The most eagerly anticipated review embargo of 2017 ended early this afternoon as critical reaction is pouring in for Star Wars: The Last Jedi. Opening Friday, it’s pretty much a foregone conclusion that episode VIII of the vaunted franchise will generate the year’s biggest debut (and very possibly the second highest of all time after predecessor The Force Awakens).
So my attention now turns to its Oscar viability. At this moment, The Last Jedi stands at 93% on Rotten Tomatoes. That’s quite an impressive number (Force Awakens ended up at 93%) and it’s likely the Jedi number will fluctuate over the next couple of days. Still, many reviews have indicated it’s the strongest entry in the series since 1980’s The Empire Strikes Back – generally and rightfully considered the best of the lot. Other reviews, while positive, haven’t gone that far.
It’s worth noting that only the 1977 original managed a Best Picture nomination. Simply put, I don’t see that changing here nor do I see any of the actors getting recognition.
The Force Awakens ended up garnering five nods two years ago: Original Score, Editing, Sound Editing, Sound Mixing, and Visual Effects. It won zero. My estimate is that Jedi will not reach that number. Composer John Williams will face competition with himself and I see his work for Steven Spielberg’s The Post being nominated instead. Editing could be a stretch as some reviewers are already nitpicking its pacing. It could certainly nab nominations in both Sound categories and Visual Effects is a given. Like Force Awakens, I believe it won’t emerge victorious in any of the races it gets in for.
Bottom line: Star Wars: The Last Jedi, even with its general consensus that it improves over Awakens, is unlikely to be an Academy player in any significant manner other than technical stuff.
20th Century Fox is hoping moviegoers will be in tune with their offering The Greatest Showman over the long holiday when it opens next Wednesday. The musical period piece casts Hugh Jackman in the role of circus master P.T. Barnum with a supporting cast that includes Zac Efron, Michelle Williams, Rebecca Ferguson, and Zendaya. It marks the directorial debut of Michael Gracey.
Mr. Jackman has found Christmastime success in this genre before five years with Les Miserables. Expectations aren’t quite as high here, but the reported $84 million production will try to bring in an adult female audience that could be slightly under served. Showman received three Golden Globe nods just yesterday for Best Motion Picture (Musical or Comedy), for Jackman in Best Actor, and for Original Song.
That said, there is some direct competition in the form of Pitch Perfect 3, which arrives two days later and Downsizing, which is also looking to attract an older crowd. I’ll say Showman manages a mid to possibly high teens gross for the four-day weekend that includes Christmas and low to possibly mid 20s for its six-day take.
The Greatest Showman opening weekend prediction: $16.1 million (Friday to Monday), $22.4 million (Wednesday to Monday)
For my Jumanji: Welcome to the Jungle prediction, click here:
Blogger’s Note (12/20/17): My Jumanji prediction has been lowered.
Even with the considerable competition including the second weekend of StarWars: TheLastJedi, animated fare like Ferdinand and Coco, and a slew of other holiday wide releases, Jumanji: WelcometotheJungle looks primed for a healthy box office haul. The board game related comedic adventure follows up on the 1995 Robin Williams hit with a cast that includes Dwayne “The Rock” Johnson, Kevin Hart, Jack Black, Karen Gillan, Bobby Cannavale, and Nick Jonas. Jake Kasdan directs.
It doesn’t hurt that Johnson and Hart are two of the more bankable stars around (their collaboration CentralIntelligence was a blockbuster). It also helps that the wealth is usually spread around on Christmas weekend. Jumanji debuts on Wednesday next week as it looks to play well throughout the long weekend frame.
Kids should turn out if they’re not clamoring to see Jedi a second time. The X factor here that makes me believe it could over perform? It’s garnering surprisingly solid buzz with a Rotten Tomatoes score currently at 82%. An even more important factor could be the nostalgia one as older moviegoers are quite familiar with the 22-year-old original. We already have witnessed how that dynamic propelled JurassicWorld to amazing numbers.
Jumanji will be no Jurassic, but I certainly believe a four-day take in the mid 40s and mid 60s six-day take is quite doable. That should put it in second after Jedi for the holidays.
Jumanji: WelcometotheJungle opening weekend prediction: $40.5 million (Friday to Monday), $55.1 million (Wednesday to Monday)
For my The Greatest Showman prediction, click here:
As the weekend approaches, the burning box office questions are clear:
How will the animated Ferdinand open after Pixar’s Coco has dominated the charts for three weeks straight?
