Luckiest Girl Alive tackles weighty subjects and reinforces its messages by eventually having Mila Kunis’s Ani look directly to camera to state them in case you weren’t listening. Based on a 2015 bestseller by Jessica Knoll, Mike Barker’s adaptation juggles two 1999 tragedies – the first is kept under wraps for some time. It leads to a school shooting in which Kunis’s younger self is suspected of participating. In the present day, one of the wounded parties confined to a wheelchair (Alex Barone) is monetizing such a narrative.
Ani is a talented writer penning witty relationship columns for a slightly trashy magazine. The work is noticed enough that she’s up for a gig at The New York Times. She’s engaged to Luke (Finn Wittrock), sweet and supportive and coming from money. We learn that status is important to Ani. Flashbacks (where Ani is played by Chiara Aurelia) show us a teenager attending a fancy private school. Unlike her peers, she’s not rich and her mom (Connie Britton) is constantly offering flawed advice on how to climb the societal ladder.
In addition to the story often shifting between the turn of the century and 2015, Kunis provides frequent voiceovers. Her biting inner monologue usually doesn’t match what she says out loud (expect in one humorous instance). Ani has learned to keep prior tragedies buried away. All of that is risked when a documentary filmmaker (Dalmar Abuzeid) finally convinces her to take part in his project. Its focus is to get to the bottom of everything that occurred when violence erupted in the halls. The acts of violation aren’t just unique to the shooters.
As mentioned, the screenplay (and book I assume) are told so that some crimes are slow rolled into big reveals. Perhaps it worked in novelistic form. It comes across as clunky in the adaptation and even a little cheap considering the seriousness of its themes. Characters are arbitrarily introduced like Ani’s kindly teacher (Scoot McNairy). He tends to pop up as the plot necessitates it.
Our lead strays far away from recent comedic roles and does a commendable job. Other players – like Britton as the boozy and conflicted mom – are saddled with one-note roles (that applies to Wittrock too). I wish the structure served its top actress and the others more smoothly. This meditation on trauma can feel too often like a rough draft.
Ukraine has submitted 14 pictures for consideration in the International Feature Film competition at the Oscars since 1997. None have ended up making the final five in the race. Maryna Er Gorbach’s Klondike hopes to change that dynamic.
The war drama is set in 2014 and centers on the nation’s conflict with Russia. Obviously that subject matter is more prevalent than ever. Today’s headlines could contribute to Klondike being a high profile selection to join the quintet of IFF nominees.
It’s important to note that its inclusion wouldn’t just be a nod to current events. Gorbach’s fourth overall feature debuted at Sundance where she won the prize in the World Cinema Dramatic Competition. At the Berlin Film Festival, it came in second for the audience award. The Rotten Tomatoes meter is 95%. I’ve had Klondike ranked 8th for the past couple of weeks in my possibilities, but it could rise if voters turn their focus to it a couple of months from now. Perhaps the 15th time will be the charm. My Oscar Prediction posts will continue…
Jessica M. Thompson’s The Invitation sure isn’t pro DNA test considering what our heroine goes through after she takes one. The DNA of the film can be found in countless bloodsucker tales. It fails its own test of living up to most of them.
NYC resident Evie (Nathalie Emmanuel) is just a poor girl with a potter’s wheel, deceased parents, and past due notices in the mail. Her catering job presents an opportunity when she works a soiree for a company called Find Yourself and the swag bag affords her a free sampling of the product. The ancestry revelation service takes her across the pond to England where she has wealthy relatives. It turns out her great grandmother had an affair with a black worker at her posh estate and Evie stems from that bloodline.
Going from zero family to this brood is at first thrilling and her cousin Oliver (Hugh Skinner) seems nice enough. The possibilities elevate when she’s invited to a mysterious wedding at the grounds of the dreamy Walt de Ville (Thomas Doherty). A budding romance ensues.
The gothic horror overtones indicate there’s twists ahead… and also maids keep getting attacked in shadowy corners of the cruel de Ville manor. Part of the problem is it takes an hour for these “secrets” to come out. One view of the trailer basically tells us everything and that is 100 minutes less time wasted.
