Box Office Predictions: July 20-22

In a summer season filled with them, we have our most sequel heavy weekend ahead of us as Mamma Mia! Here We Go Again, The Equalizer 2, and Unfriended: Dark Web all debut on Friday. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2018/07/10/mamma-mia-here-we-go-again-box-office-prediction/

https://toddmthatcher.com/2018/07/10/the-equalizer-2-box-office-prediction/

https://toddmthatcher.com/2018/07/11/unfriended-dark-web-box-office-prediction/

Both Mamma and Equalizer will attempt to unseat current sequel champ Hotel Transylvania 3: Summer Vacation from the top spot. The former seems to have the edge, while Denzel Washington’s first sequel ever should place second. That puts Adam Sandler’s animated flick in third with Ant-Man and the Wasp and the underwhelming Skyscraper rounding out the top five.

The low theater count for Unfriended means my $5.1 million estimate leaves it lurking outside of the high five. Here is my take on the weekend ahead:

1. Mamma Mia! Here We Go Again

Predicted Gross: $33.5 million

2. The Equalizer 2

Predicted Gross: $26.8 million

3. Hotel Transylvania 3: Summer Vacation

Predicted Gross: $24.5 million

4. Ant-Man and the Wasp

Predicted Gross: $15.2 million

5. Skyscraper

Predicted Gross: $12 million

Box Office Results (July 13-15)

Hotel Transylvania 3: Summer Vacation opened right in line with expectations at #1 with $44 million (I said $43.6 million). The third iteration of Adam Sandler and his monster friends could see a slightly larger decline in weekend #2 than its predecessors due to summer competition. They respectively fell 36% and 31% and I’ve got this pegged around 44%.

Ant-Man and the Wasp dropped to second in its sophomore frame and was swatted a bit harder than I figured at $29 million compared to my $33.4 million prediction. The MCU sequel stands at $133 million currently.

Dwayne Johnson’s Skyscraper opened below expectations in third with $24.9 million, well under my $33.2 million projection. Mixed reviews and (perhaps) a bit of overexposure for the star could have hurt it a bit.

Incredibles 2 was fourth with $16.2 million (I was close at $16.6 million) for a grand total of $535 million.

Jurassic World: Fallen Kingdom was right behind in fifth with $16.1 million (higher than my $14.2 million forecast) for $363 million overall.

And that does it for now, folks! Until next time…

 

Oscar Watch: Eighth Grade

The coming-of-age dramedy Eighth Grade checked into theaters this weekend in limited fashion and scored a sizzling per screen average. The film marks the directorial debut of comedian Bo Burnham, who debuted it at the Sundance Film Festival earlier this year. Grade achieved raves and its Rotten Tomatoes rating stands at 99%.

Could Academy voters be ready to turn to this genre so soon after Lady Bird received multiple nods last year? Or will this play out like 2016’s acclaimed The Edge of Seventeen, which ended up with zero nods? My gut says the latter – unless this really manages to pick up steam as the months roll along. The film’s 15-year-old star Elsie Fisher is being noticed, but competition is likely to be steep.

The pic’s best chance could be in Original Screenplay category for Burnham, though it remains to be seen how crowded that race turns out to be.

My Oscar Watch posts will continue…

Oscar Watch – Mission: Impossible – Fallout

For 22 years now, the Mission: Impossible franchise has been a sturdy and profitable one for its star Tom Cruise. Two weeks from now, the sixth picture in the series Mission: Impossible – Fallout hits theaters stateside. Early reviews have been quite impressive with some critics hailing it as the best movie of the bunch so far. One prominent critic went as far to say it’s the best action flick since Mad Max: Fury Road. The Rotten Tomatoes score stands at 96%.

In case you forgot, Fury Road got itself a Best Picture nomination. That seems highly unlikely for Fallout, but it’s fair to speculate whether voters will choose to honor it in any way. If they do, it would probably be in a technical category or two with Sound Editing and Sound Mixing being the most obvious. Fallout is being hailed for its amazing action sequences (if there was an Oscar category for Best Stunts, that race could be a wrap).