Could Wonder jump above Justice League as they enter their fifth respective weekends?
How well will The Disaster Artist hold after an impressive 800 theater expansion?
Oh… who am I kidding? We all know what this weekend is really about…
Star Wars: The Last Jedi freaking opens!!! After The Force Awakens crushed every box office record in sight two years ago, anticipation is mighty high for episode VIII. You can read my detailed prediction on it and Ferdinand here:
As you can see, I have Jedi slated for the second biggest domestic debut of all time behind its predecessor. My estimate puts it about $28 million shy of Awakens.
My take on Ferdinand is that it will get close to $20 million (it could surpass it) for a solid second place showing as it will may play well into the holiday frames ahead.
The rest of the top 6 should be filled with leftovers as a handful of high-profile titles open in the approaching Christmas weekend.
Here’s my top 6 projections:
1. Star Wars: The Last Jedi
Predicted Gross: $219.7 million
2. Ferdinand
Predicted Gross: $18.6 milion
3. Coco
Predicted Gross: $11.2 million (representing a drop of 39%)
4. Wonder
Predicted Gross: $4.9 million (representing a drop of 43%)
5. TheDisasterArtist
Predicted Gross: $4.3 million (representing a drop of 34%)
6. Justice League
Predicted Gross: $4.3 million (representing a drop of 55%)
Box Office Results (December 8-10)
It was the quiet before the Force this weekend as Coco remained #1 for the third weekend in a row with $18.4 million, right on pace with my $18.3 million forecast. The Pixar effort has amassed $135 million total.
Justice League was second with $9.6 million (a bit above my $8.2 million prediction) as it’s earned $212 million overall.
Wonder placed third with $8.4 million (I said $7.6 million) as it crossed the century mark at $100 million.
The Disaster Artist received a nice expansion with a fourth place showing at $6.3 million, ahead of my $4.2 million projection.
Thor: Ragnarok rounded out the top five with $6.2 million (I said $6.5 million) as it blew past the triple century mark at $301 million.
Finally, the Morgan Freeman/Tommy Lee Jones comedy Just Getting Started sputtered in 10th place with just $3.2 million – not matching my generous $5.2 million prediction.
Back at it again with my weekly Oscar predictions. There’s been a host of precursor activity in the past week with the biggest coming this morning as the Golden Globe nominations were announced.
The verdict? The five nominated Best Drama contenders are all very likely Oscar competitors – Dunkirk, The Shape of Water, The Post, Three Billboards, Call Me by Your Name. In the Comedy category, both Lady Bird and Get Out got in as expected.
Speaking of Get Out, this week marks its first inclusion in my estimated nine contenders. In fact, it vaults four spots up to #7. Something had to come out and it was Darkest Hour, whose luster seems to be fading.
Another Globe surprise: the strong showing for All the Money in the World. Reviews have yet to come, but it was nominated for Director (Ridley Scott), Actress in Drama (Michelle Williams), and Supporting Actor (Christopher Plummer, who famously took over the role from the embattled Kevin Spacey). All three debut on the lower rung on my predictions.
