Month: November 2021

2021 Oscar Predictions: November 21st Edition

Ten days makes a heckuva difference this time around for my Oscar predictions as there are updates in every major category expect Director! The biggest story: Being the Ricardos has established itself as a contender in numerous races based on initial screenings. We also have the rise of C’Mon C’Mon. These two pics have entered my ten Best Picture hopefuls and that’s to the detriment of Spencer and The Tragedy of Macbeth. 

Additionally:

    • Nicole Kidman’s portrayal of Lucille Ball in Ricardos vaults 8 spots to #2 in Best Actress. Lady Gaga (House of Gucci) drops from the forecasted five.
    • Joaquin Phoenix (C’Mon C’Mon) is back in Best Actor and that displaces Peter Dinklage (Cyrano).
    • Ariana DeBose (West Side Story) hits the 5 spot in Supporting Actress and that takes out Ruth Negga (Passing).
    • I’ve replaced Jamie Dornan in Belfast with his costar Ciaran Hinds in Supporting Actor.
    • In the screenplay race, Ricardos is in and King Richard is out in Original. For Adapted – Dune gets in over Macbeth.

We also have movement in the top spots. In the wide open Supporting Actor derby, Kodi Smit-McPhee (The Power of the Dog) jumps 4 spots to #1. Licorice Pizza replaces Belfast for first in Original Screenplay.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Licorice Pizza (PR: 4) (+1)

4. Dune (PR: 5) (+1)

5. King Richard (PR: 3) (-2)

6. Nightmare Alley (PR: 6) (E)

7. Don’t Look Up (PR: 8) (+1)

8. West Side Story (PR: 7) (-1)

9. Being the Ricardos (PR: Not Ranked)

10. C’Mon C’Mon (PR: Not Ranked)

Other Possibilities:

11. The Tragedy of Macbeth (PR: 9) (-2)

12. CODA (PR: 14) (+2)

13. Spencer (PR: 10) (-3)

14. Flee (PR: 11) (-3)

15. Mass (PR: 15) (E)

Dropped Out:

Tick, Tick… Boom!

House of Gucci

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Kenneth Branagh, Belfast (PR: 2) (E)

3. Denis Villeneuve, Dune (PR: 4) (+1)

4. Paul Thomas Anderson, Licorice Pizza (PR: 3) (-1)

5. Guillermo del Toro, Nightmare Alley (PR: 5) (E)

Other Possibilities:

6. Adam McKay, Don’t Look Up (PR: 8) (+2)

7. Steven Spielberg, West Side Story (PR: 6) (-1)

8. Jonas Poher Rasmussen, Flee (PR: 10) (+2)

9. Asghar Farhadi, A Hero (PR: Not Ranked)

10. Joel Coen, The Tragedy of Macbeth (PR: Not Ranked)

Dropped Out:

Pablo Larrain, Spencer

Reinaldo Marcus Green, King Richard

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Nicole Kidman, Being the Ricardos (PR: 10) (+8)

3. Olivia Colman, The Lost Daughter (PR: 3) (E)

4. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (-2)

5. Jennifer Hudson, Respect (PR: 5) (E)

Other Possibilities:

6. Lady Gaga, House of Gucci (PR: 4) (-2)

7. Penelope Cruz, Parallel Mothers (PR: 6) (-1)

8. Alan Haim, Licorice Pizza (PR: 8) (E)

9. Frances McDormand, The Tragedy of Macbeth (PR: 7) (-2)

10. Rachel Zegler, West Side Story (PR: 9) (-1)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Denzel Washington, The Tragedy of Macbeth (PR: 4) (+1)

4. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (-1)

5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)

Other Possibilities:

6. Peter Dinklage, Cyrano (PR: 5) (-1)

7. Leonardo DiCaprio, Don’t Look Up (PR: 9) (+2)

8. Javier Bardem, Being the Ricardos (PR: Not Ranked)

9. Bradley Cooper, Nightmare Alley (PR: 7) (-2)

10. Nicolas Cage, Pig (PR: 8) (-2)

Dropped Out:

Jude Hill, Belfast

Best Supporting Actress

Predicted Nominees:

1. Caitriona Balfe, Belfast (PR: 1) (E)

2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)

