Despite submitting 10 pictures for consideration (including eight from 2013-20), the nation of Pakistan has yet to receive a nomination in the International Feature Film Oscar race. Could that change with Joyland?
The directorial debut of Saim Sadiq, the family drama won the Jury Prize when it premiered at the Cannes Film Festival in May. It also picked up a nod for Best International Film at the Independent Spirit Awards earlier this week. The Rotten Tomatoes score is 100%.
We have plenty of potential heavy hitters in IFF for 2022 including likely frontrunners All Quiet on the Western Front and Decision to Leave. Pakistan has a non-existent track record of making the eventual cut, but Joyland might be its most promising contender so far. I haven’t listed it in my top five (or even top 10 yet), but I wouldn’t completely discount its viability. My Oscar Prediction posts will continue…
Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.
His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.
Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…
If Mel Gibson in 2020’s Fatman didn’t satiate your desire to see Kris Kringle toting semiautomatic weapons, we’ve got Violent Night sliding into theaters on December 2nd. David Harbour of Stranger Things fame is Santa in the satiric action pic from director Tommy Wirkola. Supporting players include John Leguizamo (currently appearing in The Menu), Cam Gigandet, Alex Hassell, Alexis Louder, and Beverly D’Angelo (already a holiday silver screen staple thanks to Christmas Vacation).
Universal is hoping audiences want a little comedic savagery in their Yuletide viewing plans. Harbour hasn’t had a big screen breakout. In fact, it’s quite the opposite as 2019’s Hellboy was a dud (he did turn up in last year’s MCU blockbuster Black Widow).
The best case scenario would be a premiere approaching 2015’s Krampus, which rolled out on the same December weekend. It made just over $16 million and eventually topped out at $42 million domestically. I don’t anticipate that kind of showing for Violent Night. There’s a chance it won’t even reach double digits. I’ll put it a hair under.
Violent Night opening weekend prediction: $9.4 million
In 1993, NBA superstar Charles Barkley famously told the world in a commercial that he was not a role model. Nearly three decades later, cinematic superstar Dwayne Johnson tells us repeatedly in Black Adam that he is not a hero. This latest offering from the DC Extended Universe kind of has a mid 90s vibe when it comes to comic book adaptations. That was a weak time for the genre prior to its explosion in the 21st century. As far as quality, this has more in common with 1996’s Kazaam, which starred Barkley’s Inside the NBA colleague Shaquille O’Neal. Adam may have a connection to 2019’s Shazam!, but shares little of its entertainment value.
A prologue in 2600 B.C. introduces us to the fictional Middle Eastern nation of Kahndaq. A young boy enslaved by an evil ruler chooses to take a stand against the oppression (even as his elders discourage it). He is rewarded by the Council of Wizards – hence that Shazam! tie-in as he’s given the immense powers of that character.
Flash forward 5000 years and Kahndaq is under a different kind of oppression from a crime syndicated known as Intergang. Archeologist Adrianna (Sarah Shahi) is in search of the Crown of Sabbac, which turns its wearer into a demonic being. Intergang is looking for it as well. When they clash, she manages to awaken Teth-Adam. He’s believed to be that heroic rebel from 50 centuries ago. Dwayne Johnson is the awoken being. Adam insists that’s he not a hero and keeps saying it.
The presence of this superhuman relic attracts the attention of Amanda Waller (Viola Davis), who you may remember as The Suicide Squad‘s recruiter. Adam is looked at as a potential threat. The Squad doesn’t intervene. Neither does Superman or Batman or The Flash (though they’re glimpsed on the bedroom wall of Adrianna’s teenage son). Instead the Justice Society books passage to Kahndaq to investigate just how dangerous Adam is. Pierce Brosnan is the clairvoyant Doctor Fate, Aldis Hodge is Hawkman, Noah Centineo plays Atom Smasher (think Ant-Man but he can only grow big), and Quintessa Swindell is the twirling Cyclone. If this sounds like the B list of the DC pages, that’s certainly how it feels. That superficiality extends to the villain (Marwan Kenzari), the Intergang leader who dons the devilish crown. He might be more forgettable than Justice League‘s baddie Steppenwolf (Ciarán Hinds) and that’s saying a lot.