In other developments:
Richard Jenkins (The Shape of Water) is in for Supporting Actor over Mark Rylance (Dunkirk)
Two changes in Supporting Actress with Melissa Leo (Novitiate) and Hong Chau (Downsizing) in over Octavia Spencer (The Shape of Water) and Lesley Manville (Phantom Thread)
In the Screenplay races, Wonder is in for Adapted over Wonderstruck while in the crowded Original Screenplay category, The Shape of Water is back in over Phantom Thread
Read on!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. Lady Bird (PR: 3)
3. The Shape of Water (PR: 4)
4. The Post (PR: 2)
5. Three Billboards Outside Ebbing, Missouri (PR: 5)
6. Call Me by Your Name (PR: 6)
7. Get Out (PR: 11)
8. The Florida Project (PR: 9)
9. Phantom Thread (PR: 7)
Other Possibilities:
10. Darkest Hour (PR: 8)
11. Mudbound (PR: 10)
12. I, Tonya (PR: 12)
13. Detroit (PR: 13)
14. All the Money in the World (PR: Not Ranked)
15. Blade Runner 2049 (PR: 14)
Dropped Out:
The Disaster Artist
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 2)
3. Greta Gerwig, Lady Bird (PR: 3)
4. Steven Spielberg, The Post (PR: 4)
5. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 5)
Other Possibilities:
6. Luca Guadagnino, Call Me by Your Name (PR: 6)
7. Jordan Peele, Get Out (PR: Not Ranked)
8. Paul Thomas Anderson, Phantom Thread (PR: 7)
9. Dee Rees, Mudbound (PR: 8)
10. Ridley Scott, All the Money in the World (PR: Not Ranked)
Dropped Out:
Sean Baker, The Florida Project
Joe Wright, Darkest Hour
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. James Franco, The Disaster Artist (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Hugh Jackman, The Greatest Showman (PR: 7)
7. Daniel Kaluuya, Get Out (PR: Not Ranked)
8. Jake Gyllenhaal, Stronger (PR: 6)
9. Denzel Washington, Roman J. Israel, Esq. (PR: 9)
10. Andrew Garfield, Breathe (PR: 8)
Dropped Out:
Robert Pattinson, Good Time
Best Actress
Predicted Nominees:
1. Saoirse Ronan, Lady Bird (PR: 1)
2. Meryl Streep, The Post (PR: 2)
3. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 3)
4. Margot Robbie, I, Tonya (PR: 4)
5. Sally Hawkins, The Shape of Water (PR: 5)
Other Possibilities:
6. Jessica Chastain, Molly’s Game (PR: 6)
7. Emma Stone, Battle of the Sexes (PR: 7)
8. Judi Dench, Victoria and Abdul (PR: 9)
9. Kate Winslet, Wonder Wheel (PR: 8)
10. Michelle Williams, All the Money in the World (PR: Not Ranked)
Dropped Out:
Vicky Krieps, Phantom Thread
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Michael Stuhlbarg, Call Me by Your Name (PR: 4)
5. Richard Jenkins, The Shape of Water (PR: 7)
Other Possibilities:
6. Mark Rylance, Dunkirk (PR: 5)
7. Michael Shannon, The Shape of Water (PR: 6)
8. Woody Harrelson, Three Billboards Outside Ebbing, Missouri (PR: 8)
9. Christopher Plummer, All the Money in the World (PR: Not Ranked)
10. Jason Mitchell, Mudbound (PR: 9)
Dropped Out:
Steve Carell, Battle of the Sexes
Best Supporting Actress
Predicted Nominees:
1. Laurie Metcalf, Lady Bird (PR: 2)
2. Allison Janney, I, Tonya (PR: 1)
3. Mary J. Blige, Mudbound (PR: 4)
4. Melissa Leo, Novitiate (PR: 6)
5. Hong Chau, Downsizing (PR: 7)
Other Possibilities:
6. Octavia Spencer, The Shape of Water (PR: 5)
7. Lesley Manville, Phantom Thread (PR: 3)
8. Holly Hunter, The Big Sick (PR: 9)
9. Tiffany Haddish, Girls Trip (PR: 10)
10. Lois Smith, Marjorie Prime (PR: Not Ranked)
Dropped Out:
Kristin Scott Thomas, Darkest Hour
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. The Disaster Artist (PR: 2)
3. Mudbound (PR: 3)
4. Molly’s Game (PR: 4)
5. Wonder (PR: 7)
Other Possibilities:
6. Wonderstruck (PR: 5)
7. All the Money in the World (PR: Not Ranked)
8. Last Flag Flying (PR: 6)
9. The Beguiled (PR: 9)
10. Blade Runner 2049 (PR: Not Ranked)
Dropped Out:
Victoria and Abdul
First, They Killed My Father
Best Original Screenplay
Predicted Nominees:
