Black Panther: Wakanda Forever does a commendable job in its treatment of Chadwick Boseman’s 2020 passing. What remains in the sequel feels bloated (161 minutes) and is a significant decline from its 2018 predecessor. The MCU in 2022 has been in a relative rut (Doctor Strange in the Multiverse and Thor: Love and Thunder) and Forever extends that.
I will start by accentuating the aforementioned positive. Director and co-writer Ryan Coogler and his team were obviously faced with a sad and unenviable task of handling the title character’s real life death. King T’Challa’s absence is addressed immediately. The departure is the emotional ripple that causes genuine waves of emotion in the beginning and especially the end.
However, we are left to wonder if the filmmakers would’ve been better off recasting the role. Boseman’s presence and the idea of having a central protagonist is missed in the follow-up. The narrative of Wakanda often feels pulled into too many directions. I found myself wishing to untangle it and cut loose ends.
The plot comes into focus one year after T’Challah’s funeral. Sister Shuri (Letitia Wright) is haunted that her tech skills couldn’t save her sibling. Queen Ramonda (Angela Bassett) rules the country with an iron fist. Other nations, including the United States, are jealous of their vibranium hoarding ways. It turns out the precious metal is also present under the surface in the underwater land of Talokan. Their ruler is Namor (Tenoch Huerta) and his legion of Avatar looking subjects are grappling with how to handle their valuable commodity. Namor decides that Wakanda either needs to join him in declaring war on the rest of the world (who want that sweet vibranium) or become a nemesis of the subsurface society.
Namor, as written, is a fairly decent antagonist. Like Michael B. Jordan’s Killmonger in the original, his motives to be “the bad guy” are rather understandable. The Marvel Cinematic Universe has had plenty of forgettable villains. Namor isn’t one, but Huerta also isn’t much of a threatening presence. This is especially true when comparing Namor to Killmonger as there is no comparison.
My biggest gripe is the one item that also hindered the third act of 2018’s adventure. The action sequences are frequently handled in clumsy fashion. They are too dimly lit or the CG happenings are confusing.
There are some welcome returns with Winston Duke as the warrior M’Baku and Danai Gurira as Okoye, leader of Wakanda’s all female fighting force. Lupita Nyong’o is back as Nakia, T’Challah’s love interest. She is summoned back to her native land by Ramonda and Bassett is given a couple of potent monologues as the mourning Queen.
Then there’s Martin Freeman back on duty as CIA agent Everett Ross. This time around, he’s teamed with his boss and ex-wife Val (Julia Louis-Dreyfus) as they are at odds in their views on how to deal with Wakanda. The screenwriters should have dealt them off the page. They could have been eliminated altogether and the only difference would be a thankfully shorter runtime.
For all the working in water happening during Wakanda Forever, the real waterworks occur as Mr. Boseman is honored and those are powerful moments. Too much of the rest doesn’t work at all.
We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:
We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.
As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.
Arrival
Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.
Does It Make the Final Five?
No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.
Fences
Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.
Does It Make the Final Five?
No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.
Hacksaw Ridge
Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.
Does It Make the Final Five?
Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).
Hell or High Water
Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.
Does It Make the Final Five?
No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.
Hidden Figures
Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.
Does It Make the Final Five?
No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.
La La Land
Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.
Does It Make the Final Five?
A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.
Lion
Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.
Does It Make the Final Five?
Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.
Manchster by the Sea
Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.
Does It Make the Final Five?
Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.
The true life tale of the New York Times journalists who exposed the crimes of Harvey Weinstein, Maria Schrader’s She Said debuts November 18th. Zoe Kazan and Carey Mulligan play the investigative reporters with a supporting cast including Patricia Clarkson, Andre Braugher, Jennifer Ehle, Tom Pelphrey, and Samantha Morton.
Critical reaction skewed positive after its premiere at the New York Film Festival. With an 82% Rotten Tomatoes score, She could contend for nods in some Oscar races including Picture. The best reviews have compared it to 2015’s BP winner Spotlight.
