Coogler. The results? A $40 million opening and the best reviews of the series since the Oscar winning original. Stallone could be well on his way to a Supporting Actor nod and Creed itself could find itself in the Best Picture mix.
Of course, not all attempts to tap our nostalgic nerve succeeds and it’s usually due to quality. This held true for Arnold’s summer return in Terminator: Genisys and the Vacation franchise being retooled with a younger set of Griswolds. And remember Jem and the Holograms from a few weeks back? Didn’t think so.
In less than three weeks, we will witness hyper drive when it comes to the subject of this post. That would be Star Wars: The Force Awakens. As you know, it marks the return of some of the most beloved film characters ever seen in the most famous franchise ever to reach the screen. It could very easily result in record breaking box office numbers all over the world.
2015 surely will be remembered in motion picture history as a year in which we collectively celebrated our film memories. And that makes this choice an easy one for my first of six posts of what we’ll remember about this year on the silver screen.
Since summer, it’s been clear that one 2015 animated film is a true contender in the Best Picture race: Pixar’s Inside Out. Yet it’s becoming increasingly likely that there may be two and the other is in the form of Charlie Kaufman’s Anomalisa.
Known for his ingenious screenplays that include Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind, Kaufman’s latest is an experimental stop motion comedy drama featuring the voices of David Thewlis, Jennifer Jason Leigh and Tom Noonan. It is not an animated pic for kids with its R rating. Anomalisa premiered at Telluride before winning the Grand Jury prize at the Venice Film Festival.
Critics have gone gaga over it as its Rotten Tomatoes score is a cool 100%. Its inclusion in the Animated Feature race is a foregone conclusion. The question is whether or not it could gather enough mojo to be included in the big race, Picture. Right now I feel it’s on the outside looking in, but if any December contenders like Joy or The Hateful Eight falter, I could be singing a different tune. Anomalisa is one to keep an eye on.
A whole different kind of Christmas comedy hits theaters next weekend when Krampus debuts. This ain’t Love the Coopers, folks. Michael Dougherty, known best for his screenplays for superhero pics X2 and Superman Returns, is behind the camera. This isn’t his first holiday themed horror comedy though. He made the Halloween centric cult favorite Trick r Treat years ago.
Krampus focuses on what may be a very bad Santa with a cast featuring Adam Scott, Toni Collette, and David Koechner. The trailers do inspire some hope. Having said that, the first week of December is not fertile ground for new releases as audiences are mostly preoccupied with Thanksgiving leftovers. Additionally, while movie geeks may be looking forward to this, general audiences will probably stay away.
I believe Krampus will be lucky to reach double digits and will predict that it won’t.
We have arrived at my third round of Oscar predictions for the month of November. Some has changed, some has stayed the same. We’ll go through each of the six major categories one by one…
Let’s go!
BEST SUPPORTING ACTRESS
This is the one category where I’ve made no changes, though any of the others listed as possibilities could find their way in. Most have Jane Fonda in the mix already, but I’m not quite there yet.
TODD’S PREDICTIONS in SUPPORTING ACTRESS
Joan Allen, Room
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Other Possibilities:
Elizabeth Banks, Love and Mercy
Jane Fonda, Youth
Diane Ladd, Joy
Rachel McAdams, Spotlight
Isabella Rossellini, Joy
Julie Walters, Brooklyn
BEST SUPPORTING ACTOR
And here we have the most changes of any category! Coming out of nowhere last week was Sylvester Stallone’s acclaimed performance in Creed and as of now, here appears to be a strong contender for a nod and maybe even the win. I’m also including Mark Ruffalo and re-including Idris Elba. Falling out are Benicio del Toro, Robert De Niro, and Tom Hardy, though they all remain possibles. This category has a whole lot of potential nominees, but only five slots available.
TODD’S PREDICTIONS for SUPPORTING ACTOR
Idris Elba, Beasts of No Nation
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Other Possibilities:
Christian Bale, The Big Short
Bradley Cooper, Joy
Paul Dano, Love and Mercy
Benicio del Toro, Sicario
Robert De Niro, Joy
Joel Edgerton, Black Mass
Harrison Ford, Star Wars: The Force Awakens
Tom Hardy, The Revenant
Samuel L. Jackson, The Hateful Eight
Harvey Keitel, Youth
Jason Mitchell, Straight Outta Compton
Kurt Russell, The Hateful Eight
Jacob Tremblay, Room
BEST ACTRESS
Four slots seem to be rather safe and have been for awhile: Cate Blanchett, Brie Larson, Jennifer Lawrence, and Saoirse Ronan. The fifth slot could legitimately be any of the others listed, but for now I’ve removed Carey Mulligan and replaced her with Blythe Danner.
TODD’S PREDICTIONS for ACTRESS
Cate Blanchett, Carol
Blythe Danner, I’ll See You in My Dreams
Brie Larson, Room
Jennifer Lawrence, Joy
Saoirse Ronan, Brooklyn
Other Possibilities:
Emily Blunt, Sicario
Carey Mulligan, Suffragette
Charlotte Rampling, 45 Years
Maggie Smith, The Lady in the Van
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
BEST ACTOR
Only one change here as I currently feel the massive box office success of The Martian will get Matt Damon in. That takes Michael Caine out. Watch out for Will Smith, though, even though I don’t yet have him in the final cut.
TODD’S PREDICTIONS for ACTOR
Matt Damon, The Martian
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Other Possibilities:
Michael Caine, Youth
Bryan Cranston, Trumbo
Tom Hanks, Bridge of Spies
Michael B. Jordan, Creed
Will Smith, Concussion
BEST DIRECTOR
Two changes here as I believe Danny Boyle may miss out and George Miller won’t be the wild card pick I predicted in October. This puts David O. Russell and Ridley Scott in.
TODD’S PREDICTIONS for DIRECTOR
Lenny Abrahamson, Room
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
David O. Russell, Joy
Ridley Scott, The Martian
Other Possibilities:
Danny Boyle, Steve Jobs
Ryan Coogler, Creed
John Crowley, Brooklyn
Cary Fukanaga, Beasts of No Nation
Todd Haynes, Carol
Tom Hooper, The Danish Girl
George Miller, Mad Max: Fury Road
Steven Spielberg, Bridge of Spies
Quentin Tarantino, The Hateful Eight
BEST PICTURE
I am still predicting nine nominees out of the possible five-ten and I’ve made two changes. I’m putting Carol back in the mix and The Martian in for the first time. That leaves out Bridge of Spies and The Danish Girl, though both remain major contenders. It’s worth noting that Steve Jobs, due to its disastrous box office performance, is not even close to a shoo in and it could fall off.
TODD’s PREDICTIONS for PICTURE
Brooklyn
Carol
The Hateful Eight
Joy
The Martian
The Revenant
Room
Spotlight
Steve Jobs
Other Possibilities:
Beasts of No Nation
The Big Short
Bridge of Spies
Creed
The Danish Girl
Inside Out
In the Heart of the Sea
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Straight Outta Comption
And that does it for my November Oscar predictions, folks! I’ll have the December predictions up shortly before Christmas…