3. Aunjanue Ellis, King Richard (PR: 5) (+2)

4. Ann Dowd, Mass (PR: 3) (-1)

5. Ariana DeBose, West Side Story (PR: 6) (+1)

Other Possibilities:

6. Ruth Negga, Passing (PR: 4) (-2)

7. Nina Arianda, Being the Ricardos (PR: Not Ranked)

8. Judi Dench, Belfast (PR: 7) (-1)

9. Meryl Streep, Don’t Look Up (PR: 9) (E)

10. Marlee Matlin, CODA (PR: 8) (-2)

Dropped Out:

Jayne Houdyshell, The Humans

Best Supporting Actor

Predicted Nominees:

1. Kodi Smit-McPhee, The Power of the Dog (PR: 5) (+4)

2. Richard Jenkins, The Humans (PR: 2) (E)

3. Bradley Cooper, Licorice Pizza (PR: 1) (-2)

4. Jason Isaacs, Mass (PR: 4) (E)

5. Ciaran Hinds, Belfast (PR: 7) (+2)

Other Possibilities:

6. Jamie Dornan, Belfast (PR: 3) (-3)

7. Jared Leto, House of Gucci (PR: 6) (-1)

8. J.K. Simmons, Being the Ricardos (PR: Not Ranked)

9. Jon Bernthal, King Richard (PR: 8) (-1)

10. Troy Kotsur, CODA (PR: 9) (-1)

Dropped Out:

Ben Affleck, The Tender Bar

Best Original Screenplay

Predicted Nominees:

1. Licorice Pizza (PR: 2) (+1)

2. Belfast (PR: 1) (-1)

3. Being the Ricardos (PR: Not Ranked)

4. Don’t Look Up (PR: 4) (E)

5. C’Mon C’Mon (PR: 5) (E)

Other Possibilities:

6. King Richard (PR: 3) (-3)

7. Mass (PR: 6) (-1)

8. A Hero (PR: 8) (E)

9. The Worst Person in the World (PR: 9) (E)

10. Spencer (PR: 7) (-3)

Dropped Out:

Parallel Mothers

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. Nightmare Alley (PR: 2) (E)

3. The Lost Daughter (PR: 4) (+1)

4. The Humans (PR: 3) (-1)

5. Dune (PR: 8) (+3)

Other Possibilities: 

6. The Tragedy of Macbeth (PR: 5) (-1)

7. West Side Story (PR: 7) (E)

8. CODA (PR: 9) (+1)

9. Passing (PR: 6) (-3)

10. The Last Duel (PR: Not Ranked)

Dropped Out:

House of Gucci

Best Animated Feature

Predicted Nominees:

1. Flee (PR: 1) (E)

2. Encanto (PR: 2) (E)

3. The Mitchells vs. the Machines (PR: 3) (E)

4. Luca (PR: 4) (E)

5. Belle (PR: 5) (E)

Other Possibilities:

6. Raya and the Last Dragon (PR: 7) (+1)

7. The Summit of the Gods (PR: 6) (-1_

8. Ron’s Gone Wrong (PR: 8) (E)

9. Where Is Anne Frank (PR: 9) (E)

10. Charlotte (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. A Hero (PR: 1) (E)

2. The Worst Person in the World (PR: 2) (E)

3. Flee (PR: 3) (E)

4. Drive My Car (PR: 4) (E)

5. The Hand of God (PR: 6) (+1)

Other Possibilities:

6. Titane (PR: 5) (-1)

7. I’m Your Man (PR: 7) (E)

8. Compartment No. 6 (PR: 8) (E)

9. Prayers for the Stolen (PR: Not Ranked)

10. Memoria (PR: 10) (E)

Dropped Out:

Great Freedom

Best Documentary Feature

Predicted Nominees:

1. The Rescue (PR: 1) (E)

2. Flee (PR: 2) (E)

3. Summer of Soul (PR: 3) (E)

4. Attica (PR: 4) (E)

5. The Lost Leonardo (PR: 5) (E)

Other Possibilities:

6. Procession (PR: 9) (+3)

7. President (PR: 7) (E)

8. The First Wave (PR: 6) (-2)

9. Becoming Cousteau (PR: 10) (+1)

10. Ailey (PR: 8) (-2)

Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 3) (+1)

