Two-time Oscar winner (for Klute and Coming Home) and seven-time nominee Jane Fonda won’t receive any awards attention this year for her summer hit Book Club. However, it could be a different story when it comes to a documentary made about her life – Jane Fonda in Five Acts.
The tale of the actress/political activist/fitness guru originally debuted earlier this year at the Sundance Film Festival and it premieres on HBO on September 24th. Reviews are strong and the Academy’s respect for its subject could warrant inclusion in the Best Documentary Feature race.
That said, this has been an impressive year for docs. Among those expected to be nominated concentrate on other legendary figures like Mr. Rogers (Won’t You Be My Neighbor?) and Supreme Court Justice Ruth Bader Ginsberg (RBG).
Bottom line: the level of competition is steep, but Ms. Fonda’s story as opposed to her acting could make its way to the attention of voters.
Focused on the legendary life of musical composer Quincy Jones, a documentary about him has premiered at the Toronto Film Festival. Co-directed by his daughter Rashida Jones, the pic about the man behind classic film scores and unforgettable music from Frank Sinatra, Michael Jackson, and many more has garnered respectable reviews.
That said, I’m not sure that will be enough for Quincy to warrant attention this Oscar season. The Documentary category is already crowded with titles such as RBG, Won’t You Be My Neighbor?, Three Identical Strangers, and Fahrenheit 11/9 all vying for spots.
Bottom line: this doc about a man who has won 27 Grammys and been nominated for 7 Academy Awards might come up short come nomination time.
Quincy premieres on Netflix on September 21. My Oscar Watch posts will continue…
Director Eli Roth is known for his very R rated violent tales, including Hostel and the Death Wish remake earlier this year. He changes it up next weekend with the release of The House with a Clock in Its Walls, a fantasy pic geared towards family crowds. Jack Black (fresh off the massive hit Jumanji: Welcome to the Jungle) stars alongside Cate Blanchett, Sunny Suljic, Kyle MacLachlan, Owen Vaccaro, and Renee Elise Goldsberry. Its based on a 1973 novel by John Bellairs.
Looking at comps in the same genre based on books, 2016 saw Miss Peregrine’s Home for Peculiar Children debut to $28.8 million in September. Going back further, 2007’s The Golden Compass made $25.7 million for its start. The former had the benefit of Tim Burton’s involvement. The latter came out in the midst of the holiday season.
While competition for a younger audience is light, I’m not convinced this will quite match those grosses. Unrelated fun fact: the IMAX screenings of Walls will include a 3D version of the iconic Michael Jackson video “Thriller”.
I’ll predict a low to mid 20s gross is what we’ll see here. If so, that should be enough for this to get its hands on the #1 spot.
The House with a Clock in Its Walls opening weekend prediction: $23.2 million
Jonah Hill has two Oscar nominations to his credit in Supporting Actor for 2011’s Moneyball and 2013’s TheWolfofWallStreet. Now the actor broadens his horizons this fall with Mid90s, his directorial debut which he also wrote. It has premiered at the Toronto Film Festival.
Based on early reactions from critics, Hill has made an impressive first feature behind the camera. The coming of age dramedy stars Sunny Suljic, Lucas Hedges (who’s everywhere this awards season with BoyErased and BenIsBack), and Katherine Waterston.
While reviews are solid, Mid90s doesn’t look like Best Picture kind of material for Academy voters. It’s best chance could be recognition for Hill in the Original Screenplay race.
Bottom line: while this looks poised to kickstart a second career for its maker, Oscar chatter could be hard to come by.
The film opens October 19 domestically. My Oscar Watch posts will continue…
A quartet of new titles make their way to multiplexes this weekend: franchise reboot ThePredator, Anna Kendrick/Blake Lively thriller ASimpleFavor, crime drama WhiteBoyRick with Matthew McConaughey, and “spiritual sequel” Unbroken: PathtoRedemption. You can peruse my detailed prediction posts on each of them here:
The Predator should have little trouble hitting the top spot, but I do have it on the lower end of the expectation range in the mid to high 20s.
