Tag: Woody Harrelson

February 28-March 2 Box Office Predictions

In what should be a quiet box office weekend, survival thriller Last Breath with Woody Harrelson and Simu Liu hopes to find an audience while Captain America: Brave New World seeks to three-peat. You can find my detailed prediction post on Breath here:

Last Breath Box Office Prediction

Despite a troubling 68% sophomore plummet, Captain America should manage a third weekend atop the charts due to lack of competition. It may, however, not even reach low teens this time around.

The best case scenario for Breath would be second place, but it could place anywhere from runner-up to fifth depending on drops of holdovers.

The Monkey, with a C+ Cinemascore grade, is likely to experience a heftier decline over family fare offerings Paddington in Peru and Dog Man (though it could remain in second).

Here’s how I see the top five shaking out in a cinematic frame where audiences might be more transfixed by the Oscars:

1. Captain America: Brave New World

Predicted Gross: $11.8 million

2. The Monkey

Predicted Gross: $5.7 million

3. Last Breath

Predicted Gross: $4.8 million

4. Paddington in Peru

Predicted Gross: $3.9 million

5. Dog Man

Predicted Gross: $3.7 million

Box Office Predictions (February 21-23)

As mentioned, the MCU’s 35th feature Captain America: Brave New World cratered in its second outing with a near 70% fall. It made $28.1 million, in line with my $29.6 million call, for a $141 million ten-day overall take.

Horror comedy The Monkey performed toward the lower end of its expected range at $14 million. I was more generous at $18.2 million. Look for it to fade quickly like Companion did.

Holdovers generally went under my forecasts with Paddington in Peru third at $6.5 million compared to my $8.9 million estimate. The two-week total is an underwhelming $25 million.

Dog Man was fourth with $5.8 million, under my $7.1 million prediction for $78 million in its four weeks of release.

Ne Zha 2 rounded out the top five and I incorrectly didn’t have it listed. The Chinese animated fantsy took in $3 million to bring its two-week tally to $14 million.

Heart Eyes was sixth with a ginormous 73% dip to $2.7 million in its third weekend for $26 million in the bank.

Finally, The Unbreakable Boy with Zachary Levi was another snoozer for Lionsgate in 8th. It made $2.3 million and I projected it at $3 million.

That’s all for now, folks! Until next time…

Last Breath Box Office Prediction

Based on a true story and a 2019 documentary of the same name, Focus Features hopes audiences take in Last Breath this Friday. The survival thriller about a deep sea rescue comes from Alex Parkinson (who made the doc) with a cast including Woody Harrelson, Simu Liu, Finn Cole, and Cliff Curtis.

Audience anticipation seems to be considerably under the surface. I don’t think this even gets to $5 million. My meager estimate should still be enough for a number 3 debut since this should be a quiet weekend at the box office.

Last Breath opening weekend prediction: $4.8 million

Oscar Predictions: Fly Me to the Moon

Scarlett Johansson and Channing Tatum look to provide Fly Me to the Moon with some financial liftoff this weekend. The rom com is set during the 1960s space race with Greg Berlanti directing. Costars include Jim Rash, Anna Garcia, Ray Romano, and Woody Harrelson. Its box office prospects are shaky (I have it debuting to around $12 million) and reviews aren’t gushing.

Fly has a fair if not over the moon 70% Rotten Tomatoes score. Several critics are praising the star power of the headliners, particularly Johansson. The actress received her first and second Academy noms in 2019 for Marriage Story (lead Actress) and Jojo Rabbit (Supporting Actress). This will not be #3 and I don’t see Moon factoring in anywhere else. However, Johansson could contend in Actress in a Musical/Comedy at the Golden Globes depending on competition strength. My Oscar Prediction posts will continue…

Fly Me to the Moon Box Office Prediction

Sony Pictures is banking on star power to land Fly Me to the Moon pleasing results when it debuts July 12th. Scarlett Johansson and Channing Tatum headline the 1960s set romantic dramedy with the Space Race as a backdrop. Nick Dillenburg, Anna Garcia, Jim Rash, Ray Romano, and Woody Harrelson are in the supporting cast with Love, Simon helmer Greg Berlanti behind the camera.

