Tag: Zoe Saldaña

98th Academy Awards: FIRST Predictions in Best Supporting Actress

And we are off to the races with my first Oscar predictions for the 98th Academy Awards.

We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take on Supporting Actor and it can be found here:

98th Academy Awards: FIRST Predictions in Best Supporting Actor

We move to Supporting Actress. When I gave you my first picks in 2024, it yielded one eventual nominee and that’s Isabella Rossellini for Conclave. The eventual winner Zoe Saldaña (Emilia Pérez) as well as Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), were not identified at this early juncture.

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in lead actor and vice versa when I get to Best Actress. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar. Last year in April 2024, I had Cynthia Erivo (Wicked) slotted in Supporting Actress in Other Possibilities. She ended up going lead and nabbing a nod.

This premiere posts projects Erivo’s costar Ariana Grande will be a repeat nominee for Wicked: For Good. I’m also forecasting that Gwyneth Paltrow will return to the awards mix over a quarter century behind her Shakespeare in Love Actress victory.

Here’s the first snapshot with Best Actor up next!

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTRESS AT THE 98TH ACADEMY AWARDS

Ayo Edebiri, After the Hunt

Ariana Grande, Wicked: For Good

Angelina LookingGlass, The Rivals of Amziah King

Gwyneth Paltrow, Marty Supreme

Teyana Taylor, One Battle After Another

Other Possibilities:

Emily Blunt, The Smashing Machine

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Laura Dern, Jay Kelly

Elle Fanning, Sentimental Value

America Ferrera, The Lost Bus

Regina Hall, One Battle After Another

Greta Lee, Late Fame

Nia Long, Michael

Jennifer Lopez, Kiss of the Spider Woman

Emily Watson, Hamnet

Oscars: The Case of Zoe Saldaña in Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fifth and final entry in Best Supporting Actress and that’s Zoe Saldaña in Jacques Audiard’s Emilia Pérez. If you missed my posts covering the other nominees, they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Zoe Saldaña:

After a career mostly known for appearances in the Star Trek, Avatar, and Guardians of the Galaxy franchises, Saldaña’s work as a singing defense attorney to the title character has earned across the board precursor victories. That includes the Golden Globe, SAG, Critics Choice, and BAFTA.

The Case Against Zoe Saldaña:

If the controversy regarding costar Karla Sofia Gascón’s past social media postings translate to all Pérez categories, Saldaña could be in trouble.

The Verdict:

Saldaña appears immune to the Gascón firestorm and the sweep appears assured. Anyone other than her winning on Sunday evening would constitute a major upset.

My Case Of posts will continue with the final hopeful in Supporting Actor and that’s Jeremy Strong in The Apprentice…

Oscars: The Case of Monica Barbaro in A Complete Unknown
Oscars: The Case of Ariana Grande in Wicked
Oscars: The Case of Felicity Jones in The Brutalist
Oscars: The Case of Isabella Rossellini in Conclave

31st SAG Awards Reaction

The 31st SAG Awards added to the unpredictability of Oscar night in one week by crowning Conclave as the Best Ensemble recipient. This occurs seven days after it got BAFTA’s largest prize. The correlation between the Academy’s Best Picture and SAG ensemble is 6/10 in the past decade. Conclave still may not be the frontrunner next Sunday but its chances are looking better.

I predicted Wicked would take Ensemble while plenty of others went with Anora. Had the latter emerged victorious, it would’ve solidified frontrunner positioning in BP. Now Oscar night’s biggest race appears to be a three-way contest between Anora, The Brutalist, and Conclave with genuine suspense as to what will come out on top.

Ensemble was the only category I missed as I went 5/6 in my projections. I’ll gladly take that in this unpredictable season. Both lead acting derbies were coin flips where I managed to make the right call. Demi Moore (The Substance) won and she now has SAG, Critics Choice, and the Globe with Mikey Madison (Anora) claiming BAFTA. I am still deciding who will take the Oscar.

For Best Actor, Timothée Chalamet (A Complete Unknown) picked up his first major trophy over Adrien Brody (The Brutalist). I had a hunch this might happen as the SAG voters ignored Brody’s costars Felicity Jones and Guy Pearce and nominated Chalamet’s cast mates Monica Barbaro and Edward Norton. I’m not convinced the Academy will follow suit, but it’s surely more of a two-way race now.

The supporting fields appear set in stone as Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) have now swept the season. Anyone other than them making podium trips next Sunday would be a rather shocking upset at this juncture.

Finally, The Fall Guy nabbed Best Stunt Ensemble as I figured the movie about stunt performers would.

Keep an eye on the blog as I wrap up my Case Of posts with those final predictions (!) coming Wednesday.

Oscars: The Case of Isabella Rossellini in Conclave

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Supporting Actress and that’s Isabella Rossellini in Edward Berger’s Conclave. If you missed my posts covering the first three competitors, they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Isabella Rossellini:

The Italian ingénue who had her cinematic breakthrough in David Lynch’s Blue Velvet finally gets award attention nearly 50 years after her acting debut. As Sister Agnes, Rossellini scored nods at the Globes, Critics Choice, and BAFTA. Being cinematic royalty (the daughter of director Roberto Rossellini and acting legend Ingrid Bergman) doesn’t hurt.