3. The Tragedy of Macbeth (PR: 2) (-1)

4. Belfast (PR: 4) (E)

5. Nightmare Alley (PR: 5) (E)

Other Possibilities: 

6. C’Mon C’Mon (PR: 10) (+4)

7. West Side Story (PR: 6) (-1)

8. The French Dispatch (PR: 9) (+1)

9. Licorice Pizza (PR: 8) (-1)

10. Spencer (PR: 7) (-3)

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 1) (E)

2. Spencer (PR: 2) (E)

3. Dune (PR: 3) (E)

4. House of Gucci (PR: 4) (E)

5. Nightmare Alley (PR: 5) (E)

Other Possibilities:

6. West Side Story (PR: 6) (E)

7. The French Dispatch (PR: 7) (E)

8. Cyrano (PR: 8) (E)

9. Licorice Pizza (PR: 9) (E)

10. The Eyes of Tammy Faye (PR: Not Ranked)

Dropped Out:

The Electrical Life of Louis Wain

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. Don’t Look Up (PR: 3) (E)

4. West Side Story (PR: 5) (+1)

5. Licorice Pizza (PR: 4) (-1)

Other Possibilities:

6. King Richard (PR: 8) (+2)

7. The Power of the Dog (PR: 6) (-1)

8. Nightmare Alley (PR: 7) (-1)

9. Being the Ricardos (PR: Not Ranked)

10. Tick, Tick… Boom! (PR: 9) (-1)

Dropped Out:

House of Gucci 

Best Makeup and Hairstyling

Predicted Nominees:

1. House of Gucci (PR: 1) (E)

2. Dune (PR: 2) (E)

3. Cruella (PR: 4) (+1)

4. The Eyes of Tammy Faye (PR: 3) (-1)

5. Spencer (PR: 5) (E)

Other Possibilities:

6. Nightmare Alley (PR: 6) (E)

7. Being the Ricardos (PR: 8) (+1)

8. The Suicide Squad (PR: 7) (-1)

9. Licorice Pizza (PR: 9) (E)

10. The Green Knight (PR: 10) (E)

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 4) (+2)

3. Spencer (PR: 2) (-1)

4. Nightmare Alley (PR: 4) (E)

5. Don’t Look Up (PR: 7) (+2)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 6) (E)

7. The French Dispatch (PR: 5) (-2)

8. Cyrano (PR: 8) (E)

9. King Richard (PR: 9) (E)

10. Being the Ricardos (PR: Not Ranked)

Dropped Out:

Belfast

Best Original Song

Predicted Nominees:

1. “Be Alive” from King Richard (PR: 1) (E)

2. “No Time to Die” from No Time to Die (PR: 3) (+1)

3. “Down to Joy” from Belfast (PR: 4) (+1)

4. “Dos Oruguitas” from Encanto (PR: 2) (-2)

5. “Just Look Up” from Don’t Look Up (PR: 7) (+2)

Other Possibilities:

6. “So May We Start” from Annette (PR: 6) (E)

7. “Every Letter” from Cyrano (PR: 5) (-2)

8. “Here I Am” from Respect (PR: 9) (+1)

9. “Believe” from The Rescue (PR: 8) (-1)

10. “Guns Go Bang’ from The Harder They Fall (PR: 10) (E)

Best Production Design

Predicted Nominees:

1. Dune (PR: 2) (+1)

2. Nightmare Alley (PR: 1) (-1)

3. West Side Story (PR: 4) (+1)

4. The French Dispatch (PR: 3) (-1)

5. The Tragedy of Macbeth (PR: 6) (+1)

Other Possibilities:

6. Spencer (PR: 5) (-1)

7. Belfast (PR: 8) (+1)

8. Cyrano (PR: 7) (-1)

9. The Power of the Dog (PR: Not Ranked)

10. House of Gucci (PR: 8) (-2)

Dropped Out:

Licorice Pizza

Best Sound

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. Nightmare Alley (PR: 4) (E)

5. No Time to Die (PR: 5) (E)

Other Possibilities:

6. Don’t Look Up (PR: Not Ranked)

7. Tick, Tick… Boom! (PR: 6) (-1)

8. King Richard (PR: Not Ranked)

9. A Quiet Place Part II (PR: 7) (-2)

10. The Matrix Resurrections (PR: Not Ranked)

Dropped Out:

The Last Duel

The Tragedy of Macbeth

Cyrano

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Matrix Resurrections (PR: 2) (E)

3. Don’t Look Up (PR: 4) (+1)

4. Eternals (PR: 7) (+3)

5. Godzilla vs. Kong (PR: 3) (-2)

Other Possibilities:

6. Shang-Chi and the Legend of the Ten Rings (PR: 5) (-1)

7. Free Guy (PR: 6) (-1)

8. Spider-Man: No Way Home (PR: 9) (+1)

9. Finch (PR: 8) (-1)

10. The Suicide Squad (PR: 10) (E)

And that equates to the following in terms of movies nabbing these numbers with their nominations:

11 Nominations

Dune

9 Nominations

Belfast

8 Nominations

Nightmare Alley, The Power of the Dog

6 Nominations

Don’t Look Up

5 Nominations

Licorice Pizza, West Side Story

4 Nominations

King Richard, Spencer

3 Nominations

Being the Ricardos, C’Mon C’Mon, Flee, The Tragedy of Macbeth

2 Nominations

Cruella, Encanto, The Eyes of Tammy Faye, House of Gucci, The Humans, The Lost Daughter, Mass, No Time to Die

1 Nomination

Attica, Belle, Drive My Car, Eternals, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, The Rescue, Respect, Summer of Soul, Tick, Tick… Boom!, The Worst Person in the World

Candyman (2021) Review

There’s a sequence in Candyman in a high school girls bathroom that plays like it belongs in a less meditative continuation of the franchise. While it’s certainly cleverly shot, the scene feels out of place with its bad sequel slasher vibe. It may well be the point of the tone that its filmmakers are satirically putting forth. After all, they jettison anything that transpired in the two inferior follow-ups to the 1992 original. That doesn’t mean the excursion works and it’s a nagging issue with the film as a whole. There’s no doubt that a lot of thought went into this melding of issues from racial discrimination to white privilege to gentrification to police brutality. What plagues it somewhat is that it seldom succeeds in getting under your skin.

Nearly 30 years ago, Bernard Rose’s Candyman (from a story by Clive Barker) shook up a tired horror genre filled with Freddy, Jason, and Michael sequels. There was gore to be had, but also plenty of subtext in its tale of the urban legend with a hook for a hand and a bevy of bees emanating from his torso. As the 1890s era tortured artist whose love for a Caucasian woman resulted in his own torture, Tony Todd created an iconic title character with more narrative meat on the bones than your typical weapon wielding terrorizer from that time. It was an arthouse movie and so is this (it’s even set in an arthouse for chunks).

This new version, as mentioned, serves as a direct restart. The Cabrini Green projects where part I was placed is no longer the notorious crime hub of Chicago. The gentrified and souped up property is now home to young and thriving professionals. This includes Anthony (Yahya Abdul-Mateen II) and his girlfriend Brianna (Teyonah Parris). She’s an art gallery director and he’s a painter who’s stuck in a creative rut. Their collective work is contingent on the approval of the snooty types who make it their business to judge them (critics, gallery owners). One message seems clear – their assessment of an African-American artist’s work rises in their esteem if it’s more violent.

Anthony gets a burst of inspiration that is kickstarted by Brianna’s brother Troy (Nathan Stewart-Jarrett). When he regales the couple and his boyfriend with the nearly forgotten account of the buzzy killer whose name shan’t be uttered five times in a mirror, it gets Anthony’s creative juices flowing. This leads him to investigate the crimes of Daniel Robitaille (Todd) and the crimes committed against him. Billy (Colman Domingo) is a longtime Cabrini tenant who is more than pleased to help with the backstory (he had his own dealings with Robitaille in the late 1970s). Anthony’s research results in a project that dares you to say Candyman’s name and await the consequences. This is when blood starts flowing.

Nia DaCosta directs her second feature with a screenwriting and production assist from Jordan Peele. The script incorporates the plot from 1992 with new twists. The primary one is that there’s not only one Candyman. We know this when Anthony’s past involvement in the saga is revealed and he begins showing symptoms of becoming him after a nasty bee sting. Side effects include often visually striking murders.

