Known for his mega budget disaster flicks such as Independence Day and The Day After Tomorrow, director Roland Emmerich tries his hand at a World War II epic next weekend with Midway. Budgeted at $75 million (pretty low considering the reported $165 million price tag for his 2016 dud sequel Independence Day: Resurgence), the cast includes Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Mandy Moore, Dennis Quaid, and Woody Harrelson.
I do not expect this to be Emmerich’s Saving Private Ryan or Dunkirk. Those WWII efforts had critical acclaim and Oscar buzz. This does not. There will be competition for the adult and action crowd with the debut of Doctor Sleep and second frame for Terminator: Dark Fate.
IMAX elevated pricing could help a bit, but I doubt it. My suspicion is that Midway posts middling to poor numbers in the low teens for an inauspicious start.
The quartet of Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin return after a decade to fight the undead in Zombieland: DoubleTap next weekend. The comedic sequel find Ruben Fleischer back directing and Bill Murray back playing himself. Newcomers in part 2 include Rosario Dawson, Zoey Deutch, Luke Wilson, Thomas Middleditch, and Murray’s Ghostbusters costar Dan Aykroyd.
In October 2009, Zombieland helped usher in a resurgence for the living dead. With solid reviews, the pic took in $24.7 million for its start and closed at $75 million. The band is back together after all these years and the original’s reputation has stayed intact in the interim.
In 2019, we have seen numerous examples of sequels falling short of what came before. DoubleTap could be immune from that, but I don’t see it outgrossing part 1 by any substantial margin. My hunch is that this comes in barely under the debut posted in 2009 as enough moviegoers will want to catch up with this gang.
Zombieland: DoubleTap opening weekend prediction: $23.7 million
For my Maleficent: MistressofEvil prediction, click here:
The biggest Oscar domino not yet fall screened has been Martin Scorsese’s TheIrishman, the three and a half hour gangster drama headlined by genre legends Robert De Niro, Al Pacino, and Joe Pesci. That changed today. The epic opened the New York Film Festival exactly two months ahead of its Netflix debut. And – no real surprise here – it appears to be a serious contender.
TheIrishman is said to be both a humorous and contemplative piece with De Niro and Pacino providing their best performances in years. Same goes for Pesci as he’s been away from the silver screen for nearly a decade.
While nearly all reviews are positive, they’re not all raves. My early hunch is that this will earn Picture and Director nods. Winning is another story and that is one still left to play out. The Rotten Tomatoes score is at 100%. This will likely mark Scorsese’s ninth nomination (he’s won once for 2006’s TheDeparted). That’s also his only effort to be named Best Picture. The Adapted Screenplay from Steve Zaillian should also make the final cut.
Down the line recognition presents many chances including Cinematography, Editing, Costume Design, and Visual Effects. For the latter, the de-aging technology that allows its stars to look younger could attract the notice of that branch. The pic would actually be the second Scorsese title to get a Visual Effects nod after 2011’s Hugo (which won).
Now to the thespians. The thinking is that De Niro will be in lead actor with Pacino and Pesci in supporting. It sounds as if they will be the trio in contention. De Niro would gunning for his eighth appearance as a nominee. He won Supporting for 1974’s TheGodfatherPartII and lead in Scorsese’s 1980 masterwork RagingBull. I’ve had him listed in spot #6 for some time in my weekly rankings. I could still see him missing the cut as his role is said to be less flashy than his costars, but I think his chances are better today. Numerous critics have stated that Pacino steals the show and he’s going for nomination #9 (his sole win is 1992’s ScentofaWoman). Like De Niro, I’ve had him slotted sixth and I expect him to enter the top five in a supporting actor race that is already jam packed. As for Pesci (who won for 1990’s Scorsese classic GoodFellas), other reviewers are singling him out. That opens the door for two men to be nominated in the supporting race for the second time since 1991 when Harvey Keitel (who’s also in this) and Ben Kingsley were recognized for Bugsy. This occurred again two years ago with Sam Rockwell and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. Pesci is not the near sure thing Pacino is, but it could happen.
Bottom line: TheIrishman did what it needed to do in the Big Apple to establish itself as a player in awards chatter. My Oscar Watch posts will continue…
Sony Pictures hopes to kick off a franchise and set an October opening record next weekend when Venom debuts. The picture’s namesake is an anti-hero spawned from the Spider-Man comics. Moviegoers first saw him in the form of Topher Grace in Spider–Man3. That rendering of the character didn’t sit too well with comic book aficionados.
