Tag: Vincent D’Onofrio

Oscar Predictions: Caught Stealing

At the 95th Academy Awards honoring the movies and performances of 2022, Darren Aronofsky directed Brendan Fraser to a Best Actor victory for The Whale. The runner-up that year was probably Austin Butler as Elvis. Aronofosky’s Whale follow-up is NYC crime thriller Caught Stealing (out Friday) and he snagged Butler for the lead role. Costars include Regina Hall, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane.

Several early reviews indicate this is a 90s throwback that properly entertains. Rotten Tomatoes is at 81% with Metacritic at 69. Unlike The Whale, this does not appear to have awards aspirations. The late August release basically indicates that. Some critics point out its comedic aspects and it will be interesting to see if Sony campaigns Butler in Best Actor in a Musical or Comedy at the Golden Globes. He won that race in the Drama competition (over Fraser) at that ceremony in early 2023. I doubt he’ll be a Globe nominee this time around, but it’s worthy of mention. My Oscar Prediction posts will continue…

Caught Stealing Box Office Prediction

Darren Aronofsky helms the late 90s set NYC crime thriller Caught Stealing, which Sony is hoping can nab some holiday weekend dollars when it debuts August 29th. Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane are among the ensemble.

Said to be more audience friendly than most of Aronofsky’s efforts, Stealing still faces the same challenges that most late summer offerings do. Multiplexes are often a desolate place over the Labor Day frame. Buzz for this seems quiet and I suspect it may come in behind fellow newcomer The Roses.

Caught Stealing opening weekend prediction: $6.3 million (Friday to Monday estimate)

For my The Roses prediction, click here:

The Roses Box Office Prediction

For my Jaws 50th Anniversary prediction, click here:

Jaws 50th Anniversary Box Office Prediction

For my The Toxic Avenger Unrated prediction, click here:

The Toxic Avenger Unrated Box Office Prediction

Oscar Predictions: Wildcat

Ethan Hawke, a two-time Oscar nominee for acting (Training Day, Boyhood) and a two-time nominee for writing (Before Sunset, Before Midnight), is behind the camera for Wildcat. The biographical drama is headlined by his daughter Maya Hawke as novelist Flannery O’Connor. Costars include Laura Linney, Philip Ettinger, Rafael Casal, Cooper Hoffman, Steve Zahn, Vincent D’Onofrio, Alessandro Nivola, and Liam Neeson.

It debuted at the Telluride Film Festival last September to considerably mixed reactions. Now it is heading toward a limited theatrical engagement this weekend with a RT score of just 47%. Marking Hawke’s first directorial effort since 2018’s little-seen Blaze (which received glowing reviews), this will not be a topic of awards conversations months down the line. My Oscar Prediction posts will continue…

Dumb Money Box Office Prediction

After premiering at the Toronto Film Festival and performing decently (though not spectacularly) in limited fashion, Craig Gillespie’s Dumb Money opens wide in theaters on September 29th. It recounts the 2021 true life of GameStop’s brief and unexpected explosion on the stock market. The large ensemble includes Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen.

There’s plenty of comps to The Big Short (while not as effusive) as the dramedy holds a steady 83% on Rotten Tomatoes. The platform release includes showing on over 600 screens this weekend. I’ve yet to see a final count for the next frame, but it should be on at least 2000 screens. If that number changes, my projection could. Same goes for how it performs in around 600 venues.

The smart money is a projection in the $5-8 million range and I’ll put it right in the lower end of that scale.

Dumb Money opening weekend (wide expansion) prediction: $5.5 million

For my The Creator prediction, click here:

The Creator Box Office Prediction

For my Saw X prediction, click here:

Saw X Box Office Prediction

For my PAW Patrol: The Mighty Movie prediction, click here:

PAW Patrol: The Mighty Movie Box Office Prediction

Oscar Predictions: Dumb Money

Craig Gillespie’s Dumb Money is one of the higher profile debuts at the Toronto Film Festival. It recounts 2021’s life is stranger than fiction tale of stock manipulation causing GameStop to become the #1 financial property. Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen star.

The trailer and subject matter hinted we were entering The Big Short territory. That 2015 similarly themed pic netted 5 Academy nods, including Best Picture and a victory in Adapted Screenplay. Dumb sits at 86% on Rotten Tomatoes based on Ontario reactions. I wouldn’t completely discount it resonating with awards voters. However, I suspect Adapted Screenplay might be the only race where it has a shot of getting in (despite kudos for Davidson and Ferrera in particular for their supporting parts). In other words, anticipate it falling short of The Big Short. My Oscar Prediction posts will continue…

Oscar Predictions: The Unforgivable

Out in theaters today before its Netflix premiere on December 10th is The Unforgivable from director Nora Fingscheidt. A remake of the 2009 British miniseries Unforgiven, Sandra Bullock stars as a convicted felon adjusting to life on the outside. Costars include Vincent D’Onofrio, Jon Bernthal, Rob Morgan, and Viola Davis.

On paper, this looks like the type of role that could muster up awards chatter for Bullock. She’s a two-time nominee and one time winner, taking the gold 12 years ago for The Blind Side and nabbing a nod for 2013’s Gravity. However, the drama skipped the fall’s festival circuit and it’s been flying under the radar during the season.

Now we might know why. Early reviews aren’t very kind and it stands at 36% on Rotten Tomatoes. While some critics are praising her performance, the Best Actress competition is crowded already. Netflix might attract plenty of viewers (Bullock’s previous effort for the streamer was the hit Bird Box). I’m confident that we will not be blindsided by a nomination for its lead on the morning of nominations. My Oscar Prediction posts for the films of 2021 will continue…

The Eyes of Tammy Faye Review

Jessica Chastain is so fabulous in Michael Showalter’s The Eyes of Tammy Faye that it’s tempting to forgive how much of a standard biopic it really is. Under layers of foundation, eye shadow, and drawn on lips, the actress playing televangelist Tammy Faye Bakker is always fascinating to witness. The film’s foundation is shakier with an over reliance on montages and a frequent unwillingness to truly peel away the layers of its subjects.

