Month: December 2016

2016 Golden Globe Nominations Reaction

Well, the Golden Globe nominations are out and there are some genuine surprises to be had.

Not surprising? Damien Chazelle’s La La Land (the current front runner in the Oscar Best Picture derby) leading all nominees with seven with Barry Jenkins’s Moonlight close behind with six.

Surprising? A total shut-out for Martin Scorsese’s Silence and a better than expected showing for Tom Ford’s Nocturnal Animals. 

All in all, my performance guessing the nominees was pretty weak. 64% total in the ten major categories predicted.

Let’s break them down one by one, shall we?

Best Picture (Drama)

My Performance 2/5

Analysis: Ouch. This race threw me for a loop as only Manchester by the Sea and Moonlight were nominated among my five. The three that weren’t: the aforementioned Silence, Arrival, and Fences. In their place: Mel Gibson’s Hacksaw Ridge, Garth Davis’s Lion, and David Mackenzie’s Hell or High Water. Truthfully, none of their inclusions are entirely surprising. Having said that, if I thought I’d get three picks wrong, I probably would have thought Pablo Larrain’s Jackie would get in. This race now appears to be between Manchester and Moonlight.

Best Picture (Musical or Comedy)

My Performance: 3/5

Well… a little better. The three I correctly predicted were La La Land, Florence Foster Jenkins, and 20th Century Women. Warren Beatty’s Rules Don’t Apply and The Lobster didn’t make it in in favor of Deadpool (!) and Sing Street. Bottom line here? La La is going to win this category.

Best Director

My Performance: 3/5

Chazelle, Jenkins, and Lonergan were got in as I said they would, but Martin Scorsese and Denis Villeneuve (Arrival) did not. In their place are Mel Gibson for Hacksaw and the rather surprising inclusion of Tom Ford for Nocturnal Animals, especially considering the movie wasn’t nominated in Drama.

Best Actor (Drama)

My Performance: 4/5

The only incorrect estimate here is that Viggo Mortensen got in for Captain Fantastic instead of Tom Hanks for Sully. Ironically, I did predict Viggo would be nominated in Musical/Comedy here (I thought Fantastic would fall under that genre). The other nominees that I did get: Casey Affleck (Manchester by the Sea), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), and Denzel Washington (Fences).

Best Actress (Drama)

My Performance: 5/5

Hey, the one and only race where I went 100%! The nominees: Amy Adams (Arrival), Jessica Chastain (Miss Sloane), Isabelle Huppert (Elle), Ruth Negga (Loving), and Natalie Portman (Jackie).

Best Actor (Musical or Comedy)

My Performance: 3/5

To me, the surprise is that the Hollywood Foreign Press didn’t nominate the legendary Warren Beatty for Rules Don’t Apply. As mentioned before, I put Mortensen in here, but he ended up getting nominated for Drama. The three I got right: Colin Farrell (The Lobster), Ryan Gosling (La La Land), and Hugh Grant (Florence Foster Jenkins). The two I didn’t: the pretty shocking nod for Jonah Hill in War Dogs and much deserved love for Ryan Reynolds in Deadpool.

Best Actress (Musical or Comedy)

My Performance: 3/5

Annette Bening (20th Century Women), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins) were all very easy picks to make and they got in. The other two were tougher. I went with Kate Beckinsale in Love & Friendship and Susan Sarandon in The Meddler, but it was Lily Collins (Rules Don’t Apply) and Hailee Steinfeld (The Edge of Seventeen) who made the cut.

Best Supporting Actor

My Performance: 2/5

Ouch again. When it comes to Oscar predictin’, this has been the most unpredictable category of them all and that showed with my GG’s performance here. I correctly named Mahershala Ali (Moonlight) and Dev Patel in Lion. My picks of Lucas Hedges (Manchester), Issey Ogata (the totally ignored Silence), and Michael Shannon (Nocturnal Animals) didn’t come to fruition. Instead, we got the surprise nod for Shannon’s Nocturnal costar Aaron Taylor-Johnson along with Jeff Bridges (Hell or High Water) and Simon Helberg (Florence Foster Jenkins).