Of the five Mission‘s that have preceded this, they have a collective Oscar nod count of zero. Just that fact makes it a long shot that part 6 receives any attention. However, if some of the tech category voters want to throw it a bone, it’s not out of the realm of possibility.

My Oscar Watch posts will continue…

Summer 1998: The Top 10 Hits and More

Continuing with my recaps of the movie summers from 30, 20, and 10 years ago – we arrive at 1998. If you missed my post recounting the 1988 season, you can find it right here:

https://toddmthatcher.com/2018/07/11/summer-1988-the-top-10-hits-and-more/

1998 was a rather astonishingly sequel lite summer with only one making up the top ten moneymakers. And while 2018 will be known for its Avengers phenomenon, it was a much different story with Avengers two decades ago.

Behold my synopsis of the top 10 hits, along with other notables and flops:

10. The Mask of Zorro

Domestic Gross: $94 million

He may be playing Pablo Picasso on TV now, but Antonio Banderas had a significant hit (alongside Catherine Zeta-Jones and Anthony Hopkins) in this tale of the famed swashbuckler. A less successful sequel would follow in 2005.

9. Mulan

Domestic Gross: $120 million

Disney’s 36th animated feature (with a voice assist from Eddie Murphy) didn’t reach the heights of titles like Aladdin or The Lion King, but the Mouse Factory has already commissioned a live-action version slated for 2020.

8. The Truman Show

Domestic Gross: $125 million

Jim Carrey’s first major big screen foray outside of zany comedy, Peter Weir’s reality show pic garnered critical acclaim for the film itself and the star’s performance.

7. Lethal Weapon 4

Domestic Gross: $130 million

The final teaming of Mel Gibson and Danny Glover (with Chris Rock and Jet Li joining the mix) made slightly less than part 3 and was generally considered rather mediocre, especially considering the heights that the franchise started from.

6. Godzilla

Domestic Gross: $136 million

Coming off the massive success of Independence Day, Roland Emmerich’s tale of the giant green monster was expected to possibly be summer’s biggest hit. It came in well below expectations with critics and audiences. A better regarded version arrived in 2014.

5. Deep Impact

Domestic Gross: $140 million

Our first asteroid disaster flick on the list came from Mimi Leder with a cast including Tea Leoni, Elijah Wood, and Robert Duvall. Moviegoers loved their asteroids 20 years ago.

4. Dr. Dolittle

Domestic Gross: $144 million

Eddie Murphy was still in popular family guy mode with this remake of the Rex Harrison animal tale. A sequel would follow in 2001.

3. There’s Something About Mary

Domestic Gross: $176 million

The Farrelly Brothers had the comedic smash of the summer in this effort that made Ben Stiller a huge star and had a showcase role for Cameron Diaz’s talents.

2. Armageddon

Domestic Gross: $201 million

Our second asteroid pic (this one from Michael Bay) comes with Bruce Willis, Ben Affleck, and Liv Tyler… and an Aerosmith ballad that played all season long.

1. Saving Private Ryan

Domestic Gross: $216 million

Steven Spielberg’s acclaimed World War II drama with Tom Hanks has one of the most intense first scenes in cinematic history. It was considered the Oscar front-runner until it lost in an upset to Shakespeare in Love. 

And now for some other notable films:

The X-Files

Domestic Gross: $83 million

Bringing David Duchovny and Gillian Anderson’s alien themed FOX TV show to the big screen turned out to be a profitable venture. An ignored sequel would follow 10 years later.

Blade

Domestic Gross: $70 million

The vampire-centric Wesley Snipes flick spawned two sequels and major cult status.

Out of Sight

Domestic Gross: $37 million

Its box office performance was middling, but Steven Soderbergh’s romantic crime pic showed George Clooney and Jennifer Lopez at their best. Critics dug it.

Fear and Loathing in Las Vegas

Domestic Gross: $10 million

Not a success at the time, but Terry Gilliam’s wild ride featuring Johnny Depp as Hunter S. Thompson created a serious following in subsequent years.