1. Lady Bird (PR: 2)
2. Three Billboards Outside Ebbing, Missouri (PR: 1)
3. Get Out (PR: 5)
4. The Post (PR: 4)
5. The Shape of Water (PR: 6)
Other Possibilities:
6. Phantom Thread (PR: 3)
7. The Florida Project (PR: 7)
8. I, Tonya (PR: 8)
9. The Big Sick (PR: 9)
10. Dunkirk (PR: Not Ranked)
Dropped Out:
Darkest Hour
Best Animated Feature
Predicted Nominees:
1. Coco (PR: 1)
2. The Breadwinner (PR: 3)
3. Loving Vincent (PR: 2)
4. Cars 3 (PR: 5)
5. The Girl Without Hands (PR: Not Ranked)
Other Possibilities:
6. The LEGO Batman Movie (PR: 6)
7. Birdboy: The Forgotten Children (PR: 4)
8. Despicable Me 3 (PR: Not Ranked)
9. The Boss Baby (PR: Not Ranked)
10. The Big Bad Fox and Other Tales (PR: 7)
Dropped Out:
Ferdinand
Captain Underpants: The First Epic Movie
In this Corner of the World
Best Foreign Language Film
Predicted Nominees:
1. Foxtrot (PR: 2)
2. BPM (Beats Per Minute) (PR: 1)
3. The Square (PR: 7)
4. First, They Killed My Father (PR: 3)
5. Loveless (PR: 8)
Other Possibilities:
6. A Fantastic Woman (PR: 6)
7. In the Fade (PR: 4)
8. The Insult (PR: 5)
9. Thelma (PR: 9)
10. The Divine Order (PR: 10)
Best Documentary Feature
Predicted Nominees:
1. Jane (PR: 1)
2. Faces Places (PR: 5)
3. City of Ghosts (PR: 3)
4. Long Strange Trip (PR: 7)
5. Strong Island (PR: 6)
Other Possibilities:
6. An Inconvenient Sequel: Truth to Power (PR: Not Ranked)
7. One of Us (PR: 9)
8. Abacus: Small Enough to Jail (PR: Not Ranked)
9. Chasing Coral (PR: Not Ranked)
Dropped Out:
Cries from Syria
Icarus
Risk
Kedi
Best Film Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Lady Bird (PR: 5)
5. Three Billboards Outside Ebbing, Missouri (PR: 4)
Other Possibilities:
6. I, Tonya (PR: 6)
7. Get Out (PR: Not Ranked)
8. Darkest Hour (PR: 8)
9. Call Me by Your Name (PR: Not Ranked)
10. Detroit (PR: 10)
Dropped Out:
Phantom Thread
Blade Runner 2049
Best Cinematography
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 3)
4. The Post (PR: 4)
5. Wonderstruck (PR: 6)
Other Possibilities:
6. Darkest Hour (PR: 5)
7. Mudbound (PR: 8)
8. Three Billboards Outside Ebbing, Missouri (PR: 7)
9. Lady Bird (PR: 9)
10. Call Me by Your Name (PR: 10)
Best Production Design
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Shape of Water (PR: 2)
3. Blade Runner 2049 (PR: 3)
4. Beauty and the Beast (PR: 5)
5. Phantom Thread (PR: 4)
Other Possibilities:
6. The Post (PR: 7)
7. The Greatest Showman (PR: 9)
8. Wonderstruck (PR: 8)
9. Darkest Hour (PR: 6)
10. Murder on the Orient Express (PR: Not Ranked)
Dropped Out:
Star Wars: The Last Jedi
Best Costume Design
Predicted Nominees:
1. Phantom Thread (PR: 1)
2. Beauty and the Beast (PR: 2)
3. The Shape of Water (PR: 3)
4. The Post (PR: 4)
5. The Greatest Showman (PR: 6)
Other Possibilities:
6. Darkest Hour (PR: 5)
7. The Beguiled (PR: 7)
8. Victoria and Abdul (PR: 8)
9. Wonderstruck (PR: 10)
10. Murder on the Orient Express (PR: Not Ranked)
Dropped Out:
Wonder Wheel
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour (PR: 1)
2. Phantom Thread (PR: 5)
3. Beauty and the Beast (PR: 2)
Other Possibilities:
4. Wonder (PR: 9)
5. I, Tonya (PR: 6)
6. Guardians of the Galaxy Vol. 2 (PR: 3)
7. The Shape of Water (PR: 4)
8. The Greatest Showman (PR: 7)
9. Star Wars: The Last Jedi (PR: 8)
10. It (PR: 10)
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049 (PR: 1)
2. The Shape of Water (PR: 2)
3. Star Wars: The Last Jedi (PR: 4)
4. War for the Planet of the Apes (PR: 3)
5. Dunkirk (PR: 5)
Other Possibilities:
6. Beauty and the Beast (PR: 6)
7. Spider-Man: Homecoming (PR: 7)
8. Wonder Woman (PR: 9)
9. Guardians of the Galaxy Vol. 2 (PR: 8)
10. Thor: Ragnarok (PR: 10)
Best Sound Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 5)
4. Star Wars: The Last Jedi (PR: 3)
5. War for the Planet of the Apes (PR: 4)
Other Possibilities:
6. Baby Driver (PR: 6)