Best Supporting Actress

My Performance: 4/5

Correct picks were Viola Davis in Fences, Naomie Harris for Moonlight, Nicole Kidman in Lion, and Michelle Williams for Manchester. It was Octavia Spencer in Hidden Figures that I didn’t get (I said Greta Gerwig in 20th Century Women instead). Spencer’s inclusion is a small surprise, as some of the Oscar chatter has had Janelle Monae more likely to get in for Figures than her costar.

Best Screenplay

My Performance: 3/5

La La Land, Manchester, and Moonlight are in as predicted. No love for Arrival and Silence. In their place? Hell or High Water and Nocturnal Animals.

And there you have it! I’ll have a post up with final predictions on the winners shortly before Jimmy Fallon hosts the proceedings in January…

2016 Golden Globe Predictions

The most visible Oscar precursor is unveiled tomorrow when the Golden Globe nominations come out. Unlike the Academy Awards, the Hollywood Foreign Press Association divides its Picture and lead acting races into two categories: Drama and Musical/Comedy. Additionally, it doesn’t split the screenplay race into Adapted and Original like the Oscars do.

Tonight on the blog, I am giving you my estimates for what and who will be nominated at the Globes, along with picking an alternate and a potential surprise in these races.

Let’s get to it!

BEST PICTURE (DRAMA)

Predicted Nominees

Arrival

Fences

Manchester by the Sea

Moonlight

Silence

Alternate: Jackie

Potential Surprise: Fences not getting a nod, allowing Jackie or Lion or Hacksaw Ridge to get in.

BEST PICTURE (MUSICAL OR COMEDY)

Predicted Nominees

Florence Foster Jenkins

La La Land

The Lobster

Rules Don’t Apply

20th Century Women

Alternate: Hail, Caesar!

Potential Surprise: Captain Fantastic managing to get recognized.

BEST DIRECTOR

Predicted Nominees

Damien Chazelle, La La Land

Barry Jenkins, Moonlight

Kenneth Lonergan, Manchester by the Sea

Martin Scorsese, Silence

Denis Villeneuve, Arrival

Alternate: Denzel Washington, Fences

Potential Surprise: Pablo Larrain getting a nod for Jackie.

BEST ACTOR (DRAMA)

Predicted Nominees

Casey Affleck, Manchester by the Sea

Joel Edgerton, Loving

Andrew Garfield, Hacksaw Ridge

Tom Hanks, Sully

Denzel Washington, Fences

Alternate: Andrew Garfield, Silence – will be interesting to see which pic he’s nominated for.

Potential Surprise: Michael Keaton landing a nom for The Founder, which could significantly boost his Oscar talk.

BEST ACTOR (MUSICAL OR COMEDY)

Predicted Nominees

Warren Beatty, Rules Don’t Apply

Colin Farrell, The Lobster

Ryan Gosling, La La Land

Hugh Grant, Florence Foster Jenkins

Viggo Mortensen, Captain Fantastic

Alternate: Adam Driver, Paterson

Potential Surprise: Grant not being nominated, which would essentially kill his slimming chances for a Supporting Actor Oscar nod.

BEST ACTRESS (DRAMA)

Predicted Nominees

Amy Adams, Arrival

Jessica Chastain, Miss Sloane

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Alternate: Rachel Weisz, Denial

Potential Surprise: Hearing Rebecca Hall’s name called for the little seen Christine.

BEST ACTRESS (MUSICAL OR COMEDY)

Predicted Nominees

Kate Beckinsale, Love & Friendship

Annette Bening, 20th Century Women

Susan Sarandon, The Meddler

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

Alternate: Sally Field, My Name is Doris

Potential Surprise: Hailee Steinfeld sneaking in for the critically lauded The Edge of Seventeen.

BEST SUPPORTING ACTOR

Predicted Nominees

Mahershala Ali, Moonlight

Lucas Hedges, Manchester by the Sea

Issey Ogata, Silence

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

Alternate: Mykelti Williamson, Fences

Potential Surprise: There could be a lot in this race, but let’s go with Aaron Eckhart getting recognized for Sully or Bleed for This.