With a reported $100 million price tag, this a risky bet for its studio (Apple TV has streaming rights for a TBD date). This is counting on adult moviegoers to turn up for a summertime tale with no awards buzz. It is primarily relying on Johansson and Tatum to propel it and that’s asking a lot.

A best case scenario would put this near $20 million, but I think that might be wishful thinking. Low double digits or lower teens seems likelier.

Fly Me to the Moon opening weekend prediction: $12.2 million

For my Longlegs prediction, click here:

Longlegs Box Office Prediction

Oscar Predictions: Suncoast

Laura Chinn’s Suncoast premiered at Sundance, is out in limited fashion weekend, and hits Hulu this Friday. The coming-of-age drama stars Laura Linney, Nico Parker, and Woody Harrelson.

Distributed by Searchlight, the writer/director’s debut work failed to break out in Utah. The Rotten Tomatoes score is a so-so 68%. Despite some praise for Linney and Parker, I wouldn’t expect awards voters to shed light on this. My Oscar Prediction posts will continue…

Champions Review

In Bobby Farrelly’s Champions, we see glimpses of the gross-out humor that made the director and his brother Peter hugely successful filmmaker in the 90s. The co-maker of Dumb and Dumber, Kingpin, and There’s Something About Mary throws up puke, flatulence, and sex jokes, but it takes up limited screen time. This high concept dramedy is more centered on the heart than a fart (forgive me) and some of it scores. This also occasionally feels so desperate for our affection that you feel obliged to pet it, rub its belly, and tell it what a good movie it is.

Marcus Marakovich (Woody Harrelson) is a basketball coach whose skills aren’t being put to their best use. He’s an Iowa based assistant in the minors after squandering larger opportunities due to his hair-trigger temper. When his big mouth gets him canned yet again, he drinks his sorrows away and ends up with a DUI offense. The judge, in lieu of a lengthy jail sentence, assigns him to instruct a team with intellectual disabilities for 90 days.

The sports cliches follow as the hard-hearted Marcus’s outlook on life eventually is softened by his players who call themselves The Friends. One of the players is Johnny (Kevin Iannucci), the brother of his coach’s one-night stand turned potential love interest Alex (Kaitlin Olson). His primary character trait in the beginning is that he refuses to shower. The screenplay (co-scribed by Farrelly) doesn’t spend much time exploring the lives of these teammates. That might have been a worthwhile approach. For example, more airtime for Madison Tevlin’s forthright and self-confident Cosentino might have benefitted the picture. Same goes for Joshua Felder’s Darius, who’s the strongest player yet refuses to suit up for his legally bound coach (his reasons make good sense once revealed). Their performances make the absolute most of what they’re given. Unfortunately that’s limited.

Those character’s subplots could have turned into rewarding larger ones. We’ll never know. Champions is more focused on Marcus. He pines for NBA exposure instead of riding the pine in menial tutorial positions. Ironically the feel-good story of the Friends gets him closer to his goal as ESPN takes notice of his legally decreed assignment. Harrelson is no JV performer and he brings his A game to a script that never fully coalesces. He has a winning chemistry with Olson and their romantic interplay is a frequent plus.

A remake of a 2018 Spanish title, Champions isn’t offensive unless you count a short shot of projectile vomiting (there’s nothing approaching what we saw in the aforementioned Farrelly tales). I didn’t really find its treatment of the Friends objectionable either and that’s refreshing considering the filmmakers have a fine line to walk. On the other hand, there’s a fair share of mediocrity to deal with. For all the moments where the formula works, there’s a nagging feeling that this could end in the cast doing a dance routine to something like “Tubthumping” by Chumbawumba. Ahem, spoiler alert…

**1/2 (out of four)

March 17-19 Box Office Predictions

**Blogger’s Update (03/16): My Shazam! estimate continues to fall as I’m taking it down from $32.9M to $27.9M. Also bumping Scream VI from $16.6 to $17.6M and Creed III from $15.4M to $16.5M