The Invitation‘s PG-13 scares are practically non-existent. Blair Butler’s screenplay haphazardly tries to inject commentary about sexism, racism, and classism. The occasional saving graces are Emmanuel and Doherty. They have another “ism” – charisma but their chemistry veers off track when Evie’s real reason for the trip is told. The script’s most significant issue is that we never believe for a second that the plan hatched by these aristocrats could’ve worked. I suppose saying more would be spoiler heavy as long as you avoided a commercial for this. The two leads keep it from completely sucking but you can safely keep away.
Alcarras is the sophomore directorial from Carla Simon and the Spanish family drama topped The Beasts and Lullaby to become the nation’s submission for Best International Feature Film at the Oscars. It debuted earlier this year at the Berlin Film Festival where it won the Golden Bear (the fest’s highest honor). Simon’s 2017 debut Summer of 1993 was also Spain’s selection for the Academy to consider, but it didn’t end up making the final five.
Could Alcarras? With an 88% Rotten Tomatoes rating and the hardware from Germany, it’s possible. Yet it faces hurdles. While the bulk of reviews are recommendations, some of them aren’t raves. Pics such as All Quiet on the Western Front, Decision to Leave, and Close are likely nominees for IFF so there’s not many slots to go around.
Spain has seen two movies in the 21st century contend for the foreign derby: 2004’s The Sea Inside (which won) and 2019’s Pain and Glory. It’s feasible that Alcarras could be the third though I have it on the outside looking in currently. My Oscar Prediction posts will continue…
After receiving encouraging word-of-mouth earlier this year at Sundance, Ondi Timoner’s documentary Last Flight Home lands in limited release tomorrow. Focusing on end of life issues involving her own father, Home holds an 87% Rotten Tomatoes rating. MTV Documentary Films acquired the rights in February with eyes on an awards qualifying campaign.
Timoner is a longtime vet of the genre who’s made such acclaimed titles as Dig! (2004) and We Live in Public (2009). This would be her first opportunity for Academy attention. I’ve had Flight both in and out of my top five over the past several weeks. At the moment, I have it in 8th place and we’ll see how it rises or falls in subsequent frames. My Oscar Prediction posts will continue…
In the past week, the biggest Oscar news was the announcement that Emancipation with Will Smith will debut in December and therefore be eligible for consideration. You can read my thoughts on that here:
As you’ll see below, Emancipation doesn’t make much of an impact anywhere in my estimates. However, I am putting Will Smith in at 10th for Best Actor. Part of that is the fairly weak field for lead actor (especially compared to Actress). Do I think Smith will get a nod? No, but it’s not entirely out of the question if his performance is critically hailed.
My BP lineup has one change with Triangle of Sadness back in the top ten over Decision to Leave.
In other developments:
Todd Field (Tar) returns to the directorial quintet and that removes Edward Berger for All Quiet on the Western Front.
While the Best Actress field remains the same, Danielle Deadwyler’s work in Till rises to 2nd place after rave notices at the New York Film Festival.
Brad Pitt (Babylon), who’s been subject to some bad press this week, falls out of my Supporting Actor five in favor of Ben Whishaw for Women Talking.
Babylon has also been taken out of my Original Screenplay selections with Tar being elevated.
There’s a new #1 in Documentary Feature with Descendant nabbing the slot over All the Beauty and the Bloodshed.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. Babylon (PR: 3) (-1)
5. The Banshees of Inisherin (PR: 5) (E)
6. Tar (PR: 7) (+1)
7. Top Gun: Maverick (PR: 6) (-1)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 11) (+2)
10. All Quiet on the Western Front (PR: 9) (-1)
Other Possibilities:
11. Decision to Leave (PR: 10) (-1)
12. Avatar: The Way of Water (PR: 14) (+2)
13. Elvis (PR: 13) (E)
14. Till (PR: Not Ranked)
15. The Woman King (PR: 12) (-3)
Dropped Out:
Empire of Light
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Todd Field, Tar (PR: 6) (+1)