BEST SUPPORTING ACTRESS

Predicted Nominees

Viola Davis, Fences

Greta Gerwig, 20th Century Women

Naomie Harris, Moonlight

Nicole Kidman, Lion

Michelle Williams, Manchester by the Sea

Alternate: Helen Mirren, Eye in the Sky

Potential Surprise: Molly Shannon’s small indie work in Other People making the cut.

BEST SCREENPLAY

Predicted Nominees

Arrival

La La Land

Manchester by the Sea

Moonlight

Silence

Alternate: Fences

Potential Surprise: Well, predicting Fences gets left off is a bit of a surprise, so let’s go with that.

I’ll have a post up tomorrow recounting how I did with these predictions. Until then…

 

Oscar Watch: Hidden Figures

Reviews are out today for Hidden Figures and its Oscar chances are becoming (somewhat) more clear. From Theodore Melfi, who last directed Bill Murray to acclaim in St. Vincent, the pic focuses on three African American women (Taraji P. Henson, Octavia Spencer, Janelle Monae) who were instrumental in the space flights of the 1960s. Other costars include Kevin Costner, Kirsten Dunst, and Jim Parsons.

The most common two words that writers are using for Figures must be music to 20th Century Fox’s ears: crowd pleaser. Early tallies put it at 100% on Rotten Tomatoes, though some of the reviews aren’t exactly raves. Still, with audiences possibly responding positively to it, it stands a real shot at a Best Picture nod. It could fit a similar slot to both 2009’s The Blind Side and 2011’s The Help. Melfi seems unlikely to make the cut in the Director race.

Acting categories could provide possibilities in both Supporting races. Henson will be campaigned for in Lead Actress and as has been discussed at length on this blog, that’s an extremely crowded category and she looks unlikely to get in. As for Supporting Actress, word is that Monae stands a better shot than Spencer for recognition. In Supporting Actor, Costner is getting good ink and could factor into a very uncertain race at press time. Figures also could receive an Adapted Screenplay nomination.

This Thursday, I’ll have my predictions updated and it will provide greater guidance on how Hidden figures into it all.

Central Intelligence Movie Review

Central Intelligence is not bad, which is more than you can say with some scripts that Kevin Hart has been saddled with over the last few years. From Ride Along (both of them) to The Wedding Ringer to Get Hard, the talented Mr. Hart has not seen much material that rises above the strictly mediocre. With a worthy comedic partner in Dwayne Johnson that he has an easy chemistry with, Intelligence may not be very intelligent but it’s got its share of genuinely amusing moments due to their partnership.

The film begins in 1996 when the two stars are high school seniors. Hart is Calvin. He’s the star athlete, resident heralded drama thespian, and runaway Most Likely to Succeed. Johnson is Robbie, whose figure is anything but rock solid. He’s bullied mercilessly by his fellow students and Calvin is the only guy who seems to show him any mercy.

Flash forward two decades as the two are up for the 20 year reunion. Calvin has become a bored accountant in a dead end job, still married somewhat unhappily to his high school sweetheart (Danielle Nicolet). Robbie is now the blandly named Bob Stone,  complete with a physique befitting the actor portraying him. He’s now in the CIA and being accused of being a rogue agent trying to sell secrets to the highest bidder.

What follows is a routine buddy flick where Bob/Robbie and Calvin must team up while chased by people who may or may not be bad guys. Amy Ryan gets the change of pace role of the government agency head pursuing them and Aaron Paul pops up as Robbie’s former partner. The threadbare plot of Central Intelligence is ho-hum at best, but it’s also not what it’s centrally about.

The pic rises and falls on the interaction between the leads and there’s some good stuff to be witnessed. Johnson has already proven his sense of humor (he seems well aware that his character in the Fast & Furious franchise is supposed to be funny). We also have some messages written in about bullying that’s presented slightly better than you might expect in this type of material. There’s some unexpected cameos from other well known comedy actors that are welcome. Director Rawson Marshall Thurber had a hit in 2013 with We’re the Millers, which I enjoyed. That effort had the benefit of hilarious supporting work from Nick Offerman and Kathryn Hahn and a whacky villain role for Ed Helms that accentuated the proceedings beyond its main stars. Central Intelligence doesn’t have that, but at least the two names above the title help deliver something a bit more worthy of their talents.

