Ang Lee’s war drama Billy Lynn’s Long Halftime Walk makes its way to theaters next weekend in wide release and expectations for it have been tampered down a bit. The film, based on a bestseller by Ben Fountain, had been looked at as a major awards contender for the bulk of 2016. After all, Lee has won the Best Director prize at the Oscars twice (for Brokeback Mountain and Life of Pi) and it just looked the kind of picture that the Academy might take a liking to. Newcomer Joe Alwyn stars in the title role alongside a stellar supporting cast that includes Kristen Stewart, Chris Tucker, Garrett Hedlund, Vin Diesel, and Steve Martin.
Walk has also received significant publicity to the manner in which it was shot at 120 frames per second (translate that to very high definition). Yet something unexpected happened when this screened at the New York Film Festival nearly a month ago. Critics were sharply divided as to both its dramatic and visual quality. In fact, it stands at just 50% currently on Rotten Tomatoes. Any chances of it being an Oscar force pretty much fell along the wayside.
So where does that leave its box office prospects? Quite simply, shakier than before the buzz unfolded. If this had the aura of an Academy hopeful, it could certainly boost its grosses. Then there’s even the matter of another more critically lauded war drama having opened just two weeks prior – Mel Gibson’s Hacksaw Ridge.
The film is reportedly rolling out on a low 800 screens which would limits its prospects. Add all that up and I believe Halftime will see a debut below $10 million for just a so-so start.
Billy Lynn’s Long Halftime Walk opening weekend prediction: $9.2 million
For my Fantastic Beasts and Where To Find Them prediction, click here:
One of the largest pieces of the Oscar puzzle came into sharper focus tonight as Ang Lee’s BillyLynn’sLongHalftimeWalk premiered at the New York Film Festival. For months, the film has rightfully been looked at as a massive awards contender. After all, the director has won two Best Director awards for BrokebackMountain and LifeofPi.
Based on its initial screening, it appears Walk has taken a significant hit. Early critical reaction is quite mixed and several reviews have been negative. I’ve had this pegged at between 2-5 for the last several weeks in terms of getting a Best Picture nod. I’ve also included Lee in the top 5 every week in terms of his nomination. At various junctures, I’ve also predicted Joe Alwyn (Actor), Steve Martin (Supporting Actor), Kristen Stewart (Supporting Actress), and Adapted Screenplay. Based on tonight’s buzz, that’s likely to change come Thursday when I make my next round of predictions.
Billy could still be a player in technical categories like Visual Effects and the Sound races. Yet the sound heard tonight in the Big Apple was a perceived Oscar heavyweight losing serious luster.
As readers of my blog may have seen last week, I made my first initial round of Oscar predictions last week. Now… we move onto the next phase. Every Thursday, I will be giving my weekly updated Oscar predictions in the following categories: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Original Screenplay, Adapted Screenplay.
When we get into the later part of the year, the list will expand to include other categories. Each Thursday, I will list 25 possibilities for Best Picture and 15 possibilities for the other races and you’ll be able to track whether the picks go up or down on a weekly basis.
Please note that if I rank something #1 in a certain race, it doesn’t mean I think it’ll win. It means I think its nomination is currently the most probable. The film festival season (especially Toronto) can and probably will alter some of these picks even next week.
Let’s get right to it, shall we?