And now for some flops:

Six Days, Seven Nights

Domestic Gross: $74 million

Harrison Ford was flying high off the success of Air Force One one summer earlier, but audiences and reviewers weren’t as kind to this action comedy with Anne Heche.

Snake Eyes

Domestic Gross: $55 million

Likewise, Nicolas Cage experienced a trilogy of mega hits during the two previous summers with The Rock, Con Air, and Face/Off. This one from Brian De Palma didn’t impress nearly as much.

The Avengers

Domestic Gross: $23 million

Not THOSE Avengers, ladies and gents. This big screen adaptation of the 1960s TV series with Ralph Fiennes, Uma Thurman, and Sean Connery landed with a thud in August. No sequels here.

54

Domestic Gross: $16 million

Mike Myers was coming off a little something called Austin Powers: International Man of Mystery when this pic about the famed NYC nightclub opened. Critics weren’t kind and crowds didn’t turn up.

BASEketball

Domestic Gross: $7 million

Trey Parker and Matt Stone rarely create something that isn’t massively successful – like “South Park” and The Book of Mormon. This sports comedy is the rare exception, though it has developed a following since.

https://www.youtube.com/watch?v=CsWFLaHiQa8

And there you have it – the summer of 1998! Look for 2008 shortly…

Summer 1988: The Top 10 Hits and More

We are in the midst of the blockbuster summer season of 2018. As I do every year on the blog, I’m recounting the summers of 30, 20, and 10 years ago with the top 10 moneymakers and other notable features and flops. We begin with 1988 and unlike the current 2018 crop that is dominated by big-budget sequels, it was surprising to find that there were a host of follow-up flops three decades ago. Sequels make up just 20% of the top ten here.

The seasons of 1998 and 2008 will be posted shortly, but here’s what what was happening 30 years ago at the cinema:

10. Bull Durham

Domestic Gross: $50 million

Writer/director Ron Shelton’s sports comedy came as Kevin Costner was experiencing a string of hits in the late 80s and early 90s. Considered one of the finest sports films ever made, it also featured showcase roles for Susan Sarandon and Tim Robbins and was nominated for an Oscar for Best Original Screenplay.

9. Rambo III

Domestic Gross: $53 million

The third go-round for Sylvester Stallone as John Rambo earned only a third of what Rambo: First Blood Part II achieved three summers prior and received mostly negative reviews. The star would revise the character 20 years later in Rambo.

8. Willow

Domestic Gross: $57 million

Ron Howard’s fantasy adventure (with a story conceived by George Lucas) was considered only a moderate success at time of its release and critical notices were mixed. It has since gone on to garner cult status.

7. A Fish Called Wanda

Domestic Gross: $62 million

This acclaimed heist comedy was an unexpected critical and audience darling with a screenplay from the legendary John Cleese. Both he and “Monty Python” cohort Michael Palin starred alongside Jamie Lee Curtis and Kevin Kline, in a rare comedic role that won an Oscar for Supporting Actor. Nine years later, the cast reunited for the less regarded Fierce Creatures. 

6. Cocktail

Domestic Gross: $78 million

Coming off his iconic role in Top Gun two years earlier, Tom Cruise propelled this bartender tale to major success despite poor reviews (even Cruise admitted it wasn’t so good years later). It did provide The Beach Boys with a big comeback hit in the form of “Kokomo”.

https://www.youtube.com/watch?v=SbqLCMVRU8o

5. Die Hard

Domestic Gross: $83 million

It might be #5 on the list, but Die Hard is easily the most influential film of the summer of ’88. Rightfully considered the quintessential action movie, it served as a springboard for Bruce Willis’s film career and gave us an unforgettable villain in Alan Rickman’s Hans Gruber. Four sequels and numerous knock-offs would follow.