While DaCosta is just establishing her filmography, Peele is recognized for his melding of social issues with scare tactics (Get Out and Us are both superior examples of how to do it). In Candyman, there’s more of an appreciation for what it’s trying to do than what it ultimately accomplishes onscreen. Sort of like a painting that’s busy with ideas but there’s not enough time allotted for it to really hook you in. I admired the picture to a point though I left unconvinced the deeper dive was worth it.

**1/2 (out of four)

Oscar Predictions: The First Wave

Out today in limited release is The First Wave from documentarian Matthew Heineman. Distributed by Neon and National Geographic Documentary Films, Wave shows us the first months of the COVID-19 pandemic from a New York City hospital. Its filmmaker has been in the Oscar mix before as his 2015 doc Cartel Land was up for Best Documentary Feature.

There are plenty of high profile contenders for the race in 2021. A potential winner also comes from Nat Geo – The Rescue. That’s in addition to Flee, Summer of Soul, and others.

It’s certainly feasible that this could make the final five and mark Heineman’s second foray into the competition. It’s also possible that some voters may not want to relive the tragic times we’ve gone through.

Bottom line: if The First Wave makes the shortlist next month, a nod is questionable but possible. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Predictions: Jockey

Even though it premiered at Sundance all the way back in January, Jockey is finally attempting to ride into Oscar contention. The drama from director Clint Bentley casts Clifton Collins, Jr. as an aging equestrian in the sunset of his career. After its festival bow, the pic received pleasing reviews to the tune of a 96% Rotten Tomatoes rating.

All the buzz, though its been fairly quiet for awhile, has been with Collins and a possible Best Actor nod. He’s never achieved Academy attention despite an acclaimed supporting turn in 2005’s Capote and other notable film and TV roles. Some critics certainly say he’s worthy of a nomination.

However, he looks to be a long shot. Sony Pictures Classics, which picked up distribution rights, is releasing it December 29th. The first trailer came out just today. The studio will need to mount a spirited campaign for Collins to make the final five. We can generally assume two spots are taken: Will Smith in King Richard and Benedict Cumberbatch for The Power of the Dog. There’s plenty of other viable hopefuls. It doesn’t help Collins that two of them (Andrew Garfield in Tick, Tick… Boom! and Leonardo DiCaprio in Don’t Look Up) have helped their cases in recent days. This is in addition to Denzel Washington (The Tragedy of Macbeth), Peter Dinklage (Cyrano), and more.

Bottom line: Collins needs some precursor love to show up at the Oscars. If that doesn’t happen, I don’t see him placing. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Predictions: Don’t Look Up

Up until the last couple of weeks, I’ve had Adam McKay’s political satire Don’t Look Up on the outskirts of my predicted 10 Best Picture nominees. After all, just how many Netflix contenders will get in? I figured The Power of the Dog would be their main play and there’s other possibilities with Tick, Tick… Boom!, The Lost Daughter, and Passing. 

I recently vaulted it into the fold of ten and (better late than never), that appears to be the right call. Before its eagerly awaited December 10th limited bow in theaters and Christmas Eve Netflix premiere, Up has screened for critics. The social media reaction is leaning toward the positive with particular shoutouts for certain elements and performers.

The star-studded cast is filled with previous Oscar winners and nominees: Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Mark Rylance, Timothee Chalamet, Cate Blanchett, and Meryl Streep. There’s also Rob Morgan, Tyler Perry, Ron Perlman, Ariana Grande, Kid Cudi, Chris Evans, Matthew Perry, and Himesh Patel.

McKay’s last two pics (2015’s The Big Short and 2018’s Vice) were both up in the biggest race of all. His original screenplay detailing the end of the world should be recognized. I’m not as confident he’ll make it for directing though I will note that he made the cut for the previous two and it’s certainly feasible. While Dog may continue to be the Netflix flick I rank higher when I update my forecast Sunday, I don’t see Up moving down the charts and out of the 10.

As for the massive list of performers, the early word is that Leo could vie for his seventh nod (his sole win came for 2015’s The Revenant). He still needs to get past other sturdy thespians. I do like his chances better tonight than I did earlier today. With Lawrence, Best Actress is overflowing with hopefuls and I doubt she lands #5. Ms. Streep is going for her 22nd trip to the dance. Her work as the President here is being mentioned in the laudatory tweets. Supporting Actress has got its share of contenders too, but betting against Meryl is always risky. Supporting Actor is wide open at the moment yet I’m skeptical about Hill or Rylance (or the many others). If Netflix goes all in on one of them, that dynamic could shift.

