The nation of Morocco has submitted a total of 18 pictures for consideration from 1977 to the present in the Academy’s International Feature Film race. Only two have made the shortlist – 2011’s Omar Killed Me and this year’s The Blue Caftan. They’re hoping the latter is the first to make the final five.
Maryam Touzani’s relationship drama starring Lubna Azabal and Saleh Bakri premiered at Cannes back in May to appreciative reviews. The Rotten Tomatoes meter is at 93%. Her previous film Adam from 2019 was also Morocco’s designee for IFF, but didn’t make the shortlist like her sophomore feature length effort.
Of the 15 features vying for five spots, I didn’t have Caftan in the top ten for possibilities when I updated my projections last weekend. This will likely remain the case in my next forecast. In the international competition, there’s always the possibility for a surprise. It happened last year with Lunana: A Yak in the Classroom. Caftan could do the same though I wouldn’t count on it. My Oscar Prediction posts will continue…
It’s nice to have a trailer that’s inspired countless memes – mainly from its demented title character doll busting creepy dance moves. M3GAN is the first wide release of 2023 and it appears poised to start the year off on a profitable note. The sci-fi horror pic comes from director Gerard Johnstone with a screenplay by Malignant scribe Akela Cooper. Jason Blum and James Wan serve as producers as the Blumhouse label looks to have another buzzy hit. Allison Williams headlines the cast and she’s no stranger to moneymaking fright fests that open early in the calendar year (2017’s Get Out). The supporting players include Violet McGraw, Ronny Chieng, and Brian Jordan Alvarez.
With a marketing campaign showcasing the alarming and humorous robotic pal, M3GAN may open on pace with other hit genre pics of recent times. I could see it debuting somewhere in between the $30 million from last January’s Scream reboot and the near $23 million that Smile took in during the fall. That’ll be enough to produce smiles and screams of joy for Universal.
Marc Forster’s A Man Called Otto is the second cinematic rendering of Fredrik Backman’s 2012 Swedish dramedy novel titled A Man Called Ove. The first originated from that nation in 2015, drew wide critical praise, and was nominated for both Best Foreign Language Film and Best Makeup Hairstyling at the Oscars.
The American remake is out for an awards qualifying run on December 30th before a wide release on January 13th. I’m really wondering if Sony Pictures dropped the ball a bit with their campaign. Reviews are of the mixed variety with a Rotten Tomatoes rating of 74%. However, this sounds like a crowdpleaser that might win over audiences and rustle up decent business.
In a stronger year for lead, I might discount Hanks. The two-time recipient of the prize and six-time nominee plays against type as a widowed grumpy old man. Four slots in the Actor derby seem spoken for: Austin Butler for Elvis (in which Hanks costars), Colin Farrell in The Banshees of Inisherin, Brendan Fraser in The Whale, and Bill Nighy for Living. The fifth seems wide open with Tom Cruise (Top Gun: Maverick), Hugh Jackman (The Son), and Paul Mescal (Aftersun) among those in contention. If Otto had been allowed a little more runway for its buzz to build, I’d throw Hanks in that mix. Now it might simply be too late.
That same logic applies to Mariana Treviño and even more so. The Mexican actress is getting rave notices. More than any other of the acting competitions, Supporting Actress has lots of possibilities and perhaps no slam dunk nominees. Had Sony mounted a spirited drive for Treviño, her inclusion would have been feasible. It’s still doable though unlikely.
There is one category where Otto could hear its name called. Of the 15 announced shortlist tunes for Original Song, “Til You’re Home” is in. The track is performed by the star’s wife Rita Wilson and Sebastiān Yatra. It was a surprise entry in the field and I’d be surprised if it makes the eventual five. My Oscar Prediction posts will continue…
Hollywood is hoping that the closeout to 2022 looks better than Christmas weekend. There’s a solid chance that it will. While no new wide releases are on deck, holdovers could see their earnings increase from the prior holiday.
