Paramount is hoping to bring in an older female audience next Friday with the release of BookClub. The comedy casts the quartet of Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen as members of a reading group who become influenced by their latest selection, FiftyShadesofGrey. The pic marks the directorial debut of Bill Holderman and costars include Andy Garcia, Don Johnson, Richard Dreyfuss, Craig T. Nelson, and Alicia Silverstone.
As mentioned, this Club hopes to capitalize on an often underserved market. Yet there is at least one other title appealing to females as LifeoftheParty will be in its sophomore frame and possibly still in lower double digits.
I’ll estimate this manages high single digits to low double digits itself out of the gate as it’ll likely hope for smallish declines in subsequent frames.
BookClub opening weekend prediction: $10.3 million
The nation’s favorite R rated superhero is back in theaters next weekend when Deadpool 2 debuts. Arriving two years plus after the original became a massive hit, Ryan Reynolds returns in the title role with David Leitch (director of Atomic Blonde) taking over the behind the camera duties from Tim Miller. Costars include Monica Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Leslie Uggams, and the summer’s comic book villain of choice, Josh Brolin as Cable (coming off his acclaimed work as Thanos in Avengers: Infinity War).
In February of 2016, Deadpool took in an astonishing $132 million and grossed $363 million overall domestically. That still stands as the largest R rated debut of all time and it sits only behind The Passion of the Christ for all-time earners with that rating. There is a legitimate possibility that part two manages to exceed that opening weekend haul.
I’ll project that Deadpool 2 manages to just do that with a debut approaching $140 million.
Deadpool 2 opening weekend prediction: $137.4 million
Two new titles look to place second and third this weekend as Avengers: Infinity War should continue to dominate the charts. They are the Melissa McCarthy back to college comedy Life of the Party and Gabrielle Union thriller Breaking In. You can peruse my detailed prediction posts on that pair here:
My high teens estimate for Party indeed puts it in the runner-up position with Breaking in mid to high teens for third. I’ve got Avengers grossing just under $60 million in its third frame to easily stay #1 with holdovers Overboard and AQuietPlace rounding out the top five.
And with that, my estimates for the weekend ahead:
1. Avengers: InfinityWar
Predicted Gross: $59.7 million
2. LifeoftheParty
Predicted Gross: $19.4 million
3. BreakingIn
Predicted Gross: $17.6 million
4. Overboard
Predicted Gross: $6.2 million
5. AQuietPlace
Predicted Gross: $5.3 million
BoxOfficeResults (May4–6)
Avengers: InfinityWar continued its chart domination by scoring the second best second weekend ever at $114.7 million, a bit under my $118.1 million forecast. The Marvel juggernaut has amassed $453 million thus far.
Overboard had a healthy opening in second with $14.7 million, topping my $11.8 million estimate. I look for the comedy to have a rather hefty drop this coming weekend.
AQuietPlace was third at $7.7 million (I said $7.3 million) to bring its tally to $160 million.
IFeelPretty was fourth with $5 million (I was close at $5.2 million) for $37 million overall.
Rampage was fifth and I incorrectly had it outside the top 5. It grossed $4.6 million and has made $84 million total.
Tully with Charlize Theron opened meekly in sixth with $3.2 million. I gave it a bit too much credit and had it at $5 million.
Finally, BadSamaritan bombed in 11th place with just $1.7 million, a tad below my $2.1 million projection.
Director Jaume Collet-Serra and his aging action star Liam Neeson collaborate for the fourth time with TheCommuter. If you remember their 2014 effort Non–Stop quite vividly, good for you because I had forgotten much of it. That pic put Mr. Neeson in a precarious position on a long flight in which he was forced to commit potential crimes commanded by shadowy villains. Four years later, this one puts Mr. Neeson in a precarious position on a long train ride in which he is forced to commit potential crimes commanded by shadowy villains. If that makes you think TheCommuter doesn’t exactly aim high, you’d be correct.
The trick with these movies is whether we can successfully put our brains aside and just enjoy the junk food genre offerings. This time around, the director and star don’t make it very easy for us. Neeson is Michael, an ex NYC cop turned life insurance agent for the last decade. He’s 60 (as he reminds us a few times) with a wife (Elizabeth McGovern) and son about to enter college. It’s tough for the family man to make ends meet and that’s thrown into chaos when he’s unceremoniously fired. Each day he makes a long commute home and on the day of his unexpected dismissal, more surprises follow. He’s approached on the train by Joanna (Vera Farmiga) and she offers an opportunity. There’s $100,000 for Michael if he can identify and place a GPS tracker on a passenger who goes by Prynne. Farmiga’s Conjuring hubby Patrick Wilson turns up as Michael’s old partner.