**1/2 (out of four)

Oscar Watch: Silence

Official reviews are at last out today for Martin Scorsese’s Silence. Focused on Jesuit priests being persecuted in Japan in the 17th century, the film has long been a passion project for the heralded director. It’s also long been thought of as a potential major Oscar contender and the buzz certainly confirms that notion. Early reviews are strong enough that Silence looks highly likely to be nominated for both Picture and Director.

In the 21st century, five of the six pictures that Scorsese directed scored Picture nods. The only one that didn’t was 2010’s Shutter Island and that wasn’t really made for awards attention. Only The Departed won the big race along with Scorsese getting his only win ever in Director. Marty’s big competition is in the form of La La Land and its director Damien Chazelle, which still appears to be hold front runner status. In the Directing category, the work of Barry Jenkins in Moonlight is also garnering talk.

Screenwriter Jay Cocks looks assured for an Adapted Screenplay nomination. Silence could also score a number of down the line nods in Cinematography, Editing, Costume Design, and Production Design.

The acting possibilities for recognition is a bit more complicated. Andrew Garfield is competing against himself in Actor and there’s a very good chance he’d be nominated instead for Hacksaw Ridge (or not at all). Then there’s Supporting Actor with Liam Neeson, Adam Driver, and Issey Ogata in the mix. For months, it was presumed that Neeson would stand the best chance, but the Los Angeles Film Critics named Ogata their runner-up for his supporting work. Driver has gotten some ink for reportedly losing 50 pounds for his role here and the Academy loves stuff like that. Add that up and it’s more uncertainty in an already quite uncertain Supporting Actor derby.

My Oscar Watch posts will continue…

Nerve Movie Review

Henry Joost and Ariel Shulman’s techno thriller Nerve boasts a fairly cool concept that is mostly squandered under typical genre cliches. These are the directors responsible from 2010’s documentary (?) Catfish, where revelations about the dark side and fictitious nature of the Internet seemed somewhat new and novel. This pic takes its story from a 2012 novel where online game Nerve dares its players to complete tasks that increasingly become deadlier.

Vee (Emma Roberts) is a shy Staten Island high school senior with a domineering and trampy BFF (Emily Meade) and meek other BFF (Miles Hezier) that has a serious crush on her. She’s also got a single mom (Juliette Lewis) whose character is written as a complete moron when you stop and think about it. There’s also her dead brother and that unexplained backstory seems a bit unneeded.

Back to the game that shares its title with the movie. Vee decides to get out of her comfort zone and become a Player (the other option is being a Watcher and there’s a bunch of them). It starts out innocently when she has to kiss a stranger named Ian (Dave “The Other Franco” Franco). He turns out to be a Nerve Player as well and the two are directed by the unseen forces to team up.

The screenplay by Jessica Sharzer attempts to make some broad points about Internet fame and the youth culture’s obsession with their social media devices. At first, the concept of Nerve (both the film itself and the game) is kinda fun for us to watch and be voyeurs to, like when Vee has to decide whether to steal a pricey dress from Bergdorf’s.

Yet as the challenges for Vee and Ian become more risky, Nerve becomes far less believable, considerably less enjoyable and far more trapped in the cliches of any run of the mill thriller. None of the cast necessarily shines, but everyone is essentially playing a stereotype so it’s probably not their fault. As a huge fan of 90s hip hop, I did appreciate the Wu-Tang Clan references due to Vee hailing from Staten Island, so there’s that. There’s also the sight of The Other Franco serenading a restaurant to Roy Orbison. At least some solid music interrupts the mostly disappointing Nerve on occasion.

** (out of four)

 

Collateral Beauty Box Office Prediction

After headlining the summer comic book hit Suicide Squad, Will Smith switches to drama mode in the holiday season with Collateral Beauty. Out next weekend, the pic casts the Fresh Prince as a father who loses his child and begins writing letters to events and feelings such as Love, Death, and Time. It turns out those things are embodied by real people and some of them are famous actors. Costars include Edward Norton, Kate Winslet, Keira Knightley, Helen Mirren, Naomie Harris, and Michael Pena. David Frankel, who’s had his hits (The Devil Wears Prada, Marley & Me) and misses (The Big Year anyone?), directs.