Best Picture
Predicted Nominees:
1) La Land Land
2) Billy Lynn’s Long Halftime Walk
3) Silence
4) Fences
5) Moonlight
6) Loving
7) Manchester by the Sea
8) Nocturnal Animals
9) American Pastoral
Other Possibilities:
10) The Birth of a Nation
11) Lion
12) Jackie
13) Arrival
14) 20th Century Women
15) Hidden Figures
16) Sully
17) Passengers
18) Hell or High Water
19) Allied
20) Moana
21) The Founder
22) The Jungle Bok
23) Collateral Beauty
24) Gold
25) Live by Night
Best Director
Predicted Nominees:
1) Damien Chazelle, La La Land
2) Ang Lee, Billy Lynn’s Long Halftime Walk
3) Martin Scorsese, Silence
4) Kenneth Lonergan, Manchester by the Sea
5) Denzel Washington, Fences
Other Possibilities:
6) Barry Jenkins, Moonlight
7) Jeff Nichols, Loving
8) Tom Ford, Nocturnal Animals
9) Nate Parker, The Birth of a Nation
10) Denis Villenueve, Arrival
11) Garth Davis, Lion
12) Ewan McGregor, American Pastoral
13) Theodore Melfi, Hidden Figures
14) Pablo Larrain, Jackie
15) Mike Mills, 20th Century Women
Best Actor
Predicted Nominees:
1) Denzel Washington, Fences
2) Casey Affleck, Manchester by the Sea
3) Joel Edgerton, Loving
4) Michael Keaton, The Founder
5) Joe Alwyn, Billy Lynn’s Long Halftime Walk
Other Possibilities:
6) Tom Hanks, Sully
7) Jake Gyllenhaal, Nocturnal Animals
8) Ryan Gosling, La La Land
9) Dev Patel, Lion
10) Trevante Rhodes, Moonlight
11) Bryan Cranston, Wakefield
12) Ewan McGregor, American Pastoral
13) Nate Parker, The Birth of a Nation
14) Andrew Garfield, Silence
15) Miles Teller, Bleed for This
Best Actress
Predicted Nominees:
1) Emma Stone, La La Land
2) Viola Davis, Fences
3) Natalie Portman, Jackie
4) Ruth Negga, Loving
5) Annette Bening, 20th Century Women
Other Possibilities:
6) Amy Adams, Nocturnal Animals
7) Isabelle Huppert, Elle
8) Meryl Streep, Florence Foster Jenkins
9) Amy Adams, Arrival
10) Rooney Mara, Una
11) Taraji P. Henson, Hidden Figures
12) Jennifer Lawrence, Passengers
13) Emily Blunt, The Girl on the Train
14) Jessica Chastain, Miss Sloane
15) Marion Cotillard, Allied
Best Supporting Actor
Predicted Nominees:
1) Steve Martin, Billy Lynn’s Long Halftime Walk
2) Liam Neeson, Silence
3) Mahershala Ali, Moonlight
4) Michael Shannon, Nocturnal Animals
5) Stephen Henderson, Fences
Other Possibilities:
6) Lucas Hedges, Manchester by the Sea
7) Hugh Grant, Florence Foster Jenkins
8) Aaron Eckhart, Bleed for This
9) Warren Beatty, Rules Don’t Apply
10) Timothy Spall, Denial
11) Billy Crudup, 20th Century Women
12) Vin Diesel, Billy Lynn’s Long Halftime Walk
13) John Legend, La La Land
14) Aaron Eckhart, Sully
15) Jeff Bridges, Hell or High Water
Best Supporting Actress
Predicted Nominees:
1) Michelle Williams, Manchester by the Sea
2) Naomie Harris, Moonlight
3) Laura Linney, Nocturnal Animals
4) Kristen Stewart, Billy Lynn’s Long Halftime Walk
5) Bryce Dallas Howard, Gold
Other Possibilities:
6) Dakota Fanning, American Pastoral
7) Greta Gerwig, 20th Century Women
8) Aja Naomi King, The Birth of a Nation
9) Nicole Kidman, Lion
10) Octavia Spencer, Hidden Figures
11) Julianne Moore, Maggie’s Plan
12) Elle Fanning, 20th Century Women
13) Helen Mirren, Collateral Beauty
14) Margo Martindale, The Hollars
15) Laura Dern, The Founder
Best Original Screenplay
Predicted Nominees:
1) Manchester by the Sea
2) Moonlight
3) La La Land
4) Loving
5) Jackie
Other Possibilities:
6) 20th Century Women
7) Hell or High Water
8) The Lobster
9) The Birth of a Nation
10) The Founder
11) Zootopia
12) Gold
13) Passengers
14) Rules Don’t Apply
15) Allied
Best Adapted Screenplay
Predicted Nominees:
1) Fences
2) Billy Lynn’s Long Halftime Walk
3) Nocturnal Animals
4) Silence
5) American Pastoral
Other Possibilities:
6) Lion
7) Hidden Figures
8) Arrival
9) Love & Friendship
10) The Girl on the Train
11) Elle
12) Sully
13) Live by Night
14) Denial
15) The Jungle Book
And that’ll do it for now, folks! My weekly updates will be back next Thursday…
Continuing on with my first round of Oscar predictions, day two brings us to Best Supporting Actor. In both 2014 and 2015, my late August/early September initial picks yielded two out the eventual five nominees. Last year, these first picks correctly identified winner Mark Rylance in Bridge of Spies.
