Box Office Predictions: January 27-29

Three new titles debut this weekend, but none in the trio may dislodge Split from a second weekend atop the charts. The newbies are: sixth and presumably last franchise pic Resident Evil: The Final Chapter, family friendly pet tale A Dog’s Purpose, and Matthew McConaughey vehicle Gold. You can peruse my detailed prediction posts on each here:

Resident Evil: The Final Chapter Box Office Prediction

A Dog’s Purpose Box Office Prediction

Gold Box Office Prediction

We’ll begin with Resident Evil. While all other entries in the series have managed over $20 million (except for the first in 2002), the near five-year gap between sequels should hurt this, similar to how it just hurt Underworld: Blood Wars. Still, a second place showing looks probable.

That brings us to A Dog’s Purpose. Based on a hugely successful bestseller, I had this pegged at nearly $18 million until last week when a TMZ story alleged very questionable animal handling practices on set. My feeling is that the story has gotten big enough to hurt this significantly and I now have it barely topping double digits.

As for Gold, middling reviews could hinder this one and I’ve got it outside the top five with mid single digits.

Returning champ Split had a much larger than expected debut (more on that below). Even if it dips more than 50% (typical for horror titles), I still see it remaining #1.

xXx: Return of Xander Cage had an unimpressive opening and I expect it to fall from #2 to #6. That’s because both Hidden Figures and La La Land should reap the benefits of Oscar nominations. La La, in particular, looks poised to receive the most Academy nods of any picture in history tomorrow morning and that could contribute to a bump.

And with that, my top 8 predictions for this weekend:

1. Split 

Predicted Gross: $18.5 million (representing a drop of 53%)

2. Resident Evil: The Final Chapter

Predicted Gross: $14.6 million

3. Hidden Figures

Predicted Gross: $12.8 million (representing a drop of 19%)

4. A Dog’s Purpose

Predicted Gross: $10.3 million

5. La La Land

Predicted Gross: $9.9 million (representing an increase of 18&)

6. xXx: Return of Xander Cage

Predicted Gross: $8.9 million (representing a drop of 55%)

7. Sing

Predicted Gross: $5.6 million (representing a drop of 38%)

8. Gold

Predicted Gross: $5.4 million

Box Office Results (January 20-22)

On the weekend that we just had, maybe it’s somewhat appropriate and ironic that the #1 movie in America is titled Split. And the M. Night Shymalan pic rocketed out of the gate with a fantastic and unforeseen $40.1 million, more than doubling my teeny $19.6M estimate. This is the director’s fourth highest domestic debut, trailing Signs, The Village, and The Last Airbender. It puts the director, who’d been on a downturn until 2015’s low-budget The Visit performed well, on even more of an upswing.

xXx: Return of Xander Cage managed a middling $20.1 million in second, under my $25.4M prediction. The Diesel power is clearly stronger with his Fast and Furious franchise.

Two-week champ Hidden Figures was third with $15.7 million (a bit above my $13.7M forecast) for $83M thus far.

Sing was fourth with $9 million (I said $8.4M) to bring its tally to $249M.

Fifth place belonged to La La Land with $8.4 million (not matching my $11.4M estimate) for an $89M total. Still, as mentioned, its Oscar bump could be forthcoming.

Rogue One was sixth with $7.2 million (I said $7.8M) for a $512M haul.

#7 – Monster Trucks in weekend #2 with $7 million (I said $6.2M). Total gross: $22M.

#8 – Patriots Day, also in weekend #2 of wide release with $5.7 million (I said $7.2M). Total gross: $23M.

#9 – Sleepless in its sophomore frame with $3.4M and #10 was The Bye Bye Man, also with $3.4M in weekend 2. My respective guesstimates were $4.3M and $5.9M.

The Founder with Michael Keaton opened to stale results with $3.4 million in 11th, a bit shy of my $4.1M estimate.

Finally, two other newcomers posted low numbers as 20th Century Women expanded wide and made $1.4 million (I was higher with $2.8M) and faith-based dramedy The Resurrection of Gavin Stone earned $1.3 million (I said $1.6M).

And that does it for now, folks! Until next time…

Oscar Watch: Mudbound

As the Sundance Film Festival rolls along, expect at least a handful of Oscar Watch posts for 2017 as we await the 2016 Oscar nominations come Tuesday. I’ve already covered A Ghost Story with Casey Affleck. Now we move to a film said to have received a thunderous ovation over the weekend – Mudbound from director Dee Rees.