In previous years when Christmas Eve was on Saturday, that meant the typical biggest day of the weekend isn’t as potent (look up 2005, 2011, 2016). Moviegoers treat weekdays similar to Fridays and Saturdays during the end of the year with many on vacation and schools on break. For 2022, you can add a unique wrinkle with this past weekend. Many areas of the country (including where this blogger was) were experiencing winter storm conditions and bitter cold that prevented a night out. The forecast is rosier as we ring in the new year.
The years I mentioned saw most of their returnees see percentage gains. Avatar: The Way of Water will obviously make it a three-peat and I’m envisioning a slight uptick.
Puss in Boots: The Last Wish seems destined for the heftiest lift in the 25-30 percent region. Whitney Houston: I Wanna Dance with Somebody should remain in third and I could see a 15-20% increase considering its A Cinemascore grade.
Babylon, after a dismal start and a C+ Cinemascore, may be an exception as it could diminish slightly. So could Violent Night considering the Yuletide theme. That might mean Black Panther: Wakanda Forever goes from 6th to 4th.
Here’s how I see that top 6 panning out:
1. Avatar: The Way of Water
Predicted Gross: $65.8 million
2. Puss in Boots: The Last Wish
Predicted Gross: $16.1 million
3. Whitney Houston: I Wanna Dance with Somebody
Predicted Gross: $5.6 million
4. Black Panther: Wakanda Forever
Predicted Gross: $4.5 million
5. Babylon
Predicted Gross: $3.2 million
6. Violent Night
Predicted Gross: $3.1 million
Box Office Results(December 23-25)
Due to the reasons listed above, it wasn’t the merriest of Christmases for multiplexes. Nearly all titles couldn’t match my projections. In its sophomore frame, Avatar: The Way of Water took in $63.3 million from Friday to Sunday for an easy 1st place. I was $10 million higher at $73.4 million. The ten-day haul is $261 million. James Cameron’s long in development sequel is poised to hit a billion worldwide tonight and that third week gross should be impressive.
DreamWorks Animation had a far from purr-fect start in second (I’m sorry) for their long in development follow-up Puss in Boots: The Last Wish. It managed $12.4 million from Friday to Sunday and $18.5 million since its Wednesday premiere. I went with $18.3 million and $28.5 million, respectively. Luckily this could have a second life (maybe even nine) with little competition for its intended audience.
Whitney Houston: I Wanna Dance with Somebody couldn’t find its groove with a flat $4.7 million opening in third. I was much more optimistic with $11.5 million. Despite mostly negative reviews, the crowds that did turn up liked what they saw and this should get a decent bump.
Damien Chazelle’s Babylon was a pricey dud. With a reported $80 million price tag, the three hour hard R rated tale of early Hollywood fizzled with only $3.6 million in fourth. I predicted $8.7 million. As mentioned, the only bumps I expect this to experience are the ones the characters are doing.
Violent Night rounded out the top five with $3.5 million (I said $3.3 million). Overall take is $41 million. Black Panther: Wakanda Forever was sixth with $3.4 million, on pace with my $3.2 million forecast for $426 million total.
My last Oscar Predictions for this calendar year comes with no changes in Director, Actress, Actor, Supporting Actor, or the screenplay competitions. Yet not all is quiet. I’m finally giving Netflix a BP entrant, but it’s not Glass Onion: A Knives Out Mystery (though I considered it). All Quiet on the Western Front is in the 10 and that knocks out Triangle of Sadness.
Let’s talk Babylon. I came very close to dropping it from my BP list after its dismal box office performance and a C+ Cinemascore grade. It’s clinging to the race in 10th. I almost replaced it with The Whale (which has also received plenty of mixed reaction). I have a gut feeling that one of them still makes the cut and I’m leaning toward the former at the moment.
In Supporting Actress, Claire Foy’s work in Women Talking is out in favor of costar Jessie Buckley. That would mark her second nomination in as many years.
There’s new #1s in International Feature Film with All Quiet displacing Decision to Leave and Documentary Feature with Navalny leaping over All That Breathes.
