Stillwater Box Office Prediction

Matt Damon is a Midwestern oil worker who treks to France to help his daughter (Abigail Breslin) on trial for murder in the crime drama Stillwater, out July 30th. Tom McCarthy (whose 2015 journalistic expose Spotlight) won Best Picture directs.

The pic recently debuted at the Cannes Film Festival to mostly positive notices. It stands at 85% on Rotten Tomatoes. Some reviews call it one of Damon’s finest performances and there’s even a chance he could garner awards buzz.

As far as box office prospects, I’m skeptical. I’m surprised Focus Features is putting this out in the heat of summer since this looks like more of a fall player. The counterargument could be that adults tired of sequels, sci-fi spectacles, family fare, and reboots will turn up. And certainly Damon’s star power helps.

That said, I suspect the verdict for Stillwater is a subpar start in the mid single digits.

Stillwater opening weekend prediction: $5.2 million

For my Jungle Cruise prediction, click here:

Jungle Cruise Box Office Prediction

For my The Green Knight prediction, click here:

The Green Knight Box Office Prediction

Oscar Watch: Old

In 1999, M. Night Shyamalan’s breakout smash The Sixth Sense received six Oscar nominations, including Picture, Director, the supporting work of Haley Joel Osment and Toni Collette, and the screenplay that infamously shocked the moviegoing masses. It ended up winning none of them and since then, Shyamalan’s filmography has resulted in just one other nomination for his next 10 features (Original Score for The Village).

Conversely, we have seen 23 nods and some victories for the auteur’s work at the Razzies (which annually celebrates the worst in film). This includes four nominations each for Lady in the Water and The Happening, 8 for The Last Airbender, six with After Earth, and one for Glass. 

This brings us to Old, his latest pic opening tomorrow. The review embargo lifted today and it currently sports a somewhat decent 61% Rotten Tomatoes score. That said, many critics say it encompasses the best of Shyamalan and the worst (get ready for some clunky dialogue).

No, Old will not contend for Best Picture at the Oscars (but it may not get Razzie love either). However, just a look at the trailers and TV spots indicates it could play in one race. The plot involves its cast of characters rapidly aging on a scenic beach and that involves makeup.

The Makeup and Hairstyling category is one where critical kudos doesn’t mean much. I give you previous pics such as Click, Norbit, The Lone Ranger, Jackass Presents: Bad Grandpa, and Maleficent: Mistress of Evil as evidence.

There will be more likely nominees in the mix such as Cruella and House of Gucci and Jessica Chastain’s forthcoming transformation as the title character in The Eyes of Tammy Faye. Yet perhaps Old could have a shot here and my sixth sense says that’s at least feasible. On the flip side, perhaps when nominations come out – we will discover Old‘s viability had been dead the entire time. My Oscar Watch posts will continue…

Early 2021 Oscar Predictions: Best Actress

Last year’s Best Actress race was one of the most unpredictable and competitive in ages. Five different performers took the Oscar, Golden Globes (since they split between Drama and Musical/Comedy), SAG, and Critics Choice Award.

And, while it’s very early, 2021 appears that it could be a humdinger of a contest yet again. This is the final acting derby I am doing projections on in these initial forecasts. By far, Best Actress was the hardest one to whittle down and there were even potential contenders beyond the 15 listed that I believe could easily get into the mix.

Speaking of those earlier posts, you can peruse them here if you didn’t catch  them:

Early 2021 Oscar Predictions: Best Actor

Early 2021 Oscar Predictions: Best Supporting Actress

Early 2021 Oscar Predictions: Best Supporting Actor

When I did my inaugural 2020 posts in Actress, I correctly identified 2 of the 5 eventual nominees: winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Carey Mulligan was named in Other Possibilities while I did not yet call out Andra Day (The United States vs. Billie Holiday) or Vanessa Kirby (Pieces of a Woman).

Let’s get to the hopefuls for 2021!