The period drama is set post World War II and focuses on the plights of two farming families (one black, one white) in Mississippi. It is based on an acclaimed 2008 novel by Hillary Jordan. The cast includes Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, and Jonathan Banks. Mudbound is not expected to be released wide until fall.

Based on critical and festival audience buzz over the weekend, this could have what it takes to keep momentum over the next year when it comes to Academy potential. The reaction is somewhat similar to last year’s Sundance entry The Birth of a Nation, which came out of the fest like a rocket. Of course, its Oscar chances dimmed when controversy surrounded its director and star.

If Mudbound can manage to stay relevant as many other heavy hitters make their way to screens this year, Rees could be the first African American female to receive a Directing nod. As for the actors, both Mitchell (who played Eazy-E in Straight Outta Compton) and R&B legend Blige have gotten kudos and could compete in their respective supporting races.

My Oscar Watch posts will continue…

Mudbound - Still 1

Oscar Watch: A Ghost Story

Another Sundance Film Festival, another Casey Affleck picture potentially entering the Oscar conversation. It was right around this time last year that Manchester by the Sea screened at the aforementioned fest and immediately garnered Academy buzz. This Tuesday, Manchester looks bound for a Best Picture nod and it looks to be one of three (alongside La La Land and Moonlight) that could win.

Today, A Ghost Story premiered at the Park City festival and initial word of mouth is pretty strong. The low-budget drama reunites director David Lowery with his Ain’t Them Bodies Saints actors Affleck and Rooney Mara. It is said to be melancholy, powerful, and rather out of the mainstream. Early reviews have suggested this could have a tough time reaching audiences and that’s something Manchester has managed to do.

That said, Mr. Affleck could well be coming off an Oscar win and this will be his follow-up. It may never fully get into the 2017 Oscar conversation, but that fact alone and the solid reviews out of the gate allow it to be my first Oscar Watch post of the new year.

My Oscar Watch posts will continue…

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The Boss Movie Review

There’s a through line that’s marked a number of Melissa McCarthy vehicles since her Oscar-nominated turn in 2011’s Bridesmaids. Take the greatly talented comedic actress, give her a mostly unpleasant character, establish a backstory that makes her somewhat sympathetic, and hope audiences eat it up. These rules have generally applied to Identity Thief, The Heat, and Tammy. None of them have been terribly impressive due to weak material. This applies to The Boss as well.

Reuniting with her Tammy director Ben Falcone (who’s also her husband), McCarthy is self-made mogul Michelle Darnell. She’s a ruthless investor who sells out arenas with her take no prisoners business advice. Kristen Bell is Claire, her overloaded executive assistant who isn’t even allowed that lofty sounding title. When Michelle’s actions land her a short stint in Club Fed for insider trading, she’s back to square one and dependent on her old subordinate for lodging. That means crashing on the sofa in a crowded apartment with Claire’s young daughter (Ella Anderson). A trip with that child to a Girl Scout type meeting gives Michelle her first post felony money making idea: take Claire’s delicious brownie making skills, market them with a team of cute kids selling them, and work her way back up the corporate ladder.

Along the way, Michelle clashes with some of her new minions parents (most humorously with Annie Mumolo’s tightly wound Mom). These clashes even lead to an Anchorman style no holds barred brawl (Will Ferrell and Adam McKay are producers). The title character also deals with some of her own movie backstory demons. When she was young, Michelle bounced from one unhappy foster home to the next and has no sense or need in her view for family. Claire and daughter threaten to upset that apple cart.

There’s also the matter of her business rival  Renault, former lover and wannabe samurai Renault (Peter Dinklage) trying to shut her burgeoning brownie enterprise down. His character is as bizarre as he sounds, but the “Game of Thrones” star does throw himself into it with gusto. A superfluous subplot involves Claire trying to get her groove back with a kind co-worker (Tyler Lapine).

The Boss veers between wildly broad characters and physical comedy (which McCarthy and her stunt double are quite good at) and attempts at heart string pulling that falls flat. McCarthy’s abilities were proven nearly six years ago in one Bridesmaids scene where she told Kristin Wiig to get her act together. It was a brilliant scene that I suspect is responsible for that Oscar nod. Unfortunately, by now, McCarthy’s act is getting disappointingly familiar and the material she’s giving herself is forgettable.

** (out of four)

Todd’s 2016 FINAL Oscar Predictions!