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front (PR: 5) (-1)
7. Park Chan-wook, Decision to Leave (PR: 7) (E)
8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)
9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)
10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Danielle Deadwyler, Till (PR: 5) (+3)
3. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (-1)
4. Michelle Williams, The Fabelmans (PR: 3) (-1)
5. Olivia Colman, Empire of Light (PR: 4) (-1)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 6) (E)
7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)
8. Ana de Armas, Blonde (PR: 7) (-1)
9. Jennifer Lawrence, Causeway (PR: 9) (E)
10. Carey Mulligan, She Said (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Austin Butler, Elvis (PR: 3) (+1)
3. Colin Farrell, The Banshees of Inisherin (PR: 2) (-1)
4. Hugh Jackman, The Son (PR: 5) (+1)
5. Diego Calva, Babylon (PR: 4) (-1)
Other Possibilities:
6. Bill Nighy, Living (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Adam Driver, White Noise (PR: 9) (+1)
9. Song Kang-ho, Broker (PR: 8) (-1)
10. Will Smith, Emancipation (PR: Not Ranked)
Dropped Out:
Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Kerry Condon, The Banshees of Inisherin (PR: 4) (E)
5. Hong Chau, The Whale (PR: 5) (E)
Other Possibilities:
6. Stephanie Hsu, Everything Everything All at Once (PR: 6) (E)
7. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)
8. Nina Hoss, Tar (PR: Not Ranked)
9. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 8) (-1)
10. Thuso Mbedu, The Woman King (PR: 7) (-3)
Dropped Out:
Zoe Kazan, She Said
Sadie Sink, The Whale
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Paul Dano, The Fabelmans (PR: 4) (+1)
4. Ben Whishaw, Women Talking (PR: 6) (+2)
5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 3) (-3)
7. Judd Hirsch, The Fabelmans (PR: 7) (E)
8. Jeremy Strong, Armageddon Time (PR: 8) (E)
9. Woody Harrelson, Triangle of Sadness (PR: 10) (+1)
10. Micheal Ward, Empire of Light (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. Tar (PR: 6) (+1)
Other Possibilities:
6. Babylon (PR: 5) (-1)
7. Decision to Leave (PR: 7) (E)
8. Armageddon Time (PR: 8) (E)
9. Empire of Light (PR: Not Ranked)
10. Broker (PR: 10 (E)
Dropped Out:
Bros
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. Glass Onion: A Knives Out Mystery (PR: 4) (+1)
4. White Noise (PR: 5) (+1)
5. She Said (PR: 3) (-2)
Other Possibilities:
6. Living (PR: 9) (+3)
7. Bones and All (PR: Not Ranked)
8. Top Gun: Maverick (PR: 7) (-1)
9. All Quiet on the Western Front (PR: 6) (-3)
10. Till (PR: 8) (-2)
Dropped Out:
The Son
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Strange World (PR: 3) (E)
4. Marcel the Shell with Shoes on (PR: 4) (E)
5. Wendell and Wild (PR: 5) (E)
Other Possibilities:
6. The Sea Beast (PR: 7) (+1)
7. My Father’s Dragon (PR: 6) (-1)
8. The Bad Guys (PR: 8) (E)
9. Minions: The Rise of Gru (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 1) (E)
2. Decision to Leave (PR: 2) (E)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 4) (E)
5. Bardo (PR: 7) (+2)
Other Possibilities:
6. Holy Spider (PR: 6) (E)
7. Argetina, 1985 (PR: 5) (-2)
8. Klondike (PR: 8) (E)
9. Alcarras (PR: 10) (+1)
10. Corsage (PR: Not Ranked)
Dropped Out:
EO
Best Documentary Feature
Predicted Nominees:
1. Descendant (PR: 3) (+2)
2. All the Beauty and the Bloodshed (PR: 1) (-1)
3. Navalny (PR: 2) (-1)
4. All That Breathes (PR: 4) (E)
5. The Territory (PR: 6) (+1)
Other Possibilities:
6. Fire of Love (PR: 5) (-1)
7. Good Night Oppy (PR: 7) (E)
8. Last Flight Home (PR: 9) (+1)
9. Moonage Daydream (PR: 8) (-1)
10. Sr. (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Empire of Light (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. All Quiet on the Western Front (PR: 4) (E)
5. Bardo (PR: 7) (+2)
Other Possibilities:
6. Avatar: The Way of Water (PR: 5) (-1)
7. Top Gun: Maverick (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 9) (E)
10. The Batman (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 6) (E)
7. Corsage (PR: 8) (+1)
8. Everything Everywhere All at Once (PR: 7) (-1)
9. Living (PR: 9) (E)
10. Amsterdam (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Fabelmans (PR: 4) (E)
5. All Quiet on the Western Front (PR: 6) (+1)
Other Possibilities:
6. Elvis (PR: 5) (-1)
7. Avatar: The Way of Water (PR: 9) (+2)
