It’s a wrap for the Toronto Film Festival as prognosticators awaited the naming of the People’s Choice Award. Why? It has become one of the most reliable indicators for a movie nabbing a Best Picture nomination from the Academy.
As in – 12 of the latest 13 victors have done so. Five have gone onto win the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and last year’s Nomadland. That’s one heckuva track record.
When Kenneth Branagh’s black and white coming-of-age drama Belfast premiered at Telluride and reached Toronto, it became somewhat of a surprise awards contender. Yet coming into today, it was not an unexpected development for it to take the People’s trophy.
Belfast was listed at #4 in my BP possibilities last Sunday. I can guarantee it will rank higher when I update my projections tomorrow. Simply put, Belfast can be written in pen with your ten nominees in the BP derby.
Toronto also has runners-up. They were the Canadian drama Scarborough (which shouldn’t factor into Oscar chatter) and Jane Campion’s The Power of the Dog (which certainly will). Campion already took directing honors at Cannes for Dog and the Toronto appreciation solidifies her latest as a major player. Don’t be shocked if Belfast and Dog are listed at 1-2 tomorrow and perhaps not in that order.
Bottom line: Belfast has been moving up the charts and what occurred this evening keeps it moving in the right direction.
In 2018, documentary filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin had a breakout hit with the climbing tale Free Solo. It took gold for Best Documentary Feature at the Oscars. The duo has debuted their latest true life saga The Rescue at Telluride and Toronto.
This story goes below ground in recounting the Tham Luang cave rescue in the summer of 2018. Early reviews from the festival circuit indicate they have made another stunner (100% on Rotten Tomatoes). Based on these reactions, I think it’s safe to assume The Rescue will make one of the five slots in the race that the directors triumphed in three years ago. The only caveat is that the documentary branch of the Academy is sometimes known for shocking snubs.
That said, there’s no doubt that The Rescue is not only in line for a nod, but it is a serious threat to win.
Stateside audiences may know Melanie Laurent best as Shosanna in Quentin Tarantino’s Inglourious Basterds, but the French actress has been directing in her native county for a decade now. Following Adopted (2011) and Respire (2014), her latest is The Mad Women’s Ball and it is streaming on Amazon Prime as of yesterday.
Laurent costars in the thriller that premiered days ago in Toronto. Costarring Lou de Laage and Emmanuelle Bercot, Ball currently has a 77% Rotten Tomatoes score. That’s under her predecessor Respire (93%). I’m not so sure France will even submit this for the Academy’s consideration in International Feature Film and this appears unlikely to find its way on ballots in any other categories.
My Oscar Prediction posts for the films of 2021 will continue…
The Good House, from directors Maya Forbes and Wally Wolodarsky, has premiered in Toronto and it marks the third cinematic pairing of Sigourney Weaver and Kevin Kline. The two starred in the 1993 political comedy Dave and Ang Lee’s 1997 acclaimed drama The Ice Storm.
House combines both genres and initial reviews specifically praise Weaver’s work. The three time Oscar nominee received all her nods in the 1980s with Aliens, Working Girl, and Gorillas in the Mist. A consistent fixture in leading and supporting roles for over 40 years, she could be a part away from more serious awards consideration.
I doubt The Good House lays the foundation for that. Best Actress simply looks too crowded for that occur despite the critical appreciation. My Oscar Prediction posts will continue…
For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
The film adaptation of the Tony Award winning musical drama Dear Evan Hansen hits theaters September 24. Directed by Stephen Chbosky (who made the 2012’s acclaimed indie The Perks of Being a Wallflower and 2017’s blockbuster Wonder), Hansen recasts Ben Platt in the title role. The supporting cast features Amy Adams, Julianne Moore, Kaitlyn Dever, and Amandla Stenberg.
Premiering at the Toronto Film Festival, the cinematic version has not garnered the same kudos that it did on Broadway. The Rotten Tomatoes score is 47% and many are griping about Platt (now in his late 20s) portraying a high schooler.
I might be a little more optimistic if Hansen had Oscar vibes going for it, but that’s been silenced by the critics. That said, there is a built-in audience familiar with the play and that could help. The same could have been said for this summer’s In the Heights, which majorly underperformed.
My projection is that this doesn’t quite reach double digits.
Dear Evan Hansen opening weekend prediction: $8.6 million
In 2016, Theodore Melfi’s Hidden Figures earned a Best Picture nomination. Melissa McCarthy is the beneficiary of two Oscar nods – one for her supporting comedic work in Bridesmaids ten years back and for her more dramatic turn in lead actress with 2018’s Can You Ever Forgive Me?
So on paper, The Starling might have some Academy cred. The dramedy premieres on Netflix September 24 and has screened in Toronto. Casting McCarthy as a grief stricken woman also dealing with the pesky title character, reviews are out. Several critics are downright negative. The Rotten Tomatoes score is perched at only 33%.
McCarthy has appealed to awards voters with her performances on the funny and serious side. This mix of the two won’t fly with them. My Oscar Watch posts for the films of 2021 will continue…
**Blogger’s Note (09/16): On the eve of its premiere, it seems this is opening in a more limited fashion than I originally thought. Therefore my estimate is revised down from $3.4 million to $1.7 million.