Surprisingly enough, its most assured nomination could come with Ariana Grande. Not for Supporting Actress (her part is said to be brief), but for her Original Song “Just Look Up”. Editing seems a safe bet as does Score and other down the line races like Sound and Visual Effects are possible.

Bottom line: it’s looking up for Don’t Look Up to get up to a handful of nominations. My Oscar Predictions posts for the films of 2021 will continue…

Red Notice Review

Red Notice poaches from plenty of superior action comedies. It scrambles to find a consistent tone between being a parody of them and just being one of them. The trio of famous faces are hampered with their hastily written hardboiled characters. That’s what we get in this caper about thieves trying to retrieve Cleopatra’s blinged out eggs. And no matter how much I’ve liked Dwayne Johnson, Ryan Reynolds, and Gal Gadot elsewhere, this is an easy picture to pan.

Rawson Marshall Thurber teams with Johnson for the third time after Central Intelligence and Skyscraper (they’ve gotten progressively worse). As Special Agent John Hartley, he’s hot on the trail of master cat burglar and escape artist Nolan Booth (Reynolds). There’s a plan afoot to reunite the ancient Egyptian queen’s bejeweled artifacts for a $300 million payday, but the two end up working together to stop another lifter known as The Bishop (Gadot). In a competition for world’s best art thief, The Bishop seems to have a slight upper hand. She’s framed Hartley and led an Interpol agent (Ritu Aryu) to think he’s in cahoots with the endlessly quipping Booth.

The elusive third egg is in the possession of quirky arms dealer Scotto Voce (Chris Diamantopoulos) and the trio double and triple and quadruple cross one another in hopes of achieving their score. Booth and Bishop’s reasoning is money and pride. Hartley’s is to clear his name. The three leads should do their own name clearing after this utter misfire.

Like Deadpool, the screenplay (by the director) goes the self-referential route at times. This is mostly through Reynolds. Unlike his Wade Wilson, he’s not very funny and doesn’t have solid one-liners to ironically spew. Whistling the Indiana Jones theme while the pic serves as a pale comparison doesn’t qualify as clever. Johnson gets to briefly find himself in a jungle setting in the third act and I believe that’s contractually obligated nowadays. Gadot’s comedic skills were effective in Wonder Woman… at least the first one. They’re strained and forced here.

A decent caper needs a worthwhile twist or two. If you pay even a little attention to the characters actions, you’ll spot them coming way before their reveals. For having a reported $200 million up on the screen (the small one since Netflix bought it), there’s not one action sequence worthy of note or hilariously inspired bit to break the monotony. Red Notice hops all over the globe with its megastars and goes nowhere fast. The true robbery is two hours of watching them coast.

*1/2 (out of four)

Oscar Watch: Procession

Procession debuts on Netflix this Friday after premiering to solid critical notices at the Telluride Film Festival in September. From documentarian Robert Greene, the pic focuses on a group of six Catholic priest abuse survivors and their therapeutic methods for recovery. With 17 reviews up on Rotten Tomatoes, the score is 100%.

Nearly each time I do a predictions post for a doc, I feel compelled to point out that this is an unpredictable branch of Academy voters. When the shortlist is announced on December 21st featuring the 15 pictures in contention for Documentary Feature, there are bound to be surprising omissions. Procession looks like one that should make the cut.

Whether it makes makes the final five is a bigger question. As of now, I believe three competitors (The Rescue, Flee, Summer of Soul) stand the best odds of getting in. There’s a slew of others vying for the other two spots and Procession certainly has the reviews it needs to fill it. My Oscar Prediction posts for the films of 2021 will continue…

 

Resident Evil: Welcome to Raccoon City Box Office Prediction

After six features and a nearly half decade period of dormancy, a franchise is rebooted as Resident Evil: Welcome to Raccoon City debuts over the long Thanksgiving frame. Sony Pictures is hoping the series still has a semblance of a rabid fanbase, but its domestic opening could mark the lowest of the bunch thus far.