Shazam! Fury of the Gods will keep the run of sequels in first place going at the box office, but it could deliver a so-so start. The DCEU follow-up to 2019’s original is the only wide release of the weekend and you can peruse my detailed prediction post on it here:

Shazam! Fury of the Gods Box Office Prediction

Zachary Levi’s superhero hopes to top the $53 million earned by its predecessor four years ago. I have it falling about $10 million shy of that mark in the low 40s which would be considered a letdown. This is especially true considering the recent franchise best starts for the Creed and Scream series. ***Blogger’s Update (03/15): Two days before its premiere, I have significantly lowered my estimate from $42.9M to $32.9M

Speaking of, it could be a close race for #2 between Scream VI and Creed III. The former slashed it way to a terrific debut (more on that below). Given its genre, a hefty sophomore decline is likely while Creed III may not suffer a steep drop.

A ginormous fall will probably greet 65 after the premiere. Adam Driver’s battle with dinosaurs managed only a C+ Cinemascore grade which means word-of-mouth may cause a second weekend percentage plummet close to its title number. It should be in a tight battle with Ant-Man and the Wasp: Quantumania for fourth position.

Here’s how I envision that top 5 looking:

1. Shazam! Fury of the Gods

Predicted Gross: $27.9 million

2. Scream VI

Predicted Gross: $17.6 million

3. Creed III

Predicted Gross: $16.5 million

4. 65

Predicted Gross: $4.8 million

5. Ant-Man and the Wasp: Quantumania

Predicted Gross: $4.3 million

Box Office Results (March 10-12)

Scream VI needed to pass the $34 million earned by Scream 3 in 2000 to achieve the franchise’s high mark. It did so easily with $44.4 million, just edging my $42.6 million call. With a B+ Cinemascore (same as last year’s Scream which was Scream 5 and just not called that), audiences are liking what they’re seeing. As mentioned, it should still see a dip in the high 50s to low 60s range.

Creed III fell a respectable 53% to second with $27.2 million, punching past my $25 million take. The threequel from director and star Michael B. Jordan has amassed $101 million in ten days on its way to becoming the largest earner of the trilogy.

65 was third with $12.3 million. While that beats my $10.7 million prediction, that’s a meager beginning considering its reported large budget. Per above, expect this to become extinct quickly.

Ant-Man and the Wasp: Quantumania was fourth with $7.1 million compared to my $6.5 million estimate. The MCU adventure is approaching the double century club at $198 million. It might barely outpace its predecessor from 2018.

Cocaine Bear rounded out the top five with $6.2 million. My prediction? $6.2 million! The three-week total is $51 million.

Sports comedy Champions with Woody Harrelson kicked off in sixth with a blah $5.1 million. I said it would make… $5.1 million! The good news is its A Cinemascore and it will hope for small percentage losses in the frames ahead.

Finally, Jesus Revolution was seventh with $5.1 million and I said… (you guessed it!) $5.1 million. The three-week gross is $39 million.

And that does it for now, folks! Until next time…

March 10-12 Box Office Predictions

Ghostface terrorizes NYC in Scream VI, Adam Driver fights dinosaurs in 65, and Woody Harrelson is ordered to coach a basketball team with intellectual disabilities in Champions. They are the newcomers hitting screens this Friday and my detailed prediction posts on the trio can be accessed here:

Scream VI Box Office Prediction
65 Box Office Prediction
Champions Box Office Prediction

Just as Creed III smashed its franchise best record this past weekend (more on that below), Scream VI could be poised for the same. To do so, it would need to slash past the $34 million achieved by Scream 3 in 2000. I’m projecting it will do so with room to spare.

Creed III should fall to second in round 2. A mid to high 50s decline could give it a clean $25 million after its fantastic start.

65 appears likely for a third place start. Yet I’ve got the dino action pic barely topping $10 million. Considering its reported $90 million price tag, that would be a troubling premiere for the Sony property.

I’m not anticipating much out of Champions and my estimate ties it with the third frame of Jesus Revolution. That would mean holdovers Ant-Man and the Wasp: Quantumania and Cocaine Bear would be in a close contest for the four and five spots.