Fresh off its Toronto Film Festival premiere yesterday, The Eyes of Tammy Faye makes its way to multiplexes on Friday. From director Michael Showalter (best known for The Big Sick), the biopic of televangelist Tammy Faye Bakker is already generating Oscar buzz for Jessica Chastain. Andrew Garfield plays hubby Jim with a supporting cast including Vincent D’Onofrio and Cherry Jones.
Reviews for the film itself are decent (it’s at 70% on Rotten Tomatoes). Eyes is not available on any streaming service. The theatrical only output presents one current challenge for this estimator. I have yet to see a screen count and that makes projecting an opening gross challenging.
I may well revise this prediction when I do see some numbers, but a baseline in the $3-4 million range sounds reasonable at the moment.
The Eyes of Tammy Faye opening weekend prediction: $1.7 million
The Best Actress race just got more interesting and we can thank Jessica Chastain for that. Michael Showalter’s The Eyes of Tammy Faye has emerged from the Toronto Film Festival. While the reviews for the film are mixed, Chastain’s performance as Tammy Faye Bakker is drawing raves.
Based on a 2000 documentary, this dramatized bio of the extreme makeup wearing televangelist and her husband Jim (Andrew Garfield) has never been pegged as much of a Best Picture contender. The critical reaction confirms that. Mr. Garfield is getting some solid notices. I question whether he gains traction in the acting derby. He’ll have another shot in 2021 with the as yet unseen Tick, Tick… Boom! If that one doesn’t materialize, Searchlight could push him in supporting.
Chastain is another story with her viability. She appears firmly in line for her third nomination. The first was in 2011 in supporting for The Help. Her second came the next year in lead for Zero Dark Thirty. Not only does she seem headed for Oscar recognition, she could be a threat to win. In other words, we may not want to crown Kristen Stewart (Spencer) the victor yet.
Makeup and Hairstyling is another obvious race where this could get in. Perhaps the gaudy 80s fashion will be noticed for Costume Design.
Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain. My Oscar Prediction posts for the films of 2021 will continue…
With the Venice and Telluride Film Festivals having just wrapped and Toronto going strong, there are fresh updates to my Oscar predictions in every category but Director!
Of course, the big question from the past week might be: Will a movie with the word “pizza” in it finally get a Best Picture nomination? That’s more possible than ever since Paul Thomas Anderson’s latest (which had the working title Soggy Bottom) is now apparently called Licorice Pizza. It makes perfect sense if you research the setting.
It’ll be a while before we know how much of a contender that one actually is. There is some movement based on actual buzz and it starts with Stephen Karam’s The Humans, which has screened at Toronto. I believe it could make the BP cut and I’ve got it in. I’m also returning West Side Story to the top ten. Dropping out are CODA and King Richard, though either could certainly find themselves back in the mix.
In other developments:
Penelope Cruz’s Venice win for Best Actress gets her back in the top five. Falling out is Jennifer Hudson for Respect.
I now have Bradley Cooper as a double nominee. In addition to him maintaining the top spot in Supporting Actor for Pizza (that’s gonna take some getting used to), he’s listed in Actor for Nightmare Alley. He takes the place of Adam Driver in House of Gucci.
With category placement still in flux for certain pics, I’ve chosen to put the ensemble for Belfast all in supporting. That means Caitriona Balfe is in for Supporting Actress over her costar Judi Dench. I’m also elevating Jayne Houdyshell (The Humans) and dropping Marlee Matlin (CODA). Furthermore, I have Frances McDormand moved to supporting from lead and she sits just on the outside at #6. Kirsten Dunst takes over the #1 position over Ann Dowd in Mass.
Jamie Dornan (Belfast) also enters the competition in supporting instead of lead, but he’s not in my five. There is one change: Jason Isaacs (Mass) over Jared Leto (House of Gucci).
C’Mon C’Mon gets the 5th slot in Original Screenplay over Spencer. And Belfast is now listed first instead of Pizza.
In Adapted Screenplay, The Humans and The Lost Daughter make the cut over The Tragedy of Macbeth and CODA. The latter did not have a good week as you can see (dropping out of Picture, Supporting Actress, and here).