We meet Tammy when she finds the Holy Spirit as a poor young girl in the late 1950s. Her cheerful attitude confounds her grounded in realism mother (Cherry Jones), who’s considered an outcast due to a divorce. By the mid 60s, our devoted Christian soldier meets Jim Bakker (Andrew Garfield) in college. He’s a different kind of aspiring pastor – not afraid to preach the gospel of fun and materialism. Tammy is his perfect match in building an eventual empire through the PTL Network (at one time the fourth most watched channel on TV).

Their union and the fidelity of their followers doesn’t always circle with the more square Jerry Falwell (Vincent D’Onofrio), who Jim looks up to but his wife eyes with caution. Speaking of fidelity, it comes into focus as the couple become more famous. Tammy’s attraction to her music producer (Mark Wystrach) is nearly requited while Jim’s own wandering eye is hinted at in different ways. Their relationship gets the most screen time in Abe Sylvia’s screenplay (based on a 2000 documentary of the same name). It’s at the expense of other areas of Tammy Faye’s life that are glossed over.

A key one is the script’s general resistance to delving into what caused the Bakkers fall from grace (dubbed Pearlygate for them and other clergy by the late 80s). Eyes definitely sees Tammy Faye as a sympathetic figure and in many respects she was. Her compassion for AIDS patients was at a period when that came with great risk to the business. The complicated alliance with Jim is presented as one of blind faith for Tammy. Garfield succeeds in making his character a multifaceted one. He’s neither portrayed as a greedy monster or a misunderstood prophet. The actor deserves the lion’s share of credit over the words written for him.

That certainly holds true for Chastain. From her squeaky Minnesota accent (she sounds like Betty Boop crossed with Marge from Fargo) to her ever present Diet Coke (it’s her only addiction until pills come into play), this could have been played for parody. Chastain is far too talented a performer for that. She alone, along with a few showdowns with her deep in debt hubby, makes Eyes highly watchable. However, it never genuinely gets behind the makeup with its conventional storytelling.

**1/2 (out of four)

The Eyes of Tammy Faye Box Office Prediction

**Blogger’s Note (09/16): On the eve of its premiere, it seems this is opening in a more limited fashion than I originally thought. Therefore my estimate is revised down from $3.4 million to $1.7 million.

Fresh off its Toronto Film Festival premiere yesterday, The Eyes of Tammy Faye makes its way to multiplexes on Friday. From director Michael Showalter (best known for The Big Sick), the biopic of televangelist Tammy Faye Bakker is already generating Oscar buzz for Jessica Chastain. Andrew Garfield plays hubby Jim with a supporting cast including Vincent D’Onofrio and Cherry Jones.

Reviews for the film itself are decent (it’s at 70% on Rotten Tomatoes). Eyes is not available on any streaming service. The theatrical only output presents one current challenge for this estimator. I have yet to see a screen count and that makes projecting an opening gross challenging.

I may well revise this prediction when I do see some numbers, but a baseline in the $3-4 million range sounds reasonable at the moment.

The Eyes of Tammy Faye opening weekend prediction: $1.7 million

For my Cry Macho prediction, click here:

Cry Macho Box Office Prediction

For my Copshop prediction, click here:

Copshop Box Office Prediction

Oscar Predictions: The Eyes of Tammy Faye

The Best Actress race just got more interesting and we can thank Jessica Chastain for that. Michael Showalter’s The Eyes of Tammy Faye has emerged from the Toronto Film Festival. While the reviews for the film are mixed, Chastain’s performance as Tammy Faye Bakker is drawing raves.

Based on a 2000 documentary, this dramatized bio of the extreme makeup wearing televangelist and her husband Jim (Andrew Garfield) has never been pegged as much of a Best Picture contender. The critical reaction confirms that. Mr. Garfield is getting some solid notices. I question whether he gains traction in the acting derby. He’ll have another shot in 2021 with the as yet unseen Tick, Tick… Boom! If that one doesn’t materialize, Searchlight could push him in supporting.

Chastain is another story with her viability. She appears firmly in line for her third nomination. The first was in 2011 in supporting for The Help. Her second came the next year in lead for Zero Dark Thirty. Not only does she seem headed for Oscar recognition, she could be a threat to win. In other words, we may not want to crown Kristen Stewart (Spencer) the victor yet.

Makeup and Hairstyling is another obvious race where this could get in. Perhaps the gaudy 80s fashion will be noticed for Costume Design.

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain. My Oscar Prediction posts for the films of 2021 will continue…

Death Wish Box Office Prediction

Bruce Willis is back on the big screen next weekend with Death Wish, a remake of the 1974 action pic that starred Charles Bronson. Coming from director Eli Roth, the pic costars Elisabeth Shue, Vincent D’Onofrio, Dean Norris, Kimberly Elise, and Mike Epps.

Willis will be in full vigilante mode and those familiar with Death Wish know it spawned numerous sequels of highly questionable quality. The star of the proceedings has been a bit of a stranger to multiplexes in recent years as many of his films have gone the direct to VOD route.

Competition is certainly there with Jennifer Lawrence’s Red Sparrow debuting against it and also making a play for R rated genre fans. That said, if Den of Thieves could pull in $15.2 million in January, I believe this could put up fairly similar numbers and perhaps a bit higher.

Death Wish opening weekend prediction: $16.6 million

For my Red Sparrow prediction, click here:

https://toddmthatcher.com/2018/02/21/red-sparrow-box-office-prediction/