Year: 2019

Oscar Watch: Seberg

Kristen Stewart seems to have found another acclaimed indie role with the premiere of Seberg today at the Venice Film Festival. From director Benedict Andrews (best known for Una), the pic casts Stewart as actress Jean Seberg (best known for 1960’s Breathless), whose career was put in jeopardy by her association with an African-American activist played by Anthony Mackie. Costars include Jack O’Connel, Margaret Qualley, and Vince Vaughn.

Reviews for the film itself are a bit shaky. Yet it’s Stewart once again being singled out for her strong work. The Twilight performer has had a run of applauded roles in titles such as Clouds of Sils Maria and Personal Shopper. The Academy has yet to take notice and I’m skeptical they will here considering competitors in higher profile material. My Oscar Watch posts will continue…

Oscar Watch: Ad Astra

James Gray’s space opera Ad Astra premiered overseas at the Venice Film Festival today and the Brad Pitt led saga certainly has its ardent admirers already. Some reviews are proclaiming it a masterpiece while others are more mixed.

Director Gray has had his share of appreciated works such as The Immigrant and The Lost City of Z. He has yet to garner any attention from the Academy. This is his first major Hollywood production with a considerable budget and it’s a bit unclear at the moment whether Oscar voters will reward this effort. Pitt is being praised for his starring role and would stand the best shot at any recognition over costars including Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland.

That said, Pitt (who’s never won a gold statue) is already a serious contender to win Supporting Actor for Quentin Tarantino’s Once Upon a Time in Hollywood. That could detract from him being named as lead for Astra. The film’s best hope could be in some tech races, but I’ll wait and see further critical and audience reaction before rendering final judgment. My Oscar Watch posts will continue…

2019 Oscar Predictions: August 29th Edition

Welcome to my first edition of my weekly Oscar predictions where I’ll be ranking my top 25 Best Picture possibilities and 15 contenders in the directing, acting, and screenplay categories!

The dawn of my rankings coincides with the start of film festival season as Venice is in full swing with Telluride and Toronto on deck. Noah Baumbach’s Marriage Story has already screened in Italy and solidified its status as a serious contender in numerous races. There’s a whole bunch of movies premiering in the coming days so expect the picture to become a wee bit clearer. That said, I’ve learned a lot of things from years of past predicting when it comes to this time of the year:

  • Movies thought to be contenders will fail to live up to their buzz
  • Movies will be pushed back to 2020 and render them ineligible
  • Leading actor and actress candidates will be moved to supporting and vice versa
  • Screenplays considered Adapted will become Original and vice versa
  • Sleepers not currently on the radar will rise up… think last year’s Best Picture winner Green Book

With all those caveats, let’s get to it! And expect updates every Thursday on the blog…

BEST PICTURE

Predicted Nominees:

1. The Irishman

2. Marriage Story

3. Once Upon a Time in Hollywood

4. 1917

5. Little Women

6. The Farewell

7. Parasite

8. The Laundromat

9. The Report

Other Possibilities:

10. Jojo Rabbit

11. Ford v Ferrari

12. A Beautiful Day in the Neighborhood

13. Bombshell

14. Harriet

15. Joker

16. Pain and Glory

17. Dark Waters

18. Booksmart

19. A Hidden Life

20. Just Mercy

21. The Lighthouse

22. Rocketman

23. Ad Astra

24. Avengers: Endgame

25. The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman

2. Quentin Tarantino, Once Upon a Time in Hollywood

3. Sam Mendes, 1917

4. Noah Baumbach, Marriage Story

5. Bong Joon-Ho, Parasite

Other Possibilities:

6. Greta Gerwig, Little Women

7. Steven Soderbergh, The Laundromat

8. Pedro Almodovar, Pain and Glory

9. Lulu Wang, The Farewell

10. Taika Waititi, Jojo Rabbit

11. Terrence Malick, A Hidden Life

12. James Mangold, Ford v Ferrari

13. Marielle Heller, A Beautiful Day in the Neighborhood

14. Todd Haynes, Dark Waters

15. Kasi Lemmons, Harriet

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story

2. Leonardo DiCaprio, Once Upon a Time in Hollywood

3. Antonio Banderas, Pain and Glory

4. Robert DeNiro, The Irishman

5. Taron Egerton, Rocketman

Other Possibilities:

6. Joaquin Phoenix, Joker

7. Eddie Murphy, Dolemite Is My Name

8. Christian Bale, Ford v Ferrari

9. Jonathan Pryce, The Two Popes

10. Adam Driver, The Report

11. Michael B. Jordan, Just Mercy

12. Mark Ruffalo, Dark Waters

13. Ian McKellen, The Good Liar

14. Adam Sandler, Uncut Gems

15. Daniel Kaluuya, Queen and Slim

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story

2. Cynthia Erivo, Harriet

3. Saoirse Ronan, Little Women

4. Awkwafina, The Farewell

5. Renee Zellweger, Judy

Other Possibilities:

6. Charlize Theron, Bombshell

7. Alfre Woodard, Clemency

8. Lupita Nyong’o, Us

9. Helen Mirren, The Good Liar

10. Jodie Turner-Smith, Queen and Slim

11. Elisabeth Moss, Her Smell

12. Natalie Portman, Lucy in the Sky

13. Felicity Jones, Aeronauts

14. Beanie Feldstein, Booksmart

15. Kristen Stewart, Seberg

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood

2. Willem Dafoe, The Lighthouse

3. Gary Oldman, The Laundromat

4. Al Pacino, The Irishman

5. Jamie Foxx, Just Mercy

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood

7. Joe Pesci, The Irishman

8. Taika Waititi, Jojo Rabbit

9. John Lithgow, Bombshell

10. Jamie Bell, Rocketman

11. Ray Liotta, Marriage Story

12. Matthew Rhys, A Beautiful Day in the Neighborhood

13. Wesley Snipes, Dolemite Is My Name

14. Leslie Odom, Jr., Harriet

15. Timothee Chalamet, Little Women

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Annette Bening, The Report

2. Laura Dern, Marriage Story

3. Shuzhen Zhou, The Farewell

4. Margot Robbie, Once Upon a Time in Hollywood

5. Meryl Streep, The Laundromat

Other Possibilities:

6. Anne Hathaway, Dark Waters

7. Meryl Streep, Little Women

8. Florence Pugh, Little Women

9. Nicole Kidman, Bombshell

10. Janelle Monae, Harriet

11. Scarlett Johansson, Jojo Rabbit

12. Anna Paquin, The Irishman

13. Jennifer Hudson, Cats

14. Catherine Deneuve, The Truth

15. Nicole Kidman, The Goldfinch

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman

2. The Laundromat

3. Little Women

4. Jojo Rabbit

5. Dark Waters

Other Possibilities:

6. A Beautiful Day in the Neighborhood

7. Joker

8. Toy Story 4

9. Just Mercy

10. Ford v Ferrari

11. The Goldfinch

12. The Good Liar

13. Judy

14. Motherless Brooklyn

15. Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story

2. Once Upon a Time in Hollywood

3. The Farewell

4. The Report

5. Parasite

Other Possibilities:

6. Booksmart

7. Pain and Glory

8. 1917

9. Bombshell

10. Dolemite Is My Name

11. Harriet

12.  The Lighthouse

13. Ad Astra

14. Us

15. Queen and Slim

And that does it for my inaugural ranked predictions! Keep an eye on the blog daily for ongoing developments…

Oscar Watch: Marriage Story

One of the most eagerly awaited Oscar contenders premiered today at the Venice Film Festival and it seems to have only elevated its status. Noah Baumbach’s Marriage Story is receiving rave reviews as it explores the dissolution of the union between Scarlett Johansson and Adam Driver’s characters. It currently stands at 100% on Rotten Tomatoes.

Baumbach’s sole Academy nod came for his Original Screenplay for The Squid and the Whale in 2005. A second recognition in that race seems assured. The auteur, who based the script on his own divorce from actress Jennifer Jason Leigh, also stands an excellent shot at his first directing nomination and the picture itself is likely to make the cut among the 5-10 nominees in the biggest race of all.

As for the performers, Marriage is the rare film that could see nods in all four acting categories. Johansson has remarkably never the beneficiary of an Academy nomination, despite four Golden Globe calls for her work. Expect that to change in what’s being called a career best. Driver appears in line for his second Oscar nod in a row after last year’s supporting turn in BlacKkKlansman. In the supporting races, look for Laura Dern in Supporting Actress. As for Supporting Actor, both Ray Liotta and Alan Alda are possibilities and it will be interesting to see which one of them grabs momentum.

Bottom line: look for this Marriage to be a storyline throughout awards season. My Oscar Watch posts will continue…

Oscar Watch: The Truth

Film festival season is upon us! And that means you can expect a ton of Oscar Watch posts over the coming days emanating from Venice, Telluride, and Toronto. We begin with The Truth, which opened Venice just hours ago. It comes from director Hirokazu Kore’eda, fresh off his predecessor Shoplifters nabbing a Foreign Language Film nod last year.

The pic casts legendary French actress Catherine Deneuve as an aging screen diva. Early reviews are solid, but it’s likely any awards chatter will center around its lead and not the director or the supporting cast that includes Juliette Binoche and Ethan Hawke.

Deneuve’s sole Oscar nomination was 27 years ago for Indochine. Her latest scored a splashy festival premiere, but it needs to pick up distribution and a 2019 release date to be viable. It probably will and while it could be somewhat of a long shot, I wouldn’t count out the chances for her inclusion.

My Oscar Watch posts will continue…

It Chapter Two Box Office Prediction

It Chapter Two will no doubt float to the top of the charts next weekend when it’s unleashed in cinemas. The Stephen King adapted horror epic continues the story of the Losers Club battling demonic clown Pennywise and hopes to rake in similar earnings to its 2017 predecessor. Andy Muschietti returns in the director’s seat with Bill Skarsgard back as Pennywise. Jaeden Martell, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, and Wyatt Oleff reprise their roles as the youthful Losers Club. Part 2 also flashes forward in time and finds James McAvoy, Jessica Chastain, Bill Hader (said to be a scene stealer), Isaiah Mustafa, Jay Ryan, James Ransone, and Andy Bean portraying their adult versions. This is the only wide release of the weekend as other studios steered clear.

It was a genuine box office phenomenon when it came out during the same post Labor Day frame two years ago. Bursting out of the gate with $123.4 million, it ended its domestic gross at just over $327 million. That made It the largest September opening of all time and highest debuting and overall earning horror feature ever.

Chapter Two stands a real chance at breaking those records. Unlike some sequels in 2019 that followed long after previous entries, chapter one is still fresh in the minds of audiences. There’s a desire to see how it wraps up. That said, I’ll say this falls under what that creepy clown and company accomplished in 2017.

It Chapter Two opening weekend prediction: $109.7 million

Early 2019 Oscar Predictions: Best Picture

We’ve arrived at the biggest contest of all in my inaugural Oscar predictions for 2019 – Best Picture! If you missed my first takes on director and the acting categories, you can read them right here:

https://toddmthatcher.com/2019/08/26/early-2019-oscar-predictions-best-director/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actor/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actress/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actress/

As a reminder, Picture is the only race where the number of nominees can fluctuate anywhere from 5 to 10. In recent years, the magic number is normally 9. However, there were 8 movies up in 2018. My initial late August projections last year yielded three of the eventual 8: BlacKkKlansman, A Star Is Born, and Roma. Three other flicks nominated were mentioned in my other possibilities: Black Panther, The Favourite, and Vice. Interestingly, eventual winner Green Book wasn’t quite on my radar screen at that time.

I’ll go with nine for the time being. The multitude of film festivals starting Thursday and over the coming weeks will shape all races tremendously. My first ranked predictions in the top 6 categories will start this Thursday and be updated weekly.

Let’s get to it!

EARLY OSCAR PREDICTIONS: BEST PICTURE

1917

Bombshell

The Farewell

The Irishman

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite

The Report

Other Possibilities:

A Beautiful Day in the Neighborhood

Ad Astra

A Hidden Life

Avengers: Endgame

Dark Waters

Ford v Ferrari

The Goldfinch

Harriet

Jojo Rabbit

Joker

Just Mercy

The Laundromat

The Lighthouse

Pain and Glory

Rocketman

The Two Popes

And there you have it! Expect a whole bunch of Oscar Watch posts stemming from Toronto, Telluride, Venice, and New York in the near future…

Early 2019 Oscar Predictions: Best Director

My initial Oscar predictions for the 2019 season continues with Best Director with Picture on the horizon! If you missed my first takes on the acting categories, you can find them right here:

Early 2019 Oscar Predictions: Best Actor

Early 2019 Oscar Predictions: Best Actress

Early 2019 Oscar Predictions: Best Supporting Actress

Early 2019 Oscar Predictions: Best Supporting Actor

In 2018, my inaugural projections yielded 2 out of the 5 eventual nominees. That includes the winner Alfonso Cuaron for Roma and Spike Lee for BlacKkKlansman. My ten other possibilities section a year ago called out two additional nominees – Yorgos Lanthimos (The Favourite) and Adam McKay (Vice).