The Case Against Isabella Rossellini:

Zoe Saldaña’s work in Emilia Pérez is sweeping the season so far. Rossellini’s final chance for a victory has lapsed since she’s not nominated at the SAG Awards. Her 8 minutes of screen time might be considered too minimal for the gold.

The Verdict:

This first nomination will not result in a trip to the stage.

My Case Of posts will continue with the fourth hopeful in Supporting Actor and that’s Guy Pearce in The Brutalist…

Oscars: The Case of Monica Barbaro in A Complete Unknown
Oscars: The Case of Ariana Grande in Wicked
Oscars: The Case of Felicity Jones in The Brutalist

Oscars: The Case of Jacques Audiard for Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our next entry in Best Director and that’s Jacques Audiard for Emilia Pérez. If you missed my posts covering Sean Baker from Anora and Brady Corbet for The Brutalist, they’re linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Jacques Audiard:

While his 2009 drama A Prophet was up for International Feature Film a decade and a half ago, his behind the camera work for Pérez marks his first BP nominee and inaugural directing nod. The Jury prize winner from Cannes has yielded him directorial mentions at DGA, the Golden Globes, BAFTA, and Critics Choice.

The Case Against Jacques Audiard:

DGA went to Sean Baker for Anora while the Globe and BAFTA was bestowed to The Brutalist‘s Brady Corbet. For Critics Choice, it was Jon M. Chu in Wicked (he didn’t make the Academy’s quintet). The controversy swirling around lead actress Karla Sofia Gascón’s past social media posts likely hurt the film in any race that’s not Supporting Actress where Zoe Saldaña is still favored.

The Verdict:

Audiard was somewhat of a long shot before the bad press. He’s more so now.

My Case Of posts will continue with the fourth hopeful in Best Actress and that’s Demi Moore in The Substance…

Oscars: The Case of Sean Baker for Anora
Oscars: The Case of Brady Corbet for The Brutalist

Oscars: The Case of Felicity Jones in The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actress and that’s Felicity Jones in Brady Corbet’s The Brutalist. If you missed my posts covering Monica Barbaro (A Complete Unknown) and Ariana Grande from Wicked, they’re linked at the bottom.

Previous Acting Oscar Nominations:

Best Actress (2014, The Theory of Everything) – lost to Julianne Moore (Still Alice)

The Case for Felicity Jones:

A decade after contending in lead actress for The Theory of Everything, Jones gets her second Academy try in the picture tied for the second most nominations. She also received mentions at BAFTA and the Golden Globes.

The Case Against Felicity Jones:

Jones was not nominated at Critics Choice or SAG and nearly all chatter of an actor winning for The Brutalist has focused on Adrien Brody in Best Actor. Zoe Saldaña (Emilia Pérez) has swept the season so far and with SAG the only precursor left, Jones has no chance of picking up any hardware before the big show.

The Verdict:

It was a question mark as to whether Jones would make the final five. It’s an honor to be nominated.

My Case Of posts will continue with the third hopeful in Supporting Actor and that’s Edward Norton in A Complete Unknown…

Oscars: The Case of Monica Barbaro in A Complete Unknown
Oscars: The Case of Ariana Grande in Wicked

31st SAG Awards Winner Predictions

The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.

That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.

At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.

Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!

Outstanding Performance by a Cast in a Motion Picture

Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked

All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.

PREDICTED WINNER: WICKED

Runner-Up: Anora

Outstanding Performance by Female Actor in a Leading Role

Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)

This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.

PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE

Runner-Up: Mikey Madison, Anora

Outstanding Performance by a Male Actor in a Leading Role

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)

Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.

PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN

Runner-Up: Adrien Brody, The Brutalist

Outstanding Performance by a Female Actor in a Supporting Role

Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)

Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.

PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ

Runner-Up: Ariana Grande, Wicked

Outstanding Performance by a Male Actor in a Supporting Role

Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)

Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.

PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN

Runner-Up: Edward Norton, A Complete Unknown

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked

This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.

PREDICTED WINNER: THE FALL GUY

Runner-Up: Dune: Part Two

78th BAFTA Awards Reaction

The 78th British Academy Film Awards (or BAFTAs) have occurred across the pond. What will be the ripple effect for the Oscars in two weeks? Let’s get into it!

Last weekend, the PGA/DGA/Critics Choice Awards troika rightfully vaulted Sean Baker’s Anora to frontrunner status at the Academy Awards. My feeling (shared by plenty of prognosticators) is that Anora would have a tougher time taking top prize at BAFTA. That turned out to be true, but it did nab an award that could shake up another major competition.

Edward Berger’s Conclave is your BAFTA Best Film and I correctly called that. It wins two years after the director’s All Quiet on the Western Front did the same. A very important reminder: Best Picture at the Oscars and Best Film at BAFTA have matched just twice in the past decade. For those thinking this vaults Conclave into winning status in two weeks, think again. If it can be named Best Ensemble at SAG next weekend, chances improve.