And, of course, the shortlists released Wednesday are reflected in various categories below. I’ll have my first estimates in calendar year 2023 up next weekend as we inch closer to nomination morning!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 3) (E)
4. Top Gun: Maverick (PR: 4) (E)
5. Elvis (PR: 6) (+1)
6. Avatar: The Way of Water (PR: 8) (+2)
7. Tár (PR: 5) (-2)
8. Women Talking (PR: 7) (-1)
9. All Quiet on the Western Front (PR: Not Ranked)
10. Babylon (PR: 9) (-1)
Other Possibilities:
11. The Whale (PR: 13) (+2)
12. Glass Onion: A Knives Out Mystery (PR: 12) (E)
13. Triangle of Sadness (PR: 10) (-3)
14. RRR (PR: 11) (-3)
15. The Woman King (PR: 15) (E)
Dropped Out:
She Said
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 3) (E)
4. Todd Field, Tár (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 5) (E)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 6) (E)
7. Edward Berger, All Quiet on the Western Front (PR: Not Ranked)
8. Baz Luhrmann, Elvis (PR: 10) (+2)
9. Damien Chazelle, Babylon (PR: ) (-2)
10. S.S. Rajamouli, RRR (PR: 8) (-2)
Dropped Out:
Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 3) (E)
4. Danielle Deadwyler, Till (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 6) (E)
7. Olivia Colman, Empire of Light (PR: 7) (E)
8. Ana de Armas, Blonde (PR: 10) (+2)
9. Jennifer Lawrence, Causeway (PR: 8) (-1)
10. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: 9) (-1)
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 3) (+1)
3. Colin Farrell, The Banshees of Inisherin (PR: 2) (-1)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 5) (E)
Other Possibilities:
6. Tom Cruise, Top Gun: Maverick (PR: 7) (+1)
7. Paul Mescal, Aftersun (PR: 6) (-1)
8. Jeremy Pope, The Inspection (PR: 9) (+1)
9. Tom Hanks, A Man Called Otto (PR: Not Ranked)
10. Diego Calva, Babylon (PR: 8) (-2)
Dropped Out:
Gabriel LaBelle, The Fabelmans
Best Supporting Actress
Predicted Nominees:
1. Kerry Condon, The Banshees of Inisherin (PR: 1) (E)
2. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 2) (E)
3. Angela Bassett, Black Panther: Wakanda Forever (PR: 5) (+2)
4. Jessie Buckley, Women Talking (PR: 6) (+2)
5. Dolly de Leon, Triangle of Sadness (PR: 3) (-2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+1)
7. Hong Chau, The Whale (PR: 10) (+3)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 8) (E)
9. Claire Foy, Women Talking (PR: 4) (-5)
10. Carey Mulligan, She Said (PR: 9) (-1)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Brian Tyree Henry, Causeway (PR: 6) (E)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Eddie Redmayne, The Good Nurse (PR: 9) (+1)
9. Brad Pitt, Babylon (PR: 8) (-1)
10. Tom Hanks, Elvis (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Decision to Leave (PR: 8) (+1)
8. Babylon (PR: 7) (-1)
9. The Menu (PR: 9) (E)
10. Bardo (PR: Not Ranked)
Dropped Out:
Elvis
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. She Said (PR: 2) (E)
3. Glass Onion: A Knives Out Mystery (PR: 3) (E)
4. The Whale (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Top Gun: Maverick (PR: 7) (-1)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. Bones and All (PR: Not Ranked)
Dropped Out:
The Son
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Marcel the Shell with Shoes On (PR: 3) (+1)
3. Turning Red (PR: 2) (-1)
4. My Father’s Dragon (PR: 5) (+1)
5. Puss in Boots: The Last Wish (PR: 4) (-1)
Other Possibilities:
6. The Bad Guys (PR: 7) (+1)
7. Wendell and Wild (PR: 6) (-1)
8. Strange World (PR: 8) (E)
9. Lightyear (PR: 10) (+1)
10. Inu-Oh (PR: Not Ranked)
Dropped Out:
The Sea Beast
Best International Feature Film
Predicted Nominees:
1 . All Quiet on the Western Front (PR: 2) (+1)
2. Decision to Leave (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 4) (E)
5. Argentina, 1985 (PR: 5) (E)
Other Possibilities:
6. Bardo (PR: 6) (E)
7. EO (PR: 8) (+1)
8. Joyland (PR: 9) (+1)
9. The Quiet Girl (PR: Not Ranked)
10. Holy Spider (PR: 7) (-3)
Dropped Out:
Klondike
Best Documentary Feature
Predicted Nominees:
1. Navalny (PR: 2) (+1)
2. All That Breathes (PR: 1) (-1)
3. All the Beauty and the Bloodshed (PR: 4) (+1)
4. Fire of Love (PR: 3) (-1)
5. Descendant (PR: 5) (E)
Other Possibilities:
6. The Territory (PR: 7) (+1)
7. Moonage Daydream (PR: 9) (+2)
8. The Janes (PR: Not Ranked)
9. Retrograde (PR: 10) (+1)
10. Bad Axe (PR: Not Ranked)
Dropped Out:
Good Night Oppy
Sr.