The Nun got off a terrific start (more on that below) and I do expect a rather large decline due to both front loaded business and fairly poor word of mouth (a C Cinemascore grade). A drop in the low to mid 60s is feasible here and horror pics often have significant declines anyway.
A Simple Favor is intriguing. I believe it should place third and I have it managing to reach its intended female audience with a healthy showing at the top end of estimates.
White Boy Rick has generated zero awards buzz after its Telluride premiere and I’m having trouble seeing it hit double digits. That would put it in fourth.
Even though Peppermint just outdid Crazy Rich Asians for the #2 spot this past weekend, I expect the latter to have a smaller decline and get the five-spot.
As for Unbroken: Path to Redemption, my lowly $2.5 million forecast puts it well outside the top 5.
And with that, my top 5 estimates for the weekend:
1. The Predator
Predicted Gross: $27.4 million
2. The Nun
Predicted Gross: $19.8 million
3. A Simple Favor
Predicted Gross: $17.9 million
4. White Boy Rick
Predicted Gross: $8.7 million
5. Crazy Rich Asians
Predicted Gross: $8.2 million
Box Office Results (September 7-9)
Warner Bros was in full sister act level celebration mode this weekend as The Nun conquered the charts. The fifth entry in the Conjuring Cinematic Universe experienced the best debut of the franchise with $53.8 million compared to my $45.4 million projection. That’s good for the second highest September opening of all time behind last year’s It.
In a bit of a surprise, Jennifer Garner’s revenge tale Peppermint was second with a decent $13.4 million, topping my $11.8 million prediction. Overcoming poor reviews, the film reached the upper end of its projections. I see it dipping around 50% next weekend and falling out of the top five.
The three-week reign of Crazy Rich Asians came to an end as it placed third with $13.1 million (I said $14.2 million) for $135 million total.
The Meg was fourth with $6 million compared to my $5.4 million take and the shark tale has amassed $131 million.
Searching rounded out the top five with $4.5 million (in line with my $4.2 million prediction) for $14 million overall.
Finally, faith-based drama God Bless the Broken Road premiered in 11th place with a weak $1.3 million. I was a bit more generous at $2.1 million.
One of the most eagerly awaited titles screening at the Toronto Film Festival has premiered in the form of If Beale Street Could Talk, the third directorial feature from Barry Jenkins. As you may recall, his second film Moonlight took home the Academy Award for Best Picture in 2016 in rather memorable fashion over La La Land.
Beale Street is based on a James Baldwin novel and set in mid 70s Harlem. The pic sports a large ensemble cast led by Stephan James and Kiki Layne alongside Regina Hall, Colman Domingo, Teyonah Parris, Pedro Pascal, Diego Luna, Ed Skrein, and Dave Franco. Early reviews suggest this could be a player in multiple categories, including Best Picture and Director. In down the line races, it could be recognized for its score from Nicholas Britell as well as Cinematography, Editing, and Production Design. Jenkins could also contend for his Adapted Screenplay. While most critical reaction is strong, some have said it doesn’t quite match up to Moonlight. That said, we shall see if that particular buzz changes in the coming weeks and I feel pretty secure marking it for Picture consideration.
As for the cast, that’s a little murkier. James and Layne are receiving positive notices, but both the lead acting races seem awfully crowded. Both Hall and Parris could contend in Supporting Actress, but that too is far from guaranteed.
Bottom line: If Beale Street Could Talk likely did what it needed to do to be in the Picture and Director mix, while acting nods are a bit less clear.
The film opens domestically on November 30. My Oscar Watch posts will continue…
The film festival season always gives us plenty of Best Picture contenders and potential recipients for the acting categories and elsewhere. There’s also those movies that debut and completely eliminate themselves from contention due to poor reviews. At Toronto, that definitely appears to be the case with Dan Fogelman’s LifeItself (not to be confused with the terrific documentary about Roger Ebert).