EARLY OSCAR PREDICTIONS: BEST ACTRESS

Penelope Cruz, Parallel Mothers

Ana de Armas, Blonde

Lady Gaga, House of Gucci

Jennifer Hudson, Respect

Frances McDormand, The Tragedy of Macbeth

Other Possibilities:

Jessica Chastain, The Eyes of Tammy Faye

Emilia Jones, CODA

Nicole Kidman, Being the Ricardos

Jennifer Lawrence, Don’t Look Up

Thomasin McKenzie, Last Night in Soho

Renate Reinsve, The Worst Person in the World

Margot Robbie, Canterbury Glass

Kristen Stewart, Spencer

Alicia Vikander, Blue Bayou

Rachel Zegler, West Side Story

Best Director is next up!

Early 2021 Oscar Predictions: Best Actor

My initial 2021 Oscar predictions arrives at Best Actor. If you missed my posts regarding the supporting players, you can find them here:

Early 2021 Oscar Predictions: Best Supporting Actor

Early 2021 Oscar Predictions: Best Supporting Actress

For the 2020 ceremony, my earliest projections in Best Actor yielded two correct picks: winner Anthony Hopkins (The Father) and Gary Oldman (Mank). Steven Yeun (Minari) was listed in other possibilities. I had Daniel Kaluuya (Judas and the Black Messiah) in the top five for Actor, but he ended up going supporting and won in that race. On the flip side, I had Chadwick Boseman (Ma Rainey’s Black Bottom) originally projected in supporting and he went lead. The only player in the quintet not mentioned at first was Riz Ahmed (Sound of Metal).

Let’s get to it with the first take where all five of my initial nominees are either past nominees (Cumberbatch, Driver, Smith) or winners (Bale, Washington).

EARLY OSCAR PREDICTIONS: BEST ACTOR

Christian Bale, Canterbury Glass

Benedict Cumberbatch, The Power of the Dog

Adam Driver, House of Gucci

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Other Possibilities:

Clifton Collins Jr., Jockey

Bradley Cooper, Nightmare Alley

Matt Damon, Stillwater

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Adam Driver, Annette

Andrew Garfield, Tick, Tick… Boom!

Cooper Hoffman, Soggy Bottom

Amir Jadidi, A Hero

Joaquin Phoenix, C’Mon C’Mon

Best Actress is up next!

Early 2021 Oscar Predictions: Best Supporting Actress

My earliest 2021 Oscar predictions continues with Best Supporting Actress! If you missed my first post covering the supporting gentlemen, you can find it here:

Early 2021 Oscar Predictions: Best Supporting Actor

In that post, you can find all the caveats about how early we are in the season and so forth. We will have the Venice and Toronto in weeks and that will certainly shape the race.

One season ago, amidst all the pandemic uncertainty, I correctly called 2 of the 5 eventual nominees here (Glenn Close in Hillbilly Elegy and Olivia Colman for The Father). Amanda Seyfried (Mank) was listed in the possibilities section. Eventual winner Youn Yuh-Jung (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were not mentioned.

Next week I’ll begin the official rankings, but here’s where I have the competition at this early moment:

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story

Ann Dowd, Mass

Kirsten Dunst, The Power of the Dog

Ruth Negga, Passing

Other Possibilities:

Toni Collette, Nightmare Alley

Sally Hawkins, Spencer

Salma Hayek, House of Gucci

Jayne Houdyshell, The Humans

Marlee Matlin, CODA

Audra McDonald, Respect

Olga Merediz, In the Heights

Martha Plimpton, Mass

Meryl Streep, Don’t Look Up

Anya Tayl0r-Joy, Last Night in Soho

Best Actor is up next!

Jungle Cruise Box Office Prediction

Disney has certainly had luck basing movies on their theme park quantities before and they hope it continues on July 30th with the release of Jungle Cruise. The adventure pic (with a reported budget north of $200 million) pairs Dwayne “The Rock” Johnson and Emily Blunt (fresh off her hit sequel A Quiet Place Part II) in the early 20th Century set tale. Costars include Jack Whitehall, Edgar Ramirez, Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra, best known for Liam Neeson action flicks such as Unknown and Non-Stop or horror fare like The Shallows, directs.

As the studio has in 2021 with recent projects like Cruella and Black Widow, this will simultaneously premiere on Disney Plus for an extra viewing fee of $30. That strategy has been called into question in recent days considering the precipitous sophomore drop for Widow. Truth be told, the $30 doesn’t seem so high when factoring in families watching and that could negatively impact theatrical earnings.