Jaume Collet-Serra directed Johnson in the pretty enjoyable Jungle Cruise. That collaboration was a better ride than this. Johnson is saddled with a hero (wait… NOT a hero!!!) who’s often a sullen bore. Very little of the actor’s dynamic personality comes through. It breaks through on occasion but not nearly enough. We’re cooking at a low boil. Everything in Black Adam has been done with more pizzazz in other DCEU and especially MCU pictures. Dwayne Johnson (and Tina Turner) are right in this case. We don’t need another hero.
Disney, be it through their traditionally animated works or especially Pixar, has had a stranglehold on the Best Animated Feature race at the Oscars. The category began in 2001. Of the 21 winners, 15 are from the Mouse Factory. That includes 9 out of the last 10 (the outlier is Spider-Man: Into the Spider-Verse).
The Disney domination appears fragile in 2022. Their adventure tale Strange World, focused on a legendary group of explorers, hits multiplexes over the Turkey Day weekend. Don Hall and Qui Nguyen direct with a voice cast including Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, Gabrielle Union, and Lucy Liu.
With its review embargo up, the Rotten Tomatoes meter is at 72%. That’s pretty low for this studio’s product. The Pixar offering from earlier in the year, Turning Red, sits at 95%. Now that World has been seen, it appears Red is Disney’s strongest contender to take the Academy’s prize. In fact, Strange World could miss the top five altogether.
However, Red is expected to come up short to Guillermo del Toro’s Pinocchio from Netflix. We were waiting to see if Strange could present a challenge. It will not and my Oscar prediction posts will continue…
Hollywood is hoping audiences mix a trip to the multiplex in their holiday plans. We have a slew of new releases, but it should be a three-week old leftover topping the Turkey weekend charts. Disney’s animated Strange World, aerial adventure Devotion, cannibalistic romance Bones and All, and Steven Spielberg’s coming-of-age awards hopeful The Fabelmans all debut or expand. You can peruse my detailed prediction posts on them here:
Let’s begin with a title you don’t see. Rian Johnson’s Glass Onion: A Knives Out Mystery is the eagerly awaited and well-reviewed follow-up to Knives Out, which opened over the same holiday three years ago. Netflix is the distributor and it will be before our streaming eyes for Christmas. Onion is hitting approximately 600 venues for a sneak preview from Wednesday to Sunday. It is not expected that Netflix will report its financials. That’s why you won’t find it in the top 10. If they do end up deciding to do so, I imagine it’ll do quite well (and be either third or fourth).
Back to movies where we expect box office grosses! Strange World is the Mouse Factory’s latest animated offering to be unveiled over Thanksgiving. Yet the marketing campaign has been weak. My high teens three-day and mid 20s five-day is very subpar for the studio. On the bright side, they’ll certainly have numbers 1-2 as Black Panther: Wakanda Forever should three-peat with a drop in the low 40s range.
Devotion could over perform if enough older moviegoers check in. I have it settling for a so-so third place in the high single digits for the traditional frame and low double digits for the Wednesday to Sunday portion.
The Menu should be fourth after an appetizing start (more on that below). I think it’ll only fall in the high 20s or low 30s for the sophomore outing. Bones and All could round out the top five. Its gory subject matter could prevent crowds from perusing its gruesome menu.
Spielberg’s The Fabelmans is out on just 600 screens. That limits the potential and I have a gut feeling it may fall short of expectations anyway. I have it pegged for 7th place as it hopes that Oscar buzz improves its earnings in later weekends.