Fogelman is most known for creating the hit NBC tearjerker series “This Is Us”. For his second feature film (after the barely noticed Al Pacino led DannyCollins), he’s assembled a cast including Oscar Isaac, Antonio Banderas, Annette Bening, Olivia Wilde, Mandy Patinkin, Olivia Cooke, and Samuel L. Jackson.
Simply put, critical reaction here has been bad, saying it’s manipulative and corny. Bottom line: LifeItself has taken itself out of any awards talk.
The film opens September 21. My Oscar Watch posts will continue…
Five Oscars ago, Steve McQueen’s 12YearsaSlave took home Best Picture and it’s been five years for his follow-up to debut. That picture is Widows, a heist drama based on a 1983 British miniseries and it’s premiered at the Toronto Film Festival.
Reviews for the film are encouraging, but I’m not too sure they’re strong enough for a realistic shot at Best Picture, Director, or Adapted Screenplay (by the director and GoneGirl writer Gillian Flynn) nods.
As for the actors involved, that could be a different story. An impressive supporting cast includes Michelle Rodriguez, Colin Farrell, Jacki Weaver, Robert Duvall, and Liam Neeson. Most of the ink, however, has been reserved for its star Viola Davis. She won Supporting Actress just two years back for Fences. It appears she could factor into the lead Actress race this time around, though competition could be steep. If there’s anything chance at supporting players being recognized, both Daniel Kaluuya (nominated for last year’s GetOut) and Elizabeth Debicki have been singled out in some reviews.
Bottom line: Widows is doubtful for Best Picture, but Davis and maybe a supporting performance or two could be in the mix.
The film opens domestically on November 16. My Oscar Watch posts will continue…
The Toronto Film Festival has screened a second high-profile drama centered on drug addiction following the mixed reaction of BeautifulBoy. That would be BenIsBack, the latest effort from director Peter Hedges. It stars Julia Roberts and the filmmaker’s son Lucas Hedges and early reviews indicate it could garner Oscar talk.
Critical buzz is strong, especially for Roberts. The chance of the actress earning a fifth Academy Award nod has increased. She won eighteen years ago for ErinBrockovich, in addition to nominations in Supporting Actress for SteelMagnolias (1989) and August: OsageCounty (2013) and lead for PrettyWoman (1990). A Best Actor nod for Hedges is more of a question mark. There is the possibility he could cancel himself out by also receiving votes in BoyErased.
Beyond the actors involved, Ben could also contend in Original Screenplay (which director Hedges wrote).
Bottom line: BenIsBack announced itself as a contender in Canada.
The film opens December 7 domestically. My Oscar Watch posts will continue…
The Venice Film Festival has wrapped up its business with awards bestowed. Alfonso Cuaron’s autobiographical Mexico set drama Roma is the winner of the fest’s version of Best Picture – the Golden Lion.
This comes as no surprise. Roma has received rapturous reviews and it seems destined to compete at the Oscars in Best Picture and not just the Foreign Language race. It’s worth noting that last year’s Golden Lion recipient, Guillermo del Toro’s TheShapeofWater, went on to Oscar glory.
The Silver Lion Grand Jury Prize (basically runner-up) went to the Yorgos Lanthimos pic TheFavourite, which has also achieved the status of a likely contender come Oscar time. Olivia Colman took the Best Actress trophy for her work in it. And Willem Dafoe is Best Actor as Vincent Van Gogh in AtEternity’sGate. Both performers appear primed to hear their names mentioned in the Academy’s nominees for their respective lead races.
If there was a surprise, it’s the Coen Brothers winning Best Screenplay for their Western anthology TheBalladofBusterScruggs over Roma or TheFavourite. While critical reaction appeared somewhat mixed, one wonders if this could still have enough admirers to be a player in future awards mixes.
All in all, Roma and TheFavourite have solidified their place as true Oscar hopefuls.