There are plenty of contenders to list at this early stage. One of the big question marks in plenty of categories is Martin Scorsese’s Silence, a passion project and historical drama that has yet to release a trailer or announce when it’s coming out. It is assumed that it’ll be out in time for Oscar consideration. If so, Liam Neeson is likely to be a contender in this race (and maybe costar Adam Driver).
As mentioned yesterday with Kristen Stewart in Supporting Actress, Ang Lee’s Billy Lynn’s Long Halftime Walk appears to be a potential major awards player and the beloved Steve Martin could reap the benefits with his first ever acting nod. Vin Diesel, Chris Tucker, and Garrett Hedlund are also possibilities.
Michael Shannon could be under consideration for two high-profile fall entries – Jeff Nichols’ Loving or Tom Ford’s Nocturnal Animals.
Barry Jenkins’ indie African-American romantic drama Moonlight is getting attention (I predicted Naomie Harris yesterday for Supporting Actress recognition) and Mahershala Ali (known to many as Remy Danton on Netflix’s “House of Cards”) could find himself in the mix.
Damien Chazelle’s La La Land is also expected to garner Oscar talk (it’ll screen for critics on the festival circuit in days) and it could feature a breakout role for singer John Legend.
And there’s many more possibilities, including Warren Beatty’s return to the silver screen in Rules Don’t Apply. There’s John Goodman’s already acclaimed work in 10 Cloverfield Lane (though the genre could make him a long shot). Or maybe a first nomination for Hugh Grant in Florence Foster Jenkins. And there’s two movies that Aaron Eckhart could find himself being considered for.
As always, the list will be updated in the weeks and months ahead, but for now…
TODD’S EARLY OSCAR PREDICTIONS – BEST SUPPORTING ACTOR
Vin Diesel puts the car in park and stars in his first non franchise sequel in over seven years as The Last Witch Hunter hits screens next Friday. The supernatural action pic features Diesel in the title role with Rose Leslie, Elijah Wood, and Michael Caine in the supporting cast.
Other than his voice only role in 2014’s Guardians of the Galaxy, Diesel’s screen appearances in the last few years has been limited to the Fast and Furious series and the third entry in the Riddick series. The last time he starred in a franchise hopeful that wasn’t ongoing was 2008’s Babylon A.D., which stumbled with a $9.4 million debut.
Diesel seems confident in Hunter‘s box office appeal and has hinted that a sequel is forthcoming. However, in order for that to occur, this needs to at least come close to reaching its reported $90 million budget. That could be tricky stateside. There’s a lot of competition out there and some supernatural genre fans could turn their attention instead to the latest Paranormal Activity flick, which opens against it.
I’ll predict The Last Witch Hunter manages a gross in the mid teens, which is likely not enough to scare up anticipation for Diesel’s sequel. There’s always Fast 8.
The Last Witch Hunter opening weekend prediction: $15.8 million
The adrenaline fused junk food soap opera that is the Fast and Furious franchise has met with real life in its seventh installment, Furious 7. The pic faced the unenviable task of addressing the death of one its signature stars Paul Walker, who lost his life in a car accident in 2013. The filmmakers handle it in a delicate and touching way at the conclusion and manage to give fans of the franchise what they’ve come to anticipate from this multicultural action fest. It’s got everything you’d expect: ridiculous and often cringe inducing one liners, incredibly choreographed sequences with cars doing things they have no business doing, beautiful scenery on both the human and geographical scale, and lots of dialogue about family (which hits closer than normal considering the events with Walker).