4. Crocodile Dundee II

Domestic Gross: $109 million

Paul Hogan’s Aussie creation struck box office gold in 1986 when the first Dundee made $174 million and was an unexpected smash. The sequel didn’t measure up to the first commercially or critically, but it still managed to edge past the $100 million mark.

3. Big

Domestic Gross: $114 million

Tom Hanks earned his first Oscar nomination (several would follow) for Penny Marshall’s classic comedy about a teenager wanting to be an adult. It also earned an Original Screenplay nomination.

2. Coming to America

Domestic Gross: $128 million

Eddie Murphy was about the biggest box office draw in the world circa 1988 and this serves as one of his classics. There’s been long rumored plans for a sequel, but whether or not it ever materializes is a legit question three decades later.

1. Who Framed Roger Rabbit

Domestic Gross: $156 million

This landmark blending of live-action and animation from director Robert Zemeckis combined beloved characters from the Warner Bros and Disney catalogs, winning three technical Oscars. The title character would appear in some animated shorts in the following years, but a traditional sequel surprisingly never followed.

https://www.youtube.com/watch?v=7IT6j4_JyqI

And now for some other notable features from the summer:

Young Guns

Domestic Gross: $45 million

This Western about Billy the Kid and his gang cast many of the hot young stars of the day, including Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, and Charlie Sheen. A sequel would follow two years later.

Midnight Run

Domestic Gross: $38 million

Serving as Robert De Niro’s first major foray into comedy (blended with action), Midnight Run found him brilliantly cast alongside Charles Grodin in this effort from Beverly Hills Cop director Martin Brest. Its status has only grown in subsequent years.

And now we arrive at some of the pictures that didn’t fare so well and we have 5 sequels that couldn’t match the potency of what came before them:

The Dead Pool

Domestic Gross: $37 million

Clint Eastwood’s fifth and final appearance as Dirty Harry was met with mixed reviews and lackluster box office. It’s got perhaps the best supporting cast of the lot, however, including Patricia Clarkson, Liam Neeson, and Jim Carrey a few years before he became a phenomenon.

https://www.youtube.com/watch?v=V4LjyS1ox9g

Big Top Pee-Wee

Domestic Gross: $15 million

While Pee-Wee’s Big Adventure earned $40 million and introduced moviegoers to Tim Burton, this sequel underwhelmed. Star Paul Reubens would, um, pick up notoriety three years later for another experience in a movie theater.

Arthur 2: On the Rocks

Domestic Gross: $14 million

The 1981 original earned Academy Award nominations and a fantastic $95 million domestic haul. By the time the sequel followed seven years later, audiences weren’t interested in the comedy starring Dudley Moore and Liza Minnelli.

Poltergeist III

Domestic Gross: $14 million

The franchise began in 1982 with acclaim and huge dollars. A sequel diminished those returns and by the time part 3 hit screens, crowds were tuned out. Tragically, Heather O’Rourke (who famously played Carol Anne) died months before its release at the age of 12.

Caddyshack II

Domestic Gross: $11 million

Part 1 was a comedy classic. Part 2 was anything but. Chevy Chase was the only returning cast member to return and there was no repeating the magic with Jackie Mason, Robert Stack, Randy Quaid, and Dan Aykroyd.

And finally…

Mac and Me

Domestic Gross: $6 million

A notorious bomb, this E.T. rip-off received plenty of ink on account of its awfulness. There is a silver lining, however, as Paul Rudd has hilariously incorporated it into segments on Conan O’Brien’s show over the years.

And there you have the summer of 1988 in a nutshell! I’ll be back with 1998 soon…

Unfriended: Dark Web Box Office Prediction

Blogger’s Note (07/13): Today the expected theater count of only 1500 was released for Unfriended: Dark Web. This alters my estimate from $8.1 million all the way down to $5.1 million.

Found footage horror sequel Unfriended: Dark Web is uploaded into theaters next Friday in a weekend filled with other high-profile sequels. From Blumhouse, a production company that specializes in turning low-budget genre fare into profitable hits, this is the follow-up to the 2015 effort that became a sizable performer. The original debuted to over $15 million and ended up with just over $32 million domestically. If that doesn’t automatically sound like cause for a sequel, keep in mind that part 1 was reportedly made for only $1 million.