The ripped from the fairly recent headlines story could assist in bringing in filmgoers. Universal is certainly banking on a female turnout. My hunch is that this struggles in its opening and hopes for sturdy legs in subsequent frames. Low to mid single digits might be the start.
Searchlight Pictures is hoping moviegoers check out The Menu when it opens November 18th. Mark Mylod, best known for small screens fare like Game of Thrones and Shameless, directs. The black comedy features a large cast of cooks and diners including Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light, John Leguizamo, Reed Birney, Aimee Carrero, and Arturo Castro.
For the most part, critics like what they were served when this debuted at Toronto. The Rotten Tomatoes score is 88%. That said, The Menu is not generating much awards chatter which could’ve helped in appetizing an older audience.
A debut at or above $10 million would be quite an accomplishment. I don’t think it gets there with $7-9 million being more likely.
Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.
The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.
However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…
Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.
The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.
The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).
All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.
Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).
As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.
Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…
Blogger’s Note (11/09): I am revising my Black Panther: Wakanda Forever estimate down from $205.2M to $195.2M.
Black Panther: Wakanda Forever looks to achieve the largest opening of 2022 when it is unveiled Friday. The sequel to 2018’s $700 million domestic grosser is understandably the only new release this weekend. You can peruse my detailed prediction post on it here:
My estimate puts Wakanda at the higher end of its expected range and has it surpassing its predecessor for the 8th largest debut of all time. It needs to get beyond $191 million to topple the year’s best opening currently held by Doctor Strange in the Multiverse of Madness. I believe it can with room to spare.
After a three-week reign atop the charts and a better than anticipated 3rd frame hold (more on that below), Black Adam will drop to second. One Piece Film: Red should have the heftiest percentage fall of all holdovers (typical for its genre). That should allow Ticket to Paradise to remain in third. We could even see Smile or Lyle, Lyle, Crocodile in the four or five spot ahead of Red (it could be awfully close for those 4-6 positions).
Here’s how I see it all playing out:
1 . Black Panther: Wakanda Forever
Predicted Gross: $195.2 million
2. Black Adam
Predicted Gross: $8.7 million
3. Ticket to Paradise
Predicted Gross: $5.8 million
4. Lyle, Lyle, Crocodile
Predicted Gross: $2.5 million
5. Smile
Predicted Gross: $2.4 million
6. One Piece Film: Red
Predicted Gross: $2.2 million
Box Office Predictions (November 4-6)
Dwayne Johnson rocked another #1 weekend as Black Adam took in $18.2 million (besting my $14.4 million take). That’s a solid dip of 33% as its stateside tally stands at $137 million. The reported $200 million budget is preventing this from being considered a runaway success, but the total is decent in this marketplace.
One Piece Film: Red, the animated fantasy from Japan, premiered in line with its range at $9.3 million for runner-up status. I went slightly higher at $10.2 million. As mentioned above, a sophomore plummet of over 70% is likely.
Ticket to Paradise continued to prevent the death of the rom com in third with $8.5 million, holding up sturdier than my $6.8 million forecast. The three-week gross is $46 million.
Smile was fourth with $3.9 million (I said $3.4 million) as the sleeper horror hit is up to $99 million (with over $200 million already domestically). The Paramount release should join the century club tonight.
Prey for the Devil was right behind in firth as that scary movie earned $3.8 million in weekend #2. I said a little less with $3.1 million. It’s made $13 million.
Lyle, Lyle, Crocodile managed to jump up 23% for sixth place with $3.3 million. The kiddie pic is at $36 million.
Finally, Oscar hopeful The Banshees of Inisherin was seventh with $2 million. The Irish set black comedy with Colin Farrell and Brendan Gleeson came in a tad below my $2.2 million projection.
Mille Bobby Brown has battled plenty of otherworldly creatures on Netflix’s smash Stranger Things or Godzilla, King of the Monsters. In Enola Holmes, she fights with her wits inherited from her revolutionary minded mum and world famous brother. I suspect she’ll solve plenty more mysteries for the streaming pleasure of its young and female target audience.
