Billing itself as the first gay rom com from a major studio and featuring an all LGBTQ+ main cast, Universal Pictures releases Bros on September 30th. Nicholas Stoller (director of successful comedies Forgetting Sarah Marshall and Neighbors) is behind the camera with Judd Apatow producing. Billy Eichner of Billy on the Street fame stars alongside Luke Macfarlane. The supporting cast includes Ts Madison, Monica Raymund, Guillermo Diaz, Guy Branum, Amanda Bearse, Jim Rash, Dot-Marie Jones, Bowen Yang, Harvey Fierstein, and Debra Messing.
While this particular humorous tale is making some history, it’s rare nowadays to find any comedy getting a wide release (at least one that’s not animated or filled with action). Bros premiered at the Toronto Film Festival earlier this month to glowing reviews. The Rotten Tomatoes score is 94%.
Prognosticators have the range here at $10-15 million. That sounds reasonable and I suspect it’ll start out at the middle of that spectrum. It’ll likely have to settle for a second place showing behind horror pic Smile. However, I could see this legging out well when word-of-mouth gets out. As an aside, I saw Bros at TIFF and can confirm it should be quite the crowdpleaser.
So I wasn’t planning to do a new predictions post just five days after the last one, but a lot can change in five days! When I made those previous picks, I was sitting in my hotel room in Toronto getting ready to return to United States. On this inaugural trip to the festival, I saw awards hopefuls including The Fabelmans, Women Talking, The Whale, The Banshees of Inisherin, Empire of Light, Glass Onion: A Knives Out Mystery and The Son.
The headline this afternoon is a shocker that’s resulted in universal confusion. Michelle Williams, considered to be a lock for Supporting Actress, will be campaigned for in lead Actress by Universal Pictures. I am doubly surprised because, having seen the film, there would be zero controversy with her in the supporting field. In fact, I would say it is more of a supporting performance than lead. Furthermore, a Williams victory seemed likely in the race she won’t be in. Best Actress is an entirely different ball game with Cate Blanchett (Tar), Michelle Yeoh (Everything Everywhere All at Once), Margot Robbie (Babylon), and Olivia Colman (Empire of Light). Nevertheless I’ll slot Williams in third place and she knocks out Danielle Deadwyler for the as yet unseen Till. There’s another dynamic potentially at play. Two years ago, Lakeith Stanfield was being touted in Best Actor for Judas and the Black Messiah. The Academy went ahead and nominated him in Supporting Actor. Don’t discount the idea that this could happen with Williams though I won’t predict that.
This Williams news isn’t the only unexpected developments of the week. RRR, RMN, and Godland were all ignored by their native countries as their submissions to the International Feature Film derby. There’s reporting that India’s RRR, in particular, will get a spirited campaign for Best Picture and tech races. Yet IFF was probably its strongest chance to show up on Oscar night.
In other developments:
An alteration in BP as I’m putting Park Chan-wook’s Decision to Leave in over Empire of Light. I’ll be honest – this was basically a coin flip between Decision to Leave or All Quiet on the Western Front. This also results in Chan-wook making the director cut over Todd Field for Tar.
Due to the Williams news, Claire Foy is the new #1 in Supporting Actress for Women Talking. Stephanie Hsu (Everything Everywhere) also joins the quintet.