The studio hopes this version changes that. Ruben Fleischer, best known for Zombieland, serves behind the camera. Playing Venom and his alter ego Eddie Brock is Tom Hardy. Costars include Michelle Williams, Riz Ahmed, Scott Haze, Reid Scott, Jenny Slate, and Woody Harrelson.
Sequels and spin-offs are hoped for and the marketing campaign has been pervasive. The reaction to trailers has been mostly positive, but word is that reviews won’t be published until the day before release. That’s not always a good sign. Similar buzz greeted SuicideSquad (among others) and it managed to meet expectations and gross $133 million in its first weekend. That stands as the largest August debut ever.
The correlation is that Venom could do the same in October, but estimates aren’t as high here. This is expected to gross between $60-$70 million. Even if it reached the low-end of that spectrum, this would top October record holder Gravity at $55 million. I’ll note that Halloween (out October 19) also stands a solid shot at exceeding that.
My feeling is this will meet projections, but on the lower end of the spectrum. How it performs in subsequent weekends will be dependent on buzz and that may be the biggest indicator on whether Sony gets its longed for cinematic universe.
I have an ambivalent feeling about this. And there I am with Solo: AStarWarsStory, which is competently directed and acted, has the impressive battle scenes you expect in this franchise, and manages to be underwhelming at the same time. It is the first occurrence of Disney’s resurgence of the forty-year plus series seeming inconsequential, a feeling that didn’t permeate RogueOne (2016’s first stand-alone entry in the galaxy far far away).
Here is a franchise, more than any other, that elicits strong emotions from its legions of fans both positively and negatively. After all, the original episodes IV-VI trilogy has inspired generations of filmmakers and other blockbusters. Episode I-III sparked a backlash where its multitude of detractors still foam at the mouth speaking of it. Even last year’s TheLastJedi had vigorous supporters and naysayers extolling its virtues or pitfalls.
Solo shouldn’t be picked apart in that manner. Oh, it probably will. Yet my reaction is it doesn’t really deserve that much scrutiny. This is basically a breezy heist flick transplanted into a familiar cinematic universe. The backlash of casting a younger actor to fill the shoes of a role Harrison Ford made iconic? It’s not a disaster by any means, but Alden Ehrenreich isn’t memorable either. No surprise but when you hear the words Han Solo after viewing this, you’ll think of the older one with fondness.
The picture shows us a youthful Han wishing to become a pilot and willing to team up with unsavory characters to do so. He has an insubordinate streak that naturally rejects the evil ways of the Empire, but he hardly considers himself a hero. We know better. The love of his current life is Qi’ra (Emilia Clarke), who he’s separated from and makes a vow to rescue from Imperial servitude from villainous Dryden Vos (Paul Bettany). Han needs a ship to make that happen and that costs money. His mission leads him to partner with thief Tobias Beckett (Woody Harrelson) and his crew. Oh and there’s a notable Wookie involved and a swagger filled Lando Calrissian (Donald Glover). And that ship he finds… like you don’t know…
Han’s journeys take him to multiple galaxies with a second half that feels like one continuous action sequence. There are, of course, nods to the franchise lore. Solo, though, feels the most removed from everything we’ve seen before. If it often has the vibe of a cash grab to fill time between traditional episodes, that’s because it kind of is. Ron Howard took over the behind the camera duties after the well-publicized removal of Christopher Miller and Phil Lord months into production. I didn’t have a strange sense of competing visions while viewing it. If anything, Howard certainly seems like the filmmaker here with its workmanlike sensibilities and lack of genuine style.
The cast is filled with familiar faces putting in serviceable performances. Glover gets a couple of moments to shine, but my favorite supporting work came from the more unfamiliar Phoebe Waller-Bridge as the voice of sassy droid L3. Bettany is a decent villain in a series with previous monumental ones. As mentioned, the conventions of the heist genre are all present with double crosses aplenty.
The StarWars series is one in which the fans rarely forget a detail. Solo: AStarWarsStory is ultimately rather forgettable. Sure it’s an easy watch, but focusing deeply on it seems like giving it too much credit.
Since Disney took over the StarWars franchise, the three released pictures have combined for 11 Oscar nominations in the past three ceremonies. Let’s break them down, shall we?