Well, here we are folks! After four months of (almost) weekly columns predicting the nominees and dozens of individualized Oscar Watch posts, the Academy Award nominations will be officially announced on Tuesday, January 24th around 8:30AM Eastern time. These are my final predictions. I’ve pontificated all year on who and what these nominees might be, so we’ll keep this simple. I’m listing my predicted nominees in each race as well as a first and second alternative. On Tuesday evening, I’ll have a post up recounting how I did.

Let’s get to it!

Best Picture

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester by the Sea

Moonlight

First Alternate: Nocturnal Animals

Second Alternate: Loving

Best Director

Damien Chazelle, La La Land

Garth Davis, Lion

Barry Jenkins, Moonlight

Kenneth Lonergan, Manchester by the Sea

Denis Villeneuve, Arrival

First Alternate: Martin Scorsese, Silence

Second Alternate: Mel Gibson, Hacksaw Ridge

Best Actor

Casey Affleck, Manchster by the Sea

Andrew Garfield, Hacksaw Ridge

Ryan Gosling, La La Land

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

First Alternate: Jake Gyllenhaal, Nocturnal Animals

Second Alternate: Joel Edgerton, Loving

Best Actress

Amy Adams, Arrival

Isabelle Huppert, Elle

Natalie Portman, Jackie

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

First Alternate: Annette Bening, 20th Century Women

Second Alternate: Emily Blunt, The Girl on the Train

Best Supporting Actor

Mahershala Ali, Moonlight

Jeff Bridges, Hell or High Water

Lucas Hedges, Manchester by the Sea

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

First Alternate: Hugh Grant, Florence Foster Jenkins

Second Alternate: Aaron Taylor-Johnson, Nocturnal Animals

Best Supporting Actress

Viola Davis, Fences

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

First Alternate: Greta Gerwig, 20th Century Women

Second Alternate: Janelle Monae, Hidden Figures

Best Adapted Screenplay

Arrival

Fences

Lion

Moonlight

Nocturnal Animals

First Alternate: Hidden Figures

Second Alternate: Loving

Best Original Screenplay

Captain Fantastic

Hell or High Water

I, Daniel Blake

La La Land

Manchester by the Sea

First Alternate: The Lobster

Second Alternate: Toni Erdmann

Best Animated Feature

Finding Dory

Kubo and the Two Strings

Moana

My Life as a Zucchini

Zootopia

First Alternate: The Red Turtle

Second Alternate: The Little Prince

Best Documentary Feature

Cameraperson

I Am Not Your Negro

Life, Animated

O.J.: Made in America

13th

First Alternate: Gleason

Second Alternate: The Ivory Game

Best Foreign Language Film

The King’s Choice

Land of Mine

A Man Called Ove

The Salesman

Toni Erdmann

First Alternate: My Life as a Zucchini

Second Alternate: It’s Only the End of the World

Best Cinematography

Arrival

La La Land

Moonlight

Nocturnal Animals

Silence

First Alternate: Lion

Second Alternate: Hacksaw Ridge

Best Costume Design

Allied

Fantastic Beasts and Where to Find Them

Florence Foster Jenkins

Jackie

La La Land

First Alternate: Silence

Second Alternate: Love & Friendship

Best Editing

Arrival

Hacksaw Ridge

La La Land

Manchester by the Sea

Moonlight

First Alternate: Lion

Second Alternate: Hell or High Water

Best Makeup and Hairstyling

Deadpool

Florence Foster Jenkins

Star Trek Beyond

First Alternate: A Man Called Ove

Second Alternate: Suicide Squad

Best Original Score

Florence Foster Jenkins

La La Land

Lion

Moonlight

Nocturnal Animals

First Alternate: Jackie

Second Alternate: Rogue One: A Star Wars Story

Best Original Song

“Audition” from La La Land

“Can’t Stop the Feeling!” from Trolls

“City of Stars” from La La Land

“Drive It Like You Stole It” from Sing Street

“How Far I’ll Go” from Moana

First Alternate: “Runnin” from Hidden Figures

Second Alternate: “Faith” from Sing

Best Production Design

Arrival

Jackie

La La Land

Nocturnal Animals

Silence

First Alternate: Hacksaw Ridge

Second Alternate: Fantastic Beasts and Where to Find Them

Best Sound Editing

Arrival

Deepwater Horizon

Hacksaw Ridge

La La Land

Rogue One: A Star Wars Story

First Alternate: Sully

Second Alternate: The Jungle Book

Best Sound Mixing

Arrival

Hacksaw Ridge

La La Land

Rogue One: A Star Wars Story

Sully

First Alternate: Deepwater Horizon

Second Alternate: Deadpool

Best Visual Effects

Arrival

Doctor Strange

Fantastic Beasts and Where to Find Them

The Jungle Book

Rogue One: A Star Wars Story

First Alternate: Deepwater Horizon

Second Alternate: The BFG

That gives yours truly the following nomination breakdown:

14 Nominations

La La Land

10 Nominations

Arrival

8 Nominations

Moonlight

7 Nominations

Manchester by the Sea

6 Nominations

Lion

5 Nominations

Hacksaw Ridge, Nocturnal Animals

4 Nominations

Fences, Florence Foster Jenkins

3 Nominations

Hell or High Water, Jackie, Rogue One: A Star Wars Story

2 Nominations

Hidden Figures, Captain Fantastic, Moana, Silence, Fantastic Beasts and Where to Find Them

1 Nomination

Elle, I, Daniel Blake, Finding Dory, Kubo and the Two Strings, My Life as a Zucchini, Zootopia, Cameraperson, I Am Not Your Negro, Life, Animated, O.J.: Made in America, 13th, The King’s Choice, Land of Mine, A Man Called Ove, The Salesman, Toni Erdmann, Allied, Deadpool, Star Trek Beyond, Trolls, Sing Street, Deepwater Horizon, Sully, Doctor Strange, The Jungle Book

And there you have it – my FINAL (yikes) Oscar predictions! Check back on Tuesday for the postmortem.

Gold Box Office Prediction

Matthew McConaughey packed on some pounds for next weekend’s Gold, but whether it manages to be a heavyweight at the box office is very much in question. The pic casts the Oscar winner as a hapless businessman who strikes you know what in the jungles of Indonesia. Stephen Gaghan makes his first directorial effort since 2005’s Syriana and costars include Bryce Dallas Howard, Edgar Ramirez, Corey Stoll, Stacy Keach, Toby Kebbell, Craig T. Nelson, and Bruce Greenwood.

The early 90s set adventure comedy/drama faces some obstacles in breaking through. First, while it received a very late 2016 limited release for Academy consideration, that didn’t bear fruit. Gold stands at only 43% currently on Rotten Tomatoes. While McConaughey has been a draw in various genres, this may not stand out enough to strike… you get it.

I believe a decent comp for this could be the star’s previous headlining role – last summer’s Free State of Jones, which managed only $7.5 million in its premiere. Bottom line: I don’t see audiences rushing to it and I’m not totally convinced it even reaches the Jones number.

Gold opening weekend prediction: $5.4 million

For my A Dog’s Purpose prediction, click here:

https://toddmthatcher.com/2017/01/18/a-dogs-purpose-box-office-prediction/

For my Resident Evil: The Final Chapter prediction, click here:

https://toddmthatcher.com/2017/01/18/resident-evil-the-final-chapter-box-office-prediction/

Resident Evil: The Final Chapter Box Office Prediction

The sixth (and apparently last judging by the title) franchise entry in a nearly decade and a half series, Resident Evil: The Final Chapter opens next weekend. Stemming from the Capcom video game which premiered nearly 20 years ago, Evil brings back Milla Jovovich as heroine Alice with a supporting cast that includes Ali Larter, Shawn Roberts, Ruby Rose (she’s costarring in another just out sequel xXx: Return of Xander Cage), and Iain Glen. Paul W.S. Anderson (not as you may suspect, the guy who did Boogie Nights and There Will Be Blood), directs his fourth Resident feature.

The latest blend of action and horror in this franchise has seen its longest lay-off in between pictures. That’s a trait recently shared by Underworld: Blood Wars, which came out earlier this month and posted a series low. The Evil pics have all opened in the high teens to mid 20s range. Let’s take a trip down memory lane, shall we?

Resident Evil (2002): $17.7 million opening

Resident Evil: Apocalypse (2004): $23 million

Resident Evil: Extinction (2007): $23.6 million

Resident Evil: Afterlife (2010): $26.6 million

Resident Evil: Retribution (2012): $21 million

As you can see, the previous longest gap was three years and this one has been five. As with the aforementioned Underworld, that might mean a lower opening than the series has witnessed thus far. Blood Wars managed just $13.6 million out of the gate while the four preceding it all made over $20M.

My guess is that this will suffer a very similar final fate and a gross in the low to mid teens range.