In Supporting Actor, Brad Pitt (Babylon) is back in the mix due to the removal of Micheal Ward for Empire of Light.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 7) (+2)
6. Top Gun: Maverick (PR: 6) (E)
7. The Whale (PR: 5) (-2)
8. Tar (PR: 8) (E)
9. Decision to Leave (PR: 11) (+2)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. All Quiet on the Western Front (PR: 13) (+2)
12. She Said (PR: 12) (E)
13. Empire of Light (PR: 9) (-4)
14. Glass Onion: A Knives Out Mystery (PR: 14) (E)
15. Elvis (PR: 15) (E)
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 4) (+1)
4. Daniels, Everything Everywhere All at Once (PR: 3) (-1)
5. Park Chan-wook, Decision to Leave (PR: 7) (+2)
Other Possibilities:
6. Todd Field, Tar (PR: 5) (-1)
7. Martin McDonagh, The Banshees of Inisherin (PR: 9) (+2)
8. Edward Berger, All Quiet on the Western Front (PR: 8) (E)
9. Ruben Ostlund, Triangle of Sadness (PR: 7) (-2)
10. Darren Aronofsky, The Whale (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: Not Ranked) – moved from Supporting Actress
4. Margot Robbie, Babylon (PR: 3) (-1)
5. Olivia Colman, Empire of Light (PR: 4) (-1)
Other Possibilities:
6. Danielle Deadwyler, Till (PR: 5) (-1)
7. Viola Davis, The Woman King (PR: 8) (+1)
8. Jennifer Lawrence, Causeway (PR: 7) (-1)
9. Ana de Armas, Blonde (PR: 6) (-3)
10. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (-1)
Dropped Out:
Florence Pugh, The Wonder
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 3) (+1)
3. Austin Butler, Elvis (PR: 2) (-1)
4. Hugh Jackman, The Son (PR: 4) (E)
5. Bill Nighy, Living (PR: 5) (E)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Song Kang-ho, Broker (PR: 8) (E)
9. Adam Driver, White Noise (PR: 9) (E)
10. Jeremy Pope, The Inspection (PR: 10) (E)
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 2) (+1)
2. Jessie Buckley, Women Talking (PR: 3) (+1)
3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)
4. Hong Chau, The Whale (PR: 5) (+1)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Vanessa Kirby, The Son (PR: 7) (+1)
7. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 8) (+1)
8. Jean Smart, Babylon (PR: Not Ranked)
9. Zoe Kazan, She Said (PR: Not Ranked)
10. Sadie Sink, The Whale (PR: 9) (-1)
Dropped Out:
Michelle Williams, The Fabelmans (moved to Best Actress)
Nina Hoss, Tar
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 3) (+1)
3. Paul Dano, The Fabelmans (PR: 2) (-1)
4. Brad Pitt, Babylon (PR: 6) (+2)
5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Ben Whishaw, Women Talking (PR: 7) (+1)
7. Judd Hirsch, The Fabelmans (PR: 8) (+1)
8. Micheal Ward, Empire of Light (PR: 4) (-4)
9. Woody Harrelson, Triangle of Sadness (PR: 10) (+1)
10. Anthony Hopkins, Armageddon Time (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Tar (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Bros (PR: 10) (+2)
9. Broker (PR: Not Ranked)
10. Empire of Light (PR: 8) (-2)
Dropped Out:
Armageddon Time
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 5) (+1)
5. White Noise (PR: 4) (-1)
Other Possibilities:
6. Living (PR: 7) (+1)
7. Top Gun: Maverick (PR: 8) (+1)
8. The Son (PR: 6) (-2)
9. Till (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 10) (E)
Dropped Out:
Bones and All
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 6) (+3)
4. Marcel the Shell with Shoes On (PR: 4) (E)
5. Strange World (PR: 3) (-2)
Other Possibilities:
6. The Sea Beast (PR: 5) (-1)
7. My Father’s Dragon (PR: 9) (+2)
8. The Bad Guys (PR: 7) (-1)
9. Lightyear (PR: 8) (-1)
10. Minions: The Rise of Gru (PR: Not Ranked)
Dropped Out:
Apollo 10 1/2: A Space Age Childhood
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 4) (E)
5. The Eight Mountains (PR: Not Ranked)
Other Possibilities:
6. Bardo (PR: 6) (E)
7. Argentina, 1985 (PR: 10) (+3)
8. Holy Spider (PR: 5) (-3)
9. EO (PR: Not Ranked)
10. Plan 75 (PR: 9) (-1)
Dropped Out:
RMN
RRR
Best Documentary Feature:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. Fire of Love (PR: 4) (E)
5. Last Flight Home (PR: 5) (E)
Other Possibilities:
6. The Territory (PR: 6) (E)
7. Black Ice (PR: Not Ranked)
8. Moonage Daydream (PR: 7) (-1)
9. Good Night Oppy (PR: 9) (E)
10. Riotsville, U.S.A. (PR: 8) (-2)
Dropped Out:
All That Breathes
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Empire of Light (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Top Gun: Maverick (PR: 5) (+1)
5. Avatar: The Way of Water (PR: 7) (+2)
Other Possibilities:
6. Bardo (PR: 6) (E)
7. All Quiet on the Western Front (PR: 4) (-3)
8. Everything Everywhere All at Once (PR: 10) (+2)
9. The Banshees of Inisherin (PR: 8) (-1)
10. Tar (PR: Not Ranked)
Dropped Out:
The Whale
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 6) (+1)
Other Possibilities:
6. The Fabelmans (PR: 4) (-2)
7. Corsage (PR: 10) (+3)
8. Everything Everywhere All at Once (PR: 7) (-1)
9. Three Thousand Years of Longing (PR: 8) (-1)
10. Don’t Worry Darling (PR: Not Ranked)
Dropped Out:
The Northman
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Fabelmans (PR: 4) (E)
5. Women Talking (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 6) (E)
7. Avatar: The Way of Water (PR: Not Ranked)
8. Glass Onion: A Knives Out Mystery (PR: 8) (E)
9. All Quiet on the Western Front (PR: Not Ranked)
10. Tar (PR: 7) (-3)
Dropped Out:
Triangle of Sadness
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 6) (+1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. The Woman King (PR: 8) (+1)
8. Three Thousand Years of Longing (PR: Not Ranked)
9. All Quiet on the Western Front (PR: 10) (+1)
10. X (PR: Not Ranked)
Dropped Out:
Blonde
The Fabelmans
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 2) (+1)
2. Babylon (PR: 1) (-1)
3. Empire of Light (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Avatar: The Way of Water (PR: 8) (+2)
7. All Quiet on the Western Front (PR: 10) (+3)
8. Tar (PR: 5) (-3)
9. The Batman (PR: 9) (E)
10. Top Gun: Maverick (PR: 7) (-3)
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Nobody Like U” from Turning Red (PR: 2) (E)
3. “Applause” from Tell It Like a Woman (PR: 5) (+2)
4. “Carolina” from Where the Crawdads Sing (PR: 4) (E)
5. “On My Way” from Marry Me (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 3) (-3)
7. “Naatu Naatu” from RRR (PR: 7) (E)
8. “New Body Rhuma” from White Noise (PR: 8) (E)
9. “Good Tonight” from The Bad Guys (PR: 9) (E)
10. “Paper Airplanes” from A Jazzman’s Blues (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Avatar: The Way of Water (PR: 4) (E)
5. Empire of Light (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. Glass Onion: A Knives Out Mystery (PR: 9) (+2)
8. All Quiet on the Western Front (PR: Not Ranked)
9. The Batman (PR: 10) (+1)
10. Bardo (PR: 8) (-2)
Dropped Out:
Everything Everywhere All at Once
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 4) (+1)
4. Babylon (PR: 3) (-1)
5. All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. The Batman (PR: 5) (-1)
7. Black Panther: Wakanda Forever (PR: 6) (-1)
8. Nope (PR: 9) (+1)
9. Everything Everywhere All at Once (PR: 8) (-1)
10. The Fabelmans (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 4) (+1)
4. The Batman (PR: 3) (-1)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Nope (PR: 10) (+2)
9. RRR (PR: 7) (-2)
10. Guillermo del Toro’s Pinocchio (PR: 9) (-1)
And this equates to these pictures garnering the following numbers of nominations:
12 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
The Banshees of Inisherin, Women Talking
6 Nominations
Top Gun: Maverick
5 Nominations
Elvis, The Whale
4 Nominations
Avatar: The Way of Water, Empire of Light
3 Nominations
Decision to Leave
2 Nominations
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Tar, Triangle of Sadness, Turning Red
1 Nomination
All the Beauty and the Bloodshed, Close, Descendant, Doctor Strange in the Multiverse of Madness, The Eight Mountains, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Last Flight Home, Living, Marcel the Shell with Shoes On, Marry Me, Mrs. Harris Goes to Paris, Navalny, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, Where the Crawdads Sing, White Noise, The Woman King
92 years ago, Lewis Milestone’s war epic All Quiet on the Western Front became just the third movie to win Best Picture at the Oscars. After premiering at the Toronto Film Festival before its October 28th Netflix stream, the latest version could attract Academy attention as well. The German production comes from director Edward Berger with a cast including Daniel Bruhl, Albrecht Schuch, Sebastian Hulk, and Aaron Hilmer.
Its native country has already named it as their submission for International Feature Film. Critical reaction is positive across the board with 100% on Rotten Tomatoes. In particular, the World War I tale is being praised for tech aspects.
Along with South Korea’s Decision to Leave, I believe Quiet is pretty close to a sure thing for the IFF category. Yet it could branch out beyond that. We’ve seen a trend lately of Best Director nominees representing their foreign features. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car). In the first two cases, their film didn’t even make the Best Picture cut. This could happen with Berger or Decision‘s Park Chan-wook.
The possibilities don’t end there. Adapted Screenplay looks quite open for slot availability. The aforementioned down the line chances to make the final five include Cinematography, Editing, and Sound. It’s just as possible that Quiet only makes noise in IFF, but it could contend in multiple competitions including BP. My Oscar Prediction posts will continue…
Paramount Pictures is hoping that horror fans are ready to Smile on September 30th. The supernatural fright fest marks the directorial debut of Parker Finn with a cast including Sosie Bacon (daughter of Kevin Bacon and Kyra Sedgwick), Jessie T. Usher, Kyle Gallner, Caitlin Stasey, Kal Penn, and Rob Morgan.
