In 2015, Alex Garland nabbed an Original Screenplay Oscar nod for his directorial debut Ex Machina. That acclaimed sci-fi tale also surprisingly took the gold in Visual Effects over heavy hitters like Mad Max: Fury Road and Star Wars: The Force Awakens.
His 2018 follow-up Annihilation didn’t fare as well at multiplexes or with awards voters. Despite an 88% Rotten Tomatoes rating (Machina got a 92%), it failed to generate any nominations.
On February 20th comes Garland’s third behind the camera effort Men. Featuring Jessie Buckley and Rory Kinnear, the A24 release sounds like it’s right up the distributor’s dark alley. That means it may score better with critics than crowds. The RT is currently the filmmaker’s lowest at 83% (still pretty darn solid). Like Annihilation, don’t expect it to be in the Academy mix. My Oscar prediction posts will continue…
Blogger’s Update (05/12): Revising Firestarter down to $6.5 million
A different caped crusader set the 2022 opening weekend record with Doctor Strange in the Multiverse of Madness dominating the charts. It will reign supreme in its sophomore frame as only the Stephen King adapted horror reboot Firestarter debuts this weekend. You can peruse my detailed prediction post on it here:
I’m giving Firestarter (also available via Peacock) the benefit of the doubt by putting it in double digits considering its genre often over performs. That should easily give it the #2 slot behind MCU’s mystical doc.
Look for The Bad Guys and Sonic the Hedgehog 2 to slide a spot to 3rd and 4th. The five spot could be close between Fantastic Beasts: The Secrets of Dumbledore and Everything Everywhere All at Once.
The real question is how far Multiverse drops in its sophomore outing. The Strange sequel received mixed critical reaction that has carried over a bit with audiences. The B+ Cinemascore grade is among the lowest of the franchise. Only Eternals (B) was below it while 2011’s original Thor also received the B+ designation. Due to that factor, I could foresee a low to potentially high 60s range fall.
Here’s how I see the top 6 playing out:
1. Doctor Strange in the Multiverse of Madness
Predicted Gross: $66.8 million
2. The Bad Guys
Predicted Gross: $7.1 million
3. Firestarter
Predicted Gross: $6.5 million
4. Sonic the Hedgehog 2
Predicted Gross: $4.3 million
5. Everything Everywhere All at Once
Predicted Gross: $3.1 million
6. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $2.7 million
Box Office Results (May 6-8)
Doctor Strange in the Multiverse of Madness had the #11 largest domestic debut in history, positioning itself between fellow Disney sequels Avengers: Age of Ultron and Incredibles 2. Coming on the heels of Spider-Man: No Way Home, the MCU property amassed $187.4 million. While that didn’t get into top 10 all-time territory like I projected at $208.5 million, it’s still a marvelous haul (especially considering the 2016 original began with $85 million). For the reasons stated above, I do expect a larger than normal MCU decline in the mid 60s.
The Bad Guys, after two weeks in first, was second with $9.5 million. That’s in line with my $10 million estimate as the DreamWorks title has taken in $57 million thus far.
Sonic the Hedgehog 2 was third with $6 million, a bit under my expected $7.1 million. Overall gross is a sturdy $169 million.
Fantastic Beasts: The Secrets of Dumbledore continued its underwhelming run with $4.2 million. I was on target as I said $4.3 million. Total is $86 million as it’s hoping to at least eek out $100 million.
Everything Everywhere All at Once rounded out the top five with $3.5 million. I projected a little higher with $4.4 million, but its pleasing tally is up to $41 million.
Blogger’s Update (05/12): Revising my prediction down to $6.5 million
Based on Stephen King’s 1980 novel and a reworking of the 1984 film adaptation starring a young Drew Barrymore, Firestarter hopes to heat up multiplexes on Friday the 13th. Ryan Kiera Armstrong fills Barrymore’s original role as a pyrokinetic kid with Zac Efron, Sydney Lemmon, Kurtwood Smith, and Gloria Reuben among the cast. Keith Thomas directs.