StarWars: TheForceAwakens (2015)
Nominations: Original Score, Sound Editing, Sound Mixing, Film Editing, Visual Effects
RogueOne: AStarWarsStory (2016)
Nominations: Sound Mixing, Visual Effects
StarWars: TheLastJedi (2017)
Nominations: Original Score, Sound Editing, Sound Mixing, Visual Effects
You will note 11 nods, but no wins for the multi-billion dollar series and that all recognition has been in technical races. This Memorial Day weekend, Solo: AStarWarsStory flies into theaters. So the question must be asked: will it manage to score some Academy love as well?
Solo has the lowest Rotten Tomatoes rating (71%) of the bunch. That could serve as a hindrance for even tech nods, especially with MCU heavy hitters like BlackPanther and Avengers: InfinityWar in the mix, among others.
Perhaps it could play in the Sound races and perhaps Visual Effects, but competition could potentially leave Solo as the solo entry in the franchise with no Oscar attention.
The second stand-alone feature set in a galaxy far, far away – Solo: AStarWarsStory roars into multiplexes this Memorial Day Weekend. Alden Ehrenreich takes over the role of a young Han Solo in the part made iconic by Harrison Ford. Costars include Woody Harrelson, Emilia Clarke, Donald Glover as Lando, Thandie Newton, Paul Bettany, and, of course, Chewbacca. Ron Howard serves behind the camera in a move that garnered much press attention when he took over from Phil Lord and Christopher Miller. They exited the project after creative differences with Disney after months on the job.
Reviews out today are mostly positive with 73% currently on Rotten Tomatoes. That said, that’s the lowest meter of the four entries since the vaunted franchise came back in 2015. Our first spin-off, 2016’s RogueOne, debuted with $155 million one year after the record-breaking grosses of StarWars: TheForceAwakens. These offshoots are not expected to reach the heights of the traditional “episodes”. Solo does certainly have the added bonus of returning a beloved character, even with the natural speculation and some cynicism about another actor playing him.
One thing seems fairly certain: Solo should have no trouble breaking the current Memorial Day record held by 2007’s PiratesoftheCaribbean: AtWorld’sEnd which made $139.8 million for its start. Given the extra day of grosses, Han and Chewie could exceed that by over $10 million.
Solo: AStarWarsStory opening weekend prediction: $151.3 million (Friday to Monday estimate)
Well… here we are. After months of prognosticating and speculating, the 90th Annual Academy Awards is upon us this Sunday. This post serves as my final predictions for what and who will emerge victorious in five days.
I am listing my predicted winner as well as my runner-up in case I’m not perfect… and I certainly won’t be. I’ll have reaction up Sunday night as to how I did and my general thoughts on the ceremony.
Until then – these are my FINAL Oscar Winner predictions:
Best Picture
Nominees:
Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri
PREDICTED WINNER: The Shape of Water
RUNNER-UP: Three Billboards Outside Ebbing, Missouri
Best Director
Nominees:
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water
Greta Gerwig, Lady Bird
Christopher Nolan, Dunkirk
Jordan Peele, Get Out
PREDICTED WINNER: Guillermo del Toro, The Shape of Water
RUNNER-UP: Christopher Nolan, Dunkirk
Best Actor
Nominees:
Timothee Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.