This is a genre that’s been well served in September with Barbarian and Pearl (and The Invitation in late August). The trend will continue with Halloweens Ends in mid-October. There could be a bit of fatigue, but Smile may have a feather in its cap. The mysterious and creepy teaser spot played all summer long in front of a little film called Top Gun: Maverick… the one that’s made over $700 million domestically.
A premiere in the $20 million range is certainly possible. However, I’ll say high teens is where this lands.
Crossing a John Grisham style potboiler with the 1994 Jodie Foster woman in the wild pic Nell begets Where the Crawdads Sing. This is the adaptation of the hugely popular 2018 bestseller from Delia Owens (so well known that Taylor Swift offered to contribute an end credits tune called “Carolina”).
That’s North Carolina beginning in 1953 where Kya lives in the marshland with her alcoholic father, abused mother, and siblings. One by one they all flee until the seven-year-old is all by her lonesome. She sells mussels to the married local store purveyors (Michael Hyatt and Sterling Macer Jr.) to make ends meet. Kya attempts an education, but the harassment of schoolmates makes that a one-day excursion.
As she grows into a young woman (played by Daisy Edgar-Jones), her interest in arts and nature hints at a promising career. The screenplay concentrates on Kya’s two romances. The first is with Tate (Taylor John Smith), who helps her learn to read and write before he’s slated to go away to college. The second is with star quarterback Chase (Harris Dickinson) whose union with The Marsh Girl (as the townsfolk call her) is his little secret.
For those uninitiated with the source material (this includes me), I’ll be careful not to wade into heavy spoiler territory. It’s not revealing too much to say that Kya’s publishing future is interrupted by a murder trial where she’s defended by David Strathairn’s dignified counselor.
Crawdads is all about Kya’s many experiences with abandonment. Part of the problem is that both of her beaus are blank slates. I never felt the chemistry between the Kya/Tate or Kya/Chase connections as much as they’re just presented to the audience. And that assisted in abandoning my own investment in the proceedings… both romantically and legally.
The screenplay never finds the right balance between the trial and the trials of our heroine away from the courtroom. From Edgar-Jones on down, the performances are serviceable but nothing beyond that. Crawdads has beautiful scenery to be sure. I wanted a more compelling story to occur there.
Ewan McGregor and Ethan Hawke are half brothers who reunite at the funeral of their bad father in Raymond & Ray. The dramedy comes from Rodrigo Garcia, who directed Glenn Close to a Best Actress nod in 2011’s Albert Nobbs. Most recently, he helmed Close and Mila Kunis in the drug abuse drama Four Good Days. His latest premiered at the Toronto Film Festival ahead of its October 21st Apple TV streaming debut. Costars include Maribel Verdu and Sophie Okonedo.
Reviews here are perfectly split down the middle at 50% on Rotten Tomatoes. It came and went at the Canadian fest with little fanfare and scant awards buzz. Expect that to be the case moving forward. My Oscar Prediction posts will continue…
British director Joanna Hogg’s last two efforts were the critically heralded semi-autobiographical pics The Souvenir (2019) and The Souvenir Part II from last year. Both Souvenir‘s featured Honor Swinton Byrne and her mother – Oscar winner Tilda Swinton.
Mom is back in The Eternal Daughter, a mystery with supernatural themes that premiered in Venice and also played Toronto. Besides Swinton, the cast includes Joseph Mydell and Carly-Sophia Davies. It’s flown a bit under the radar on the fest circuit, but the Rotten Tomatoes score is a sturdy 91%.
The A24 release could garner some mentions on year end critics lists. Like her earlier titles, I question whether the Academy will get on board. My Oscar Prediction posts will continue…
Olivia Wilde’s psychological thriller Don’t Worry Darling with Florence Pugh and Harry Styles will test the “all publicity is good publicity” theory when it opens this weekend. We also have the re-release of James Cameron’s 2009 phenomenon Avatar ahead of the December debut of sequel Avatar: The Way of Water. You can peruse my detailed prediction posts on both here:
Darling, with my projected high teens start, should manage a first place showing. Yet it may need to worry a little about the sophomore hold of The Woman King (more on its opening below). I still think the former should edge the latter fairly easily.
Avatar is a little tricky to project (the reported 1800 screen count is lower than I would’ve thought). $10 million could be a reach and my estimate is in higher single digits. Either way, it’s looking at 3rd place.
As for the rest of the top 5, it should be filled with horror holdovers Barbarian and Pearl.