Here’s how I envision the top 10 looking with 3 and 5 day estimates for the newcomers:
1. Black Panther: Wakanda Forever
Predicted Gross: $37.9 million
2. Strange World
Predicted Gross: $19.3 million (Friday to Sunday); $26.7 million (Wednesday to Sunday)
3. Devotion
Predicted Gross: $7.2 million (Friday to Sunday); $10.7 million (Wednesday to Sunday)
4. The Menu
Predicted Gross: $6.4 million
5. Bones and All
Predicted Gross: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)
6. Black Adam
Predicted Gross: $3.3 million
7. The Fabelmans
Predicted Gross: $2.8 million (Friday to Sunday); $4.1 million (Wednesday to Sunday)
8. The Chosen Season 3: Episodes 1 and 2
Predicted Gross: $2.4 million
9. Ticket to Paradise
Predicted Gross: $2.3 million
10. She Said
Predicted Gross: $1.6 million
Box Office Results (November 18-20)
Black Panther: Wakanda Forever didn’t quite drop as far as MCU predecessors Doctor Strange in the Multiverse of Madness or Thor: Love and Thunder, but it was still a steep decline. The sequel to 2018’s phenomenon slid 63% in weekend 2 with $66.4 million, under my $70.3 million projection. The ten-day tally is $287 million.
The Menu was the rare pic for the grown-ups that performed admirably. The culinary satire was runner-up with $9 million, a bit ahead of my $8.2 million prediction. Look for it for to hold well over Thanksgiving.
The Chosen Season 3: Episodes 1 and 2 had its core audience believing as the Fathom Events experience was third with $8.7 million (topping my $7.5 million estimate). Last December, Christmas with the Chosen: The Messengers had a 71% plummet in its second weekend. Expect similar results here.
Black Adam was fourth with $4.6 million (I said $5.3 million) as the superhero pic is up to $157 million after four weeks.
Ticket to Paradise rounded out the top five at $3.1 million, below my $4.1 million prediction. The rom com has grossed $61 million.
Finally, She Said was a dud. Focused on the journalistic journey to expose Harvey Weinstein, it was a quiet sixth at $2.2 million. I went with $3.4 million.
And that does it for now, folks! Have a Happy Thanksgiving!!
Two weeks have passed since my previous Oscar predictions and the biggest news is that there’s a new #1 in Best Picture. For quite some time, I’ve had Steven Spielberg’s The Fabelmans in first position. It would still make plenty of sense to keep it there. However, I’ve had a nagging feeling that this frontrunner is vulnerable. And my gut (at the moment) tells me that Everything Everywhere All at Once is a major threat for the victory. Stephanie Hsu is back in Supporting Actress for Everything over Carey Mulligan (She Said).
This isn’t the only development in the last 14 days. Damien Chazelle’s eagerly awaited Babylon held screenings. The buzz is wildly mixed, but I still believe it should perform well with nominations.
Another big change in BP is that Avatar: The Way of Water has surfaced in the top 10 (where it’s yet to place before). She Said, which had a very disappointing box office showing this weekend, dips to 11th.
There are changes in Best Actor. For the first time, I’m elevating Tom Cruise to the top five in Best Actor. He does so at the expense of Hugh Jackman in The Son, whose wide release was just delayed to January. That indicates to me that Sony Pictures Classics is losing faith in the pic (which received plenty of negative reviews). They may focus the bulk of their attention on Bill Nighy in Living.
In Supporting Actor, I’ve put Paul Dano back in for The Fabelmans. That means Spielberg’s movie would have the double supporting nominees instead of The Banshees of Inisherin (Barry Keoghan has moved to sixth).