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Fabelmans (PR: 4) (+1)
4. All Quiet on the Western Front (PR: 7) (+3)
5. Babylon (PR: 3) (-2)
Other Possibilities:
6. Empire of Light (PR: 5) (-1)
7. The Banshees of Inisherin (PR: 6) (-1)
8. Bardo (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 9) (E)
10. Tár (PR: Not Ranked)
Dropped Out:
Nope
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 4) (E)
5. Living (PR: 9) (+4)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 6) (E)
7. The Fabelmans (PR: 7) (E)
8. Everything Everywhere All at Once (PR: 5) (-3)
9. Corsage (PR: 8) (-1)
10. Women Talking (PR: Not Ranked)
Dropped Out:
The Banshees of Inisherin
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Avatar: The Way of Water (PR: 6) (+2)
5. Elvis (PR: 4) (-1)
Other Possibilities:
6. Babylon (PR: 5) (-1)
7. Women Talking (PR: 8) (+1)
8. The Banshees of Inisherin (PR: 7) (-1)
9. All Quiet on the Western Front (PR: Not Ranked)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
Tár
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. The Batman (PR: 5) (+2)
4. Babylon (PR: 3) (-1)
5. All Quiet on the Western Front (PR: 9) (+3)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 4) (-2)
7. Emancipation (PR: Not Ranked)
8. Amsterdam (PR: Not Ranked)
9. Blonde (PR: Not Ranked)
10. Crimes of the Future (PR: Not Ranked)
Dropped Out:
Everything Everywhere All at Once
The Woman King
X
Corsage
Best Original Score
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Avatar: The Way of Water (PR: 8) (+2)
7. Everything Everywhere All at Once (PR: Not Ranked)
8. Black Panther: Wakanda Forever (PR: Not Ranked)
9. All Quiet on the Western Front (PR: Not Ranked)
10. She Said (PR: Not Ranked)
Dropped Out:
Empire of Light
The Batman
White Noise
Tár
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 2) (E)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 3) (E)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 5) (E)
Other Possibilities:
6. “Carolina” from Where the Crawdads Sing (PR: 6) (E)
7. “Stand Up” from Till (PR: Not Ranked)
8. “New Body Rhumba” from White Noise (PR: 7) (-1)
9. “This Is a Life” from Everything Everywhere All at Once (PR: 8) (-1)
10. “Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water (PR: 10) (E)
Dropped Out:
“Nobody Like U” from Turning Red
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 4) (E)
5. Glass Onion: A Knives Out Mystery (PR: 5) (E)
Other Possibilities:
6. The Fabelmans (PR: 6) (E)
7. All Quiet on the Western Front (PR: Not Ranked)
8. Everything Everywhere All at Once (PR: 7) (-1)
9. Guillermo del Toro’s Pinocchio (PR: 8) (-1)
10. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
The Woman King
Empire of Light
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. All Quiet on the Western Front (PR: 7) (+3)
5. The Batman (PR: 4) (-1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. Babylon (PR: 6) (-1)
8. Black Panther: Wakanda Forever (PR: 9) (+1)
9. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
10. Moonage Daydream (PR: Not Ranked)
Dropped Out:
Nope
RRR
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Batman (PR: 6) (+3)
4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)
5. Black Panther: Wakanda Forever (PR: 7) (+2)
Other Possibilities:
6. All Quiet on the Western Front (PR: Not Ranked)
7. Nope (PR: 10) (+3)
8. Thirteen Lives (PR: Not Ranked)
9. Jurassic World: Dominion (PR: Not Ranked)
