97th Academy Awards: The FINAL State of the Best Supporting Actor Race

My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:

Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.

There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.

So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.

That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.

There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.

With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?

Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.

Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.

Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.

Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.

Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).

There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!

Nosferatu Box Office Prediction

Focus Features is hoping horror fans sink their teeth into Nosferatu when it premieres on Christmas. A remake of the 1922 German classic which adapted Bram Stoker’s Dracula, Robert Eggers directs. Bill Skarsgård takes on another classic scary villain after Pennywise in the It chapters. Costars include Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe.

Reviews are strong with 93% on Rotten Tomatoes and an 82 Metacritic score. This caps off a year filled with numerous acclaimed fright features. Nosferatu could manage the largest debut among the holiday openings considering its only real competition is A Complete Unknown.

During this season, newcomers often start out lower than they typically would and develop stronger legs into January. With 12/25 falling on a Wednesday, I’ll project Nosferatu manages low teens from Friday to Sunday with close to an equal amount when factoring in Christmas and the day after.

Nosferatu opening weekend prediction: $14.8 million (Friday to Sunday estimate); $26.4 million (Wednesday to Sunday)

For my A Complete Unknown prediction, click here:

For my Babygirl prediction, click here:

For my The Fire Inside prediction, click here:

Oscar Predictions: Nosferatu

Acclaimed filmmaker Robert Eggers brings his version of Nosferatu to multiplexes on Christmas Day with Bill Skarsgård embodying the iconic vampire. Based on the 1922 classic German film which was spawned from Bram Stoker’s Dracula, this is Eggers’ fourth feature after the critically praised The Witch, The Lighthouse, and The Northman. Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe populate his dark vision.

The review embargo lifted over three weeks before the opening and critics are (sorry…) mostly sinking their teeth into this. With 96% on Rotten Tomatoes and 81 on Metacritic, the question isn’t whether Nosferatu gets Oscar nods. It’s how many. That’s because I’m confident tech nods are coming its way. Makeup & Hairstyling, Costume Design, Cinematography, and Production Design all seem achievable and I had it nabbing those four nods in my predictions from yesterday. Sound and (to a lesser degree) Visual Effects and Original Score could be on the menu.

As for above the line mentions, that is more questionable. Lily-Rose Depp is drawing raves for her lead work, but Best Actress is probably too crowded and I don’t currently have her in my top 10. Skarsgård, who terrified us as Pennywise in It, is being lauded for his supporting role. Yet we know the Academy doesn’t warm to performances in the horror genre.

I wouldn’t completely discount Picture or Eggers in director. Nosferatu‘s stock could rise exponentially if it grabs AFI or National Board of Review best of slots. For now, I feel more comfortable having the film and its maker on the outside looking in for recognition while below the lines noms should be materializing. My Oscar Prediction posts will continue…

Saturday Night Box Office Prediction

Arriving in wide release exactly 49 years to the day from the event it showcases, Saturday Night expands nationwide on October 11th. From Jason Reitman, the dramedy recounts the 90 minutes leading up to the premiere of Saturday Night Live. Gabriel LaBelle stars as Lorne Michaels with a large supporting cast including Rachel Sennott, Cory Michael Smith (getting a lot of solid buzz as Chevy Chase), Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (pulling double duty as Andy Kaufman and Jim Henson), Cooper Hoffman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste (who also provides the score).

The behind the scenes showbiz tale first premiered at Telluride to mostly favorable reaction. The RT score is 80% with 63 on Metacritic. This could contend for one of the ten slots in Best Picture at the Academy Awards, but it’s not a slam dunk nominee.

Opening just as SNL kicks off its 50th season certainly helps exposure. It debuted in five venues on September 27th in New York and L.A. to a robust $53k per screen average (second best this year after Kinds of Kindness). Saturday Night expands slightly on October 4th before the 2000 screen rollout on the 49th anniversary.

This was rightly anticipated to start out well on the coasts. I’m unconvinced general audiences will make this a sizable hit even with the (not exactly loud) awards chatter and decades long familiarity with the source material. I’m not sure this gets to $10 million and I’m putting it under.

Saturday Night opening weekend prediction: $7.8 million

For my Terrifier 3 prediction, click here:

For my My Hero Academia: You’re Next prediction, click here:

For my Piece by Piece prediction, click here:

For my The Apprentice prediction, click here:

Venice Makes Room for Next Door

The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.

What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.

Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.

The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).

In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).

Keep checking the blog for rolling awards coverage!

Beetlejuice Beetlejuice Review

Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.

Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.

When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.

Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!

There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.

Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.

So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.

**1/2 (out of four)

Oscar Predictions: Saturday Night

Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?

The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.

Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.

As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.

At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

Oscar Predictions: Beetlejuice Beetlejuice

It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.

Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.

Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.

Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…

Kinds of Kindness Box Office Prediction

Kinds of Kindness is the latest offering from Yorgos Lanthimos and it hits just months after the filmmaker’s multi Oscar nominee Poor Things. The dark comedy anthology stars Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer.

After a Cannes premiere that yielded mostly positive reviews, the RT score now stands at a respectable if not overwhelming 73%. This is not expected to be the awards player that Poor Things was (four wins in 11 nominations including Stone for Best Actress). That buzz certainly assisted in getting Things to a $34 million domestic gross.

Kindness did open on 5 screens this weekend in NY/LA and it posted the strongest per theater average of 2024 with an estimated $350k or $70k per. On June 28th, it will see an expansion to 500+ venues across the nation.

How this plays between the coasts is a trickier proposition. I’ll say the wider rollout gives it another $3 million and change as I don’t see it reaching Poor numbers.

Kinds of Kindness opening weekend prediction: $3.2 million

For my A Quiet Place: Day One prediction, click here:

For my Horizon: An American Saga – Chapter 1 prediction, click here: