There is captivation without consummation in Park Chan-wook’s Decision to Leave, a stunning looking and sometimes confounding slice of pulp fiction. Its central romance is unique in the lack of actual sexual activity mixed with an abundance of genuinely felt romantic tension. There’s a dreamy like tone that echo the fantasies likely occurring in the lead detective’s smitten head. In that sense, calling this the filmmaker’s homage to Vertigo is fair. As in Hitchcock’s masterpiece, the fall may kill you.
In South Korea, the fall does kill a man while rock climbing and Detective Hae-jun (Park Hae-il) suspects it’s not an accident or suicide. The deceased’s younger wife Seo-rae (Tang Wei) doesn’t behave as the typical widow. She immediately goes back to work as an elder caregiver by reasoning that a living client takes precedent over a dead spouse. Hae-jun has his suspicions while his wild card partner (Go Kyung-po) is convinced of her guilt.
The interrogation scenes between Hae-jun and Seo-rae display the former’s infatuation with her. He treats her to high end cuisine during the probes while dealing with language barriers (she primarily speaks her native Chinese). Outside of the station, he’s eager to stake her out and eventually welcome her to his world. The detective at first seems happily married to the sweet Jung-an (Lee Hung-hyun), but the bliss appears to be a facade. He lives in a separate apartment during the week where his insomnia allows him to obsess over unsolved mysteries. The latest fixation and enigma is Seo-rae.
What is love (as Haddaway once asked) is ultimately the query of Decision to Leave. I won’t deny being a little confused in moments with its quick excursions into unrelated scenes that take the focus away from the central romance. When a key part of the narrative wraps up midway through, the picture flirts with being anti-climatic during the second half. Chan-wook’s impeccable style behind the camera prevents that from happening. So does some well-placed humor.
Both leads are beguiling with Wei in a star making performance. Decision is open ended as to how the viewer might interpret her actions. Some of Seo-rae’s behavior indicates she may love him too. For Hae-jun, maybe he could find the real answers to his hunches about her if his probing brain wasn’t buried in the sand. Or perhaps having that head in the sand is exactly where it needs to be.
There are some Matrix adjacent fight scenes in Morbius that might have you thinking it should be called Morpheus. They’re nowhere near that level in quality and some of them are such a CG mess that you can’t tell what’s happening. Should our hero and villain bite the red artery or suck the blue vein? Despite its connective tissue to Sony’s Spider-Man Universe (meaning the web slinger and Venom), it’s hard to really care.
Dr. Michael Morbius (Jared Leto) is a world renowned expert in blood disorders. The experience is personal as he has one and makes it his life work to cure himself and others. His childhood friend Milo (Matt Smith) suffers from the same disease and has the money to bankroll Doc Mo’s research. A Costa Rican excursion results in the acquisition of vampire bats. Perhaps some genetic splicing will do the trick!
This is when Morbius is blessed and cursed with the batty sense. He feels better than ever (and looks jacked), but has to feast to keep the strength up. His desire to go full Dracula prevents him from offering the cure to Milo. That puts a strain on their friendship causing Milo to go full overacting bad guy.
While our title character tries to get by on artificial blood, many of the visual effects look pretty fake. There’s no real development of the supporting characters. This includes Adria Arjona as Morbius’s colleague/love interest, Jared Harris as his father figure and medical mentor, and Tyrese Gibson and Al Madrigal as detectives tracking the suckers. Maybe their time was cut. Maybe the filmmakers (with Daniel Espinosa in the director’s seat) are saving some for hoped for sequels. Tyrese is apparently signed for a three-picture deal which explains his curiously fast appearance.
In the first half, Morbius is a passable enough monster mash. Maybe even a little quaint as it sort of feels like a late 90s genre piece before most comic book movies came with $200 million budgets. I’m not sure I buy Leto as a brilliant physician turning down Nobel prizes, but he doesn’t embarrass himself. This sputters as the effects render it increasingly incomprehensible.