Here we go:

EARLY OSCAR PREDICTIONS: BEST DIRECTOR

Greta Gerwig, Little Women

Bong Joon-Ho, Parasite

Sam Mendes, 1917

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

Other Possibilities:

Pedro Almodovar, Pain and Glory

Noah Baumbach, Marriage Story

Todd Haynes, Dark Waters

Kasi Lemmons, Harriet

Terrence Malick, A Hidden Life

James Mangold, Ford v Ferrari

Jay Roach, Bombshell

Steven Soderbergh, The Laundromat

Taika Waititi, Jojo Rabbit

Lulu Wang, The Farewell

Best Picture tomorrow!

August 30-September 2 Box Office Predictions

It’s Labor Day weekend as the summer movie season draws to a close. This is typically one of the more unexceptional holiday frames at the box office and 2019 should be no different. Blumhouse is putting out the supernatural thriller Don’t Let Go with David Oyelowo and you can peruse my detailed prediction post on it here:

Don’t Let Go Box Office Prediction

My four-day forecast for $4.5 million for Go takes it well out of top 5 contention. Instead we should see Angel Has Fallen managing a second weekend atop the charts after it rose above expectations, including my own.

Good Boys should stay put in second. The rest of the top five could get interesting. This past weekend, we saw numbers 3-6 separated by a mere $100k. I expect that to continue here. Worthy of note is that these holdover summer offerings often see an increase in their grosses due to the extra day.

And with that, my take on the top 5 and take note that these are Friday to Monday numbers:

1. Angel Has Fallen

Predicted Gross: $16.1 million

2. Good Boys

Predicted Gross: $13.1 million

3. The Lion King

Predicted Gross: $9.8 million

4. Hobbs & Shaw

Predicted Gross: $9.2 million

5. Overcomer

Predicted Gross: $9 million

Box Office Results (August 23–25)

As mentioned, action threequel Angel Has Fallen exceeded projections with a solid $21.3 million, easily ahead of my $15.2 million forecast. That’s only $300k under predecessor London Has Fallen, reversing this season’s trend of follow-ups falling short of what came before.

Good Boys was second with $11.6 million (I said $12.5 million) for a pleasing two week tally of $41 million.

Faith based sports drama Overcomer topped its entire budget in third with $8.1 million, slightly overcoming my $7.4 million prediction.

Hobbs & Shaw was fourth with $8 million, on pace with my guesstimate of $7.9 million. Total is $147 million.

The Lion King rounded out the high five and also made $8 million (I said $7.5 million) for a massive haul of $510 million.

Ready or Not debuted in sixth with… $8 million. The acclaimed horror comedy slashed past my $5.8 million estimate. Since its Wednesday rollout, earnings are $11 million and that’s above my $7.7 million projection.

And that does it for now, folks! Until next time…

The Favourite Movie Review

A trio of bold performances carries the striking look and bawdy humor of The Favourite, the latest effort from visionary filmmaker Yorgos Lanthimos. Set in the early 18th century, it takes considerable historical liberties with its Queen and her subjects. It’s all in the service of a semi tragic comedy with the three leads seeking to hold and attain power.

Olivia Colman is Queen Anne, increasingly sickly and dependent on closest advisor Sarah (Rachel Weisz). A war with France is raging and Sarah deftly moves to provide strategic advice. Other than the 17 rabbits she keeps as pets, the Queen typically has that audience of one. That’s until Abigail (Emma Stone), a cousin of Sarah’s, arrives in the luscious grounds to seek employment and eventually stake her claim as a confidante. Her scheming succeeds. This sets up a love triangle and an ever evolving quest for Anne’s affections.

The men in these women’s lives are largely disposable. Harley (Nicholas Hoult) is a thorn on their sides as the politician undermines war efforts and serves as Abigail’s co-conspirator when it fits her needs. Samuel (Joe Alwyn) has social standing important enough for Abigail to take him as a husband and accentuate her lifestyle. They’re tolerated.

This is a period piece that is anything but stuffy. If anything, it’s positively randy in its exploration of sex and greed. From its costume and production design and cinematography, this is a gorgeous looking picture.

Colman has the most dynamic part of the three. Sad and vulnerable and unwell, she’s still the ultimate actor to wield dominance and she never forgets it. While Abigail is more myopic in her thirst for influence, Sarah’s royal connection is a bit more complicated and compelling. Weisz makes the most of her layered role.

The Favourite is short of great, but it is a feast for the eyes about people whose eyes are permanently fixed on their proximity to the throne.

***1/2 (out of four)