Resident Evil: The Final Chapter opening weekend prediction: $14.6 million

For my A Dog’s Purpose prediction, click here:

https://toddmthatcher.com/2017/01/18/a-dogs-purpose-box-office-prediction/

For my Gold prediction, click here:

https://toddmthatcher.com/2017/01/18/gold-box-office-prediction/

A Dog’s Purpose Box Office Prediction

Blogger’s Update (Saturday, 01/21, 4:56pm): As mentioned below, I have decided to reconsider and revise my opening weekend prediction for A Dog’s Purpose due to the swirling controversy regarding it. I am revising down from $17.9 million to just $10.3 million now.

Blogger’s Update (Wednesday, 01/18, 6:24pm): The prediction below for A Dog’s Purpose was written prior to the Wednesday, January 18th allegations in the media involving animal mistreatment on set. Obviously, this story could alter my estimate and I will be monitoring the story as it progresses. I will keep my current projection for the time being, but it is likely to change. I will post further updates as needed.

A Dog’s Purpose is based on a very successful 2010 bestseller by W. Bruce Cameron and the film version hits theaters next weekend. Chronicling the existence of one of man’s best friends through various incarnations, Purpose comes from director Lasse Hallstrom, who was nominated for an Oscar over 30 years ago for Swedish pic My Life as a Dog (he also made The Cider House Rules and Chocolat). Human stars here include Britt Robertson, Dennis Quaid, Josh Gad, and Peggy Lipton (yep, the one from TV’s “The Mod Squad”!).

This adaptation could be rather successful in bringing in a female audience (and dog lovers for that matter). The well-known source material should help and I even think it will likely surpass the opening weekend of its main competitor, Resident Evil: The Final Chapter. 

I’ll estimate that Purpose reaches in the mid to high teens for a decent debut. That’s only about half of what Marley and Me made in 2008, but it’s still pretty doggone good.

A Dog’s Purpose opening weekend prediction: $10.3 million

**REVISED NUMBER BASED ON EVENTS

For my Resident Evil: The Final Chapter prediction, click here:

https://toddmthatcher.com/2017/01/18/resident-evil-the-final-chapter-box-office-prediction/

For my Gold prediction, click here:

https://toddmthatcher.com/2017/01/18/gold-box-office-prediction/

 

Snowden Movie Review

Maybe there’s something to the notion that the passage of time when it comes to Oliver Stone’s political dramas is an asset. After all, JFK and Nixon are two of his most riveting and they took place a couple of decades beyond the events. Whether or not you agreed with the director’s conspiracy theories or characterizations, they both flourished on separate terms. The former crackled with energy as a legal and courtroom procedural. The latter felt like a glorious Shakespearean tragedy.

In these more recent years, Stone’s films of the genre have been concerned with issues in the fierce urgency of now. His third picture named after a President – 2008’s W. – was released while Bush 43 was still sitting in the Oval and it was unimpressive. His newest is Snowden, centering on the man who turned the American intelligence universe on its axis in 2013 and beyond. The common feeling I had for both? That a solid documentary about both stories would’ve been more effective. In this case, it actually was. The director’s visual flourishes and creative editing are here in spots, just as they were in his finest works. They’re welcome on occasion, yet 2014’s Oscar winning documentary Citizenfour essentially told the same story and didn’t need Stone’s talents to tell it in an interesting way.

Joseph Gordon Levitt is Edward Snowden, who worked for both the CIA and NSA and very famously grew disillusioned with their data mining practices. His disclosures of their content and of agency practice have given him both hero and traitor status, depending on who you’re talking to. The film opens in 2013 as he’s holed up in a Hong Kong hotel with three journalists as he prepares to reveal his secrets.

Snowden then traces about a decade of his journey through government employment, government frustration, and, finally, fleeing from the government. His relationship with girlfriend Lindsay (Shailene Woodley) is also explored, from the happy times to difficult ones as he can’t really talk about what happened at the office, ever. There are also a host of familiar actors playing reporters and federal employees, though the lens is firmly trained on the title character.

Stone’s biopic presents its subject as whip smart, patriotic, and determined to right perceived wrongs. That Mr. Snowden himself makes an appearance towards the conclusion stamps his approval. Levitt does a fine job mimicking his cadence and mannerisms and his low-key persona. For those who didn’t catch watching the real man in Citizenfour, this could serve as an OK telling of the tale as Stone sees it. Yet I could not completely escape the thought of that filmmaker who’s done much better dramatically when longer political seasons passed between their happenings.