PREDICTED WINNER: Gary Oldman, Darkest Hour
RUNNER-UP: Daniel Day-Lewis, Phantom Thread
Best Actress
Nominees:
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Sally Hawkins, The Shape of Water
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post
PREDICTED WINNER: Frances McDormand, Three Billboards Outside Ebbing, Missouri
RUNNER-UP: Saoirse Ronan, Lady Bird
Best Supporting Actor
Nominees:
Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri
PREDICTED WINNER: Sam Rockwell, Three Billboards Outside Ebbing, Missouri
RUNNER-UP: Willem Dafoe, The Florida Project
Best Supporting Actress
Nominees:
Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water
PREDICTED WINNER: Allison Janney, I, Tonya
RUNNER-UP: Laurie Metcalf, Lady Bird
Best Adapted Screenplay
Nominees:
Call Me by Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound
PREDICTED WINTER: Call Me by Your Name
RUNNER-UP: Molly’s Game
Best Original Screenplay
Nominees:
The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri
PREDICTED WINNER: Get Out
RUNNER-UP: Three Billboards Outside Ebbing, Missouri
Best Animated Feature
Nominees:
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent
PREDICTED WINNER: Coco
RUNNER-UP: Loving Vincent
Best Foreign Language Film
Nominees:
A Fantastic Woman
The Insult
Loveless
On Body and Soul
The Square
PREDICTED WINNER: The Insult
RUNNER-UP: A Fantastic Woman
Best Documentary Feature
Nominees:
Abacus: Small Enough to Jail
Faces Places
Icarus
Last Men in Aleppo
Strong Island
PREDICTED WINNER: Icarus
RUNNER-UP: Last Men in Aleppo
Best Film Editing
Nominees:
Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri
PREDICTED WINNER: Dunkirk
RUNNER-UP: Baby Driver
Best Cinematography
Nominees:
Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water
PREDICTED WINNER: Blade Runner 2049
RUNNER-UP: Dunkirk
Best Production Design
Nominees:
Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water
PREDICTED WINNER: The Shape of Water
RUNNER-UP: Dunkirk
Best Costume Design
Nominees:
Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria and Abdul
PREDICTED WINNER: Phantom Thread
RUNNER-UP: The Shape of Water
Best Makeup and Hairstyling
Nominees:
Darkest Hour
Victoria and Abdul
Wonder
PREDICTED WINNER: Darkest Hour
RUNNER-UP: Wonder
Best Visual Effects
Nominees:
Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes
PREDICTED WINNER: Blade Runner 2049
RUNNER-UP: War for the Planet of the Apes
Best Sound Editing
Nominees:
Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi
PREDICTED WINNER: Dunkirk
RUNNER-UP: Blade Runner 2049
Best Sound Mixing
Nominees:
Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi
PREDICTED WINNER: Dunkirk
RUNNER-UP: Baby Driver
Best Original Score
Nominees:
Dunkirk
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri
PREDICTED WINNER: The Shape of Water
RUNNER-UP: Dunkirk
Best Original Song
Nominees:
“Mighty River” from Mudbound
“Mystery of Love” from Call Me by Your Name
“Remember Me” from Coco
“Stand Up for Something” from Marshall
“This is Me” from The Greatest Showman
PREDICTED WINNER: “Stand Up for Something” from Marshall
RUNNER-UP: “This is Me” from The Greatest Showman
And that leaves the following breakdown of number of wins for each picture:
4 Wins
The Shape of Water
3 Wins
Dunkirk
2 Wins
Darkest Hour, Three Billboards Outside Ebbing, Missouri, Blade Runner 2049
1 Win
I, Tonya, Call Me by Your Name, Get Out, Coco, The Insult, Icarus, Phantom Thread, Marshall
The nominations for this February’s Academy Awards were revealed this morning by Andy Serkis and Tiffany Haddish. As always, there were some surprises and my months long quest for prediction perfection fell short. Of the 109 nominations, I correctly guessed 78 of them and that works out to 71% (a bit lower than previous years, but oh well).
Here I’ll break down every category and tell you how I did with a bit of analysis:
Best Picture
Nominees: Call Me by Your Name, Darkest Hour, Dunkirk, Get Out, Lady Bird, Phantom Thread, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
How I Did: 7/9
Analysis: OK, lesson learned. When in doubt, predict NINE. The Best Picture category can fluctuate between 5 and 10 nominees, but that seems to be the magic number. I had The Florida Project in, but it was 8th out of my 8 predictions in likelihood so no big surprise there. Also not surprising is Darkest Hour getting in. A bit more so is the inclusion of Phantom Thread, which did far better this morning than I or almost anyone else figured.
Best Director
Nominees: Paul Thomas Anderson (Phantom Thread), Guillermo del Toro (The Shape of Water), Greta Gerwig (Lady Bird), Christopher Nolan (Dunkirk), Jordan Peele (Get Out)
How I Did: 4/5
Analysis: As mentioned above, the surprise here is Anderson’s nod for Phantom. Hard to believe but this is Nolan’s first nomination for direction. I had Martin McDonagh’s work in Three Billboards included. Worth noting: it’s happened, but it’s rare for a movie to win Best Picture without their maker being recognized. This could fuel even more talk that The Shape of Water is the front-runner in the big race.
Best Actor
Nominees: Timothee Chalamet (Call Me by Your Name), Daniel Day-Lewis (Phantom Thread), Daniel Kaluuya (Get Out), Gary Oldman (Darkest Hour), Denzel Washington (Roman J. Israel, Esq.)
How I Did: 4/5
Analysis: One of the major questions going into this morning is whether recent allegations could prevent James Franco’s nod for The Disaster Artist. We may never know the answer to that fully, but it was expected he’d be a safe inclusion until then and he missed out. In his place – Mr. Washington, nominated for the second year in a row. In short: this is Oldman’s race to lose and it’s highly doubtful he will.