The Pirates of the Caribbean franchise (and The Haunted Mansion to a lesser degree) has shown an appetite for these Mouse Factory ride based attractions turned films. The star power of Johnson and Blunt doesn’t hurt either and I wouldn’t be too surprised to see this swing to over $30 million. However, the streaming competition could easily prevent that and I’ll estimate high 20s as it sets sail at multiplexes and at home.

Jungle Cruise opening weekend prediction: $28.4 million

For my Stillwater prediction, click here:

Stillwater Box Office Prediction

For my The Green Knight prediction, click here:

The Green Knight Box Office Prediction

Early 2021 Oscar Predictions: Best Supporting Actor

On this here blog starting right now, my 2021 Oscar predictions officially begin! I seem to start this earlier and earlier in the calendar each year. Why? Well, it’s just about my favorite thing to write about and the Cannes Film Festival and recent announcements for the Venice and Toronto line-ups fueled the flame.

As is tradition, I would like to throw out the annual caveats and a general rundown of how this works. I begin with the early predictions in the six major categories: Picture, Director, and the four acting derbies. For Picture, I will list my ten early forecasted nominees and 15 other possibilities. In the other five races, you will see my five predicted players and 10 other hopefuls. In these initial posts, my nominees will be unranked.

Beginning next week, I’ll have a weekly write-up where I’ll begin ranked predictions in these competitions in addition to Adapted and Original Screenplay.

In late September or early October, my weekly posts will shift to all categories covering feature films. The Picture predictions and possibilities will be whittled down from 25 to 15. All others will be reduced to 10.

Got all that? Good! Now for the caveats. First off, it’s July. So when I say these are early projections – I mean it. Release dates will change. Some movies will be moved out of contention to 2022 (that certainly happened a lot last year due to the pandemic). Some of the actors that appear to be supporting will be moved to lead and vice versa.

You need look no further than the Supporting Actor derby from 2020. In my initial round of early picks, I had Chadwick Boseman (Ma Rainey’s Black Bottom) listed here. He was eventually moved to Best Actor. Conversely, I had Daniel Kaluuya (Judas and the Black Messiah) down for Actor, but he was campaigned for in supporting and won.

Part of that category confusion led to yours truly only naming one of the five eventual nominees from 2020 (Sacha Baron Cohen in The Trial of the Chicago 7). I did mention Lakeith Stanfield (Judas) as a possibility. Paul Raci (Sound of Metal) and Leslie Odom, Jr. (One Night in Miami) were not named initially.

Additionally, you will see the titles Canterbury Glass and Soggy Bottom as contenders here and elsewhere in the coming days. These are the next pictures, respectively, from David O. Russell and Paul Thomas Anderson. It is not confirmed yet whether these are working titles or the actual ones, but I prefer a name rather than saying Untitled over and over.

With all that out of the way, let’s get rolling with the speculation that will last for months (and I’ll enjoy every second of it)!

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR

Bradley Cooper, Soggy Bottom

Richard E. Grant, Everybody’s Talking About Jamie

Idris Elba, The Harder They Fall

Jason Isaacs, Mass

Jesse Plemons, The Power of the Dog

Other Possibilities:

David Alvarez, West Side Story

Reed Birney, Mass

Willem Dafoe, Nightmare Alley

Jamie Dornan, Belfast

Adam Driver, The Last Duel

Andrew Garfield, The Eyes of Tammy Faye

Corey Hawkins, The Tragedy of Macbeth

Richard Jenkins, The Humans

Ben Mendelsohn, Cyrano

John David Washington, Canterbury Glass

And we’re off! I’ll have my inaugural choices for Supporting Actress up shortly…

Oscar Watch: The Worst Person in the World

The Norwegian comedic drama The Worst Person in the World from filmmaker Joachim Trier made quite a splash with its debut at the Cannes Film Festival. World is the culmination of Trier’s Oslo trilogy (which includes 2006’s Reprise and 2011’s Oslo).

At this weekend’s awards honors in France, Renate Reinsve was named Best Actress. Neon has already picked up domestic distribution rights and I would imagine they’ll mount a campaign for her inclusion at the Oscars. As always, competition will be key. Yet it’s certainly feasible that Reinsve could follow in the footsteps of Emmanuelle Riva (Amour), Isabelle Huppert (Elle), and Yalitza Aparicio (Roma) as recent nominees from international selections.

It would be surprising if Norway didn’t pick this as the nation’s hopeful for International Feature Film. Based on the Cannes buzz and a 100% Rotten Tomatoes score, Worst could best other titles to make the final cut. My Oscar Watch posts will continue…

July 23-25 Box Office Predictions

Blogger’s Note (07/21): I am revising some predictions from my original Monday. Taking Old from $22.8 million down to $19.8 million; Snake Eyes from $21.2 million to $17.2 million; and Space Jam: A New Legacy from $14.8 million up to $15.8 million.

We could see a real battle for the #1 position this weekend as M. Night Shyamalan’s Old and the G.I. Joe reboot Snake Eyes both debut. I have both nabbing similar grosses and you can peruse my detailed write-ups on each right here:

Old Box Office Prediction

Snake Eyes Box Office Prediction

My estimates have the pair landing in the low to mid 20s and I’m giving Shyamalan’s latest a slight edge. Truth be told, either one of them could over or underperform so this lends some genuine suspense to the forthcoming results.

Assuming both manage to reach high teens to $20 million, that should mean Space Jam: A New Legacy will drop to 3rd following its better than expected debut (more on that below) with a dip in the 50-55% range. Black Widow, after experiencing a larger than anticipated sophomore drop, should fall to fourth position. There could be a close competition for the five spot between  Escape Room: Tournament of Champions and F9. I’ll say Vin Diesel and his merry band of racers triumphs since Escape might lose around half of the opening audience from its lackluster start.

And with that, let’s do a top 6 this time around:

1. Old

Predicted Gross: $19.8 million

2. Snake Eyes

Predicted Gross: $17.2 million

3. Space Jam: A New Legacy

Predicted Gross: $15.8 million

4. Black Widow

Predicted Gross: $12.9 million

5. F9

Predicted Gross: $5.1 million

6. Escape Room: Tournament of Champions

Predicted Gross: $4.5 million

Box Office Results (July 16-18)

In a surprise development, Lebron James and the Tune Squad dunked over Scarlett Johansson as Space Jam: A New Legacy opened ahead of projections with $31 million. That’s well above my $22.7 million estimate as the long in development sequel (which is also available on HBO Max) clearly brought in families and the nostalgic fans of the 1996 original.

Black Widow was anticipated to repeat at #1, but it fell to second with a massive 68% drop. The MCU stand-alone feature took in $25.8 million compared to my more generous $32.1 million prediction. The pic stands at $131 million as theater owners are griping about its simultaneous streaming  showings on Disney Plus.

Horror sequel Escape Room: Tournament of Champions couldn’t emerge with an impressive start with $8.8 million. That’s about $10 million below what the 2019 original achieved and under my take of $11.4 million.

F9 held up better than I figured in fourth with $7.6 million (I lowballed it at $6.2 million). The four week tally is $154 million as it has become to second COVID era flick after A Quiet Place Part II to reach $150M+.

The Boss Baby: Family Business was fifth with $4.7 million (I said $5.2 million) and it stands at $44 million.

And that does it for now, folks! Until next time…

Oscar Watch: Titane

Over the weekend, Spike Lee infamously and prematurely announced that the French horror thriller Titane took the Palme d’Or at the Cannes Film Festival over considerable competition. Julia Ducournou’s second feature after 2016’s acclaimed Raw is said to be a visceral, original, erotic, and messy concoction. It certainly got the attention of the Cannes jury. Will it do the same for Oscar voters?

That’s an unknown because we don’t know if France will submit it as its selection for Best International Feature Film. In 2016, they chose not to pick Paul Verhoeven’s heralded Elle in that race. Isabelle Huppert managed a Best Actress nod for it, but it didn’t have a chance to make the final five.

If the French do choose Titane to represent in the competition, it certainly now has the bonafides to make a run. The dark subject matter could complicate matters, but I bet it has one early vote from Spike Lee. My Oscar Watch posts will continue…