Krampus Movie Review

Michael Dougherty’s Krampus begins with a stampede at a mall set to “It’s Beginning to Look a Lot Like Christmas”. These are the Black Friday throw downs we’ve grown accustomed to seeing. In some ways, it is scarier and more amusing that what follows for the rest of the film. That said, this anti-Christmas tale is not without its occasional charms and pleasingly out there moments.

For those unfamiliar, Krampus is a centuries old European legend (you can Google) of a ghoulish monster that preys on families who’ve lost their faith in Santa Claus. The yuppie suburbanite Engel family (led by parents Adam Scott and Toni Collette) has almost attained that status, with their young son Max (Emjay Anthony) being the holdout. That changes when their relatives come to visit – they’re a not so well to do clan that consists of David Koechner (think Cousin Eddie with more firearms), his wife and their four children. There’s also aunt Dorothy (Conchata Ferrell), whose solution to the non family fun consists of plenty of Schnapps to keep warm and slightly zoned out.

Speaking of warm, when an out of the blue blizzard hits, the house loses power and connection to the outside world. Adam Scott’s mother called Omi (an effectively creepy Krista Stadler) makes certain a constant hot fire is burning and it’s not just to keep the group comfrotable and aunt Dorothy even more toasted. She knows the story of Krampus first hand and that backstory is relayed in a nifty stop motion animation sequence and she’s trying to keep the anti-Claus from coming down the chimney for more than milk and cookies.

Krampus has his set of little helpers to wreak havoc on the family and this allows for gingerbread menaces and more. It also allows for some knowingly chintzy CG effects and some genuinely impressive ones, too. The title character does look pretty imposing. In fact, when we move into the third act, I really wanted to hang out with him a little more.

Dougherty is known most for his screenplays for superhero tales like X2 and Superman Returns. This is his second directorial feature after 2007’s Trick ‘r’ Treat, a Halloween themed horror anthology which became a cult favorite. That also had some demented and funny moments and was a little overrated in some circles. Krampus may attain that same status. The PG-13 vibe is actually welcome here and this does often feel like it could have been made 30 years ago when that rating was churning out similar genre titles like Gremlins or Critters. It’s a picture when a swear word (spoken by our kid protagonist) feels pleasingly well placed and kind of retro cool.

Yet I can’t deny that Krampus isn’t too frightening and that some of the hoped for laughs grow tiresome. It has plenty of spirit, but never attains the level of Xmas horror classic that it wishes to be. Dougherty has now done two fright fests built around the holidays to moderate success. Perhaps his Arbor or Columbus Day take will be that third charm.

**1/2 (out of four)

 

Box Office Predictions: April 22-24

Disney should have another fantastic weekend on top of the charts with The Jungle Book, which far exceeded expectations this past weekend for a swinging debut (more on that below).

That means this weekend’s major newcomer The Huntsman Winter’s War could be in for a rough road. You can find my detailed prediction on it here:

https://toddmthatcher.com/2016/04/14/the-huntsman-winters-war-box-office-prediction/

As I see it, the sort of prequel/sort of sequel to 2012’s Snow White and the Huntsman will come in with under half of the $56 million made by its predecessor. That’ll put it firmly in second, but below expectations and far below Mowgli and company.

As for holdovers, I look for Barbershop: The Next Cut to lose not quite half its audience with Zootopia and The Boss rounding out the top five.

There is one other newcomer this week – Elvis & Nixon with Michael Shannon and Kevin Spacey recreating the true life tale of The King visiting the 37th POTUS at the White House. There is yet to be a screen count for it, which makes predicting tough. Here’s my quick take: the film seems like an obvious choice for a Netflix or HBO premiere and not theatrical. I’ll say it makes $1.3 million.

And with that, my top five predictions for the weekend:

  1. The Jungle Book

Predicted Gross: $59 million (representing a drop of 43%)

2. The Huntsman Winter’s War

Predicted Gross: $26.3 million

3. Barbershop: The Next Cut

Predicted Gross: $11.2 million (representing a drop of 45%)

4. Zootopia

Predicted Gross: $5 million (representing a drop of 40%)

5. The Boss

Predicted Gross: $4.9 million (representing a drop of 50%)

Box Office Results (April 15-17)

It was a joyous week for Disney as Jon Favreau’s well-reviewed live-action remake of The Jungle Book took in an astonishing $103.2 million, way beyond my $74.6M projection. Just weeks after the studio made a killing with their animated animals of Zootopia, Mowgli and the CG animals here have given the Mouse Factory another smash. A sequel is already in development and it’s less than three weeks before their next blockbuster – Captain America: Civil War.