The video gamed based horror series began in 2002 and this marks the first without the involvement of director Paul W.S. Anderson and star Milla Jovovich. Johannes Roberts, best known for the two 47 Meters Down flicks, is behind the camera and wrote the script. The cast includes Kaya Scodelario, Hannah John-Kamen, Robbie Amell, Tom Hopper, Donal Logue, and Neal McDonough.

Evil‘s trajectory stateside has not matched the overseas earnings. Volumes II-V all opened consistently between $21-$26 million (it’s worth noting that all entries have been very front loaded in terms of overall gross). 2017’s Resident Evil: The Final Chapter took in $13 million for a weak start with $26 million total. On the plus side, it made the most of all six in terms of international haul ($314 million).

Perhaps Raccoon will manage profits elsewhere, but I don’t see it happening over here. I’ll predict it may not hit the $13 million achieved by its predecessor and I’m referring to the five-day take.

Resident Evil: Welcome to Raccoon City opening weekend prediction: $7.7 million (Friday to Sunday); $11.7 million (Wednesday to Sunday)

For my Encanto prediction, click here:

Encanto Box Office Prediction

For my House of Gucci prediction, click here:

House of Gucci Box Office Prediction

House of Gucci Box Office Prediction

The trailers have already inspired plenty of memes and GIFs and soon we’ll know if audiences are inspired to check out House of Gucci in theaters. From director Ridley Scott, the flashy crime drama centered on the fashion family is out November 24th over the long Thanksgiving weekend. It’s filled with Academy players like Lady Gaga (in her second major role after her Oscar nominated turn in A Star Is Born), Adam Driver, Jared Leto, Jeremy Irons, Salma Hayek, and Al Pacino.

While the review embargo is not yet up, plenty of reactions have come from screenings and they are very mixed. Despite the prevalence of award winning thespians, it appears doubtful that Gucci will be a significant Oscar contender (though Gaga and Leto could get in). The varied buzz could prevent some moviegoers from checking in and adult dramas have struggled mightily in the COVID era. Just last month, Scott’s own The Last Duel was a high priced bomb.

I do believe the curiosity factor will be higher for Gucci than Duel and it also helps that Gaga has plenty of ardent followers who should turn up. That said, a debut in the lower double digits for the traditional frame and close to $2o million for the five-day is probably where this lands.

House of Gucci opening weekend prediction: $12.3 million (Friday to Sunday); $19.8 million (Wednesday to Sunday)

For my Encanto prediction, click here:

Encanto Box Office Prediction

For my Resident Evil: Welcome to Raccoon City prediction, click here:

Resident Evil: Welcome to Raccoon City Box Office Prediction

Encanto Box Office Prediction

Disney has a history opening their animated product over the long Thanksgiving holiday and they’re back at it with Encanto. The Columbian themed musical fantasy comes from directors Byron Howard and Jared Bush, the creative team behind Zootopia. Featuring music from Lin-Manuel Miranda, the voice cast includes Stephanie Beatriz, John Leguizamo, Diane Guerrero, and Wilmer Valderrama.

Reviews are where they need to be with 91% on Rotten Tomatoes. The Mouse Factory rolled out their hits over the same five-day period from 2015-2018. Six years ago, the strategy produced the lowest premiere of the bunch with The Good Dinosaur. It made $39 million for the traditional Turkey Day weekend and $55 million when factoring in Wednesday and Thursday. The high point came a year later when Moana did $56 million and $82 million respectively. 2017’s Coco took in $50 million from Friday to Sunday and $72 million for the five-day. Ralph Breaks the Internet posted $56 million and $84 million the following Thanksgiving.

The Dinosaur haul was considered a disappointment, but that was during a pre-COVID era. If Encanto accomplishes what that pic did, it would be considered more than satisfactory. Family audiences have proven they’re up for a trip to the theater and have done so in the past few days. Clifford the Big Red Dog was a good boy at the box office when it lapped up $16 million last weekend from Friday to Sunday and $22 million overall as it started on Wednesday as well. If Clifford can do that, I imagine Encanto could double those grosses.

Encanto opening weekend prediction: $31.2 million (Friday to Sunday); $46.5 million (Wednesday to Sunday)

For my House of Gucci prediction, click here:

House of Gucci Box Office Prediction

For my Resident Evil: Welcome to Raccoon City prediction, click here:

Resident Evil: Welcome to Raccoon City Box Office Prediction