7. Wonder Woman (PR: 7)
8. Detroit (PR: 10)
9. The Post (PR: 8)
10. The Greatest Showman (PR: 9)
Best Sound Mixing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 7)
4. Baby Driver (PR: 3)
5. The Greatest Showman (PR: 4)
Other Possibilities:
6. Star Wars: The Last Jedi (PR: 6)
7. War for the Planet of the Apes (PR: 8)
8. Beauty and the Beast (PR: 10)
9. Detroit (PR: 5)
10. Transformers: The Last Knight (PR: Not Ranked)
Dropped Out:
The Post
Best Original Score
Predicted Nominees:
1. Phantom Thread (PR: 2)
2. The Shape of Water (PR: 1)
3. Dunkirk (PR: 3)
4. The Post (PR: 4)
5. Darkest Hour (PR: 5)
Other Possibilities:
6. Three Billboards Outside Ebbing, Missouri (PR: 10)
7. Wonderstruck (PR: 6)
8. Star Wars: The Last Jedi (PR: 7)
9. Blade Runner 2049 (PR: 9)
10. Victoria and Abdul (PR: 8)
Best Original Song
Predicted Nominees:
1. “Remember Me” from Coco (PR: 1)
2. “Stand Up for Something” from Marshall (PR: 2)
3. “Mighty River” from Mudbound (PR: Not Ranked)
4. “Evermore” from Beauty and the Beast (PR: 4)
5. “The Mystery of Love” from Call Me by Your Name (PR: 5)
Other Possibilities:
6. “Prayers for this World” from Cries from Syria (PR: 3)
7. “It Ain’t Fair” from Detroit (PR: 7)
8. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 6)
9. “This is Me” from The Greatest Showman (PR: Not Ranked)
10. “Truth to Power” from An Inconvenient Sequel: Truth to Power (PR: 8)
Dropped Out:
“Come Alive” from The Greatest Showman
“The Promise” from The Promise
And that break down for the following number of nominations for each picture:
13 Nominations
The Shape of Water
9 Nominations
Dunkirk, The Post
6 Nominations
Phantom Thread, Lady Bird, Three Billboards Outside Ebbing, Missouri, Call Me by Your Name
5 Nominations
Blade Runner 2049
4 Nominations
Beauty and the Beast
3 Nominations
Darkest Hour, Mudbound
2 Nominations
Get Out, The Florida Project, The Disaster Artist, I, Tonya, Coco, The Greatest Showman, Star Wars: The Last Jedi, War for the Planet of the Apes
1 Nomination
Novitiate, Downsizing, Molly’s Game, Wonder, Wonderstruck, Baby Driver, Marshall, The Breadwinner, Loving Vincent, Cars 3, The Girl Without Hands, Foxtrot, BPM (Beats Per Minute), The Square, First, They Killed My Father, Loveless, Jane, Faces Places, City of Ghosts, Long Strange Trip, Strong Island
Greta Gerwig’s LadyBird is an authentic coming of age tale with a genuine sense of time and place. Sporting superior performances down the line, it also announces actress Gerwig as a director and writer to watch.
The time is 2002 and the place is Sacramento. Christine (Saoirse Ronan) is a senior at Catholic high school who goes by the self named moniker of Lady Bird. She wishes to be anywhere but California’s capital city, yearning to attend college on the East Coast. Her relationship with mom Marion (Laurie Metcalf) is complicated and strained as many tend to be during that tenure. Dad (Tracy Letts) is more of the softie, but also dealing with his own issues of unemployment and unhappiness.
In addition to her familial issues, we see Lady Bird in two romantic relationships. The first is with Danny (Lucas Hedges), the theatrical guy who she performs alongside in the embarrassingly accurate portrayal of a high school play. And there’s Kyle (Timothee Chalamet), the brooding musician who rallies against the establishment and believes he’s far more profound than he likely is. We also see her friendships with the key one being Julie (Beanie Feldstein), her kindly and insecure bestie.
Gerwig grew up in Sacramento and attended Catholic school. While she’s said LadyBird is just semi autobiographical, it sure feels like she knows these people and their situations very well. This applies to the main players and the smaller ones, including Lois Smith’s helpful nun and Stephen McKinley Henderson’s drama teacher.