Barbershop: The Next Cut premiered in the runner-up spot with $20.2 million, under my $23.1M estimate. The Ice Cube three-quel came 12 years after the second installment and marked the lowest debut of the franchise (just barely below the $20.6M achieved by the original).

Melissa McCarthy’s The Boss dropped hard to third with $9.9 million compared to my $13.5M prognosis. Its two-week total is $4oM.

Batman v Superman: Dawn of Justice also under performed my estimate with $9 million (I said $11.1M) for a total gross of $311M.

The aforementioned Zootopia was fifth with $8.1 million for a $307M total and I incorrectly had it outside my top five.

That’s because I gave too much credit to the Kevin Costner/Ryan Reynolds thriller Criminal, which tanked in sixth with $5.7 million. I said $9.3M.

And that’ll do it for now, folks! Until next time…

Oscar Watch: Florence Foster Jenkins

When Meryl Streep is starring in any movie, it’s automatic for Oscar prognosticators to take notice. Such is the case with Florence Foster Jenkins, the comedic drama biopic of an opera singer known for her awful voice. Streep is the title character.

The pic, directed by The Queen’s Stephen Frears and co-starring Hugh Grant, will be released in the United Kingdom in early May but won’t get its domestic release until late August. So while American audiences will have to wait awhile, critics have not. Early word is quite positive and Streep has once again been singled out for her work. It’s also said the be quite a crowd pleaser and that could only increase the likelihood that its star receives her 20th — yes, 20th — Oscar nod.

The Huntsman Winter’s War Box Office Prediction

Nearly four years after the original performed above expectations at the box office, the dark fairy tale sequel The Huntsman Winter’s War invades theaters next weekend and hopes to reach the levels of its predecessors. That could turn out to a fairy tale wish for Universal Pictures.

In the summer of 2012, Snow White and the Huntsman cast Kristen Stewart (still hot off the Twilight franchise) as the former title character with Liam Hemsworth costarring as the latter. Charlize Theron also was in the mix as the Evil Queen alongside Sam Chaflin and Nick Frost. Everyone with the exception of Stewart is back with Emily Blunt and Jessica Chastain included this time around. Snow White director Rupert Sanders has been replaced with Cedric Nicolas-Troyan.

While reviews for the original were mixed, it blasted out of the gate with a $56 million opening weekend and $155 million eventual domestic gross. Yet its reviews practically look glowing compared to this follow-up. Snow White ended up with 48% on Rotten Tomatoes. Winter’s War currently sits at just 18%. Even audiences who went to see the predecessor gave it only a middling “B” Cinemascore grade.

This begs the question: are audiences clamoring for this sequel, which reportedly cost $115 million to produce? I suspect the answer is no. Winter’s War arrives during the second weekend of The Jungle Book, which should still be doing big business and two weeks before the juggernaut likely to be Captain America: Civil War. This could be somewhat lost in the shuffle.

I believe this will struggle to make even half of what Snow White made during its roll-out and will end up as a large-scale disappointment that many moviegoers won’t be bashful about sleeping on.

The Huntsman Winter’s War opening weekend prediction: $26.3 million

 

Oscar Watch: The Jungle Book

Disney has been on a binge remaking their animated classics as of late with 2014’s Maleficent and 2015’s Cinderella. Both were huge hits. This looks to extend to 2016 when Jon Favreau’s The Jungle Book opens Friday.

That this remake of the 1967 animated tale and Rudyard Kipling’s written works is headed for box office domination isn’t so surprising. What is a bit surprising is the rapturous critical reaction Jungle has garnered. It sits at 91% on Rotten Tomatoes at press time.

This begs the question: could The Jungle Book swing its way into the hearts of Oscar voters? It’s only April, but the overall gushing reaction can’t hurt. Obviously we’re early in the Academy season to say the least. And truth be told, Book probably won’t find itself among the five to ten pics recognized.

Where might it get more attention for a gold statue nod? Well, critics have been over the moon on its visual effects. While plenty more summer blockbusters and some fall releases will be strong contenders in that race, early Jungle notices could make it hard to ignore.

Box Office Predictions: April 15-17

Disney should dominate the upcoming weekend as its live-action remake of The Jungle Book swings into theaters. It’s not the only new game in town though as Barbershop: The Next Cut and Kevin Costner/Ryan Reynolds action thriller Criminal also debut. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2016/04/06/the-jungle-book-box-office-prediction/

https://toddmthatcher.com/2016/04/06/barbershop-the-next-cut-box-office-prediction/

https://toddmthatcher.com/2016/04/06/criminal-box-office-prediction/

I have The Jungle Book outpacing the Mouse Factory’s terrific debuts for Maleficent and Cinderella. Word of mouth and reviews are both solid and my prediction puts it just under what Zootopia earned out of the gate in March.