By the time it drops in Spidey references in the mid credits sequences, it’s gotten desperate. In this Spider-Verse, Morbius doesn’t reach the specific heights of the venomous creatures preceding it.
Having grossed nearly $150 million in Japan and other territories, animated fantasy adventure One Piece Film: Red arrives on November 4th. The 15th feature in the franchise that began in 2000, the Toei Animation title comes from director Gorõ Taniguchi.
This is the same studio that gave us Dragon Ball Super: Broly and Dragon Ball Super: Super Hero. The former made nearly $10 million in its opening frame in January 2019 while Super Hero swooped to a remarkable $21 million start in August.
One Piece is currently the highest grosser of the year in Japan. Comparisons to Dragon Ball are tricky since the predecessors in this series have not received wide North American distribution. One Piece: Stampede preceded this and made just over $1 million domestically in 2019.
A further complication is that I’ve yet to see a screen count. The aforementioned Super Hero flew to its $20M+ premiere in 3000 venues. I doubt this will reach those numbers. That said, I’ve underestimated this genre before and it seems sensible to project this could debut right above or right below $10 million.
One Piece Film: Red opening weekend prediction: $10.2 million
For my The Banshees of Ininsherin prediction, click here:
The halcyon neighborhood in Olivia Wilde’s Don’t Worry Darling looks like something a production designer would mount for a 1950s suburban setting (think Pleasantville or Edward Scissorhands). In the director’s sophomore feature after the winning Booksmart, that begins to make more sense as time passes. The male characters are all about appearance and maintaining a certain Mad Men vibe. Their wives are expected to maintain the home (though there are more frequent opportunities for cocktails given the pined for time period). You don’t need to be a cinephile to suspect this idealized community could be a facade and that dark secrets lurk. You might be reminded of several films with similar themes that were more successful. Meanwhile… that production design and other tech aspects? They’re exquisite. So is the lead performance. They’re also contained in a story that’s often baffling in its narrative design.
Alice Chambers (Florence Pugh) is a resident of Victory, California where everyone seems to have a winning attitude. Her husband Jack (Harry Styles), along with the rest of the townsmen, work at Headquarters where their uniform job description is developing “progressive materials”. Alice and the rest of the spouses have no clue what that means and seem more concerned with the sheets being properly folded and the roast being cooked at the proper temperature. The unofficial ruler of Victory is Frank (Chris Pine). In addition to being the boss at Headquarters (where the ladies are strictly forbidden from visiting), he has daily indoctrination monologues disguised as a radio show. The call letters could be CULT.
The tranquil facade is threatened when Alice’s friend Margaret (KiKi Layne) begins making accusations about the hierarchy. Shortly thereafter, Alice’s experiences have her questioning this reality. That doesn’t sit well with Frank or Jack, who’s climbing up the corporate ladder. She also finds little support from next door neighbor and bestie Bunny (Wilde), who seems perfectly content with the setup. Same with Frank’s doting wife Shelley (Gemme Chan).
Don’t Worry Darling, with a screenplay from Booksmart scribe Katie Silberman, finds influences from many sources. Notable ones include The Matrix, The Truman Show, and obviously The Stepford Wives. For a while (easily the first half), it’s a decently intriguing and gorgeously rendered paranoia thriller. Yet I couldn’t shake where I thought it was headed and once it got there, it felt as empty as Alice’s daytime activities. This is no fault of the actress playing her. Pugh is a firecracker and that’s not matched by her costars. The charisma of Styles, so evident in his role as Biggest Male Pop Star on the Planet, isn’t evident here.
Silberman’s script leaves plenty of questions burning in the Victory sun. When the credits rolled, I was only mildly interested in the light being shed on them. The style is present with Darling. The substance slows down the progression of this material.