The trailers for Beauty leave no doubt that this aims to be a tearjerker appealing to an adult (and probably more female) crowd. Word of mouth could cause this to play well throughout the Christmas season. For its opening, I don’t anticipate anything higher than to low to possibly mid teens. Rogue One: A Star Wars Story is opening against it and I think it’s a rather safe bet it will dominate the charts and possibly siphon away some of the females Beauty is looking to attract.

Though they are certainly not apples to apples comparisons, I could actually see this performing similarly to last year’s Tina Fey/Amy Poehler comedy Sisters. That pic also opened against the Star Wars franchise (in the form of The Force Awakens) at $13.9 million and subsequently managed to perform admirably from weekend to weekend. I’ll predict this falls a couple million under that.

Collateral Beauty opening weekend prediction: $11.4 million

For my Rogue One: A Star Wars Story prediction, click here:

https://toddmthatcher.com/2016/12/06/rogue-one-a-star-wars-story-box-office-prediction/

Rogue One: A Star Wars Story Box Office Prediction

The saga continues in the most powerful franchise force in movie history when Rogue One: A Star Wars Story hits theaters next weekend. It’s been one year since Star Wars: The Force Awakens broke a slew of box office records when Disney took over the series, including best opening of all time and highest grossing domestic earner ever.

All seven pictures that have populated the science fiction tales have been classified as Episodes as part of an ongoing story featuring some of the most beloved and feared characters (plus Jar Jar) on the silver screen. Rogue is our first spin-off and it takes place between Episodes III (2005’s Revenge of the Sith) and IV (the 1977 original A New Hope). That means it focuses on the team tasked with stealing plans for the Death Star. Felicity Jones headlines a new cast of characters that includes Forest Whitaker, Diego Luna, Ben Mendelsohn, Mads Mikkelsen, Donnie Yen and Alan Tudyk. It also means the return of Darth Freakin’ Vader complete with James Earl Jones voicing him. Gareth Edwards (who lasted 2014’s successful Godzilla reboot) directs.

Simply put, the return of the franchise a year ago after ten years of dormancy couldn’t have gone much better financially. Awakens took in an astonishing $247 million out of the gate and reached a $936 million eventual domestic haul. The eagerly awaited Episode VIII will be out in the same mid-December weekend next year. Rogue One is not expected to take in what Force did last year or VIII will next year due to its spin-off status. That said, expectations are still very high.

So the question is: just how high can this go? Some reports have suggested a number between $130-$150 million and that’s certainly a feasible estimate. Yet I can’t shake a feeling that it’ll manage to get a bit more. Rogue is in the enviable position of being the first spin-off and arriving just a calendar year behind the franchise’s return to global domination. In order to accomplish 2016’s largest opening, it would need to top another huge Disney property, Captain America: Civil War which made $179 million to kick summer off.

I don’t think it quite gets there, but generating $160-$170 million seems within reach. My estimate would give it the eighth biggest debut of all time between the final Harry Potter at $169 million and this spring’s Batman v Superman: Dawn of Justice at $166 million. Yes, my projection is a bit higher than what I’ve seen thus far. Yet it’s Star Wars, folks.

Rogue One: A Star Wars Story opening weekend prediction: $168.3 million

For my Collateral Beauty prediction, click here:

https://toddmthatcher.com/2016/12/06/collateral-beauty-box-office-prediction/

Box Office Predictions: December 9-11

In the weekend before Rogue One and then a slew of Christmas releases populate the multiplexes, we have two pics opening in wide release: holiday comedy Office Christmas Party and Jessica Chastain political drama Miss Sloane. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2016/11/30/office-christmas-party-box-office-prediction/

https://toddmthatcher.com/2016/12/02/miss-sloane-box-office-prediction/

Actually, there’s a third film scheduled to come out in wide (or semi-wide) release and that’s Tom Ford’s thriller Nocturnal Animals with Amy Adams and Jake Gyllenhaal. The problem is that I don’t have a screen count on it at press time, so predicting its number is a bit of guesswork. I’ll say it manages $2.3M. However, when its count is released, I reserve to right to change that estimate.

