Month: June 2018

Incredibles 2 Box Office Prediction

Disney/Pixar is back on the summer scene as Incredibles 2 blasts into theaters next weekend. The superhero comedy sequel is the follow-up to the studio’s sixth blockbuster that opened in November 2004. Fourteen years later, this is Pixar’s 20th assured mega grosser. Brad Bird, who made the original, is back in the director’s seat after shepherding live-action pics Mission: Impossible – Ghost Protocol and Tomorrowland. Returning voices from the original cast include Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Sarah Vowell, and John Ratzenberger. Fresh voices for part 2 include Jonathan Banks, Bob Odenkirk, Catherine Keener, Isabella Rossellini, and Sophia Bush.

The question mark here is not whether Incredibles 2 is another huge hit for Pixar (it will be). Rather, the question is whether it sets the all-time opening record for the Mouse Factory’s multi-billion dollar subsidiary. In order to do so, it would need to surpass the current one held by 2016’s Finding Dory. That sequel earned $135 million in the same weekend two summers ago.

For some context, the predecessor to Dory (2003’s Finding Nemo) made $70 million out of the gate with an eventual gross of $339 million. As for the first Incredibles? It did exactly the same in its first weekend ($70 million) and went on to earn $261 million domestically. Of course, most Pixar titles take on long shelf lives and introduce themselves to a new generation of youngsters. The Incredibles is no exception and stands as one of the most appreciated studio offerings.

I see no reason why Incredibles 2 wouldn’t perform very similarly to Dory. That said, I’m reluctant to project that it will get to $150 million plus or anything in that stratosphere. I’ll say this just manages to achieve a personal Pixar high. In doing so, just as Nemo and Incredibles got to the same number in weekend 1, so essentially will the sequels.

Incredibles 2 opening weekend prediction: $138.1 million

For my Tag prediction, click here:

https://toddmthatcher.com/2018/06/05/tag-box-office-prediction/

For my Superfly prediction, click here:

https://toddmthatcher.com/2018/06/07/superfly-box-office-prediction/

Oscar Watch: Won’t You Be My Neighbor?

Opening in limited fashion this weekend is one of the year’s more hotly anticipated documentaries – Won’t You Be My Neighbor? Focused on the life of Mister Rogers, whose public access children’s program spanned decades and inspired generations of youngsters, it premiered in January at the Sundance Film Festival to wide acclaim. Its Rotten Tomatoes score sits at 97% currently.

The Oscar pedigree for it is evident as its director Morgan Neville won Best Documentary Feature in 2014 for 20 Feet From Stardom. Neighbor, like the recent RBG, is the rare doc that has legitimate box office breakout potential due its familiar subject matter. That said, the documentary branch of the Academy is an unpredictable lot. Last year’s Jane, for instance, covered a much appreciated figure, was looked at as a front-runner in some circles, and ended up without a nomination.

Yet don’t surprised to find this on the short list of inclusions come next year. Interestingly, the story of Rogers could find itself in the Oscar mix for two years in a row. 2019 brings You Are My Friend, a biopic starring Tom Hanks as the sweater clad host.

My Oscar Watch posts will continue…

Box Office Predictions: June 8-10

A trio of new titles open wide at the box office this weekend as the unremarkable two-week reign of Solo: A Star Wars Story looks to close. They are the reboot of heist caper franchise Ocean’s 8 with Sandra Bullock and other notable actresses, critically acclaimed horror pic Hereditary, and crime thriller Hotel Artemis. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2018/05/30/oceans-8-box-office-prediction/

https://toddmthatcher.com/2018/05/30/hereditary-box-office-prediction/

https://toddmthatcher.com/2018/05/30/hotel-artemis-box-office-prediction/

My low 40s opening for Ocean’s 8 easily puts it in the #1 spot. That estimate gives it the largest debut for the franchise that’s been dormant for over a decade when George Clooney, Matt Damon, Brad Pitt, and others had their trilogy.

The biggest question mark of the weekend to me is undoubtedly Hereditary. Reviews have been terrific, but critical praise doesn’t always equate to major dollars for this genre. Two similarly heralded entries from the same studio – The Witch and It Comes at Night – made less than $10 million out of the gate. Hereditary could potentially suffer the same fate, but I’ve got it pegged to manage low double digits. If the pic over performs, it could nab the #2 spot. If it hits in the range I’m projecting, it would be fourth behind Solo and Deadpool 2. 