Best Actress
Nominees: Sally Hawkins (The Shape of Water), Frances McDormand (Three Billboards Outside Ebbing, Missouri), Margot Robbie (I, Tonya), Saoirse Ronan (Lady Bird), Meryl Streep (The Post)
How I Did: 5/5
Analysis: For quite some time, this has seemed like the five for Actress and it panned out that way.
Best Supporting Actor
Nominees: Willem Dafoe (The Florida Project), Woody Harrelson (Three Billboards Outside Ebbing, Missouri), Richard Jenkins (The Shape of Water), Christopher Plummer (All the Money in the World), Sam Rockwell (Three Billboards Outside Ebbing, Missouri)
How I Did: 4/5
Analysis: Plummer got in for his highly publicized role after taking over for Kevin Spacey at very short notice over my prediction of Armie Hammer in Call Me by Your Name.
Best Supporting Actress
Nominees: Mary J. Blige (Mudbound), Allison Janney (I, Tonya), Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird), Octavia Spencer (The Shape of Water)
How I Did: 4/5
Analysis: The Phantom love continued with Manville’s inclusion over my prediction for Hong Chau in Downsizing.
Best Adapted Screenplay
Nominees: Call Me by Your Name, The Disaster Artist, Logan, Molly’s Game, Mudbound
How I Did: 4/5
Analysis: In a bit of a surprise to me, Logan became the first superhero flick to get a writing nomination. I had Wonder in instead.
Best Original Screenplay
Nominees: The Big Sick, Get Out, Lady Bird, The Shape of Water, Three Billboards Outside Ebbing, Missouri
How I Did: 4/5
Analysis: I went with I, Tonya over The Big Sick, but this certainly was no shocker. Unlike several prognosticators, I did correctly leave Sick out of the Best Picture race and this marks its sole nod.
Best Animated Feature
Nominees: The Boss Baby, The Breadwinner, Coco, Ferdinand, Loving Vincent
How I Did: 4/5
Analysis: People love that Boss Baby apparently. It got in over my projected The Girl Without Hands. This is an easy winner to predict – Pixar’s Coco.
Best Foreign Language Film
Nominees: A Fantastic Woman, The Insult, Loveless, On Body and Soul, The Square
How I Did: 3/5
Analysis: Golden Globe winner In the Fade and Foxtrot (which some saw as a potential winner) missed the cut. In their place: Soul and Square.
Best Documentary Feature
Nominees: Abacus: Small Enough to Jail, Faces Places, Icarus, Last Men in Aleppo, Strong Island
How I Did: 2/5
Analysis: Welp… there always seem to be that category where I whiff and get 2 out of 5 (last year it was Production Design). This year it’s the docs, where Jane (which many saw as a front-runner), City of Ghosts, and Long Strange Trip missed out in favor of Abacus, Aleppo, and Island.
Best Film Editing
Nominees: Baby Driver, Dunkirk, I, Tonya, The Shape of Water, Three Billboards Outside Ebbing, Missouri
How I Did: 5/5
Analysis: Besides Actress, this is my only other perfect category.
Best Cinematography
Nominees: Blade Runner 2049, Darkest Hour, Dunkirk, Mudbound, The Shape of Water
How I Did: 4/5
Analysis: Rachel Morrison made some Oscar history by becoming the first female nominated in this category for Mudbound. I predicted The Post over Darkest Hour.
Best Production Design
Nominees: Beauty and the Beast, Blade Runner 2049, Darkest Hour, Dunkirk, The Shape of Water
How I Did: 4/5
Analysis: Wouldn’t you know it? Here’s one race where I had Phantom Thread in and it didn’t make it. Beauty got in instead.
Best Costume Design
Nominees: Beauty and the Beast, Darkest Hour, Phantom Thread, The Shape of Water, Victoria and Abdul
How I Did: 4/5
Analysis: I went with Murder on the Orient Express, but Darkest Hour prevailed. This should be a rather easy victory for Phantom (and perhaps its only).
Best Makeup and Hairstyling
Nominees: Darkest Hour, Victoria and Abdul, Wonder
How I Did: 2/3
Analysis: Victoria over I, Tonya. Look for Gary Oldman’s transformation to Churchill in Darkest Hour to be the victor.
