Wonder Woman Movie Review

The small sub genre of female driven superhero movies has unfortunately been a bit of a cinematic litter box with forgettable fare like Supergirl, Catwoman, and Elektra. That changes with Wonder Woman from director Patty Jenkins. It is not only by far the most satisfying comic book adaptation headlined by a woman, it’s the most entertaining DC pic since Christopher Nolan was handling the Batman franchise.

We first saw Gal Gadot’s title character in last year’s Batman v Superman: Dawn of Justice as a sidekick to those two iconic titans. While it deservedly earned its reputation as a mess, it was also a mess worth watching and Wonder Woman was a bright spot in it. Now we get her origin story. We begin in present day with Diana Prince collaborating with Bruce Wayne. The Caped Crusader’s research has uncovered a photograph of the ageless Wonder from the World War I era (which we first saw in BvS). This causes Diana’s memory to travel way, way back.

Before the events chronicled in that picture come into play, we get Diana as a young girl on the lush and secluded island of Themyscira. It is a land of only women, including her Amazon queen mother Hippolyta (Connie Nielsen) and her warrior aunt Antiope (Robin Wright). As a child, she’s told grand stories of the Gods and how Ares the god of war killed Zeus and it all led to this private island paradise. Mother mostly wants this quality of life preserved while Auntie Antiope insists on training Diana into a warrior princess. And it seems even pre teen Diana has a knack for kicking butt.

The dynamic of life on Themyscira is altered when hunky WWI spy Steve Trevor (Chris Pine) and his plane crash lands there. Diana rescues him and get her first exposure to the male species. She’s also exposed to the news that a massive war is taking place outside her small world and she feels it’s her duty to help. So off she goes with Captain Trevor with the idea that she’ll rid the Earth of Ares, whom she believes is the real culprit behind all the chaos.

Our scenery changes from the bright and shimmering island to gray and drab London where Diana is a major fish out of water. There are scenes of her adjusting to her new surroundings (including having to try on the restrictive clothing of the era) that are quite humorous. The duo soon assemble a rag tag team with tacit approval from a commander played by David Thewlis. Their mission is to stop a German general (Danny Huston) and a deformed scientist (Elena Anaya, who is memorable here) who’s developed a dastardly gas concoction.

While all this intrigue is occurring, Diana and Steve are becoming closer and Gadot and Pine have a romantic and often funny chemistry. Their interactions lead to some charming moments, but also ones that lead to dramatic heft later. Unlike recent DC titles like BvS and Man of Steel, Wonder Woman isn’t afraid to have a degree of silliness that is welcome. After all, our heroine’s “lasso of truth” is present here and it’s difficult to take it very seriously. What’s easy to admire is Gadot’s work in selling her character’s reaction to her new reality off the island. Wonder Woman believes that simply stopping the God she’s heard about for all her life will make everything right. It’s fascinating to watch her realization that the world is a bit more complicated.

The grand action sequences here aren’t much different in style or quality than what we’ve witnessed before in countless other superhero tales. Wonder Woman doesn’t break the mold from the many origin stories that come from comic book pages. Some of the plot points are familiar – we know there will be an additional villain reveal in the third act and there is.

However, Wonder Woman succeeds because it takes time to develop her story. It gives her a partner and romantic interest that we like and care about. The screenplay isn’t solely consumed with loud and fiery battle set pieces. The writers remember that character exploration and humor are assets as well. And, yes, for the first time witness a superhero with “wo” added to the “man” that hits the mark.

*** (out of four)

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