We’ve seen many a film about dealing with adolescence. Like TheEdgeofSeventeen last year, Bird manages to be a genre highlight with its honesty and earned laughs and emotional resonance. The central relationship is the mother/daughter dynamic. It’s written well and much credit goes to Ronan and Metcalf for their terrific inhabitations of them.
LadyBird also touches on class (the family is constantly trying to make ends meet), sexuality, and feelings of where one belongs. Ronan’s appealing creation goes through life believing there’s no place other than home that she wants to be. Gerwig knows the home lovingly detailed here. She knows that the young woman growing up before us will soon recognize its significance to her and how it’s shaped her. When the credits roll, you can imagine Lady Bird writing about it someday. And that it’ll turn out to be quite appealing.
A mashup of ghost story, exploration of grief, and psychological thriller, Olivier Assayas’s PersonalShopper ultimately achieves the word that doubles as its overall theme. It’s haunting and features a showcase performance for Kristen Stewart, who inhabits every nearly every frame of this experience.
She plays Maureen, who spends her hours picking up designer clothing and jewelry in Paris and other locales for her famous boss Kyra (Nora von Waldstätten), a royal pain in the rear who seems to be famous for just being famous. Maureen doesn’t like her occupation, but she’s also occupied by another storyline that makes her stay. Her twin brother Lewis has recently died from a heart defect that she shares. Brother Lewis was a medium and she fancies herself as somewhat of one too. Maureen stays in his expansive old house as she waits for a sign from him that he promised would materialize.
There is supernatural activity, but it’s not exactly what Maureen anticipates. And just when you think Shopper might go full ghost tale, it switches into something else. Our central character begins receiving mysterious texts from an unknown caller that are flirty, threatening, and exhilarating to her. It provides Maureen with a bizarrely exciting way to think of something other than her miserable job and grief over Lewis.
An entire middle section of PersonalShopper is solely focused on these texts. I didn’t know until now that such activity could be as thrilling as it is here. Those three little dots cause Maureen and the audience to go through a range of emotions as we await this person’s (or is it a ghost?) next move.
Shopper is mostly unpredictable as it shifts genres with little warning. The thriller aspect contains some elements you may see coming as far as certain character’s motivations, but it’s always followed by the unexpected. The ending leaves room for interpretation and I found myself happily going through its possibilities in my head.
The picture wouldn’t succeed without Stewart’s fine performance. She has to carry it considering her constant screentime. If an actor can convincingly convey an array of feelings in a brief period of time when her primary acting partner is an iPhone, that’s good work. And PersonalShopper is stylish, spooky, and sexy.
Daniel Day-Lewis could be the only performer other than Meryl Streep whose automatic participation in a project warrants Oscar buzz. It’s not hard to figure out why. He’s the only male to win three Best Actor awards – for 1989’s My Left Foot, 2007’s There Will Be Blood, and 2012’s Lincoln.
Therefore, it was no surprise that his latest picture Phantom Thread garnered immediate awards chatter. The dramatic thriller in which he plays an obsessive London designer in the 1950s reunites the actor with his Blood director Paul Thomas Anderson. Reviews are now out prior to its end of year release and they suggest Day-Lewis should easily nab yet another nomination for what he claims is his last acting role. Winning his fourth statue could be another story.
The front-runner appears to be Gary Oldman in Darkest Hour, even though Mr. Oldman curiously has been left out of many precursor awards. That could certainly change, however. As I see it, Day-Lewis is right behind him.
When it comes to the picture itself, that’s a bit more unclear. Thread stands at a solid 88% on Rotten Tomatoes and some reviews have praised it as one of the year’s finest. Others have been more mixed. I have had the film just getting in and just being outside of my predicted nine features to be nominated. At press time, I consider Thread, Darkest Hour, and Mudbound to be strong possibilities for inclusion, but certainly not automatic.
Thread‘s other performances include Vicky Krieps, who will be campaigned for in Lead Actress. That category appears too crowded for her to get in. In Supporting Actress, the possibility of Lesley Manville having her name called is more likely, but also not assured.
Writer/director Anderson probably won’t get in for Director, though his Original Screenplay has already won some precursors. Yet there’s no guarantee there because that particular race is also jam-packed.
Down the line, Thread appears to be a shoo-in for Costume Design (it’ll probably win) and the acclaimed Original Score. Production Design and Makeup and Hairstyling nominations are also feasible.