The plot of these proceedings is always secondary, of course. Furious 7 actually picks up after the events of Tokyo Drift, the series third entry and its weakest. This would be after the death of team member Han and our new villain is Deckard Shaw (Jason Statham), the older brother of part 6’s dearly departed villain Owen. Deckard is out for revenge and that means he’s targeting the whole crew, led by Dom (Vin Diesel), Brian (Walker), and Letty (Michelle Rodriguez), who’s still suffering from her amnesia as a result of her near death in part 4. The other usual suspects return including Tyrese Gibson, Ludacris, and Jordana Brewster. And there’s Dwayne Johnson back as Hobbs, the gloriously over the top federal agent who is responsible for some of the silliest bits of dialogue. One notable newcomer is Kurt Russell as a shadowy government agent and the veteran performer seems to be having a lot of fun.
Where the Furious movies succeed or fail depends mostly on the action set pieces and 7 has some dandies. The whole midsection set in Abu Dhabi gives us some real thrills, particularly a sequence involving a multi million dollar car crashing through multiple buildings. The eventual climax back in the homeland of Los Angeles involves predator drones, a pretty far cry from a franchise that used to be concerned with just car tricks. When part 5 was released, the Onion newspaper hilariously pontificated that its screenwriter Chris Morgan was actually a kindergartner. He continues to write these pictures and by my math, he’d be in fourth grade now. Sometimes it still feels as if an elementary student is writing the words here, but that’s not really the point. In Furious world, what counts is the adventure on the screen. And there’s plenty of excitement that James Wan (a new director to the series) conjures up here. It’s pretty simple. If you like this franchise, you’ll like what you see the seventh time around. And you might be a little surprised at how just a completely unsubtle series handles the loss of one its biggest stars with a subtle touch.
This Friday, the eagerly awaited Furious 7 looks to pass a number of box office milestones: biggest opening so far in 2o15 and highest debut of the fourteen year old franchise. Conjuring director James Wan takes over the series from Justin Lin.
The last two entries of the Fast and Furious series have brought the franchise to new heights. 2011’s Fast Five opened to $86.1 million with a final domestic tally of $209 million. Two years ago, Fast & Furious 6 topped that with a $97.3 million premiere and a $238 million eventual haul.
As tragic as it is, there is little doubt that star Paul Walker’s untimely death contributes to a curiosity factor here. This will be the last screen appearance of the actor as series regulars Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, and Ludacris return. Kurt Russell and Jason Statham also join the party. Reviews have been quite strong and it sits at 86% currently on Rotten Tomatoes.
Furious 7 needs to surpass the $95 million that Captain America: The Winter Soldier made last year to post the largest April opening of all time. As I see it, it will blast past that mark with relative ease to earn that designation and set the franchise record in the meantime.
Furious 7 opening weekend prediction: $117.4 million
Marvel Studios is back in action this Friday with Guardians of the Galaxy, their $170 million dollar project that is certainly more of a gamble than their previous megahits. It’s based on a comic book not nearly as well-known as Iron Man, Captain America, or Thor – in other words, the Avengers cast.
Still positive signals are sprouting up. The James Gunn directed saga boasts a 100% current score on Rotten Tomatoes and TV spots are omnipresent. The cast features Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, and Bradley Cooper as the voice of Rocket, a genetically engineered raccoon.
While Guardians is not likely to match the $95M debut that the latest Disney/Marvel pic, Captain America: The Winter Soldier, opened at – a healthy debut is expected. I foresee a premiere in the mid seventies and if word of mouth is solid (and it should be), it could have a nice run at the #1 spot.
Guardians of the Galaxy opening weekend prediction: $74.6 million
2006’s The Fast and the Furious: Tokyo Drift is the third entry in the series. It brings in a new cast and places its setting on a new continent. The results, however, are not too pleasing.
With Paul Walker, Tyrese, and everyone else out of the picture (for now), Tokyo Drift centers on Sean, a rebellious high school kid who loves drag racing. So much so that Sean gets into trouble after one particularly fouled up race and is sent to Tokyo to live with his military father.
Sean is played by Lucas Black, who you may remember as the kid from Sling Blade. He grew up to look a little bit like a young Dave Matthews. And he definitely grew up… I couldn’t help but chuckle when his character is supposed to be 17. The actor was 24 when he played the role. He looks 28. There’s one scene where some girls are flirting with Sean and his friend exclaims, “Ladies, he’s underage!” I wanted to shout “No he isn’t!!” back at the screen.