Here’s how I see it:
1. Don’t Worry Darling
Predicted Gross: $18.9 million
2. The Woman King
Predicted Gross: $12.4 million
3. Avatar
Predicted Gross: $8.5 million
4. Barbarian
Predicted Gross: $4.9 million
5. Pearl
Predicted Gross: $1.9 million
Box Office Results (September 16-18)
Viola Davis and company were crowned box office champions as The Woman King made $19 million. That’s better than my $14.7 million prediction as the historical action tale opened on the north end of its anticipated range. There’s better news still as it’s only the second 2022 release to nab an A+ Cinemascore grade (the other is Top Gun: Maverick). That should mean minimal drops in coming weekends and I only have it falling about 15% in weekend #2.
Barbarian held up well in its follow-up frame (especially for a horror pic) with $6.5 million (I was lower at $5 million). The critically heralded scary movie has made $21 million in ten days.
The fright fest competition may have hurt Pearl, which opened in third with $3.1 million (in line with my $3.4 million take). That’s more than a million under what its spring predecessor X did out of the gate.
Audiences weren’t into solving the mystery of See How They Run as the Saoirse Ronan/Sam Rockwell caper posted a fourth place debut with $3 million (I was close with $3.2 million).
Finally, Bullet Train rounded out the top five with $2.5 million. This is on track with my $2.3 million estimate and the total is $96 million.
The 29th time is not the charm for the MCU with Thor: Love and Thunder, a franchise entry meant to be bursting with joy. It somehow feels middling the majority of the time and it’s a significant downgrade from Taika Waititi’s predecessor Thor: Ragnarok from 2017.
Our Asgardian God of a title character (Chris Hemsworth) has been through a lot in the last half of a cinematic decade. He’s lost his family (including Loki more than once) in earlier Thor and Avengers tales. That even caused him to turn to the bottle and humorously pack on the pounds during Avengers: Endgame.
He found a new lease on life with the Guardians of the Galaxy during those previous Avengers epics. That’s where we find him at the outset, but it doesn’t last long. The Guardians are off on a new adventure while old acquaintances pop up for Thor. Jane Foster (Natalie Portman), who hasn’t been seen since 2013’s The Dark World, reappears in a cancer stricken state. She discovers that her ex’s hammer Mjolnir gives her super strengths. Her old beau needs all the help he can get with a new nemesis. Gorr the God Butcher (Christian Bale) is on a mission to off all the Gods (hence the name) after his own leader causes his young daughter to perish. That killing spree will eventually include Thor and the newish King of Asgard Valkyrie (Tessa Thompson).
In what has become a common theme in Marvel’s stories, the main villain sorta has a point with his murderous schemes. We see that most of the Gods, including Russell Crowe’s Zeus, have turned into lazy do-nothings. However, when Gorr snatches a bunch of Asgardian kids, the fight is on.
Ragnarok was able to find a measured balance between dramatic elements and Waititi’s comedic sensibilities. Thunder feels downright goofy most of the time with its screaming goats and Guns n Roses greatest hits soundtrack playing over the battles. Just a little patience from the director might’ve made it more tolerable. More often than not, it falls into self parody territory. Maybe it’s on purpose. That doesn’t make it worthwhile.
What’s clear is that Waititi was given plenty of freedom to paint his canvass with this fourth official pic in the Thor series. I wish that translated to a more fruitful experience. Thor and Jane’s romance in the first two movies was never exactly a highlight so their reunion left me ambivalent. To be honest, Portman almost seems a bit bored during her transformation to the Mighty Thor. Bale doesn’t seem disinterested but his bad guy is of the one note and forgettable variety.
Thor: Love and Thunder does have a few jokes that land (I chuckled at a character mispronouncing Jane’s full name). Yet I couldn’t escape this thought when the credits rolled the first and second and final time… I’d rank this 29th MCU saga 29th.
What’s Love Got to Do with It? is not a remake of the Tina Turner biopic nearly three decades after the original. Instead it’s a rom com about arranged marriage from Shekhar Kapur, best known for directing Cate Blanchett to two Oscar nominations for Elizabeth (1998) and its follow-up The Golden Age (2007). Lily James, Shazad Latif, Emma Thompson, and Taj Atwal are among the cast.
The film premiered at Toronto to a middle of the road reaction with 67% currently on Rotten Tomatoes. At the moment, Love is slated for a UK opening in January and it’s not clear if an awards qualifying run is happening for 2022.
I don’t think it matters. This might’ve been a pic that could make waves at the Globes in the Musical/Comedy races, but even that seems like a stretch. My Oscar Prediction posts will continue…
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