Darren Aronofsky’s mother! may leave you woozy, bewildered, and exhilarated and sometimes all within the same minute. It’s a film that many will despise for taking its Hollywood stars down this rabbit hole of Biblical allegories and celebrity culture mockery. Yet I’ll be damned if it wasn’t an experience to often behold, albeit not on the level as some of the director’s best works.
mother is Jennifer Lawrence, who lives in a remote sprawling home with her older husband who is known as Him (Javier Bardem). He’s a famous and acclaimed poet suffering from an acute case of writer’s block. She fills her days renovating their dwelling which we learned recently burned to the ground.
Their quiet existence is interrupted when a stranger known as man (Ed Harris) shows up at their door, claiming he thought the house was a bed and breakfast. mother’s natural and understandable instinct is to send him on his way. Him curiously invites him to stay. Shortly after, his wife credited as woman (Michelle Pfeiffer) arrives. She’s a prying firecracker who rubs mother the wrong away while her husband’s health issues come to light. Their two sons join the joyless party as well and that’s when some tragic results occur. If you’ve noted I’m not saying the names of the characters, it’s for a reason. They don’t have them.
It’s a bit of a chore to discuss mother! without venturing into major spoiler territory. I’ll say this – their family drama has an ending. When Him and mother finally get the place to themselves again, she becomes pregnant and we flash forward to her due date approaching. This is when more people turn up. Lots of them.
What transpires after gives us multiple instances of WTF moments that also showcase Aronofsky’s remarkable visual style behind the camera. He’s a filmmaker unafraid to tackle religious themes (Noah was his previous effort) and mother! certainly bludgeons us with them. It also has plenty to say about fame and those who follow famous people, well, religiously.
By the time Him and mother’s “houseguests” number on the scale of innumerable, I found myself staring at the screen in disbelief at some of what’s onscreen. Part of this may be because a major studio clearly let their writer/director do whatever he wanted here. Another reason is Aronofsky’s technical skill at shooting what occurs within the home’s walls.
Lawrence often represents the audience here. She’s as confused as we are with her husband’s eagerness to welcome others in. In a typical horror flick (especially those of the haunted house variety), you’d be screaming for her to just get the hell out. You may do that here, but credit Aronofsky for going out of his way to explain why she doesn’t.
BlackSwan, which stands at the director’s best along with RequiemforaDream, shares certain themes. A drive for artistic perfection no matter the cost is a trait shared by Natalie Portman in her Oscar winning role and the character of Him. It takes us to even darker places here, but it didn’t leave me as satisfied as Swan. That one got Aronofsky awfully close to cinematic perfection. mother! doesn’t leave that kind of impression overall, but its scenes of expertly made depravity should leave his fans enthralled while it’s happening.
Way back on January 29th of this year, I wrote my Oscar Watch post for Jordan Peele’s Get Out, which had just premiered at the Sundance Film Festival nearly a month before its opening.
At the time, I wrote: “The chances of this getting into the Best Picture convo is unlikely. However, depending on level of competition, it could be in the mix for Peele’s Original Screenplay if voters remember it nearly a year after its February 24th domestic debut.”
Of course, since then, Get Out became a box office phenomenon, taking in $175 million domestically. Furthermore, it became a water cooler picture with its focus on racial themes that have often dominated the news.
From late January until this Monday, I have yet to put Get Out in my predicted nine films to be named for Best Picture at the Oscars. However, recent precursor action has done nothing except up its chances.
The National Board of Review named it among their 10 best movies of 2017. Mr. Peele was also honored with Best Directorial Debut. The Critics Choice Awards named their nominees this week and Get Out was among six Picture nominees and Peele made the cut for seven nominated directors. The Washington D.C. Film Critics Association nominated it for Picture, Director, and Actor (Daniel Kaluuya).
So where does Get Out stand now 10 months following my original post? Well, the chances of it getting into the Best Picture convo isn’t unlikely… it’s here. There’s a very good chance that I’ll be predicting its inclusion into Best Picture when I update my Oscar predictions this Monday. Peele wasn’t even in my top 10 listed possibilities for his direction three days ago and he most certainly will be now. Kaluuya has yet to be named in my top ten possibles for Actor. That should change. That said, I still see a nomination for him as unlikely.
Stay tuned on Monday and my Oscar Watch posts will continue…
All My Life... I Wanted To Be A Blogster 