This is all tied to a murder investigation and Prynne is a witness. Joanna’s benefactors want Prynne eliminated and Michael is their ticket to make that happen. All this leads to Michael having to make a series of moral decisions while intermittently kicking an appropriate amount of baddie butt. We also are introduced to the train’s other passengers – some of whom are given perfunctory subplots while we await Prynne’s grand reveal.
TheCommuter, quite frankly, is totally ludicrous and doesn’t make a whole lot of sense. The same could certainly be said of Unknown (the first Collet-Serra/Neeson joint) or Non–Stop. Yet I found both to be slightly more entertaining than this. The screenplay (which somehow took three people to write it) does too little to engage us with its silly plot and a couple of decently choreographed action sequences aren’t enough to save it. Neeson gives it his earnest and occasionally intense all. Bless his heart for not coasting as the story does.
Blogger’s Note (05/10/18): On the eve of its premiere, bumping my estimate from $13.6 million to $17.6 million
Gabrielle Union headlines the thriller Breaking In, out next weekend. Will the movie be able to generate any box office heat or will audiences have a cavalier attitude towards it? The actress plays a single mom caught up in a home invasion situation with her kids. James McTeigue, best known for making 2006’s V for Vendetta, is behind the camera. Costars include Ajiona Alexus, Christa Miller, Jason George, Billy Burke, and Richard Cabral.
The Universal release is currently slated to open on approximately 2300 screens. While it seems to be flying a bit under the radar, it could have enough appeal to female and African-American audiences to post a double digits debut. I’ll predict it manages to do that, which should place it third behind the third weekend of Avengers: Infinity War and the premiere of Melissa McCarthy’s Life of the Party.
Breaking In opening weekend prediction: $17.6 million
Melissa McCarthy is back in theaters after a two-year absence when Life of the Party debuts next weekend. The comedy marks her third collaboration with her husband/director Ben Falcone after 2014’s Tammy and 2016’s The Boss. It’s her first appearance onscreen since the Ghostbusters reboot in the summer of 2016. The pic casts her as a divorced mom who goes back to college and ends up in the same class as her daughter. Costars include Molly Gordon, Gillian Jacobs, Maya Rudolph, Jacki Weaver, Julie Bowen, Matt Walsh, and Stephen Root.
The previous efforts of McCarthy with Falcone has yielded results in the low 20s at the box office. Tammy opened to $21 million with an eventual gross of $84 million. Two years later, The Boss premiered with $23 million and $63 million overall. It certainly is possible that Life could start out in the same range, but I could also see this falling just a tad lower.
I’ll project Life of the Party doesn’t quite reach $20 million, which should easily be enough for it to place second to the third weekend of Avengers: Infinity War.
Life of the Party opening weekend prediction: $19.4 million
It’s gonna by May at the box office and there’s a trio of newcomers hitting screens: rom com remake Overboard with Eugenio Derbez and Anna Faris, critically acclaimed comedic drama Tully with Charlize Theron, and horror thriller Bad Samaritan. You can peruse my detailed prediction posts on each of them here:
I have none of the trio of newcomers even breaking $10 million. Overboard should lead the pack and is likely to place second. Tully could get a 4th or 5th place showing, coming in behind A Quiet Place or a bit ahead or slightly behind I Feel Pretty.My $2.1 million estimate for Bad Samaritan leaves it outside the top 5.
This weekend will once again be all about the superheroes as Avengers: Infinity War enters its sophomore frame after its record shattering debut (more on that below). So how will Iron Man, Captain America, Thor, and so many others hold up in weekend #2? 2012’s The Avengers dropped 50% in its sophomore outing with 2015’s Avengers: Age of Ultron falling 59%. I have this dropping somewhere in between. Let’s put it at 54%. That would be #2 as far as all-time second weekends (vaulting over Black Panther), but not as high as the $149 million achieved by Force Awakens (which had the benefit of its follow-up frame falling over the Christmas holiday).