Coming from the Blumhouse label which has produced plenty of horror hits, this will be released simultaneously in theaters and on Peacock, which is still finding its way in the streaming universe. The first Firestarter 38 years ago was not a hot property at the box office as it grossed $17 million. It’s also fair to say that it isn’t considered a genre classic like other King penned cinematic properties.
Horror pics are dangerous to underestimate, but my hunch is that Firestarter may not reach $13 million. The worst case scenario could be a start in the high double digits, but I’ll say it gets a bit beyond that.
Firestarter opening weekend prediction: $6.5 million
For my Downton Abbey: A New Era prediction, click here:
The sprawling cast of Brits is back on screen May 20th in Downton Abbey: A New Era. Based on the popular series that ran on PBS domestically from 2010-2015, Era is the sequel to the 2019 cinematic rendering. Simon Curtis takes over directorial duties from Michael Engler. The familiar returnees include Hugh Bonneville, Elizabeth McGovern, Maggie Smith, Michelle Dockery, Jim Carter, Penelope Wilton, and Samantha Bond. Creator Julian Fellowes handles script duties.
Three years back, Abbey easily opened atop the charts with $31 million and an eventual $96 million gross. This won’t manage a #1 start with Doctor Strange in the Multiverse of Madness in its third frame. It should certainly nab the runner-up position.
The question is whether it comes close to what its predecessor started with. Forecasts have this only making about half of what part 1 achieved out of the gate. Considering the 2019 experience surpassed projections, I’ll give this a slight benefit of the doubt.
Downton Abbey: A New Era opening weekend prediction: $18.4 million
Last year, The Power of the Dog scored the most Oscar nominations including Best Actor for Benedict Cumberbatch. His return as Marvel’s superhero in Doctor Strange in the Multiverse of Madness hopes to land at least one mention in a category where the MCU has received plenty.
The review embargo lifted today ahead of its Friday premiere and the Rotten Tomatoes score is currently 79% (that’s a match with last summer’s Black Widow). Sam Raimi’s directorial contribution to the world’s biggest franchise, based on some critics and their reservations, really only has a shot at Best Visual Effects.
That’s where 12 previous movies starting with Iron Man and ending with 2021’s Shang-Chi and the Legend of the Ten Rings and Spider-Man: No Way Home have made the final five. Somewhat shockingly, none have won. In the middle of that pack is predecessor Doctor Strange from 2016 (it lost to The Jungle Book).
Considering the original Strange made the cut, Madness could absolutely be in line to follow suit. It’ll need to do so over two forthcoming MCU adventures (Thor: Love and Thunder and Black Panther: Wakanda Forever). None of the Thor pics managed a VE nod and neither did the first Panther. Therefore it strands to reason that this could be the best MCU bet for inclusion in 2022. Like the others, I don’t believe it has a shot to win. My Oscar Prediction posts will continue…
The summer box office season officially kicks off in the manner it has many times lately… with an expected Marvel Cinematic Universe juggernaut. Doctor Strange in the Multiverse of Madness looks to accomplish some records after previous franchise entry Spider-Man: No Way Home set plenty of its own. You can peruse my detailed prediction post on Benedict Cumberbatch’s return as the mystical doc here:
My estimate would give Multiverse the 7th largest domestic premiere of all time and the highest ever for the month of May (topping The Avengers). It would be #4 in terms of MCU entries – behind Avengers: Endgame, No Way Home, and Avengers: Infinity War.
No other film is daring to open against this and family friendly entries The Bad Guys (after two weeks on top) and Sonic the Hedgehog 2 should slide a spot. Everything Everywhere All at Once is holding extremely well from week to week and it could rise to fourth over Fantastic Beasts: The Secrets of Dumbledore.
Here’s how I think the top 5 will look:
1. Doctor Strange in the Multiverse of Madness
Predicted Gross: $208.5 million
2. The Bad Guys
Predicted Gross: $10 million
3. Sonic the Hedgehog 2
Predicted Gross: $7.1 million
4. Everything Everywhere All at Once
Predicted Gross: $4.4 million
5. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $4.3 million
Box Office Results (April 29-May 1)
Before Marvel begins its domination, it was a pretty quiet weekend with The Bad Guys repeating in first. The DreamWorks Animation effort made $16.2 million, topping my $14.4 million projection for $44 million in 10 days.