Stephen Susco, best known for writing The Grudge and its part 2, makes his directorial debut. The stand-alone sequel’s cast includes Colin Woodell, Betty Gabriel (best known as the creepy housekeeper in Get Out), and Rebecca Rittenhouse. Of the three sequels coming out next weekend, Dark Web will surely rank third behind Mamma Mia! Here We Go Again and The Equalizer 2.

I also don’t expect it to pull the numbers of its predecessor and it will likely struggle to earn double digits out of the gate. That said, it’s a risk to underestimate Blumhouse. I’ll still say its opening is just about over half of what Unfriended accomplished.

Unfriended: Dark Web opening weekend prediction: $5.1 million

For my The Equalizer 2 prediction, click here:

https://toddmthatcher.com/2018/07/10/the-equalizer-2-box-office-prediction/

For my Mamma Mia! Here We Go Again prediction, click here:

https://toddmthatcher.com/2018/07/10/mamma-mia-here-we-go-again-box-office-prediction/

The Equalizer 2 Box Office Prediction

Denzel Washington is back in action mode when The Equalizer 2 is released next weekend. In his decades long career filled with numerous hits, this is actually the first ever sequel for the star. Antoine Fuqua is back directing and it’s the fourth collaboration between two after 2001’s Training Day (for which Washington won an Oscar), 2014’s The Equalizer, and 2016’s The Magnificent Seven. Costars include Melissa Leo, Pedro Pascal, Ashton Sanders, and Bill Pullman.

When it comes to the action genre, few actors are as bankable as Denzel. The first Equalizer, which is based quite loosely a 1980s TV show starring Edward Woodward, made $34.1 million for its start and ended up at $101 million overall domestically. Two years later, The Magnificent Seven took in $34.7 million out of the gate and $93 million total. Nearly all of Washington’s titles in the genre in the past decade or so have achieved mid 20s or more in their premieres.

While The Equalizer 2 may face a challenge scoring a #1 opening over a very different follow-up (Mamma Mia! Here We Go Again), a high 20s to possibly low 30s roll out seems quite achievable.

The Equalizer 2 opening weekend prediction: $26.8 million

For my Mamma Mia! Here We Go Again prediction, click here:

https://toddmthatcher.com/2018/07/10/mamma-mia-here-we-go-again-box-office-prediction/

For my Unfriended: Dark Web prediction, click here:

https://toddmthatcher.com/2018/07/11/unfriended-dark-web-box-office-prediction/

Mamma Mia! Here We Go Again Box Office Prediction

Arriving just over 10 years to the day after its predecessor, Mamma Mia! Here We Go Again dances into theaters next weekend, looking to be queen of the box office over other sequel competition. The 2008 original was based on a popular stage musical incorporating the music of Swedish super group ABBA and it turned into a behemoth at the multiplex. Returning cast members include Meryl Streep (in her first ever sequel), Amanda Seyfried, Pierce Brosnan, Colin Firth, Christine Baranski, Julie Walters, Stellan Skarsgard, and Dominic Cooper. Newbies include Lily James, Andy Garcia, and Cher. Ol Parker takes over directorial duties from Phyllida Lloyd.

Mamma Mia! held the distinction of being the highest grossing live-action musical of all time until 2017’s Beauty and the Beast topped it. It opened to $27.7 million and legged out quite well to a $144 million domestic total. The worldwide haul was a fantastic $615 million. Ten years is a significant gap between sequels, but the fan base seems likely to turn out and there’s little else marketing an older and female crowd. Two others sequels debuting over the weekend – The Equalizer 2 and Unfriended: Dark Web – are going for different demographics.

It seems reasonable to me that Again could debut about 20% higher than the first and it remains to be seen if it holds as well as part 1 in subsequent weekends.