10. Fantastic Beasts: The Secrets of Dumbledore (PR: Not Ranked)
Dropped Out:
Everything Everywhere All at Once
RRR
Guillermo del Toro’s Pinocchio
Good Night Oppy
That equates to these movies garnering these numbers of nods:
9 Nominations
The Fabelmans
8 Nominations
The Banshees of Inisherin
7 Nominations
Babylon, Elvis,Everything Everywhere All at Once
6 Nominations
Avatar: The Way of Water, Top Gun: Maverick
5 Nominations
All Quiet on the Western Front, Black Panther: Wakanda Forever Women Talking
4 Nominations
Tár
3 Nominations
The Batman, Guillermo del Toro’s Pinocchio, Living, The Whale
2 Nominations
Glass Onion: A Knives Out Mystery, Triangle of Sadness
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Marcel the Shell with Shoes On, Navalny, She Said, My Father’s Dragon, Puss in Boots: The Last Wish, RRR, Saint Omer, The Son, Tell It Like a Woman, Till, Turning Red, The Woman King
My Year Of posts focused on six performers who gave audiences a memorable 2022 culminates with what I’ll consider the Utility Player prize. This goes to a character actor who improves the viewing experience of the projects they’re in. We could coin it the Patricia Clarkson or J.T. Walsh Award.
This year, I’m giving it to Hong Chau. Five years ago, she received Golden Globe and Critics Choice nominations for her supporting part in Alexander Payne’s Downsizing. An Oscar nod was expected to follow, but didn’t materialize.
In the half decade since, she’s been seen more in small screen material. That changed in ’22 with two critically heralded roles in Darren Aronofsky’s The Whale and Mark Mylod’s The Menu. For the former, her Liz (caretaker and confidant to Brendan Fraser’s lead) could mark Chau’s first Academy recognition. For the latter, her Elsa (second in command to the sadistic chef played by Ralph Fiennes) was a highlight in a terrific cast.
At the Cannes Film Festival in May, another Chau performance received acclaim. Kelly Reichardt’s Showing Up features her with Michelle Williams in a dramedy that sports a 95% Rotten Tomatoes score. It’ll be released stateside in 2023. So will Wes Anderson’s Asteroid City where she’ll be part of his typical impressive ensemble that includes Tom Hanks, Tilda Swinton, Margot Robbie, Edward Norton, and many more. Chau is also cast in Yorgos Lanthimos’s And with Emma Stone, Jesse Plemons, Willem Dafoe, and Margaret Qualley.
Among all those well-known filmmakers and stars, Chau stands out and earns a final slot in the Year Of write-ups.
My six-part series of performers who had a lot shaking at multiplexes continues with Austin Butler. Like previous subject Jenna Ortega, he first gained recognition in small screen CW fare such as The Carrie Diaries. By 2019, he was turning up in a smallish role for Quentin Tarantino’s Once Upon a Time in Hollywood.
This year, he broke out in a massive way as the title character in Baz Luhrmann’s Elvis biopic. Critics and audiences immediately lavished praised for his embodiment of the legend. In addition to its $151 million domestic haul, Butler can already claim Golden Globe and Critics Choice Best Actor nods. The Academy will surely follow suit and he’s a threat to take gold (along with Brendan Fraser in The Whale and Colin Farrell for The Banshees of Inisherin).
Butler closed out the year hosting SNL with a heartfelt monologue honoring his late mother. He’ll be seen in the Dune sequel in 2023 as well as The Bikeriders with Tom Hardy and Jodie Comer.