With the move to Tokyo, Sean strikes up a friendship with a famous actor played by Bill Murray who’s in town to shoot a liquor commercial. Wait. Wrong movie. Sean actually strikes up a friendship with Twinkie, played by Bow Wow. I’m assuming at one point his name was Lil Twinkie. Of course, Twinkie gets Sean right back into the street racing world.
This mixes Sean up with DK (Brian Tee), whose uncle Mr. Kamata (the legendary Sonny Chiba) is a fixture in the Yakuza. Naturally, DK has a girlfriend Neela (Natalie Kelley) that Sean stupidly goes after. Just like Paul Walker does! And there’s also Han (Sung Kang), who works for Mr. Kamata and takes a liking to Sean.
Tokyo Drift introduces us to the practice “drifting”, in which the driver intentionally loses traction in the rear wheels to get through corners, etc… And that’s straight from Wikipedia, folks, so ya know it’s true! We even get a couple of monologues after how drifting makes you feel like a free person. Or some nonsense like that.
The movie takes a long way to get where it’s going and the first hour is quite a bore. When we finally get a pretty badass race through the streets of Tokyo, Drift makes a rather severe shift in tone that feels a bit jarring.
Although there is that aforementioned race that works and the climactic race down a mountain that is effective, Tokyo Drift is mostly weak sauce. None of the acting is particularly memorable and the screenplay feels lazy (lame references to Justin Timberlake and Beyonce stand out). Director Justin Lin takes over the franchise and he can direct action, but there’s not enough of it. Some of the production design is rather sweet looking so props to the team behind that.
By the end, we do get a cameo from a major star in the franchise. I don’t wanna give too much away, but here’s a hint. It’s not Viola Davis, but it’s an actor with the same initials. Perhaps I’ve said too much.
The original was a mixed bag that had a lot of solid moments. I found the second to be an improvement because it knew it was trash, but was often fun as hell. Tokyo Drift simply doesn’t have much going for it and it definitely the worst of the bunch so far.
** (out of four)
The blog series will continue with film #4 Fast&Furious.
It’s certainly not every weekend that you can describe the box office results as truly shocking. However, this weekend… they were truly shocking.
This is for two reasons: the over performance of Now You See Me and the under performance of After Earth. No one figured the caper flick Now You See Me had a chance of making more than Will Smith’s sci-fi pic After Earth. That’s precisely what happened.
We begin where we should though and that’s with Fast and Furious 6 remaining in the top spot with $35.1 million, a tad below my $36M projection. The sixth F+F installment experienced a sophomore weekend decline right in line with other entries in the franchise.
This brings us to #2… Now You See Me. And that would be an epic failure of predicting on my part. I grossly underestimated the picture and predicted it’d open sixth with $14.2 million. Boy, was I wrong. Garnering a rock solid A- Cinemascore average, See Me took the runner-up spot with an impressive $29.3 million. Audiences clearly were in the mood for something original and different and this seemed to be just the ticket.
And now to the enormous failure of After Earth. The M. Night Shyamalan directed sci-fi pic starring Will and Jaden Smith earned brutal reviews and, as it turns out, audience ambivalence. I incorrectly figured Smith’s star power would propel the film to a #1 opening and a $39.1 million opening weekend. Again… boy, was I wrong! Placing third, Earth debuted with a very weak $27.5 million. Earning a tepid B Cinemascore grade, expect Earth to fade fast in subsequent weekends.
Star Trek Into Darkness took fourth with $16.7 million, edging out fifth place Epic at $16.6 million. I predicted a bit more for each at $18.5M and $17.7M, respectively. And continuing its disappointing results in sixth place was The Hangover Part III, which made $16.3 million in its sophomore weekend (I predicted $17.1M).
So there you have it – not a great weekend for me predicting the new openers at all. I’ll try to do better next weekend. Tomorrow on the blog, I’ll have my opening weekend prediction for the Vince Vaughn/Owen Wilson comedy The Internship. Tuesday, my opening prediction for The Purge starring Ethan Hawke. And Wednesday, my usual Top Five predictions. Stay tuned!
All My Life... I Wanted To Be A Blogster 