We are mere hours away from knowing whether Jessica Chastain (The Eyes of Tammy Faye) deserves her #3 placement in Actress. Those developments and more will be available when I update next Sunday. Until then, you can peruse all the movement below!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1)
2. Nightmare Alley (PR: 3)
3. House of Gucci (PR: 2)
4. Belfast (PR: 4)
5. Dune (PR: 6)
6. The Tragedy of Macbeth (PR: 5)
7. Licorice Pizza (PR: 7) – formerly Soggy Bottom
8. West Side Story (PR: 11)
9. Don’t Look Up (PR: 8)
10. The Humans (PR: 14)
Other Possibilities:
11. CODA (PR: 10)
12. King Richard (PR: 9)
13. The Hand of God (PR: 17)
14. Mass (PR: 12)
15. Spencer (PR: 13)
16. The French Dispatch (PR: 19)
17. Flee (PR: 16)
18. A Hero (PR: 15)
19. Tick, Tick… Boom! (PR: 20)
20. The Lost Daughter (PR: Not Ranked)
21. Passing (PR: 24)
22. Being the Ricardos (PR: 22)
23. Cyrano (PR: 18)
24. C’Mon C’Mon (PR: 25)
25. Parallel Mothers (PR: 23)
Dropped Out:
The Last Duel
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1)
2. Guillermo del Toro, Nightmare Alley (PR: 2)
3. Denis Villeneuve, Dune (PR: 3)
4. Kenneth Branagh, Belfast (PR: 5)
5. Ridley Scott, House of Gucci (PR: 4)
Other Possibilities:
6. Paul Thomas Anderson, Licorice Pizza (PR: 6)
7. Joel Coen, The Tragedy of Macbeth (PR: 7)
8. Steven Spielberg, West Side Story (PR: 10)
9. Adam McKay, Don’t Look Up (PR: 8)
10. Paolo Sorrentino, The Hand of God (PR: 15)
11. Pablo Larrain, Spencer (PR: 9)
12. Stephen Karam, The Humans (PR: Not Ranked)
13. Jonas Poher Rasmussen, Flee (PR: 13)
14. Asghar Farhadi, A Hero (PR: 11)
15. Wes Anderson, The French Dispatch (PR: Not Ranked)
Dropped Out:
Reinaldo Marcus Green, King Richard
Sian Heder, CODA
Best Actress
Predicted Nominees:
1. Kristin Stewart, Spencer (PR: 1)
2. Lady Gaga, House of Gucci (PR: 2)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)
4. Penelope Cruz, Parallel Mothers (PR: 6)
5. Olivia Colman, The Lost Daughter (PR: 4)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 5)
7. Cate Blanchett, Nightmare Alley (PR: 11)
8. Nicole Kidman, Being the Ricardos (PR: 10)
9. Rachel Zegler, West Side Story (PR: 15)
10. Emilia Jones, CODA (PR: 13)
11. Jodie Comer, The Last Duel (PR: 8)
12. Jennifer Lawrence, Don’t Look Up (PR: 12)
13. Renate Reinsve, The Worst Person in the World (PR: 14)
14. Tessa Thompson, Passing (PR: Not Ranked)
15. Halle Berry, Bruised (PR: Not Ranked)
Dropped Out:
Frances McDormand, The Tragedy of Macbeth (moved to Supporting Actress)
Caitriona Balfe, Belfast (moved to Supporting Actress)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3)
4. Peter Dinklage, Cyrano (PR: 5)
5. Bradley Cooper, Nightmare Alley (PR: 8)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 7)
7. Adam Driver, House of Gucci (PR: 4)
8. Leonardo DiCaprio, Don’t Look Up (PR: 6)
9. Clifton Collins, Jr., Jockey (PR: 9)
10. Andrew Garfield, Tick, Tick… Boom! (PR: 10)
11. Nicolas Cage, Pig (PR: 12)
12. Amir Jadidi, A Hero (PR: 13)
13. Filippo Scott, The Hand of God (PR: Not Ranked)
14. Simon Rex, Red Rocket (PR: Not Ranked)
15. Adam Driver, Annette (PR: 14)
Dropped Out:
Jamie Dornan, Belfast (moved to Supporting)
Javier Bardem, Being the Ricardos
Best Supporting Actress
Predicted Nominees:
1. Kirsten Dunst, The Power of the Dog (PR: 2)
2. Ann Dowd, Mass (PR: 1)
3. Caitriona Balfe, Belfast (PR: Not Ranked – moved from lead)
4. Jayne Houdyshell, The Humans (PR: 6)
5. Ariana DeBose, West Side Story (PR: 5)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: Not Ranked – moved from lead)
7. Marlee Matlin, CODA (PR: 4)
8. Aunjanue Ellis, King Richard (PR: 7)
9. Toni Collette, Nightmare Alley (PR: 8)
10. Rooney Mara, Nightmare Alley (PR: 12)
11. Judi Dench, Belfast (PR: 3)
12. Meryl Streep, Don’t Look Up (PR: 10)
13. Ruth Negga, Passing (PR: 9)
14. Martha Plimpton, Mass (PR: 11)
15. Dakota Johnson, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Nina Arianda, Being the Ricardos
Olga Merediz, In the Heights
Jessie Buckley, The Lost Daughter
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1)
2. Richard Jenkins, The Humans (PR: 4)
3. Ciaran Hinds, Belfast (PR: 3)
4. Kodi Smit-McPhee, The Power of the Dog (PR: 2)
5. Jason Isaacs, Mass (PR: 6)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 5)
7. Jamie Dornan, Belfast (PR: Not Ranked – moved from lead)
8. Corey Hawkins, The Tragedy of Macbeth (PR: 7)
9. Jesse Plemons, The Power of the Dog (PR: 8)
10. Mark Rylance, Don’t Look Up (PR: 9)
11. Troy Kotsur, CODA (PR: 13)
12. Willem Dafoe, Nightmare Alley (PR: 10)
13. David Alvarez, West Side Story (PR: Not Ranked)
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