Red Notice poaches from plenty of superior action comedies. It scrambles to find a consistent tone between being a parody of them and just being one of them. The trio of famous faces are hampered with their hastily written hardboiled characters. That’s what we get in this caper about thieves trying to retrieve Cleopatra’s blinged out eggs. And no matter how much I’ve liked Dwayne Johnson, Ryan Reynolds, and Gal Gadot elsewhere, this is an easy picture to pan.
Rawson Marshall Thurber teams with Johnson for the third time after Central Intelligence and Skyscraper (they’ve gotten progressively worse). As Special Agent John Hartley, he’s hot on the trail of master cat burglar and escape artist Nolan Booth (Reynolds). There’s a plan afoot to reunite the ancient Egyptian queen’s bejeweled artifacts for a $300 million payday, but the two end up working together to stop another lifter known as The Bishop (Gadot). In a competition for world’s best art thief, The Bishop seems to have a slight upper hand. She’s framed Hartley and led an Interpol agent (Ritu Aryu) to think he’s in cahoots with the endlessly quipping Booth.
The elusive third egg is in the possession of quirky arms dealer Scotto Voce (Chris Diamantopoulos) and the trio double and triple and quadruple cross one another in hopes of achieving their score. Booth and Bishop’s reasoning is money and pride. Hartley’s is to clear his name. The three leads should do their own name clearing after this utter misfire.
Like Deadpool, the screenplay (by the director) goes the self-referential route at times. This is mostly through Reynolds. Unlike his Wade Wilson, he’s not very funny and doesn’t have solid one-liners to ironically spew. Whistling the Indiana Jones theme while the pic serves as a pale comparison doesn’t qualify as clever. Johnson gets to briefly find himself in a jungle setting in the third act and I believe that’s contractually obligated nowadays. Gadot’s comedic skills were effective in Wonder Woman… at least the first one. They’re strained and forced here.
A decent caper needs a worthwhile twist or two. If you pay even a little attention to the characters actions, you’ll spot them coming way before their reveals. For having a reported $200 million up on the screen (the small one since Netflix bought it), there’s not one action sequence worthy of note or hilariously inspired bit to break the monotony. Red Notice hops all over the globe with its megastars and goes nowhere fast. The true robbery is two hours of watching them coast.
*1/2 (out of four)