The most prominent wicked force in The School for Good and Evil wants to eradicate the educational institution forever and all the characters that inhabit it. Once that was revealed, I found myself rooting for the villain’s plot to succeed. That would mean no sequels to this misguided and criminally long Netflix adaptation of Soman Chainani’s 2013 fantasy novel. There’s been several follow-ups to the written work. I won’t hold back my wish to see no more of the adventures that Cate Blanchett’s narration can’t even save.
A prologue hints at the convoluted and overstuffed plot and unimpressive CG to come. Brothers Rhian and Rafal (both played by Kit Young) have formed The School for Good and Evil (even the title could use some imagination). It’s essentially a training ground for youngsters to become players in well-known fairytales. Rafal soon double-crosses his sibling and wants all the unholy power to… be more evil? Change the happy endings of our celebrated books to tragic ones? The stakes were never clear to me or perhaps I just stopped caring.
Many moons later and away from the school in a small village, Sophie (Sophia Anne Caruso) is obsessed with princesses like Cinderella. Bored with her surroundings, she longs for acceptance to the fantastical academy. Her best friend is Agatha (Sofia Wylie) and the townspeople are convinced she’s a witch. Unlike Sophie, she has no designs on attending anywhere where Evil would likely be her team. Soon enough, they are transported there and (surprise!) Agatha is dropped off on the Good side with Sophie on the Evil one.
The friends are certain their assignments are a mistake. The School Master (Laurence Fishburne), Good School Professor Dovey (Kerry Washington), and Evil Department Head Leonora Lesso (Charlize Theron) aren’t so sure. Errors such as this don’t occur. Beyond their placements, there’s an Ivy League vibe happening with legacy admissions. Sons of Prince Charming and King Arthur are undergrads. The latter is Tedros (Jamie Flatters) and Sophie wants to prove her Princess bonafides by charming him. Yet he might have eyes for Agatha.
Much of the film is devoted to Sophie and Agatha figuring out their roles at the school. The nearly 150 minute runtime to do so is bloated. Paul Feig, director of Bridesmaids and A Simple Favor, knows how to keep comedies and satirical mysteries moving at a reasonably snappy pace. That’s a skill forgotten in this overstuffed and often garish looking experience. Only Wylie’s performance is worth a bit of praise. I know overacting is supposed to happen in this genre but with a poor screenplay, it’s not a good look for a lot of the cast (that includes Theron and Washington).
When the students achieve their magical abilities, their fingers illuminate. Kinda like E.T.! Unlike that 40-year-old alien’s pic, what’s missing is the sense of wonder. The third act culminates at a fancy ball where a campy vibe and halfway decent makeup effects hint at what could’ve been. In case you couldn’t tell, I didn’t have a ball at The School for Good and Evil.
Currently among the top streaming pictures on Netflix is The School for Good and Evil, Paul Feig’s adaptation of Soman Chainani’s 2013 fairytale fantasy novel. Hoping for a Potter like franchise, the jury is still out on whether that occurs. Sophia Anne Caruso and Sofia Wylie are the leads with a supporting cast of familiar faces including Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Rob Delaney, and Patti LuPone.
School was released in select theaters and that qualifies it for awards consideration. Given its setting and influences, categories like Costume Design or Production Design or Makeup and Hairstyling are feasible. However, the critical reception this has generated is troubling. The Rotten Tomatoes meter is at 35% and the Audience Score is a meh 69%.
My guess is voters will hold back including this for any races. My Oscar Prediction posts will continue…
Studios usually don’t roll out movies that they think will scare up huge box office dollars on Halloween weekend and that holds true for 2022. We have the supernatural horror tale Prey for the Devil and the expansions of Till and Tár (both with likely Best Actress Oscar contenders in Danielle Deadwyler and Cate Blanchett, respectively). You can peruse my detailed prediction posts on that trio here:
Devil may round up the most business of the newcomers, but my mid single digits forecast would put it in fourth place behind a trio of holdovers. My take on Till could put it in fifth or sixth position based on how Halloween Ends holds after its massive sophomore frame plummet (more on that below). As for Tár, it’s slated for approximately 1000 venues and my $1.8 million projection leaves it outside of the top five or six.
