When your movie is opening December 12th and the review embargo lifts December 10th, consider that a sign that the studio (20th Century in this instance) doesn’t consider it an awards contender. Such is the case with Ella McCay which marks the first feature from James L. Brooks in 15 years. The 2008 set political dramedy stars Emma Mackey in the title role with a supporting cast including Jamie Lee Curtis, Jack Lowden, Kumail Nanjiani, Ayo Edebiri, Julie Kavner, Spike Fearn, Rebecca Hall, Albert Brooks, and Woody Harrelson.
Brooks is, of course, a legendary figure in TV and motion pictures. In addition to co-creating The Mary Tyler Moore Show, Taxi, and The Simpsons, his cinematic debut as writer/director Terms of Endearment is 1983’s Best Picture winner. Subsequent efforts Broadcast News (1988) and As Good As It Gets (1997) also scored BP mentions and numerous other nods.
The auteur’s output in the 21st century has been limited to Spanglish (2004) and How Do You Know (2010), neither of which were Oscar players. McKay is saddled with a Rotten Tomatoes score of 29% and 41 on Metacritic. That’s why it’s no surprise it didn’t show up anywhere in the Critics Choice or Golden Globe ballots and the same will hold true with the Academy. My Oscar Prediction posts will continue…
After a 15 year hiatus from the big screen, James L. Brooks is back in the director’s chair when Ella McCay debuts December 12th. The politically themed dramedy features Emma Mackey in the title role with a supporting cast including Jamie Lee Curtis, Jack Lowden, Kumail Nanjiani, Ayo Edebiri, Julie Kavner, Rebecca Hall, Albert Brooks, and Woody Harrelson.
In the 1980s and 90s, Brooks was a cinematic force whose efforts like Terms of Endearment, Broadcast News, and As Good As It Gets were box office smashes and Best Picture nominees (or winner in the case of Terms). The 85-year-old auteur’s last production was 2010’s rom com How Do You Know. It flopped despite the star power of Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson in what appears to be his final role.
McCay doesn’t even have megawatt casting to bring in audiences. The fact that it skipped the festival circuit tells you 20th Century Studios knew this wasn’t an awards player unlike the filmmaker’s classics. This is also a genre that goes to streaming nowadays more often than not. Add all that up and this should languish in the lower single digits.
Ella McCay opening weekend prediction: $2.7 million
Blogger’s Update (11/12): I am downgrading my The Running Man estimate from $27.6 million to $19.6 million as reviews and word-of-mouth have stalled momentum; I am downgrading my Keeper estimate from $6.5 million to $3.2 million
The Running Man looks steal the box office crown as heist threequel Now You See Me: Now You Don’t and horror pic Keeper debut. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on the Stephen King novel, sci-fi action satire The Running Man also serves as a remake of the 1987 pic with Glen Powell taking over starring duties from Arnold Schwarzenegger. I don’t think it reaches the heights of Predator: Badlands from this past weekend (more on that below), but it should place 1st in the low to mid 20s.
Now You See Me: Now You Don’t includes Jesse Eisenberg, Woody Harrelson, and Morgan Freeman reprising their roles from 2013 and 2016 predecessors. That’s a lengthy layover from part 2 to 3 and the second one didn’t match the original in terms of cash. I anticipate the drop-off will continue and I have See in third.
Keeper could overperform as horror titles often do, but I’m going mid single digits for a fourth place showing for the latest genre effort from the prolific Osgood Perkins.
It will be interesting to see the sophomore frame percentage decline for Predator: Badlands. 2010’s Predators and 2018’s The Predator each debuted in the mid 20s (far below this one). They plummeted 72% and 63% respectively in their follow-up outings. The film in the franchise that performed similarly to Badlands (2004’s AVP: Alien Vs. Predator) saw a 68% dip. However, I don’t see this falling that far due to its A- Cinemascore (the strongest of the lot). Mid 50s seems more likely.
Regretting You, which showed impressive staying power last weekend, should round out the top five and here’s how I see it shaking out:
1. The Running Man
Predicted Gross: $19.6 million
2. Predator: Badlands
Predicted Gross: $18.2 million
3. Now You See Me: Now You Don’t
Predicted Gross: $17.1 million
4. Regretting You
Predicted Gross: $5 million
6. Keeper
Predicted Gross: $3.2 million
Box Office Results (November 7-9)
It took a nearly 40-year-old franchise to wake up the box office and showed that the series wasn’t over the hill as Predator: Badlands amassed $40 million. Solid word-of-mouth and positive reviews helped propel it to the highest start of the nine pictures when not adjusting for inflation. This easily eclipsed my $27.6 million prediction.