My prognosis is also bright for Barbershop, the third entry in a franchise that’s been dormant for over a decade. As for Criminal, I have it coming in slightly under what Costner’s 3 Days to Kill accomplished two years ago. It’s worth saying that estimate for it is a bit above others that have it coming in with less than $10M.

Current champ The Boss may fall in the low to mid 40s while Batman v Superman: Dawn of Justice should continue its streak of 50% plus dips in its fourth weekend. And with that, my predictions for this weekend’s top five:

  1. The Jungle Book

Predicted Gross: $74.6 million

2. Barbershop: The Next Cut

Predicted Gross: $23.1 million

3. The Boss

Predicted Gross: $13.5 million (representing a drop of 42%)

4. Batman v Superman: Dawn of Justice

Predicted Gross: $11.1 million (representing a drop of 52%)

5. Criminal

Predicted Gross: $9.3 million

Box Office Results (April 8-10)

I predicted a tight race for the top spot between Melissa McCarthy’s The Boss and Batman v Superman: Dawn of Justice in weekend #3. It was even closer than I thought it would be as The Boss opened in first with $23.4 million. My prediction? $23.5M! Talk about being a boss, eh? Hey, this doesn’t happen too often, so I’ll enjoy it while I can.

That means BvS slipped to second place with $23.3 million, a tad below my $24.5M prognosis. Warner Bros superhero mashup stands at $296M after three weeks.

Disney’s Zootopia was third with $14.3 million – in line with my $14.9M estimate for a total of $296M as well.

My Big Fat Greek Wedding 2 was fourth in weekend #3 with $6.4 million, a bit under my $7.3M prediction for a $4.6M total.

Finally – landing with a major thud in fifth place was the debut of first person action flick Hardcore Henry with just $5.1 million compared to my $7.8M projection. And I was on the lower end of estimates!

And that’ll do it for now, friends! Until next time…

An Interview with James Berardinelli

What a great day for this here movie blog! Over the last many years, my favorite film critic on the Internet has been James Berardinelli, who writes at reelviews.net. I admire his writing style and have followed him for years. Years ago, he struck up a relationship with the late, great Roger Ebert. Mr. Ebert even proclaimed Berardinelli one of the finest critics working. High praise indeed. I reached out to James recently with the following five questions and he was generous enough to respond to me. I sincerely appreciate it and the Q&A is below for your enjoyment!

Question 1: You’re clearly a writer, as opposed to strictly being a film critic and have written novels in your spare time. Tell me a little bit about your novels and whether or not that preceded your work in film reviewing or came later?

I started writing books when I was in fourth grade and continued writing them through junior high, high school, and college. I had my first brush with a publisher around 1990. At that time, he told me that although the book I submitted was probably good enough to be published (with some changes), it wasn’t a good gamble for him because I didn’t have a name. So I spent the next 25 years acquiring a name. I began writing the current trilogy in 2007 and completed it (for the most part) in 2013. Over the last three years, I spent time haggling with publishers until I got fed up with the traditional framework and decided to self-publish.

 
Question 2: You had a relationship with Roger Ebert before he passed. What was it in your estimation that made Roger special in his craft?

His ability to relate to people on an everyday basis. Also, his generosity. People would come up to him and engage him in small talk, ask for a picture, etc. He always made time for them.

 
Question 3: Is there or a film or films that spring to mind that you believe are totally overrated in the circles of film criticism? On the contrary, what is a movie that hold in high regard that received mostly negative critical response?

I find most of Ingmar Bergman’s films to be unbearable tedious. Not all of them but many of them. For something more mainstream, “The Sixth Sense,” which I found to be a predictable and tedious. As for a film I hold in higher regard than most critics… how about “Revenge of the Sith.” Most of the movies I laud are *liked* by other critics, just not beloved. It’s hard to think of many that I loved but everyone else hated.

 
Question 4: How long does it take you to write a review? Is there a period of time you prefer to wait after screening before you create your review?

Some reviews take longer than others. The average is probably about 45 minutes, but there are some that take as long as 90 minutes. I see most films at evening screenings and don’t write about them until the next day.

 
Question 5: You are one of the first film critics to gain attention primarily through the Internet. How do you believe this digital age has changed the face of film criticism?