Based on a series of novels from Nancy Springer, Brown’s title character is the youngest in her family. Dad has passed and her two older brothers are long gone. Mom Eudoria (Helena Bonham Carter) spends her days teaching Enola skills including martial arts and decoding. They come in handy when Eudoria vanishes on her daughter’s 16th birthday. The disappearance is not sweetened when it seems the matriarch has left on purpose.
This puts Enola back in contact with her siblings. Mycroft (Sam Claflin) is a stuffy politico now serving as her ward. He wants to send her to finishing school to sand down the rough edges. The middle child is the superstar of the clan (no Jan Brady issues here). That would be Sherlock Holmes (Henry Cavill) who’s distant from the brood due to all his investigative commitments.
Enola isn’t about to spend her days learning how to be a “proper” lady so she hits the road in search of Eudoria. Leaving some breadcrumbs as to her whereabouts, the trail leads to London where she may be part of a rogue women’s suffrage group. It’s the late 19th century and this is the center of political upheaval.
It turns out Enola has more capers to consider. She’s introduced to Viscount Tewkesbury (Louis Partridge) on the journey. The teenage British royal is on the run as someone is trying to kill him. He’s introduced to Enola hiding in an overhead bag on a train as he nearly falls on her. They soon fall for each other.
The dual cases of the Missing Mother and Tewkesbury becoming a Missing Person fill an overstuffed two hours. Brown carries the material even though neither mystery is particularly absorbing. She also talks to and mugs for the camera… a lot. As in probably too much. Sherlock is relegated to the sideline in this tale of his little sister harnessing her girl power. This might be an elementary introduction to her, but it’s got appeal.
Over the past week, I posted deep dives into 6 major categories: Picture, Director, and the four acting derbies. If you missed them, you can access them right there:
The numbers for those competitions are reflected below (therefore you won’t see Previous Rankings for them). For every other race, these are projections updated for the first time since October 23rd.
There’s less than two months left in the calendar year! We’re entering crunch time and here’s my state of the races as we sprint to the finish…
Best Picture
Predicted Nominees:
1. The Fabelmans
2. Everything Everywhere All at Once
3. Babylon
4. Women Talking
5. The Banshees of Inisherin
6. Top Gun: Maverick
7. Tár
8. The Whale
9. Triangle of Sadness
10. She Said
Other Possibilities:
11. All Quiet on the Western Front
12. Decision to Leave
13. Avatar: The Way of Water
14. Elvis
15. Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans
2. Damien Chazelle, Babylon
3. Daniels, Everything Everywhere All at Once
4. Sarah Polley, Women Talking
5. Todd Field, Tár
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front
7. Park Chan-wook, Decision to Leave
8. Martin McDonagh, The Banshees of Inisherin
9. James Cameron, Avatar: The Way of Water
10. Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár
2. Michelle Yeoh, Everything Everywhere All at Once
3. Danielle Deadwyler, Till
4. Michelle Williams, The Fabelmans
5. Margot Robbie, Babylon
Other Possibilities:
6. Olivia Colman, Empire of Light
7. Naomi Ackie, I Wanna Dance with Somebody
8. Viola Davis, The Woman King
9. Jennifer Lawrence, Causeway
10. Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale
2. Colin Farrell, The Banshees of Inisherin
3. Austin Butler, Elvis
4. Bill Nighy, Living
5. Hugh Jackman, The Son
Other Possibilities:
6. Diego Calva, Babylon
7. Tom Cruise, Top Gun: Maverick
8. Jeremy Pope, The Inspection
9. Adam Driver, White Noise
10. Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1 . Claire Foy, Women Talking
2. Kerry Condon, The Banshees of Inisherin
3. Jessie Buckley, Women Talking
4. Hong Chau, The Whale
5. Carey Mulligan, She Said
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once
7. Dolly De Leon, Triangle of Sadness
8. Nina Hoss, Tár