Regretting You, as mentioned, slid a teensy 15% in weekend #3 to $6.6 million compared to my $4.8 million call. The romantic drama is plugging along with $38 million thus far.
Black Phone 2 dropped from 1st to 3rd as it received $5.1 million, in line with my $4.6 million projection. The sequel has taken in $70 million after four weeks.
The inspirational early 20th century set drama Sarah’s Oil, which includes Zachary Levi among its cast, was my surprise of the weekend. It placed fourth with $4.2 million and I didn’t do a guesstimate. Scoring a rare A+ Cinemascore grade, Oil could hold up well in the coming weeks.
Historical courtroom drama Nuremberg with Oscar winners Russell Crowe and Rami Malek rounded out the top five with $3.8 million, managing to outdo my $3 million take.
Bugonia was sixth in weekend #2 at $3.4 million (ahead of my $2.7 million prediction) for $12 million after two weeks of wide release.
Chainsaw Man – The Movie: Reze Arc finished seventh with $3.4 million (I said $2.9 million) as the anime hit stands at $37 million after three weeks.
Jennifer Lawrence and Robert Pattinson’s drama Die, My Love debuted in eighth with $2.6 million, on pace with my $2.5 million estimate.
Finally, boxing biopic Christy with Sydney Sweeney was KO’d in 11th with just $1.3 million. I was more generous at $2.2 million.
Not many eyeballs have been trained on Lionsgate releases over the last couple of years and the studio hopes that changes with Now You See Me: Now You Don’t. The third feature in the magic infused heist franchise arrives nearly a decade after the second installment. Ruben Fleischer takes over the directorial reins from Louis Leterrier (the 2013 original) and Jon M. Chu (the 2016 sequel). Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fischer, and Morgan Freeman reprise their roles and newcomers include Justice Smith, Dominic Sessa, Ariana Greenblatt, and Rosamund Pike as the main villain.
In the summer of 2013, part 1 was an unexpected hit with a $29 million debut and $117 million domestic haul. Three years later, the follow-up experienced diminishing returns with a $22 million start and $65 million overall gross. Unless there’s a nostalgia factor the series that I’m simply not seeing, this should experience the worst opening of the trio and that long layover doesn’t help. I’m thinking mid to high teens.
Now You See Me: Now You Don’t opening weekend prediction: $17.1 million
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It begins with Supporting Actor.
I published my first preview of the Supporting Actor field on April 5th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Colman Domingo, Michael
Andrew Garfield, After the Hunt
Mark Hamill, The Life of Chuck
Adam Sandler, Jay Kelly
Stellan Skarsgård, Sentimental Value
Let’s dispense with some of those names. Domingo’s work as the Jackson family patriarch in Michael won’t be seen until 2026 after the studio delayed it.
The Life of Chuck, despite winning the coveted audience prize at 2024’s Toronto Film Festival, never picked up steam as a contender when it opened this summer. Hamill would desperately need a Globe or SAG or Critics Choice nom to have any shot at the big dance. I don’t see it happening.
Then there’s Garfield. In April, I envisioned Luca Guadagnino’s Hunt as a surefire player in several races. Yet it’s become a critical and commercial disappointment and I suspect it could be completely blanked come nomination morning.
As for the 10 other possibilities, those names:
Joe Alwyn, Hamnet
Jonathan Bailey, Wicked: For Good
Bradley Cooper, Is This Thing On?
Brendan Fraser, Pressure
Sean Penn, One Battle After Another
LaKeith Stanfield, Die, My Love
Jeremy Strong, Springsteen: Deliver Me from Nowhere
Tyler, the Creator, Marty Supreme
Denzel Washington, Highest 2 Lowest
Jeffrey Wright, Highest 2 Lowest
Brendan Fraser’s work as Dwight Eisenhower in the war drama Pressure is looking like a 2026 release. When it comes to Alwyn in Hamnet, I was assuming that Paul Mescal’s performance in that pic was going to be a lead actor submission. It has just recently been confirmed that Mescal will go supporting and it is he and not Alwyn who’s viable.
Denzel Washington is definitely a lead contender for Lowest and we’ll address his chances in that post. As for Cooper, Stanfield, Tyler, the Creator, and Wright – that quartet of performances did not garner awards buzz upon their unveilings.
So let’s talk about who is viable, shall we? In my estimation, there are three hopefuls whose nominations seem assured or darn close to it.
One Battle After Another will receive a BP nod and it has a real chance of winning. Two-time winner in lead Actor Sean Penn should be up for his villainous turn, marking his seventh overall at bat and first in the supporting field. It’s actually been 17 years since his last nom when he took gold for Milk.