There’s modifications in Animated Feature with Marcel the Shell with Shoes On and My Father’s Dragon entering the quintet and Wendell and Wild and Strange World falling out. Holy Spider is back in International Feature Film to the detriment of Bardo. In Documentary Feature, Fire of Love returns with Last Flight Home out.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1 . Everything Everywhere All at Once (Previous Ranking: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 5) (+2)
4. Women Talking (PR: 4) (E)
5. Babylon (PR: 3) (-2)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. Avatar: The Way of Water (PR: 13) (+3)
Other Possibilities:
11. She Said (PR: 10) (-1)
12. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. All Quiet on the Western Front (PR: 11) (-3)
15. Elvis (PR: 14) (-1)
Dropped Out:
Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 3) (+1)
3. Damien Chazelle, Babylon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)
7. Park Chan-wook, Decision to Leave (PR: 7) (E)
8. Edward Berger, All Quiet on the Western Front (PR: 6) (-2)
9. James Cameron, Avatar: The Way of Water (PR: 9) (E)
10. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
Dropped Out:
Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (Previous Ranking: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 9) (+2)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 7) (+2)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 5) (-2)
8. Paul Mescal, Aftersun (PR: 10) (+2)
9. Jeremy Pope, The Inspection (PR: 8) (-1)
10. Will Smith, Emancipation (PR: Not Ranked)
Dropped Out:
Adam Driver, White Noise
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 5) (-1)
7. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 9) (+2)
8. Dolly De Leon, Triangle of Sadness (PR: 7) (-1)
9. Nina Hoss, Tár (PR: 8) (-1)
10. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 6) (+2)
5. Judd Hirsch, The Fabelmans (PR: 4) (-1)
Other Possibilities:
6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Mark Rylance, Bones and All (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. The Menu (PR: 10) (+3)
8. Aftersun (PR: 8) (E)
9. Decision to Leave (PR: 7) (-2)
10. Bardo (PR: Not Ranked)
Dropped Out:
Broker
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones and All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Son (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 6) (+3)
4. My Father’s Dragon (PR: 8) (+4)
5. The Bad Guys (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 3) (-3)
7. Strange World (PR: 4) (-3)
8. The Sea Beast (PR: 7) (-1)
9. Lightyear (PR: 9) (E)
10. Minions: The Rise of Gru (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 5) (+1)
5. Holy Spider (PR: 7) (+2)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Argentina, 1985 (PR: 8) (+1)
8. The Quiet Girl (PR: Not Ranked)
9. EO (PR: 9) (E)
10. Alcarras (PR: 10) (E)
Dropped Out:
Klondike
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 6) (+1)
Other Possibilities:
6. The Territory (PR: 7) (+1)
7. Moonage Daydream (PR: 8) (+1)
8. Good Night Oppy (PR: 9) (+1)
9. Last Flight Home (PR: 5) (-4)
10. Sr. (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Empire of Light (PR: 4) (E)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Top Gun: Maverick (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 10) (+1)
10. Emancipation (PR: Not Ranked)
Dropped Out:
Black Panther: Wakanda Forever
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 10) (+2)
9. Corsage (PR: 9) (E)
10. Three Thousand Years of Longing (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 3) (+1)
3. The Fabelmans (PR: 4) (+1)
4. Babylon (PR: 2) (-2)
5. Avatar: The Way of Water (PR: 8) (+3)
Other Possibilities:
6. Women Talking (PR: 5) (-1)
7. Elvis (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 7) (-2)
10. Tár (PR: Not Ranked)
Dropped Out:
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 5) (-1)
7. The Woman King (PR: 10) (+3)
8. X (PR: 7) (-1)
9. Amsterdam (PR: Not Ranked)
10. Corsage (PR: Not Ranked)
Dropped Out:
Three Thousand Years of Longing
All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. Women Talking (PR: 5) (+2)
4. Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 9) (+4)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. Empire of Light (PR: 3) (-4)
8. She Said (PR: Not Ranked)
9. White Noise (PR: Not Ranked)
10. The Batman (PR: Not Ranked)
Dropped Out:
Tár
Bardo
All Quiet on the Western Front
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Nobody Like U” from Turning Red (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 10) (+4)
7. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-2)
8. “Carolina” from Where the Crawdads Sing (PR: 8) (E)
9. “New Body Rhumba” from White Noise (PR: 9) (E)
10. “Stand Up” from Till (PR: 7) (-3)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 4) (+1)
4. Black Panther: Wakanda Forever (PR: 3) (-1)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 7) (+1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Woman King (PR: Not Ranked)
10. Glass Onion: A Knives Out Mystery (PR: 9) (-1)
Dropped Out:
Empire of Light
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 7) (+4)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Babylon (PR: 3) (-4)
8. Black Panther: Wakanda Forever (PR: 4) (-4)
9. The Fabelmans (PR: 9) (E)
10. Nope (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 5) (+1)
5. Black Panther: Wakanda Forever (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Doctor Strange in the Multiverse of Madness (PR: 8) (+1)
8. RRR (PR: 7) (-1)
9. Good Night Oppy (PR: 10) (+1)
10. All Quiet on the Western Front (PR: 9) (-1)
And that equates to these movies garnering these numbers of nominations:
10 Nominations
The Fabelmans
9 Nominations
Babylon, Everything Everywhere All at Once
7 Nominations
Avatar: The Way of Water, Women Talking
6 Nominations
Top Gun: Maverick
5 Nominations
The Banshees of Inisherin, Elvis, The Whale
4 Nominations
Black Panther: Wakanda Forever, Tár
3 Nominations
Guillermo del Toro’s Pinocchio
2 Nominations
All Quiet on the Western Front, The Batman, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Close, Decision to Leave, Descendant, Empire of Light, Glass Onion: A Knives Out Mystery, Holy Spider, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, Tell It Like a Woman, Till, The Woman King
The nation of Ireland has a brief and unremarkable history in the International Feature Film competition at the Academy Awards. Beginning in 2007, they’ve submitted 8 features for consideration in the foreign race. Only one (2015’s Viva) made the shortlist and it did not make the final five.
In 2022, the Irish could finally get lucky with The Quiet Girl. The directorial debut from Colm Bairéad received raves after its premiere at the Berlin Film Festival earlier this year. That acclaim has continued as it has played other European fests. The drama set in the early 80s stars Carrie Crowley, Andrew Bennett, Catherine Clinch, and Michael Patric.
There’s a bunch of viable hopefuls in IFF this year. Decision to Leave and All Quiet on the Western Front seem to be the favorites and there’s easily 10-12 others looking to fill three slots.
Ireland may not have the track record, but there’s a first time for everything and The Quiet Girl is capable of making a little noise with the right campaign. My Oscar Prediction posts will continue…
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
Drawing on his own upbringing, Steven Spielberg’s coming-of-age drama The Fabelmans opens semi-wide over the long Turkey Day frame. After its September premiere at the Toronto Film Festival, the film has been seen as a major Oscar contender with a Rotten Tomatoes score of 94%. Newcomer Gabriel LaBelle (essentially playing young Spielberg), Michelle Williams, Paul Dano, Seth Rogen, Judd Hirsch, and Julia Butters are among the ensemble.
The ode to family and cinema debuted November 11th on four screens with a fair though not impressive $40,000 per theaters average. That’s a little under what fellow awards hopeful The Banshees of Inisherin made in the same amount of venues a few weeks back.
Spielberg’s most personal work to date expands to approximately 600 screens on Wednesday, November 23rd. That meager count could mean a floor as low as $2 million for the three-day and $3 million for the five-day (if it goes any lower that would be considered a massive flop). A rosier picture could mean $5-6 million for Friday to Sunday and higher single digits when factoring in Wednesday and Thursday.
My gut says to be on the lower end of that scale as it’ll hope for solid holds throughout the holidays.
The Fabelmans opening weekend prediction: $2.8 million (Friday to Sunday); $4.1 million (Wednesday to Sunday)
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