Going from a relative unknown to a headliner in 2022… Butler did it. My Year Of posts will culminate with a character actor with a lot on her ’22 menu…
Scott Cooper’s The Pale Blue Eye opens in select theaters this weekend prior to its January 6th Netflix bow. Set in 1830, the mystery casts Christian Bale as a detective working alongside Harry Melling’s Edgar Allan Poe. The supporting cast includes Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Timothy Spall, and Robert Duvall.
Marking the third collaboration between Cooper and Bale after Out of the Furnace and Hostiles, this is being greeted with decidedly mixed notices. The Rotten Tomatoes score is currently 57% with some writers praising the production value while criticizing the gloomy vibe.
Netflix clearly had no real plans to mount an awards campaign for this. They probably could’ve tried for Production and/or Costume Design. It showed up nowhere in the Globe or Critics Choice mentions. The Academy is highly likely to follow suit. My Oscar Prediction posts will continue…
My posts covering actors who had an impactful 2022 continues with a new Scream Queen.
Before we get to her, I came close to giving Jamie Lee Curtis her own dedicated write-up. The OG SQ might nab a first Oscar nomination for her supporting work in Everything Everywhere All at Once and she finished up her iconic role (probably right?) as Laurie Strode in Halloween Ends.
Just as Curtis was concluding her participation in a vaunted horror franchise, 20-year-old Jenna Ortega was making her presence known in another. Some viewers first saw her on the CW series Jane the Virgin. In 2021, Ortega drew acclaim for her more grown-up performance in the HBO Max drama The Fallout. It was this year that she broke out in another genre via January’s Scream. With over $80 million in its domestic coffers, she’ll be back in March for Scream VI.
More kudos followed in March for Ti West’s exploitation homage X. Ortega played a crew member on a porn set who gets more than she bargained for out of the experience. X marked the spot for many critics with its 94% on Rotten Tomatoes.
Ortega’s frighteningly good ’22 went into overdrive with Netflix’s Wednesday. From Tim Burton, the blend of comedy and horror and its 8 episodes cast the actress as Wednesday Addams from the The Addams Family. Debuting last month, it shot to #1 on the streamer in over 80 countries and holds the record for most hours viewed for a series in the first week of release. In others words, it’s a phenomenon every day of the week.
Needless to say, a second season is already in the planning stages. With her Scream sequel on deck and a role in the thriller Finestkind with Ben Foster and Tommy Lee Jones coming up, Ortega should continue to make her spooky presence known. My Year Of posts will continue with another actor who started out on the CW and had a whole lot shaking on the silver screen this year…
On the eve of its premiere, the embargo for Whitney Houston: I Wanna Dance with Somebody finally lifted. For those not familiar, waiting until December 21st for critics to weigh in is not a good sign for awards possibilities. The biopic comes from Kasi Lemmons, who last directed Cynthia Erivo to a Best Actress nod for 2019’s Harriet. Then there’s the screenwriter Anthony McCarten. He’s a bit of an awards whisperer. His screenplays for 2014’s The Theory of Everything, 2017’s Darkest Hour, and 2018’s Bohemian Rhapsody resulted in Best Actor victories for (respectively) Eddie Redmayne, Gary Oldman, and Rami Malek.
That’s why I was a tad surprised that Somebody was MIA at film festivals and that there were no early reviews to generate buzz. Now it makes more sense. The Rotten Tomatoes score is a mere 41%. That said, some write-ups are singing the praises of Naomi Ackie as the iconic and troubled legend. I don’t think it would’ve been impossible for Ackie to make the five in Best Actress. At this juncture, only Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) have guaranteed spots in my opinion. Michelle Williams in The Fabelmans and Danielle Deadwyler for Till are probably in as well. The fifth slot could be Margot Robbie (Babylon), Viola Davis (The Woman King), Olivia Colman (Empire of Light), or a surprise.
It is probably too late for Ackie to be a factor. The Critics Choice and Globes skipped her and the Academy is unlikely to make her queen of the night. My Oscar Prediction posts will continue…
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