8. Women Talking (PR: 7) (-1)
9. Tar (PR: 8) (-1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
The Banshees of Inisherin
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Elvis (PR: 2) (-1)
4. Everything Everywhere All at Once (PR: 4) (E)
5. The Batman (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 5) (-1)
7. Amsterdam (PR: Not Ranked)
8. X (PR: 10) (+2)
9. Corsage (PR: Not Ranked)
10. The Woman King (PR: 7) (-3)
Dropped Out:
All Quiet on the Western Front
Three Thousand Years of Longing
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 2) (+1)
2. Babylon (PR: 1) (-1)
3. Empire of Light (PR: 4) (+1)
4. Women Talking (PR: 3) (-1)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Tar (PR: 5) (-1)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Avatar: The Way of Water (PR: 7) (-1)
9. Top Gun: Maverick (PR: Not Ranked)
10. Bardo (PR: Not Ranked)
Dropped Out:
The Batman
Guillermo del Toro’s Pinocchio
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Nobody Like U” from Turning Red (PR: 2) (E)
3. “Applause” from Tell It Like a Woman (PR: 3) (E)
4. “Naatu Naatu” from RRR (PR: 9) (+5)
5. “Carolina” from Where the Crawdads Sing (PR: 5) (E)
Other Possibilities:
6. “On My Way” from Marry Me (PR: 4) (-2)
7. “New Body Rhuma” from White Noise (PR: 10) (+3)
8. “This is a Life” from Everything Everywhere All at Once (PR: 6) (-2)
9. “I Ain’t Worried” from Top Gun: Maverick (PR: 8) (-1)
10. “Heartbeat” from Lyle, Lyle, Crocodile (PR: Not Ranked)
Dropped Out:
“Vegas” from Elvis
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Black Panther : Wakanda Forever (PR: 4) (+1)
4. Elvis (PR: 2) (-2)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. Bardo (PR: Not Ranked)
8. Everything Everywhere All at Once (PR: Not Ranked)
9. All Quiet on the Western Front (PR: 7) (-2)
10. The Batman (PR: 10) (E)
Dropped Out:
Amsterdam
Glass Onion: A Knives Out Mystery
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 9) (+2)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Nope (PR: 7) (-2)
10. Thirteen Lives (PR: Not Ranked)
Dropped Out:
The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 6) (+2)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 4) (-2)
7. RRR (PR: 10) (+3)
8. Black Panther: Wakanda Forever (PR: 9) (+1)
9. Good Night Oppy (PR: Not Ranked)
10. Nope (PR: 7) (-3)
Dropped Out:
All Quiet on the Western Front
And that equates to these movies nabbing these numbers of nominations:
11 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
The Banshees of Inisherin, Women Talking
5 Nominations
All Quiet on the Western Front, Elvis, Top Gun: Maverick, The Whale
4 Nominations
Tar
3 Nominations
Avatar: The Way of Water, Empire of Light
2 Nominations
Bardo, Black Panther: Wakanda Forever, Guillermo del Toro’s Pinocchio, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Batman, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Till, Strange World, Tell It Like a Woman, The Territory, Wendell and Wild, Where the Crawdads Sing, White Noise, The Woman King
The culmination of this iteration of Laurie Strode (Jamie Lee Curtis) battling Michael Myers arrives on October 14th with Halloween Ends. Said to be Curtis’s final appearance in the 44-year-old franchise (though I’m sure Myers will manage to return in some form), David Gordon Green is back directing along with cowriter Danny McBride. It comes a year after Halloween Kills and four years behind Halloween which began the trilogy. It’s the 13th overall entry in the series overall. Costars include James Jude Courtney and OG Nick Castle doubling up again as the iconic slasher, Andi Matichak, Will Patton, and Kyle Richards.
2018’s Halloween was a juggernaut with a $76 million opening and $159 million eventual domestic haul. Kills still killed, but to a lesser degree with a $49 million start and $92 million overall take. Like its predecessor, Ends will be simultaneously available on Peacock.
In addition to the streaming option that could siphon away viewers, horror fans have had plenty to enjoy lately (Barbarian and Smile for example). That said, there’s obviously a built-in base here.
I do expect diminishing returns though not close to the disparity between 2018 and 2021. Mid to high 40s is where I see it and considering the reported $20 million budget, that’s a profitable cut for Universal.