The top 3 should remain the same with Black Adam having no trouble topping the charts for a second weekend. How far it falls is a better question. With a so-so B+ Cinemascore grade, I foresee a slightly higher dip than the 54% that Shazam! experienced in 2019. If it approaches closer to 60%, a gross in the upper 20s would be the result.
Ticket to Paradise with George Clooney and Julia Roberts slightly surpassed expectations and it should hold well with a 35-40% decrease. The runaway hit Smile should be the fright fest of choice in third place as it continues its meager declines.
And with that, my top 6 take for the spooky close out session of October:
1. Black Adam
Predicted Gross: $28.1 million
2. Ticket to Paradise
Predicted Gross: $10.4 million
3. Smile
Predicted Gross: $6.5 million
4. Prey for the Devil
Predicted Gross: $5.9 million
5. Halloween Ends
Predicted Gross: $4.1 million
6. Till
Predicted Gross: $3.8 million
Box Office Results (October 21-23)
The DCEU’s Black Adam, with Dwayne Johnson seemingly everywhere promoting it, opened in line with most prognostications at $67 million. That’s a bit above my $64.7 million take and in line with the studio’s Aquaman from 2018. It’s safe to say we haven’t seen the last of the character. As mentioned, this should easily repeat in 1st position this weekend (and the weekend after until Black Panther: Wakanda Forever hits).
Rom com Ticket to Paradise capitalized on its star power for $16.5 million, bettering my prediction of $13.7 million. That’s a needed boost for a genre that’s been struggling in recent years and an older crowd turned out to make the multiplex trek.
Smile continued to make Paramount happy with $8.4 million, a shade below my $9.5 million estimate. At $84 million after four weeks, the low budget pic is barreling toward $100 million domestically.
Halloween Ends went from 1st to 4th with a momentous 80% reduction. At $8 million, the final showdown between Laurie Strode and Michael Myers didn’t match my $10.4 million projection. The two-week total is $54 million as it will fall quite a bit short of the $92 million that predecessor Halloween Kills made.
Lyle, Lyle, Crocodile rounded out the top five with $4.2 million (I said $5.2 million) and $28 million overall.
Till with Danielle Deadwyler isn’t the only picture with a likely Best Actress nominee expanding this weekend. There’s also Tár in which Cate Blanchett will compete for her third gold statue. I’ve currently got her ranked #1 in that competition. Todd Field directs with a supporting cast including Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, and Mark Strong.
With its 95% rating on Rotten Tomatoes, the portrayal of a renowned composer whose world is riddled by scandal opened in limited release on October 7th. Early results were solid, but its performance this past weekend raises questions as to its broad appeal. On 141 screens, it made $500,000. That translates to just over $3500 per venue.
The film is expected to branch out to 1000 locations on Friday. History teaches us that the per theater average should drop and I’m projecting a gross of just under $2 million for the wider rollout.
Danielle Deadwyler is likely headed for a Best Actress nomination in Chinonye Chukwu’s Till, which opens wide in approximately 2000 theaters on October 28th. She plays Mamie Till, mother of Emmett who was brutally murdered in 1955. The biographical drama features Jalyn Hall as her son as well as Frankie Faison, Haley Bennett, and Whoopi Goldberg.
After its premiere at the New York Film Festival, Till received critical acclaim and it sports a 99% Rotten Tomatoes rating. Yet since its October 14th limited release, returns have been underwhelming. This past weekend, it earned approximately $600,000 on 104 screens. That’s a per screen average of just over $3600 and it doesn’t bode well for the expansion.
Three years ago, Harriet surpassed forecasts with its debut at the same time of year. With nearly $12 million for its start, that kind of number would be amazing for Till. Given the early evidence, it may only make a third of that.
Elvis has left the top ten predicted nominees in my Best Picture rankings and it’s Park Chan-wook’s Decision to Leave back in the mix. The good news continues for Leave as it returns to #1 in International Feature Film over its close competitor All Quiet on the Western Front.