Adrift premiered right in line with my expectations and it may find itself in a close race with Avengers: Infinity War for the fifth slot. I’m giving the superheroes an edge.

As for Hotel Artemis, I’m not expecting much and my forecast has gone from $7.7 million to now $5 million over the course of the last week. That number puts it outside the top five.

And with that, my top 6 projections for the weekend ahead:

1. Ocean’s 8

Predicted Gross: $42.6 million

2. Solo: A Star Wars Story

Predicted Gross: $14.3 million

3. Deadpool 2

Predicted Gross: $13.2 million

4. Hereditary

Predicted Gross: $10.2 million

5. Avengers: Infinity War

Predicted Gross: $6.7 million

6. Adrift

Predicted Gross: $6.1 million

Box Office Results (June 1-3) 

All eyes were on how Solo: A Star Wars Story would perform in its second weekend after a majorly lackluster premiere. The verdict? Not good. The Star Wars stand-alone fell a precipitous 65% to $29.3 million, well behind my $37.3 million estimate. The two-week tally stands at $148 million.

Deadpool 2 was second with $23.1 million in weekend #3, topping my $20.9 million projection for $254 million total.

Newcomer Adrift was right in line with my take – placing third at $11.6 million (I said $11.7 million).

Avengers: Infinity War was fourth with $10.5 million, ahead of my $8.6 million projection for $643 million in its considerable coffers.

Book Club rounded out the top five and I didn’t have it in there. It earned $7 million and sits at $47 million overall.

Blumhouse’s Upgrade exceeded my prediction with $4.6 million. I was lower at $2.8 million. The well reviewed sci-fi horror flick’s number is pretty decent considering its meager budget and low 1400 plus theater count.

Last and indeed least, Johnny Knoxville’s Action Point was a complete dud coming in at 9th place with a measly $2.3 million (well below my $6.6 million guesstimate). I wrote about its failure yesterday here:

https://toddmthatcher.com/2018/06/02/the-fade-of-a-jackass/

And that does it for now, folks! Until next time…

The Fade of a Jackass

While most box office forecasters such as myself will rightfully pontificate on the continued failure of Solo: A Star Wars Story (it’s fading badly in its sophomore frame after a disappointing debut), there’s another story this weekend. This one involves the highly dwindling fortunes at multiplexes of Mr. Johnny Knoxville.

The MTV show “Jackass” premiered in 2000 and quickly became a sensation with younger viewers glued to Knoxville’s dangerous and often hilarious stunts. Paramount didn’t wait long before taking the half hour program and expanding it to the silver screen. In 2002, Jackass: The Movie debuted to $22 million and grossed $64 million overall domestically. Four years later, Jackass: Number Two improved upon its predecessor’s performance with $29 million for its start and $72 million total. In 2010, the gravy train kept on rolling as Jackass 3–D made an astonishing $50 million out of the gate and earned $117 million by the end of its franchise best run.

In 2013, Jackass Presents: Bad Grandpa was a bit of a question mark. It wasn’t an official entry in the series and was a test of Knoxville’s potency as his signature series had reached its conclusion. However, Bad Grandpa answered any questions with a strong $32 million debut and $102 million overall gross.

Since that time half a decade ago, Knoxville has been largely absent from the big screen. This weekend’s Action Point was a hoped for return to box office dominance. After all, it combines the stunt work and R rated comedy that he’s known for.

Last week, my initial projection for Point put it in the low double digits – far from the $20 million plus dollars of his previous works. By Thursday, that prediction had dropped to a measly $6.6 million. And now early numbers from the weekend suggest that Action Point will only make $2 million, putting it in 10th place and below the fifth weekend of Overboard.

What on earth happened? In my original projection, I asked if Knoxville’s audience had outgrown him. The answer seems to be a resounding yes. It also didn’t help that Paramount didn’t even have faith enough in it to screen for critics (its current Rotten Tomatoes score is just 16%). Perhaps its concept wasn’t interesting to even his fans. After all, a demented Grandpa is easier to grasp.

The huge failure here calls to question Knoxville’s future at the box office. Maybe it’s time to get the whole Jackass crew together for a reunion and see what happens… because there’s no doubt the amusement park in Action Point is permanently closed.