9. Jamie Lee Curtis, Everything Everywhere All at Once
10. Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1 . Ke Huy Quan, Everything Everywhere All at Once
2. Brendan Gleeson, The Banshees of Inisherin
3. Ben Whishaw, Women Talking
4. Judd Hirsch, The Fabelmans
5. Barry Keoghan, The Banshees of Inisherin
Other Possibilities:
6. Paul Dano, The Fabelmans
7. Brad Pitt, Babylon
8. Mark Rylance, Bones & All
9. Woody Harrelson, Triangle of Sadness
10. Eddie Redmayne, The Good Nurse
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Aftersun (PR: Not Ranked)
9. Broker (PR: 9) (E)
10. The Menu (PR: 10) (E)
Dropped Out:
Armageddon Time
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones & All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 9) (-1)
Dropped Out:
The Son
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 3) (E)
4. Strange World (PR: 4) (E)
5. The Bad Guys (PR: 7) (+2)
Other Possibilities:
6. Marcel the Shell with Shoes On (PR: 5) (-1)
7. The Sea Beast (PR: 6) (-1)
8. My Father’s Dragon (PR: 8) (E)
9. Lightyear (PR: 10) (+1)
10. Minions: The Rise of Gru (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 2) (+1)
2. Decision to Leave (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Saint Omer (PR: 5) (E)
Other Possibilities:
6. Klondike (PR: 9) (+3)
7. Holy Spider (PR: 7) (E)
8. Argentina, 1985 (PR: 6) (-2)
9. EO (PR: 10) (+1)
10. Alcarras (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Last Flight Home (PR: 6) (+1)
Other Possibilities:
6. Fire of Love (PR: 5) (-1)
7. The Territory (PR: 7) (E)
8. Moonage Daydream (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Sr. (PR: Not Ranked)
Dropped Out:
Aftershock
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Avatar: The Way of Water (PR: 6) (+3)
4. Empire of Light (PR: 3) (-1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Top Gun: Maverick (PR: 8) (+1)
8. The Banshees of Inisherin (PR: 7) (-1)
9. Black Panther: Wakanda Forever (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 10) (E)
Dropped Out:
Tár
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 4) (E)
5. The Woman King (PR: 7) (+2)
Other Possibilities:
6. Living (PR: 5) (-1)
7. The Fabelmans (PR: 6) (-1)
8. Three Thousand Years of Longing (PR: 9) (+1)
9. Corsage (PR: 8) (-1)
10. Everything Everywhere All at Once (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Top Gun: Maverick (PR: 2) (-1)
4. The Fabelmans (PR: 4) (E)
5. Women Talking (PR: 7) (+2)
Other Possibilities:
6. Elvis (PR: 5) (-1)
7. All Quiet on the Western Front (PR: 9) (+2)
8. Avatar: The Way of Water (PR: 8) (E)
9. The Banshees of Inisherin (PR: Not Ranked)
10. Decision to Leave (PR: 10) (E)
Dropped Out:
Tár
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Elvis (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 6) (+1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. X (PR: 10) (+3)
8. Three Thousand Years of Longing (PR: 8) (E)
9. All Quiet on the Western Front (PR: 7) (-1)
10. The Woman King (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. The Banshees of Inisherin (PR: 7) (+3)
5. Women Talking (PR: 4) (-1)
Other Possibilities:
6. Tár (PR: 6) (E)
7. Guillermo del Toro’s Pinocchio (PR: 5) (-2)
8. Bardo (PR: Not Ranked)
9. Avatar: The Way of Water (PR: 8) (-1)
10. All Quiet on the Western Front (PR: 10 (E)
Dropped Out:
The Batman
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: Not Ranked)
3. “Naatu Naatu” from RRR (PR: 2) (-1)
4. “Nobody Like U” from Turning Red (PR: 3) (-1)
5. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. “Applause” from Tell It Like a Woman (PR: 4) (-2)
7. “Stand Up” from Till (PR: 7) (E)
8. “Carolina” from Where the Crawdads Sing (PR: 5) (-3)
9. “New Body Rhumba” from White Noise (PR: 8) (-1)
10. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: Not Ranked)
Dropped Out:
“On My Way” from Marry Me
“At the Automat” from The Automat
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Elvis (PR: 2) (-2)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. Empire of Light (PR: 7) (-1)
9. Glass Onion: A Knives Out Mystery (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Bardo