While the directing and lead acting derbies remain the same, there are changes in both supporting races. Stephanie Hsu (Everything Everywhere All at Once) is back in Supporting Actress over Dolly de Leon (Triangle of Sadness). Judd Hirsch (The Fabelmans) falls out of the Supporting Actor quintet with Barry Keoghan (The Banshees of Inisherin) moving up.
Another picture increasing its nomination count is Living. I already had Bill Nighy in the Best Actor five and I’m now putting it in Adapted Screenplay while removing White Noise. Living also makes its debut in Costume Design for a total of three nods.
Later this week, I’ll have State of the Race detailed posts on the six major competitions (Picture, Director, the 4 acting contests).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 7) (+1)
7. Tár (PR: 6) (-1)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 10) (+1)
10. Decision to Leave (PR: 14) (+4)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. She Said (PR: 12) (E)
13. Elvis (PR: 9) (-3)
14. Avatar: The Way of Water (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 4) (+1)
4. Sarah Polley, Women Talking (PR: 3) (-1)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Park Chan-wook, Decision to Leave (PR: 8) (+2)
7. Edward Berger, All Quiet on the Western Front (PR: 7) (E)
8. Martin McDonagh, The Banshees of Inisherin (PR: 6) (-2)
9. Ruben Ostlund, Triangle of Sadness (PR: 10) (+1)
10. James Cameron, Avatar: The Way of Water (PR: 9) (-1)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)
9. Jennifer Lawrence, Causeway (PR: 10) (+1)
10. Rooney Mara, Women Talking (PR: Not Ranked)
Dropped Out:
Ana de Armas, Blonde
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 3) (+1)
3. Austin Butler, Elvis (PR: 2) (-1)
4. Bill Nighy, Living (PR: 5) (+1)
5. Hugh Jackman, The Son (PR: 4) (-1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Jeremy Pope, The Inspection (PR: 10) (+2)
9. Adam Driver, White Noise (PR: 9) (E)
10. Song Kang-ho, Broker (PR: 8) (-2)
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 2) (E)
3. Kerry Condon, The Banshees of Inisherin (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Dolly de Leon, Triangle of Sadness (PR: 5) (-1)
7. Carey Mulligan, She Said (PR: Not Ranked)
8. Nina Hoss, Tár (PR: 7) (-1)
9. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 8) (-1)
10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 10) (E)
Dropped Out:
Thuso Mbedu, The Woman King
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Paul Dano, The Fabelmans (PR: 3) (E)
4. Ben Whishaw, Women Talking (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Judd Hirsch, The Fabelmans (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Woody Harrelson, Triangle of Sadness (PR: 8) (E)
9. Brian Tyree Henry, Causeway (PR: 10) (+1)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Armageddon Time (PR: 8) (E)
9. Broker (PR: Not Ranked)
10. The Menu (PR: 10) (E)
Dropped Out:
Empire of Light
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 6) (+1)
Other Possibilities:
6. White Noise (PR: 5) (-1)
7. Bones and All (PR: 8) (+1)
8. Top Gun: Maverick (PR: 9) (+1)
9. All Quiet on the Western Front (PR: Not Ranked)
10. The Son (PR: 10) (E)
Dropped Out:
Till
Best Animated Feature
Predicted Nominees:
1 . Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 4) (+1)
4. Strange World (PR: 3) (-1)
5. Marcel the Shell with Shoes On (PR: 5) (E)
Other Possibilities:
6. The Sea Beast (PR: 7) (+1)
7. The Bad Guys (PR: 6) (-1)
8. My Father’s Dragon (PR: 8) (E)
9. Minions: The Rise of Gru (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Saint Omer (PR: 5) (E)
Other Possibilities:
6. Argentina, 1985 (PR: 9) (+3)
7. Holy Spider (PR: 7) (E)
8. Alcarras (PR: 8) (E)
9. Klondike (PR: 6) (-3)
10. EO (PR: Not Ranked)
Dropped Out:
Corsage
Best Documentary Feature
Predicted Nominees:
1 . All the Beautyand the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 5) (E)
Other Possibilities:
6. Last Flight Home (PR: 9) (+3)
7. The Territory (PR: 6) (-1)
8. Moonage Daydream (PR: 8) (E)
9. Good Night Oppy (PR: 7) (-2)
10. Aftershock (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Empire of Light (PR: 2) (-1)
4. Bardo (PR: 4) (E)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Avatar: The Way of Water (PR: 6) (E)
7. The Banshees of Inisherin (PR: 8) (+1)
8. Top Gun: Maverick (PR: 7) (-1)
9. Tár (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 9) (-1)
Dropped Out:
Emancipation
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 4) (E)
5. Living (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. The Woman King (PR: 6) (-1)
8. Corsage (PR: 5) (-3)
9. Three Thousand Years of Longing (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 9) (-1)
Dropped Out:
Blonde
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Babylon (PR: 4) (+1)
4. The Fabelmans (PR: 3) (-1)
5. Elvis (PR: 6) (+1)
Other Possibilities:
6. Tár (PR: 7) (+1)
7. Women Talking (PR: 5) (-2)
8. Avatar: The Way of Water (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 8) (-1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
Bardo
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. All Quiet on the Western Front (PR: Not Ranked)
8. Three Thousand Years of Longing (PR: 10) (+2)
9. The Woman King (PR: 7) (-2)
10. X (PR: 8) (-2)
Dropped Out:
Blonde
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. Women Talking (PR: 7) (+3)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Tár (PR: 4) (-2)
7. The Banshees of Inisherin (PR: 5) (-2)
8. Avatar: The Way of Water (PR: 10) (+2)
9. The Batman (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 9) (-1)
Dropped Out:
Bardo
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 3) (+1)
3. “Nobody Like U” from Turning Red (PR: 2) (-1)
4.“Applause” from Tell It Like a Woman (PR: 4) (E)
5. “Carolina” from Where the Crawdads Sing (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 7) (+1)
7. “Stand Up” from Till (PR: 5) (-2)
8. “New Body Rhumba” from White Noise (PR: 8) (E)
9. “On My Way” from Marry Me (PR: 9) (E)
10. “At the Automat” from The Automat (PR: Not Ranked)
Dropped Out:
“Love Is Not Love” from Bros
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Avatar: The Way of Water (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 4) (E)
5. The Fabelmans (PR: 6) (+1)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
7. Empire of Light (PR: 8) (+1)
8. Everything Everywhere All at Once (PR: 7) (-1)
9. Glass Onion: A Knives Out Mystery (PR: 9) (E)
10. Bardo (PR: 5) (-5)
Dropped Out:
The Batman
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Babylon (PR: 4) (+1)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Everything Everywhere All at Once (PR: Not Ranked)
9. Tár (PR: Not Ranked)
10. Nope (PR: 8) (-2)
Dropped Out:
The Fabelmans
Bardo
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 6) (+2)
5. Doctor Strange in the Multiverse of Madness (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 5) (-1)
7. Black Panther : Wakanda Forever (PR: 7) (E)
8. RRR (PR: 8) (E)
9. All Quiet on the Western Front (PR: 10) (+1)
10. Good Night Oppy (PR: 9) (-1)
And that equates to these pictures garnering these numbers of nominations:
10 Nominations
Babylon
9 Nominations
Everything Everywhere All at Once, The Fabelmans
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin
5 Nominations
Elvis, Top Gun: Maverick, The Whale
4 Nominations
Tár
3 Nominations
All Quiet on the Western Front, Avatar: The Way of Water, Guillermo del Toro’s Pinocchio, Living
2 Nominations
Bardo, The Batman, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Close, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Till, Wendell and Wild, Where the Crawdads Sing
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