Here’s how I envision it looking:

1. Scream VI

Predicted Gross: $42.6 million

2. Creed III

Predicted Gross: $25 million

3. 65

Predicted Gross: $10.7 million

4. Ant-Man and the Wasp: Quantumania

Predicted Gross: $6.5 million

5. Cocaine Bear

Predicted Gross: $6.2 million

6. Jesus Revolution

Predicted Gross: $5.1 million

7. Champions

Predicted Gross: $5.1 million

Box Office Results (March 3-5)

The month of March began with a potent punch at multiplexes as Creed III amassed $58.3 million. I way lowballed it at $39.2 million. Marking the directorial debut of its star Michael B. Jordan, it easily outpaced its predecessors. For context – Creed II, over the five-day Thanksgiving frame in 2018, made $55 million. In a month filled with potential blockbusters, the return of Adonis a promising pace.

Ant-Man and the Wasp: Quantumania fell to second after two weeks on top with $12.8 million. I was more generous at $14.6 million. The 60% drop was another troubling development for the threequel. Its total is $187 million.

Cocaine Bear was third with $11.1 million in its sophomore outing compared to my $13.2 million take. The 52% decline isn’t too shabby for its genre as the ten-day tally is $41 million.

Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village started in line with expectations in fourth with $10.1 million. I was close with $9.8 million. Expect a hefty dip in the range of 70% or more coming up.

Jesus Revolution rounded out the top five in weekend #2 with $8.4 million. I had it raised higher at $11.3 million. The $30 million two-week gross remains rock solid.

Finally, Operation Fortune: Ruse de Guerre re-teaming Guy Ritchie and Jason Statham meekly rolled out in seventh with $3.1 million (I said $4 million).

And that does it for now, folks! Until next time…

Champions Box Office Prediction

Woody Harrelson headlines the sports comedy Champions on March 10th which marks the solo directorial debut for Bobby Farrelly. A remake of a 2018 Spanish pic, a basketball coach in legal hot water whose community service involves leading a team with intellectual disabilities. Kaitlin Olson, Matt Cook, Ernie Hudson, Cheech Marin, and Mike Smith are among the supporting cast.

Along with his brother Peter, the Farrellys directed comedy blockbusters including Dumb and Dumber and There’s Something About Mary. In between there was cult favorite Kingpin starring Harrelson. Peter’s solo career includes a Best Picture winner with 2018’s Green Book. This is Bobby’s first big screen behind the camera assignment since Dumb and Dumber To in 2014.

Bobby’s initial effort without his sibling is not expected to score highly at the box office. If it manages to top $10 million, that would be a pleasant surprise for Focus Features. I wouldn’t count on it. It might be lucky to gross half of that.

Champions opening weekend prediction: $5.1 million

For my Scream VI prediction, click here:

Scream VI Box Office Prediction

For my 65 prediction, click here:

65 Box Office Prediction

Oscars: The Case of Triangle of Sadness

Ruben Östlund’s Triangle of Sadness is the penultimate Case Of post for the ten Best Picture nominees at this year’s Academy Awards.

The Case for Triangle of Sadness:

The Swedish filmmaker’s satire targeting the mega-rich began gathering buzz when it played at Cannes and received the Palme d’Or. That made it just the second feature in the 21st century to receive the top Cannes prize and nab a BP nod. The other is Parasite and it won BP three years ago. Östlund was a surprise nominee in Director which could indicate this is stronger than anticipated.

The Case Against Triangle of Sadness:

It hasn’t exactly cleaned up in the precursors. At Critics Choice, it had a sole mention for Best Comedy. There were two Globe noms for Motion Picture – Musical or Comedy and Dolly de Leon in Supporting Actress (the Academy left her off). The three BAFTA inclusions (de Leon, Original Screenplay, Casting) don’t include Picture. Furthermore, Triangle has yet to win any of these.

Other Nominations:

Director (Östlund), Original Screenplay

The Verdict:

Despite its maker unexpectedly making the directorial quintet, Triangle appears on course for an 0 for 3 performance on Oscar night.

My Case Of posts will continue with Women Talking!

Previous write-ups for the BP hopefuls can be accessed here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Women Talking