Brady Corbet is Best Director for The Brutalist (another correct call). This adds intrigue to the Academy’s directorial competition as Sean Baker won DGA last weekend for Anora. They should battle it out for Oscar.

Overall I went 17 for 24 in my projections. Before I get into the acting derbies and screenplay contests, let’s do a quick review on where I went right elsewhere. Wallace & Gromit: Vengeance Most Fowl is the honoree for Animated Film while Emilia Pérez escaped its controversies to become Best Film Not in the English Language. The Brutalist took Cinematography and Original Score. Wicked is both your Costume Design and Production Design victor. Make Up & Hair went to The Substance. Conclave won Editing with Dune: Part Two emerging in Sound. Outstanding British Debut by a Writer, Director or Producer went to Kneecap with Conclave predictably taking Outstanding British Film.

Here’s where I went wrong in the down the line competitions. I went out on a limb with Better Man in Special Visual Effects and it was Dune: Part Two. In the Rising Star Competition, the Brits chose one of their own (David Jonsson) instead of Mikey Madison. Jonsson received plenty of complimentary notices in 2024 for Alien: Romulus. We are not done with Madison though.

In the newly created Children’s and Family Film race, it was Wallace & Gromit again and not my predicted The Wild Robot. And Anora aced Best Casting over Conclave. Finally, Super/Man: The Christopher Reeve Story is your Best Documentary despite not being up at Oscar. I went with No Other Land which is considered the soft Academy favorite.

Now let’s get to our acting and writing showdowns. In maybe the biggest upset of all, Jesse Eisenberg won Original Screenplay for A Real Pain. I had Anora projected with The Brutalist as my runner-up. Truth be told, my second runner-up would’ve been The Substance so Pain managing this was truly unexpected. On the other hand, Conclave is the Adapted Screenplay winner which was expected.

Three of the four frontrunners in the acting races made English podium walks today and solidified their positions. That would be Adrien Brody (The Brutalist) as Best Actor and Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) in their respective supporting fields. For any of this trio to be denied a sweep, the SAG Awards would need to provide that disruption next weekend.

The other frontrunner after winning the Golden Globe and Critics Choice was Demi Moore in The Substance. Yet the BAFTAs went with Mikey Madison (Anora) and this sets up an unpredictable competition between them.

Bottom line: the BAFTAs made Best Actress and Director more intriguing while I wouldn’t read too much into the Conclave selection. Keep an eye on the blog for more speculation as we hurdle toward Oscar night.

Here’s the breakdown of movies that won BAFTAs:

4 Wins

The Brutalist, Conclave

2 Wins

Anora, Dune: Part Two, Emilia Pérez, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked

1 Win

Kneecap, The Substance, Super/Man: The Christopher Reeve Story

Oscars: The Case of Ariana Grande in Wicked

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actress and that’s Ariana Grande in Jon M. Chu’s Wicked. If you missed my post on Monica Barbaro in A Complete Unknown, it’s linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Ariana Grande:

As Glinda the Good in the hugely popular adaptation of the stage play, Grande scored big love from audiences and critics. It resulted in nominations at the Globes, SAG, Critics Choice, and BAFTA. This is an opportunity for the Academy to recognize one of the most widely seen performances of the evening.

The Case Against Ariana Grande:

At the Globes and Critics Choice, she’s fallen short to another musical performance in Zoe Saldaña from Emilia Pérez.

The Verdict:

Grande is in the same boat as my previous post with Timothée Chalamet in A Complete Unknown. Both are considered the runner-ups because they’ve yet to win a significant precursor. Like Chalamet, I think Grande needs to take SAG in order to have any real shot of taking gold over Saldaña. She could score a mild upset if the recent Pérez controversy extends beyond Karla Sofia Gascón.

My Case Of posts will continue with the next contender in Supporting Actor and that’s Kieran Culkin in A Real Pain…

Oscars: The Case of Monica Barbaro in A Complete Unknown

Oscars: The Case of Karla Sofia Gascón in Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actress and that’s Karla Sofia Gascón for Jacques Audiard’s Emilia Pérez. If you missed my post on Cynthia Erivo (Wicked), it’s linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Karla Sofia Gascón:

The Spanish actress has been nominated in the key quartet of precursors with the Golden Globes, SAG, Critics Choice, and BAFTA. Playing the title character in the most nominated picture, a Gascón victory would be history making as she’s the first transgender performer nominated in the category.

The Case Against Karla Sofia Gascón:

Well… it’s voluminous but let’s start with the non-obvious. There’s been no precursor wins of note and she lost to Demi Moore (The Substance) at the Globes and Critics Choice. While she may play the titular role, her costar Zoe Saldaña has been the focus of attention in Supporting Actress. Then there’s the headline making controversy. Last month, a number of Gascón’s social media posts from a few years back resurfaced containing troubling comments. The firestorm was enough for Netflix to essentially drop any campaign for her in Best Actress and refocus all attention on its other nominations.

The Verdict:

Gascón wasn’t a real threat to win before the scandal and is even less so now.

My Case Of posts will continue with the second contender in Best Actor and that’s Timothée Chalamet in A Complete Unknown…

Oscars: The Case of Cynthia Erivo in Wicked