Halloween Ends opening weekend prediction: $47.6 million
Parker Finn’s Smile is essentially The Ring if that distorted VHS tape were replaced with a distorted facial expression. As these jump scare heavy horror pics go, this one usually hits the right notes (including with its sound design).
Dr. Rose Cotter (Sosie Bacon) is a psychologist working at a busy mental ward. She makes the acquaintance of Laura (Caitlin Stasey), who witnessed her professor commit suicide. Ever since then, she’s been traumatized by an unseen being. Laura is a basket case until… she’s not and a creepy grin emerges. Those who’ve witnessed the trailer know that bloodshed follows.
What also follows (it follows… so to speak) is an evil spirit possibly latching onto the doctor and no one believing her. This includes her fiancee (Jessie T. Usher), an ex boyfriend who’s a cop (Kyle Gallner), and her sister (Gillian Zinser). Their skepticism is understandable as a family tragedy when Rose was 10 years old might explain her bizarre behavior.
Besides the mentions of It Follows and The Ring, Finn’s debut (he wrote it too) borrows plenty from earlier genre pieces. While originality isn’t its strong suit, there are a few legitimately hair raising instances. There’s one session with Rose’s therapist that’s far scarier than the bill.
Despite a few unnecessary shots that seem inspired by Inception, Finn seems like a filmmaker to keep an eye on. Bacon (daughter of Kevin and Kyra Sedgwick) is given a few good moments of genuinely convincing terror. This is genre work executed well as these characters smile though their arteries are bursting.
In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.
I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.
This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.
And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.
Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.
So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.
My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.
We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.
Family friendly Lyle, Lyle, Crocodile hopes to make its mark on the charts and easily win the weekend as the star studded Amsterdam also debuts. My detailed prediction posts on the newcomers can be found here:
We’ve had about a two month break between movies geared toward kids and that should help Lyle achieve a low 20s start. It’s unlikely to have any trouble hitting the #1 spot.
Despite the considerable ensemble of Oscar winners and nominees, David O. Russell’s first feature in seven years is garnering mostly mediocre reviews from critics. The marketing campaign has been so-so in my view. Christian Bale, Margot Robbie, and company could elevate this to low double digits or even teens. However, I’m estimating it’ll flop in high single digits.
That would put it in third behind the sophomore frame of Smile. The horror pic got off to an impressive debut (more on that below) and I’ll say the second weekend dip might be in the low to mid 40s.
Holdovers The Woman King and Don’t Worry Darling should round out the top five. Bros had a very disappointing opening (more on that below too), but it did nab an A Cinemascore grade. If it manages a smallish decline, it might give Darling a run for its money in the five spot.
Here’s how I see it shaking out:
1. Lyle, Lyle, Crocodile
Predicted Gross: $17.6 million
2. Smile
Predicted Gross: $13.3 million
3. Amsterdam
Predicted Gross: $8.4 million
4. The Woman King
Predicted Gross: $4.7 million
5. Don’t Worry Darling
Predicted Gross: $3.4 million
6. Bros
Predicted Gross: $3.1 million
Box Office Results (September 30-October 2)
Paramount is undoubtedly doing just what the title says as Smile opened widely to a pleasing $22.6 million. That’s ahead of my $18.7 million projection. The B- Cinemascore is actually fairly decent for a horror flick and it could play well next weekend before Halloween Ends arrives the following one.
Don’t Worry Darling cratered in weekend #2 with $6.8 million, not matching my $8 million call. Even with the 65% plummet, it’s nearly managed to outgross its budget domestically in just 10 days with $32 million (price tag was reportedly $35 million).
The Woman King was third and it also made $6.8 million to bring its three-week take to $46 million. I forecasted slightly more at $7.4 million.
The Avatar re-release was fourth with $5 million (I was more generous at $6.6 million) as the 2009 juggernaut now has $779 million in the bank.
Bros with Billy Eichner, billed as the first wide release LGBTQ rom com from a major studio, was a massive disappointment. In fifth place with only $4.8 million, it came nowhere near my $12.1 million prediction. You can bet the marketing department at Universal is furiously second guessing themselves today, but it struggled mightily to find an audience beyond coastal metro areas. That aforementioned A Cinemascore does indicate it could find plenty of fans eventually… just not in multiplexes.
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