**1/2 (out of four)

Box Office Predictions: January 20-22

As if the six films crowding the MLK four-day weekend wasn’t enough this past frame, there are now five more hitting theaters in wide release on Friday. They are: Vin Diesel action sequel xXx: Return of Xander Cage, M. Night Shyamalan horror thriller Split, Michael Keaton led Ray Kroc biopic The Founder, comedic drama 20th Century Women with Annette Bening, and faith-based pic The Resurrection of Gavin Stone. You can find my detailed prediction posts on each of them here:

https://toddmthatcher.com/2017/01/10/xxx-return-of-xander-cage-box-office-prediction/

https://toddmthatcher.com/2017/01/10/split-box-office-prediction/

https://toddmthatcher.com/2017/01/11/the-founder-box-office-prediction/

https://toddmthatcher.com/2017/01/12/20th-century-women-box-office-prediction/

https://toddmthatcher.com/2017/01/12/the-resurrection-of-gavin-stone-box-office-prediction/

As I see it, Mr. Diesel is likely to rule the weekend, though a higher than expected gross for Split would not surprise me (reviews are good and so are the TV spots). The three and four spots should be filled with two awards hopefuls already doing brisk business: two-week champ Hidden Figures and Best Picture front runner La La Land. 

As for The Founder, it’s only debuting on 1100 screens which should hinder its potential. My $4.1 million estimate puts it just outside the top 10. I anticipate both 20th Century Women ($2.8M forecast) and Gavin Stone ($1.6M prediction) to be pretty far outside my projected 10.

And here is that top 10 from where I see it:

1. xXx: Return of Xander Cage

Predicted Gross: $25.4 million

2. Split

Predicted Gross: $19.6 million

3. Hidden Figures

Predicted Gross: $13.7 million (representing a drop of 34%)

4. La La Land

Predicted Gross: $11.4 million (representing a drop of 22%)

5. Sing

Predicted Gross: $8.4 million (representing a drop of 41%)

6. Rogue One: A Star Wars Story

Predicted Gross: $7.8 million (representing a drop of 42%)

7. Patriots Day

Predicted Gross: $7.2 million (representing a drop of 39%)

8. Monster Trucks

Predicted Gross: $6.2 million (representing a drop of 43%)

9. The Bye Bye Man

Predicted Gross: $5.9 million (representing a drop of 57%)

10. Sleepless 

Predicted Gross: $4.3 million

Box Office Results (January 13-16)

Those ladies from NASA held onto the top spot for the second weekend in a row as Hidden Figures topped the Martin Luther King, Jr. holiday weekend with earnings of $27.5 million. This is a bit above my predicted figure of $24.1M and brings its tally to $61 million.

The animated Sing was second with $19 million (past my $16.4M estimate) as it stands at a pleasing $238 million total.

La La Land sang and danced its way to third place one weekend after cleaning up at the Golden Globes. It earned $17.7 million (I was lower with $13.7M) and its total is at $77 million, barreling towards $100M as Oscar nominations are due next week.

Rogue One: A Star Wars Story was fourth with $16.8 million (I was close with $16.4M). The highest grosser of 2015 padded its gross to $501 million.

The top four did not include a single one of the six newbies that entered the marketplace. The biggest grosser of that group was surprisingly low-budget horror pic The Bye Bye Man. It earned an impressive $15.2 million, well beyond my $8.8M projection.

Kiddie flick Monster Trucks opened in sixth with $14.1 million. The good news? That was better than my $10.1M guesstimate. The bad news? It still had an inexplicable $115M budget and is a sizable flop.

Patriots Day with Mark Wahlberg posted an unimpressive debut in seventh with $13.7 million, nearly $10M under my $23.6M prediction. It did garner an A+ Cinemascore so its best hope is for low drop-offs in the coming weekends.

The Jamie Foxx action thriller Sleepless premiered in eighth with a rather sleepy $9.7 million, on pace with my $10.3M take.

Underworld: Blood Wars dropped to ninth in its sophomore frame with $7.2 million, just above my $6.6M projection. It’s made $25 million thus far.

Passengers rounded out the top ten with $6.4 million and I incorrectly didn’t have it there. The total is $90 million as it looks to top the century club.

Perhaps the biggest stunner of the weekend was the dismal performance of Ben Affleck’s Live by Night. The gangster drama which received middling reviews bombed in 12th place with just $6 million, less than half of my $13.2M prediction.

Finally, Martin Scorsese’s Silence also flopped as it widened its release. The faith centered passion project for the celebrated director made just $2.3 million in 16th place, not quite reaching my $3M forecast.

That does it for now! Until next time…