**If you’d like to read my review of Infinity War (spoiler free), it can be found here:
And with that, here’s my top 5 projections for the weekend:
1. Avengers: Infinity War
Predicted Gross: $118.1 million
2. Overboard
Predicted Gross: $11.8 million
3. A Quiet Place
Predicted Gross: $7.3 million
4. IFeelPretty
Predicted Gross: $5.2 million
5. Tully
Predicted Gross: $5 million
Box Office Results (April 27-29)
Avengers: Infinity War made history at the box office this weekend. Not only did the Marvel gathering of its heroes have the biggest domestic debut of all time – it did so rather easily. War amassed $257.6 million, besting the previous high mark set by 2015’s Star Wars: The Force Awakens at $247.9 million. It blasted past my projection of $240.2 million. Will the fourth Avengers title coming in one year top this one? Time shall tell. One thing is for sure – Marvel/Disney is having an unbelievable year with this and Black Panther.
A Quiet Place took the runner-up spot with $11 million, in line with my $11.8 million prediction for $148 million overall.
I Feel Pretty stayed in third place in weekend #2 with $8.1 million (I was close with $7.6 million) for a $29 million tally.
Rampage placed fourth with $7.2 million, below my $9.1 million forecast for a total of $78 million.
I gave Super Troopers 2 too much credit and had it in the top 5 at $5.6 million. It came in lower with $3.7 million for sixth place and has made $22 million thus far.
The aforementioned Black Panther ended up rounding out the top five with $4.7 million to bring its gross to $688 million.
A franchise can’t run out of steam if it never gathered any to begin with. That is the legacy of the FiftyShades films and it climaxes limply with FiftyShadesFreed. The third and final (!) entry in the romantic saga of Christian Grey (Jamie Dornan) and Anastasia Steele-Grey (Dakota Johnson), we open with the lovebirds tying the knot. And by tying the knot, I mean they’re getting married and not just tying some knot as part of their wild sex escapades. We’ve seen that before and it’s a major reason why the pictures (based on the E.L. James bestsellers) have their legions of fans.
Their wedded bliss is relatively short-lived, though describing anything as short-lived is generous in this sluggishly paced series. For one thing, Ana’s stalker Jack (Eric Johnson) is causing mischief once again. There’s also feelings of jealousy happening with Christian’s former flame (Kim Basinger). That subplot actually gets less screen time than the relationship woes of Ana’s best bud (Eloise Mumford) and Christian’s brother (Luke Grimes). What do these storylines have in common? None of them are interesting. For a trilogy wanting to burst with lustful excitement, Freed and its predecessors have been so very listless.
I was never familiar with the source material from which these movies were spawned. Upon viewing FiftyShadesofGrey for the first time, I was more than willing to keep an open mind and try to understand how the novels become phenomenons. Three tales later, I just don’t get it and that certainly applies to its cinematic renderings. The performances of Johnson and Dornan still come across as flat. My previous descriptions of the “hot scenes” being no more gripping than late night Cinemax still stands (the writing is no better either).
Thankfully I can now officially close that once open mind when it comes to Christian and Anastasia. I am freed.
The horror thriller BadSamaritan arrives in theaters next weekend and it seems to be flying pretty far under the radar. Dean Devlin directs his sophomore pic, but he’s been no stranger to audiences for decades. He was the producing partner of Roland Emmerich and was behind the scenes with efforts including Stargate, IndependenceDay, and the unfortunate 1998 version of Godzilla. Just last year, he put out his debut – disaster flick Geostorm. That mega-budgeted effort took in a weak $33 million domestically. Compared to what I expect Samaritan to do, Geostorm might be considered a blockbuster.
David Tennant, Robert Sheehan, Carlito Olivero, and Kerry Condon are among the cast members in the home invasion tale that turns into a fright fest. Genre fans have had their fix as of late with AQuietPlace and TruthorDare.
Samaritan is slated to open on roughly 1800 screens, which is actually higher than Overboard or Tully (the two features opening on the same day). Even with more showings, I’ll project this premieres third of the three new releases in theaters that should be a quiet place of their own.
BadSamaritan opening weekend prediction: $2.1 million
A decade into its multi-billion dollar cinematic universe, Avengers: InfinityWar invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s IronMan, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!
All of this runs the risk of InfinityWar coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: AgeofUltron or 2016’s CaptainAmerica: CivilWar (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and CivilWar, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads InfinityWar to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.
What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in CivilWar two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).
As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.
Delving too far into what happens in InfinityWar would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.
The conclusion of InfinityWar leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.
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