Mamma Mia! Here We Go Again opening weekend prediction: $33.5 million

For my The Equalizer 2 prediction, click here:

https://toddmthatcher.com/2018/07/10/the-equalizer-2-box-office-prediction/

For my Unfriended: Dark Web prediction, click here:

https://toddmthatcher.com/2018/07/11/unfriended-dark-web-box-office-prediction/

Oscar Watch: Three Identical Strangers

Amidst the comic book and animated sequels of the summer, this season has seen a rather surprising share of documentaries bringing in box office bucks. Over the weekend, Three Identical Strangers performed well in limited fashion. The doc tells the tale of three twins separated at birth and there’s apparently a host of twists and turns that go along with that. It stands at 94% on Rotten Tomatoes.

Like other solid performing docs premiering in the past month or so, Strangers debuted at a film festival and garnered critical acclaim months before its release. Both Won’t You Be My Neighbor? and RBG opened at Sundance and so did this.

At this juncture, I’d say Neighbor and RBG stand stronger chances at recognition come Oscar nomination time for Best Documentary Feature. Yet I wouldn’t discount this at all. We may look back at the five nominees a few months from now and recognize that the summer was the hot season for them.

My Oscar Watch posts will continue…

Box Office Predictions: July 13-15

Adam Sandler’s animated sequel Hotel Transylvania 3: Summer Vacation and Dwayne Johnson’s action pic Skyscraper debut this weekend in what could be an interesting battle for #1 and especially #2 at the box office. You can peruse my detailed prediction posts on the newcomers here:

https://toddmthatcher.com/2018/07/03/hotel-transylvania-3-summer-vacation-box-office-prediction/

https://toddmthatcher.com/2018/07/03/skyscraper-box-office-prediction/

My low 40s estimate for Transylvania puts it in the pole position to top the charts. However, if it were to come in under expectations  and not reach the numbers of its predecessors, the door could be open for Ant-Man and the Wasp (in its sophomore frame) or Skyscraper to be a spoiler. It’s dangerous to underestimate the drawing potency of Johnson, but my low 30s projection for his latest puts Skyscraper in a razor-thin battle for #2 with Marvel’s latest.

Incredibles 2 and Jurassic World: Fallen Kingdom should be 4th and 5th.

And with that, my projections for the weekend’s top 5:

1. Hotel Transylvania 3: Summer Vacation

Predicted Gross: $43.6 million

2. Ant-Man and the Wasp

Predicted Gross: $33.4 million

3. Skyscraper

Predicted Gross: $33.2 million

4. Incredibles 2

Predicted Gross: $16.6 million

5. Jurassic World: Fallen Kingdom

Predicted Gross: $14.2 million

Box Office Results (July 6-8) 

The Marvel Cinematic Universe is 20 for 20 as far as #1 openers as Ant-Man and the Wasp buzzed in with $75.8 million, falling under my $86.4 million projection. That debut is on the lower end of expectations for the sequel and ranks 16th out of 20 for MCU openers. That said, it still managed to gross nearly $20 million more than its 2015 predecessor for its start. I expect it to fall in the mid 50s in weekend #2, creating a photo finish with Skyscraper for the runner-up spot to Transylvania. 

Jurassic World: Fallen Kingdom fell to second after two weeks on top with $28.6 million (I was close at $28.2 million) to brings it tally to $333 million.

Incredibles 2 was close behind in third with $28.4 million (I said $27.8 million) as the Pixar phenom crossed the $500 million mark at $503 million. In just four weeks, it is already the studio’s largest earner surpassing Finding Dory. 

The First Purge was fourth and continued the franchise’s run of high grosses compared to their low budgets. The Blumhouse horror pic took in $17.3 million over the Friday to Sunday portion of the weekend compared to my $22.8 million estimate. It opened on Wednesday and has taken in $31.2 million for the five-day overall. I was much closer on that figure with my $31.4 million prediction.

Sicario: Day of the Soldado took quite a hit in its second weekend. It was fifth after dropping 60% to $7.6 million (I was higher with $10.1 million). It’s total is $35 million.

And that does it for now, folks! Until next time…