Best Visual Effects
Nominees: Blade Runner 2049, Guardians of the Galaxy Vol. 2, Kong: Skull Island, Star Wars: The Last Jedi, War for the Planet of the Apes
How I Did: 3/5
Analysis: Dunkirk and The Shape of Water were my misses with Guardians and Kong filling in.
Best Sound Editing
Nominees: Baby Driver, Blade Runner 2049, Dunkirk, The Shape of Water, Star Wars: The Last Jedi
How I Did: 4/5
Analysis: Turns out I should have predicted The Shape of Water in both sound categories. I had War for the Planet of the Apes instead here.
Best Sound Mixing
Nominees: Baby Driver, Blade Runner 2049, Dunkirk, The Shape of Water, Star Wars: The Last Jedi
How I Did: 4/5
Analysis: The sound races matched this year with Star Wars in over my predicted The Greatest Showman.
Best Original Score
Nominees: Dunkirk, Phantom Thread, The Shape of Water, Star Wars: The Last Jedi, Three Billboards Outside Ebbing, Missouri
How I Did: 3/5
Analysis: I expected John Williams to be recognized, but for The Post instead of Star Wars. Also had Darkest Hour here and not Three Billboards.
Best Original Song
Nominees: “Mighty River” from Mudbound, “The Mystery of Love” from Call Me by Your Name, “Remember Me” from Coco, “Stand Up for Something” from Marshall, “This is Me” from The Greatest Showman
How I Did: 4/5
Analysis: “The Mystery of Love” got in over “It Ain’t Fair” from Detroit.
And that leaves the final official breakdown of films and number of nominations to this:
13 Nominations
The Shape of Water
8 Nominations
Dunkirk
7 Nominations
Three Billboards Outside Ebbing, Missouri
6 Nominations
Darkest Hour, Phantom Thread
5 Nominations
Blade Runner 2049, Lady Bird
4 Nominations
Call Me by Your Name, Get Out, Mudbound, Star Wars: The Last Jedi
3 Nominations
Baby Driver, I, Tonya
2 Nominations
Beauty and the Beast, Coco, The Post, Victoria and Abdul
1 Nomination
Abacus: Small Enough to Jail, All the Money in the World, The Big Sick, The Boss Baby, The Breadwinner, The Disaster Artist, Faces Places, A Fantastic Woman, Ferdinand, The Florida Project, The Greatest Showman, Guardians of the Galaxy Vol. 2, Icarus, The Insult, Kong: Skull Island, Last Men in Aleppo, Logan, Loveless, Loving Vincent, Marshall, Molly’s Game, On Body and Soul, Roman J. Israel, Esq., The Square, Strong Island, War for the Planet of the Apes, Wonder
I’ll have a post up either later tonight or tomorrow with my initial round of predicted winners! Until then…
With Oscar nominations set to drop Tuesday, a big precursor is bestowing trophies on Sunday night when the SAG Awards air. Oftentimes, this particular show can be a better indicator of things to come at the Academy Awards than the Golden Globes.
In the 23 years that the SAG ceremony has been held, the winners of the four categories have matched up with Oscar as follows:
Actor: 18/23
Actress: 17/23
Supporting Actor: 14/23
Supporting Actress: 16/23
Of course, since this is an award given out by fellow actors, there is no “Best Picture” category. Instead the night’s top prize is Best Ensemble (which has matched Best Picture just 10 of 23 times). The individual acting races could give further fuel to performers looking for that Oscar and continue to dilute the hopes of others.
Here’s my estimates for the SAG winners on Sunday:
Outstanding Performance by a Cast in a Motion Picture
Nominees:
The Big Sick
Get Out
Lady Bird
Mudbound
Three Billboards Outside Ebbing, Missouri
Predicted Winner: Three Billboards Outside Ebbing, Missouri
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Timothee Chalamet, Call Me by Your Name
James Franco, The Disaster Artist
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.
Predicted Winner: Gary Oldman
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Judi Dench, Victoria and Abdul
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Predicted Winner: Frances McDormand
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Steve Carell, Battle of the Sexes
Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Sam Rockwell, Three Billboards Outside Ebbing, Missouri
Predicted Winner: Willem Dafoe
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Mary J. Blige, Mudbound
Hong Chau, Downsizing
Holly Hunter, The Big Sick
Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Predicted Winner: Allison Janney
And there you have it! You can peruse my FINAL Oscar predictions here:
All My Life... I Wanted To Be A Blogster 