Back to the newbies with theater counts. Office Christmas Party may benefit from being the only comedy out there (Bad Santa 2 has come and gone) and with its recognizable cast, I’ve got it pegged to manage a #2 opening, just behind Moana‘s third weekend.

Fantastic Beasts should slip to third with holdovers Arrival and Allied filling out the top five, with Sloane very close behind.

Here’s how I have the top 6 projected for this weekend:

 

1. Moana

Predicted Gross: $19.6 million (representing a drop of 32%)

2. Office Christmas Party

Predicted Gross: $18.4 million

3. Fantastic Beasts and Where to Find Them

Predicted Gross: $10 million (representing a drop of 45%)

4. Arrival

Predicted Gross: $5 million (representing a drop of 31%)

5. Allied

Predicted Gross: $4.7 million (representing a drop of 34%)

6. Miss Sloane

Predicted Gross: $4.6 million

Box Office Results (December 2-4)

The post Thanksgiving holiday weekend is typically a pretty sleepy one at the box office and 2016 was no different.

Disney’s Moana easily held the top spot for the second weekend in a row grossing $28.2 million (on pace with my $28.8M projection). The animated hit has amassed $119M thus far.

Fantastic Beasts and Where to Find Them held the #2 position with $18.1 million, a bit under my $20.9M prediction for an overall gross of $183M.

Other holdovers held up quite well over the weekend. Arrival was third with $7.2 million (above my $5.9M estimate) for a $73M total. Allied was fourth with $7 million (I said $5.9M for it as well). It’s grossed $28M. Doctor Strange was fifth with $6.6 million (I said $6.1M). The Marvel property stands at $215M.

Last and least, horror pic Incarnate landed in ninth with a blah $2.5 million, though it did manage to just outpace my $1.7M forecast.

And that’ll do it for now, folks! Check out the blog tomorrow when my Rogue One: A Star Wars Story box office prediction is posted. Until then…

Hell or High Water Movie Review

Pretty much every character in David Mackenzie’s Hell or High Water conceals a weapon in its desolate and beautiful West Texas setting. They don’t conceal their feelings that the system (think banks) works against them. So in these laid back locales, the brothers Howard (Chris Pine and Ben Foster) robbing those establishments in order to save their family farm is something of a noble cause. However, the unpredictability and violence that normally follows those crimes (no matter how sensical they might be) are present.

Pine is Toby, a divorced father of two suddenly put in charge of the Howard ranch after the death of his mother. Tanner (Foster) is his loose cannon brother, fresh out of prison. When the pic opens, they are beginning their plot to pilfer enough cash from several branch locations to pay off a reverse mortgage that Mom was saddled with. Tanner’s outlaw past often interferes with Toby’s well-plotted scheme. Ranger Marcus Hamilton (Jeff Bridges) is tasked with nabbing the duo, along with his half Comanche partner (Gil Birmingham), who’s often the brunt of Hamilton’s sort of good-natured teasing.

A peak into Tanner’s trailer home reveals a “Don’t Tread on Me” banner and it summarizes the general worldview of even the background players we see here. This applies to the Indian fellow Tanner plays poker with in the casino or the flirtatious waitress who gets a healthy tip from Toby. Yet one suspects that unseen forces have been treading on them for generations, as evidenced by the wasteland their small towns have become.

The typical genre fare we’re used to seeing are to be found here, from Hamilton being this close to retirement to Tanner’s combustibility. Where Hell or High Water succeeds is many facets, from the gorgeous cinematography to top notch performances. Pine sheds his leading man facade to blend in well with the scenery. Foster sells his off kilter criminal with relish (his reaction to being unexpectedly woken up by his brother tells you lots about who he is). Bridges’ Ranger gets opportunities to be a detective in ways he probably rarely does and it’s a joy to see the actor try out his garbled accent while doing so.  While Hell or High Water may not be anything too different in the heist category of film, its fleshed out characters and actors playing them make it a worthwhile watch.

*** (out of four)