Stellan Skarsgård is the name in my original top five that I’m still confident remains. Sentimental Value, while possibly losing a little luster in recent weeks, should make the BP cut and his work is arguably the most heralded.
The third performer I’m convinced of is Paul Mescal. Like Battle and Value, Hamnet is looking solid in BP. His costar Jessie Buckley is the frontrunner in Actress and he should come along for the ride.
Then it gets complicated. Adam Sandler has been in my #4 spot for a few weeks. The SNL alum has not seen his name called by the Academy despite chatter for Punch-Drunk Love and especially Uncut Gems. This offers a legit opportunity for voters to honor him. However, Sandler’s fortunes could be tied to whether Jay Kelly makes BP and that’s very much in question. As for now, I have him in but it’s far from assured.
Jeremy Strong was up last year in this category for The Apprentice. He could make it two years in a row as The Boss’s longtime manager Jon Landau in Springsteen: Deliver Me from Nowhere. I’m less convinced the biopic makes BP than any of the other pictures above. He’s still a strong (no pun intended) possibility to join his costar Jeremy Allen White on the red carpet.
So, at the moment, my five would consist of Penn, Skarsgård, Mescal, Sandler and Strong (in that order). Who could change that dynamic?
Benicio del Toro could. 25 years years after he emerged victorious in Supporting Actor for Traffic, his comic relief as the helpful sensei in One Battle After Another is quite memorable. If the movie is indeed the BP force it might be, the coattails could leave room for him. The Academy has had a habit of nominating two performances from the same film here. From 2017 to 2022, it happened at every ceremony but one:
2017 – Sam Rockwell and Woody Harrelson from Three Billboards Outside Ebbing, Missouri (Rockwell won)
2019 – Al Pacino and Joe Pesci from The Irishman
2020 – Daniel Kaluuya and LaKeith Stanfield from Judas and the Black Messiah (Kaluuya won)
2021 – Jesse Plemons and Kodi Smit-McPhee from The Power of the Dog
2022 – Brendan Gleeson and Barry Keoghan from The Banshees of Inisherin
I came very close to putting him in over Strong in my update a week ago.
In 2020, Delroy Lindo was expected to be up for Spike Lee’s Da 5 Bloods but he was snubbed. Members could give him his first nom for Sinners, which is another likely BP nominee. I like his chances better than costars Miles Caton or Jack O’Connell though they’ve been mentioned too.
Ethan Hawke’s lead work in Blue Moon is being predicted by more prognosticators recently and that includes me. He could bring costar Andrew Scott along with him.
If Frankenstein makes BP, it increases the chances that Jacob Elordi’s portrayal of The Monster is alive in the minds of those filling out ballots.
A couple of other possibilities to address. While Josh O’Connor grew raves at screenings for the upcoming Wake Up Dead Man: A Knives Out Mystery, I’m not buying him being the franchise’s first acting nominee. Rental Family doesn’t appear to be a threat in BP and that hurts Akira Emoto’s inclusion. The mixed reaction to Anemone might leave Daniel Day-Lewis out of Best Actor. That makes the chances of Sean Bean making the quintet remote at best.
The only unseen performance worth mentioning in my view is Jonathan Bailey in Wicked: For Good. He managed a SAG nod as Fiyero in part 1 last year. If part 2 is generally perceived as equal to what preceded it, the cast could be rewarded beyond Cynthia Erivo and Ariana Grande.
So there you have it, readers! I would say Penn, Skargård and Mescal are in with Sandler, Strong, del Toro, Lindo, Scott, Elorodi and Bailey battling for the remaining two slots. Let’s see if and how that changes as the weeks roll along. My in-depth look at Supporting Actress is up next!
What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.
It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…
Mickey 17, Bong Joon-ho’s follow=up to his Oscar juggernaut Parasite, looks to rule the charts this weekend and end the three-week reign of Captain America: Brave New World. We also have Rule Breakers from Angel Studios and you can peruse my prediction posts on the newcomers here:
With a forecast in the upper teens (which isn’t oh so fine), I’m not as optimistic as some others on Mickey 17. The sci-fi satire with Robert Pattinson should benefit from the Joon-ho goodwill, but I’m not convinced that equates to a gross north of $20 million.
As for Rule Breakers with Phoebe Waller-Bridge, lower to mid single digits could place it in fourth or fifth with third being the best case scenario if it exceeds my projection.
Captain America: Brave New World should slide to second with a low to mid 40s dip while Last Breath and The Monkey populate the remainder of the top five.