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 4) (-2)
7. Elvis (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. The Fabelmans (PR: Not Ranked)
10. Nope (PR: 10) (E)
Dropped Out:
Tár
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. Guillermo del Toro’s Pinocchio (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. RRR (PR: 8) (+1)
8. Doctor Strange in the Multiverse of Madness (PR: 5) (-3)
9. All Quiet on the Western Front (PR: 9) (E)
10. Good Night Oppy (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
10 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once, Women Talking
7 Nominations
The Banshees of Inisherin
6 Nominations
Black Panther: Wakanda Forever
5 Nominations
Top Gun: Maverick, The Whale
4 Nominations
Avatar: The Way of Water, Elvis, Tár
3 Nominations
All Quiet on the Western Front, She Said
2 Nominations
Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, The Batman, Close, Decision to Leave, Descendant, Glass Onion: A Knives Out Mystery, Last Flight Home, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, The Son, Strange World, Till, The Woman King, Wendell and Wild
The buddy action comedy shenanigans of The Man from Toronto are as generic as the title. Kevin Hart and Woody Harrelson can’t save a lazy script that could’ve used a potent punch up. The stars are dropped into scenarios we’ve seen on countless occasions in this mistaken identity caper where a wimpy everyman must masquerade as a tough guy. There’s not a new ingredient to be found unless you count the hitman secretly hoping to be a chef.
Woody Harrelson is The Man from Toronto, that culinary minded assassin with a legendary reputation for extracting sensitive information from his captors. His methods of doing so aren’t any more creative than your run-of-the-mill bad guy. However, he’s got a conscience and a story about a bear mauling his grandpa on a frozen lake. It’s as pointlessly strange as it sounds.
Kevin Hart is struggling fitness instructor Teddy, who can’t sell his get rich quick idea of contactless boxing. While treating his wife Lori (Jasmine Mathews) to a birthday celebration weekend, the hapless entrepreneur checks into the wrong cabin. This is due to a low toner issue printing off a smudgy address. To the best of my knowledge, Toronto was not shot over a decade ago. That’s when Teddy might have actually printed off directions instead of having them handy on his phone or programmed into the GPS. The Man from Toronto is scheduled for interrogation of a hostage at the cabin. When Teddy arrives first, he is forced to play the part.
When the FBI show up, the charade must continue. I might forget why as I’m typing because the screenplay is so forgettable. It involves the potential assassination of the Venezuelan President who’s visiting Washington D.C. Woody (I’m not going to keep saying The Man from Toronto) takes his orders from The Handler (Ellen Barkin), who has employees all over the globe. There’s The Man from Miami (Pierson Fode), who’s called in when Woody is busy dealing with Teddy’s intrusion. There’s Moscow and Tokyo! There’s the Men from Tacoma because they are siblings. Maybe a compelling picture could be made about how they’re selected. Do major metro areas get more than one Man? Why would Cody, Wyoming with its population of 10,000 get the same number as Beijing which has 24 million citizens? Shouldn’t they have more contract killers? What’s the nepotism backstory that allowed the brothers Tacoma to have double the hitmen as Tokyo?
These burning questions aside, The Man from Toronto would be far more tolerable if Hart and Harrelson had a scintilla of funny dialogue. Or if the action sequences were choreographed with more precision. The rare laughs come from (I suspect) Hart’s ad libbing and delivery. They don’t come from Kaley Cuoco, a talented comedienne who appears for about 5 minutes as Lori’s fun seeking friend. I wonder if her part got cut down? Cuoco never finds the entertainment she’s looking for and we can relate.
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