As a means of making a living, it has destroyed it. It’s no longer possible to make a living wage by writing about film. But, in terms of making a wider variety of opinions available, it has been amazing. I remember pre-Internet, if I wanted to read something about a new release, I was limited to reviews in the local papers (there were three of them) and The New York Times (which was published everywhere). Then there was “Sneak Previews” and some of the TV stations had short movie reviews. That was it. No depth and not much breadth. Not so today.
—
– James Berardinelli

Criminal Box Office Prediction

Superman’s Dad (Kevin Costner), Deadpool (Ryan Reynolds), Commissioner Gordon (Gary Oldman), Two-Face (Tommy Lee Jones), and Wonder Woman (Gil Gadot) headline the CIA action thriller Criminal, out next weekend. The pic hopes to bring in an older audience not preoccupied with taking their kids to see The Jungle Book.

It could be a tall order. I don’t believe the marketing campaign has done much to inspire enthusiasm and Costner’s track record over recent years has been spotty when he’s in the lead. This will be lucky to reach the $12.2 million that his 3 Days to Kill managed two years ago, though it’s certainly possible. Summit Entertainment’s best hope might be that audiences notice the participation of Mr. Reynolds (in a supporting part) so soon after the massive success of Deadpool.

I’ll predict Criminal doesn’t quite reach double digits.

Criminal opening weekend prediction: $9.3 million

For my The Jungle Book prediction, click here:

https://toddmthatcher.com/2016/04/06/the-jungle-book-box-office-prediction/

For my Barbershop: The Next Cut prediction, click here:

https://toddmthatcher.com/2016/04/06/barbershop-the-next-cut-box-office-prediction/

Barbershop: The Next Cut Box Office Prediction

It was a good day for Ice Cube in 2002 when Barbershop debuted to $20.6 million with an eventual $75M domestic gross. It was another good day when its sequel Barbershop 2: Back in Business opened with $24.2 million and a $65M overall haul.

Twelve years later, Barbershop: The Next Cut marks the third entry in the franchise with Mr. Cube returning alongside series regulars Cedric the Entertainer, Eve, and Sean Patrick Thomas. Regina Hall, Nicki Minaj, J.B. Smoove, Tyga, and Common also join the cutting crew.

The Next Cut continues the all of a sudden hot 2016 trend of comedy sequels to pictures released early in the 21st century. My Big Fat Greek Wedding 2 has posted decent numbers. Zoolander – No. 2? Not so much.

My feeling is that fans of this franchise will welcome its return, even if it’s been 12 years (not counting its 2005 spin-off Beauty Shop). I believe the possibility of this over performing is significantly greater than underperforming and have it opening just below what 2004’s sequel managed.

Barbershop: The Next Cut opening weekend prediction: $23.1 million

For my The Jungle Book prediction, click here:

https://toddmthatcher.com/2016/04/06/the-jungle-book-box-office-prediction/

For my Criminal prediction, click here:

https://toddmthatcher.com/2016/04/06/criminal-box-office-prediction/

The Jungle Book Box Office Prediction

For the past month, Disney’s mega-hit Zootopia has cornered the family market and stampeded to a current gross of over $275 million. The next kiddie friendly blockbuster looks to be the studio’s own The Jungle Book, which swings into theaters next weekend.

From Iron Man director Jon Favreau, this animal tale remakes Disney’s 1967 animated pic based on Rudyard Kipling’s celebrated works. It also continues their recent trend (Maleficent, Cinderella) of live action remaking titles from their storied past. Book casts newcomer Neel Sethi as young Mowgli with lots of familiar faces voicing the creatures. That list includes Bill Murray, Ben Kingsley, Idris Elba, Scarlett Johansson, and Lupita N’Yongo.

As I see it, The Jungle Book appears primed for a terrific opening in range with the aforementioned Mouse Factory products. 2014’s Maleficent debuted to $69 million. Last year’s Cinderella premiered with $67 million. Their respective domestic hauls were $241M and $201M. Interestingly, just today, Warner Bros own Jungle Book remake (directed by Andy Serkis) has been pushed from 2017 to 2018.

Boasting a current 100% Rotten Tomatoes score should only further positive word of mouth. I believe this could potentially top the remakes that came before it and exceed $70 million.

The Jungle Book opening weekend prediction: $74.6 million

For my Barbershop: The Next Cut prediction, click here:

https://toddmthatcher.com/2016/04/06/barbershop-the-next-cut-box-office-prediction/

For my Criminal prediction, click here:

https://toddmthatcher.com/2016/04/06/criminal-box-office-prediction/