Here’s how I see it playing out:
1. Mickey 17
Predicted Gross: $17.9 million
2. Captain America: Brave New World
Predicted Gross: $8.4 million
3. Last Breath
Predicted Gross: $4.6 million
4. Rule Breakers
Predicted Gross: $3.7 million
5. The Monkey
Predicted Gross: $3.4 million
Box Office Results (February 28-March 2)
It was a three-peat for the MCU’s Captain America: Brave New World with $14.8 million added to its coffers. That’s ahead of my $11.8 million guesstimate as the superhero tale has taken in $163 million with $200 million in its domestic sights (though it might fall a little short of that).
Survival thriller Last Breath starring Woody Harrelson and Simu Liu was runner-up with $7.8 million and that tops my glass half empty prediction of $4.8 million. That’s at the better end of its anticipated range.
The Monkey was third in its sophomore outing with $6.4 million, a tad ahead of my $5.7 million call. The horror comedy stands at $24 million after ten days.
Paddington in Peru was fourth with $4.5 million (I said $3.9 million) for $31 million overall after three weeks.
Dog Man rounded out the top five with $4.2 million (I went with $3.7 million). The five-week tally is $84 million as it will try and reach $100 million stateside.
In what should be a quiet box office weekend, survival thriller Last Breath with Woody Harrelson and Simu Liu hopes to find an audience while Captain America: Brave New World seeks to three-peat. You can find my detailed prediction post on Breath here:
Despite a troubling 68% sophomore plummet, Captain America should manage a third weekend atop the charts due to lack of competition. It may, however, not even reach low teens this time around.
The best case scenario for Breath would be second place, but it could place anywhere from runner-up to fifth depending on drops of holdovers.
The Monkey, with a C+ Cinemascore grade, is likely to experience a heftier decline over family fare offerings Paddington in Peru and Dog Man (though it could remain in second).
Here’s how I see the top five shaking out in a cinematic frame where audiences might be more transfixed by the Oscars:
1. Captain America: Brave New World
Predicted Gross: $11.8 million
2. The Monkey
Predicted Gross: $5.7 million
3. Last Breath
Predicted Gross: $4.8 million
4. Paddington in Peru
Predicted Gross: $3.9 million
5. Dog Man
Predicted Gross: $3.7 million
Box Office Predictions (February 21-23)
As mentioned, the MCU’s 35th feature Captain America: Brave New World cratered in its second outing with a near 70% fall. It made $28.1 million, in line with my $29.6 million call, for a $141 million ten-day overall take.
Horror comedy The Monkey performed toward the lower end of its expected range at $14 million. I was more generous at $18.2 million. Look for it to fade quickly like Companion did.
Holdovers generally went under my forecasts with Paddington in Peru third at $6.5 million compared to my $8.9 million estimate. The two-week total is an underwhelming $25 million.
Dog Man was fourth with $5.8 million, under my $7.1 million prediction for $78 million in its four weeks of release.
Ne Zha 2 rounded out the top five and I incorrectly didn’t have it listed. The Chinese animated fantsy took in $3 million to bring its two-week tally to $14 million.
Heart Eyes was sixth with a ginormous 73% dip to $2.7 million in its third weekend for $26 million in the bank.
Finally, The Unbreakable Boy with Zachary Levi was another snoozer for Lionsgate in 8th. It made $2.3 million and I projected it at $3 million.
Based on a true story and a 2019 documentary of the same name, Focus Features hopes audiences take in Last Breath this Friday. The survival thriller about a deep sea rescue comes from Alex Parkinson (who made the doc) with a cast including Woody Harrelson, Simu Liu, Finn Cole, and Cliff Curtis.
Audience anticipation seems to be considerably under the surface. I don’t think this even gets to $5 million. My meager estimate should still be enough for a number 3 debut since this should be a quiet weekend at the box office.
Last Breath opening weekend prediction: $4.8 million
Scarlett Johansson and Channing Tatum look to provide Fly Me to the Moon with some financial liftoff this weekend. The rom com is set during the 1960s space race with Greg Berlanti directing. Costars include Jim Rash, Anna Garcia, Ray Romano, and Woody Harrelson. Its box office prospects are shaky (I have it debuting to around $12 million) and reviews aren’t gushing.
Fly has a fair if not over the moon 70% Rotten Tomatoes score. Several critics are praising the star power of the headliners, particularly Johansson. The actress received her first and second Academy noms in 2019 for Marriage Story (lead Actress) and Jojo Rabbit (Supporting Actress). This will not be #3 and I don’t see Moon factoring in anywhere else. However, Johansson could contend in Actress in a Musical/Comedy at the Golden Globes depending on competition strength. My Oscar Prediction posts will continue…
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