Most holdovers managed to slightly exceed my expectations. Sonic the Hedgehog 2 stayed in second at $11.5 million compared to my $10.8 million call. Total is $161 million.
Fantastic Beasts: The Secrets of Dumbledore continued its ho-hum run in third with $8.3 million, just above my $7.7 million take. The three-week tally is a disappointing $79 million.
The Northman was fourth in its sophomore outing with $6.3 million. I went with $5.6 million and it’s at $22 million.
Everything Everywhere All at Once actually had a 2% increase with $5.5 million to round out the top five (I said $4.2 million). The A24 Oscar hopeful has made an impressive $35 million.
The Unbearable Weight of Massive Talent was sixth with $3.8 million (I predicted $3.5 million) for $13 million in two weeks.
Finally, Liam Neeson’s streak of low grosses stayed intact as Memory opened in 8th with $3.1 million. That’s in line with his recent (non) earners and just below my $3.3 million projection.
Welcome to the first ranked Oscar predictions of the 2022 season for the 95th Academy Awards! I’ll be doing these every few days (once a week or every two weeks) for the high-profile races of Picture, Director, and the four acting derbies. In the fall (maybe earlier), this will expand to all categories covering feature lengths films.
For BP, I will list 25 possibilities with 15 hopefuls in the others. Some quick caveats that always apply – titles of the pictures will change. Just this week, David O. Russell’s Canterbury Glass became Amsterdam and Avatar 2 is now Avatar: The Way of Water.
Actors listed in lead will become supporting players and vice versa. Some movies will be pushed to 2023. And, of course, titles listed on the first day of May will become commercial and critical disappointments and drop off the list. Some pics and performances I’m not even considering at the moment will rise during festivals like Cannes, Toronto, Telluride, and Venice.
So let’s get to it, shall we?
Best Picture
Predicted Nominees:
1. Babylon
2. Killers of the Flower Moon
3. The Fabelmans
4. The Son
5. Women Talking
6. She Said
7. Bardo
8. Everything Everywhere All at Once
9. The Whale
10. Rustin
Other Possibilities:
11. Amsterdam
12. White Noise
13. Poor Things
14. Tar
15. Till
16. Empire of Light
17. Avatar: The Way of Water
18. Don’t Worry Darling
19. Next Goal Wins
20. Thirteen Lives
21. The Banshees of Inisherin
22. Elvis
23. The Woman King
24. Three Thousand Years of Longing
25. Armageddon Time
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon
2. Martin Scorsese, Killers of the Flower Moon
3. Steven Spielberg, The Fabelmans
4. Sarah Polley, Women Talking
5. Alejandro Gonzalez Inarritu, Bardo
Other Possibilities:
6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once
7. Florian Zeller, The Son
8. Darren Aronofsky, The Whale
9. Maria Schrader, She Said
10. George C. Wolfe, Rustin
11. Yorgos Lanthimos, Poor Things
12. James Cameron, Avatar: The Way of Water
13. Noah Baumbach, White Noise
14. David O. Russell, Amsterdam
15. Sam Mendes, Empire of Light
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon
2. Regina King, Shirley
3. Michelle Yeoh, Everything Everywhere All at Once
4. Carey Mulligan, She Said
5. Danielle Deadwyler, Till
Other Possibilities:
6. Cate Blanchett, Tar
7. Olivia Colman, Empire of Light
8. Naomi Ackie, I Wanna Dance with Somebody
9. Emma Stone, Poor Things
10. Laura Dern, The Son
11. Viola Davis, The Woman King
12. Greta Gerwig, White Noise
13. Saoirse Ronan, See How They Run
14. Florence Pugh, Don’t Worry Darling
15. Tilda Swinton, Three Thousand Years of Longing